Alice Channer
1977
born in Oxford, UK
lives and works in London
2008
MA in Sculpture at Royal College of Art, London, UK
2006
BA in Fine Art at Goldsmiths College, London, UK
SELECTED SOLO EXHIBITIONS
2022
Worms, Quartz Studio, Torino
2021
Nanowires, a permanent public sculpture for the new Engineering Department building at the University of the West of England
Fossil (Tonna Galea), Quartz Studio, Torino
Megaflora, Large Glass, London
Weaponized Glamour, Case Study Project Space, London
2019
Birthing Pool, Turf Projects, London
Man-made, Konrad Fischer Galerie, Düsseldorf
2018
A Coin In Nine Hands’ Part 5 (Carapaces), Large Glass, London
2016
Early Man, Konrad Fischer Galerie, Berlin
2015
Half-life, Lisa Cooley, New York, US
R o c k f a l l, Pied-á-terre, San Francisco, US
R o c k f a l l, Aspen Art Museum, Aspen, US
2014
Synthetic Fibres, The Approach, London, UK
2013
Soft Shell, Kunstverein Freiburg, DE
Invertebrates, The Hepworth Wakefield, West Yorkshire, UK
2012
Cold Blood, Lisa Cooley, New York, US
Out of Body, South London Gallery, London, UK
2011
Body Conscious, The Approach, London, UK
Other-Directed, BolteLang, Zurich, CH
2010
Inhale, Exhale, Charles Rennie Mackintosh Gallery, Glasgow School of Art, UK (as part of the Glasgow International, UK)
2009
Worn-work, The Approach, London, UK
Every Separation Is A Link, showreelproject.com, Milan, IT
I Cannot Tell The Difference Between One Thing And Another, Pied-á-terre, Portland, US
Works Folded Out Of And In To The Collection Of, World Class Boxing, Miami, US
I have been unable to borrow the template of Big Ben, Punctuation Programme, Limoncello, London, UK
2007
That Make Up Some Things, Associates Gallery, London, UK
SELECTED GROUP EXHIBITIONS
2022
The Searchers, HDTS, Wonder Valley, California
Look! Exposing Art and Fashion, Marta Herford, Marta
High Desert Test Sites 2022, curated by Iwona Blazwick, Joshua Tree
2021
Liverpool Biennial 2021: The Stomach and The Port, curated by Manuela Moscoso, Liverpool
Afterness, a series of major new commissions by Artangel at Orford Ness
Sculpture In The City, City Of London
Breaking the Mould, Sculpture by Women since 1945, An Arts Council Collection Touring Exhibition, Longside Gallery, Yorkshire Sculpture Park, Wakefield, UK, Spring 2021, then touring to New Art Gallery, Walsall; Djanogly Art Gallery, Nottingham; Ferens Art Gallery, Hull
2020
Lines, Konrad Fischer Galerie, Düsseldorf
Into The Labyrinth, curated by Charlotte Schepke, Dalby Forest, Low Dalby, Thornton-Le-Dale, Pickering
60 Years, Tate Britain, London
OUR FUMING LIPS MAKE A NEW MIRAGE, www.shell-like.com
The Technological Hand, Konrad Fischer Galerie, Berlin
Psychotropics, curated by Iwona Blazwick, The New Art Centre, Salisbury
Breathless. London Art Now, a British Council exhibition curated by Norman Rosenthal and Harry Woodlock, Ca'Pesaro, Venice
2019
Pairings: Sculpture in the Nasher and Rachofsky Collections, Nasher Sculpture Centre, Dallas
The Weather Garden: Anne Hardy curates the Arts Council Collection, Towner Art Gallery, Eastbourne
Fault Lines, curated by Edward Ball, Freelands Foundation, London
In The Labyrinth, Large Glass, London
Der Flexible Plan, Das Rokoko in der Gegenwartskunst, Museum Morsbroich
2018
This is the Gallery and the Gallery is Many Things X, Eastside Projects, Birmingham
The Axial Line, PS120, Berlin
The Shape Left By The Body, The Sunday Painter, London
Crash Test, curated by Nicolas Bourriaud, La Panacée, Montpellier
ISelf Collection: The Upset Bucket, Whitechapel Gallery, London, UK
Actions: 'The Image of the World Can Be Different', Kettles Yard, Cambridge, UK
Shifting Landscapes, Nottingham Castle Museum
2017
DOUBLES, DOBROS, PLIEGUES, PARES, TWINS, MITADES, The Warehouse, Dallas, USA
Rest in the Furrows of My Skin, Kunsthaus Hamburg
Production Show, Eastside Projects, Birmingham
Gravity and Grace, Aspen Art Museum
In A Dream You Saw A Way To Survive And You Were Full Of Joy, a Hayward Gallery Touring show curated by Elizabeth Price; The Whitworth Manchester; De La Warr Pavilion, Bexhill-on-Sea; Glynn Vivian Art Gallery, Swansea
2016
Production Show, Eastside Projects, Birmingham
Now for Tomorrow II, Nottingham Castle Museum & Art Gallery, Nottingham
The Cable Guys 2, Future Gallery, Berlin
In A Dream You Saw A Way To Survive And You Were Full Of Joy, The Whitworth, Manchester; (a Hayward Gallery touring show, curated by Elizabeth Price)
Wer nicht denken will, fliegt raus, Museum Kurhaus Kleve, Kleve
2015
Don’t Shoot the Painter, Galleria d’Arte Moderna, Milan
An Intervention, John Hansard Gallery, Southampton
Image Objects, Public Art Fund at City Hall Park, New York
New Skin, Aïshti Foundation, Beirut
2014
Chat Jet (Part 2) – Sculpture in Reflection, Künstlerhaus, Halle für Kunst & Medien, Graz
Nature after Nature, Fridericianum, Kassel
Cable Guys, Future Gallery, Berlin
Pool, Kestnergesellschaft, Hanover
Hi-Tide, Art Unlimited, Art Basel
Return Journey, Mostyn, Llandudno
2013
You Are Here, Worcester Art Museum, Massachuesetts
Skinz, Frieze Sculpture Park, Frieze London
COOKBOOK: l’art et le processus culinaire, Palais des Beaux-Arts, Paris
Slip, The Approach, London
Antibody, Lisa Cooley, New York
Il Palazzo Enciclopedico / The Encyclopedic Palace, 55th Venice Biennale, Venice
O the sleeping bag contains the body but not the dreaming head, Altman Siegel, San Francisco
Detouched, Project Arts Centre, Dublin
Drawing Sculpture, Drawing Room London / Leeds Art Gallery, touring exhibition
2012
Hard Metal Body, Art on the Underground, Central Line Series commission for Notting Hill Gate Tube Station, London, UK
Ultra Low/No Whiffs NO Butts, Hobbs Mclaughlin, London, UK
The London Open, Whitechapel Gallery, London, UK
Contemporary Collection Display: The Space Between, Tate Britain, London, UK
Caroline Achaintre, Sara Barker, Alice Channer, Eastside Projects, Birmingham, UK
Look here, upon this picture, Cherry & Martin, Los Angeles, US
2011
The Cat Is On The Table, Spazio A, Pistoia, IT
The Hole, London, UK Young London, V22 Workspace, London, UK
Alice Channer, Jamie Isenstein, J. Parker Valentine, Lisa Cooley, New York, US
Independent Art Fair, New York, US
Americans and Apricots, Crisp, London, UK
2010
Every night, I go to sleep, Stuart Shave/Modern Art, London, UK
Unto This Last, Raven Row, London, UK
Alice Channer, Dagmar Heppner, Alicja Kwade, Maria Zahle, Bolte Lang, Zurich, CH
2009
Boule to Braid, Lisson Gallery, London, UK (curated by Richard Wentworth)
The Quiet Revolution, Milton Keynes Gallery / Harris Museum & Art Gallery Preston /
Djanogly Art Gallery Nottingham, a Hayward Gallery touring exhibition, UK (curated by Chris Fite-Wassilak)
Because I Say So, Frost Art Museum at Florida International University, Miami, US
December 1952, Chelsea Space, London, UK
Little Shop On Hoxton Street, Limoncello, London, UK
2008
Dogtooth and Tessellate, The Approach, London, UK
Strange Solution, Art Now, Tate Britain, London, UK
Associates, Phillips De Pury, New York, US
M25 Around London, CCA Andtrax, Mallorca, ES (curated by Barry Schwabsky)
Please Don’t Make Me Be Misunderstood, World Class Boxing, Miami, US
V22, The Wharf Road Project, The Wenlock, London, UK (selected by Martin Westwood) 3 Building, Wharf Road, London, UK
100 Years, 100 Artists, 100 Works of Art, Art On The Underground, Rochelle School, London, UK
Multi-Focal, MA show, Royal College of Art Sculpture School, London, UK
2007
Took My Hands Off Your Eyes Too Soon, Tanya Bonakdar Gallery, New York, US
Two Halves A Show In, Interim Show, Royal College of Art, London, UK
2006
Explorers From Overseas, Galleri Specta, Copenhagen, DK
A Collection of Various Parts Including, Degree show, Goldsmiths College, London, UK
2004
Dividing Lines, Numbers Gallery, London, UK
(selected)
2021
Alice Channer "Megaflora" Large Glass / London by Alex Bennet - Flash Art
2019
Freelands Foundation, Fault Lines, Exhibition publication, Edward Ball, February 2019
Konrad Fischer Galerie, Alienated Bodies and Exilic Beings: Alice Channer's Man-made Exhibition, Exhibition essay, Noam Segal, January 2019
Turf Projects, Contaminated, Implicated, Exhibition text, Jes Fernie, July 2019
2017
"Conversations With Artists", by Heidi Zuckerman, Published by Aspen Art Press
"Writings on Pied-à-terre", by Benjamin Ashlock, Kim Bennet, Amanda Gracia Blanco, Juliette Blightman, Alice Channer, Shannon Ebner,
Anthony Huberman, Josh Minkus, K.r.m. Mooney, Blueberry Elizabeth Morningsnow, Kim Nguyen, McIntyre Parker, Scott Ponik, Lisa Radon,
Nick Raffel, Sophia Rhee, Michael Snow, Jordan Stein, Diego Villalobos, Hazel White, Published by Pied-à-terre in an edition of 701
2016
Monopol, Alte Meister, Von Neuen Geliebt, Alice Channer, June 2016, p 19
2015
Cornell, Lauren and Halter, Ed, “Mass Effect: Art and the Internet in the Twenty-First Century”, MIT Press, USA
“Don’t Shoot The Painter”, Paintings from the UBS Art Collection, Exhibition Catalogue, Galleria d’Arte Moderna, Milan, IT
Aspen Art Museum Exhibition Essay, Fast but Slow, Courtenay Finn, February, 2015
Artforum, 500 Words: Alice Channer, Barry Schwabsky, February, 2015
Art in America, The Form-Giver; A Picasso Symposium, Alice Channer, September 2015, pp 85 - 95
2014
Dietz, Heinrich and Lotz, Antonia, “Pool | Art from London”, Exhibition Magazine. Hamburg: Textem-Verlag, DE
Fridericianum Exhibition Publication, nature after nature, Susanne Pfeffer, May, 2014
Future Gallery Exhibition Publication, The Cable Guys, Ory Dessau, May 2014
2013
Bourriaud, Nicolas, “Cookbook: L’art et le processus culinaire”, Exhibition Catalogue, Paris: École Nationale Supérieure des Beaux-Arts, FR
Invertebrates, prose poem, commissioned by Alice Channer and Hepworth Wakefield, Kari Rittenbach, February 2013
2012
Lovatt, Anna, “Drawing: Sculpture”. Exhibition Catalogue, London: Drawing Room / Leeds: Leeds Art Gallery, UK
“Breathing”, Exhibition Catalogue, London: South London Gallery, UK
“The London Open”, Exhibition Catalogue, London: Whitechapel Gallery, UK
2010
Mackintosh Gallery at The Glasgow School of Art, His hOles, Alice Channer, April 2010
2009
The Coelacanth Journal, No.3 The Moderns: Inside Out, Alice Channer, 2009
2010
Artforum, Critic's Pick: Unto This Last, Ben Luke, June 2010
2009
Artforum, Worn-work, Barry Schwabsky, pp. 249, October 2009
