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Alice Channer


born in Oxford, UK  

lives and works in London


MA in Sculpture at Royal College of Art, London, UK


BA in Fine Art at Goldsmiths College, London, UK  


Nanowires, a permanent public sculpture for the new Engineering Department building at the University of the West of England

Fossil (Tonna Galea), Quartz Studio, Torino

Megaflora, Large Glass, London


Birthing Pool, Turf Projects, London

Man-made, Konrad Fischer Galerie, Düsseldorf


A Coin In Nine Hands’ Part 5 (Carapaces), Large Glass, London 


Early Man, Konrad Fischer Galerie, Berlin


Half-life, Lisa Cooley, New York, US

R o c k f a l l, Pied-á-terre, San Francisco, US

R o c k f a l l, Aspen Art Museum, Aspen, US


Synthetic Fibres, The Approach, London, UK


Soft Shell, Kunstverein Freiburg, DE

Invertebrates, The Hepworth Wakefield, West Yorkshire, UK


Cold Blood, Lisa Cooley, New York, US

Out of Body, South London Gallery, London, UK


Body Conscious, The Approach, London, UK

Other-Directed, BolteLang, Zurich, CH


Inhale, Exhale, Charles Rennie Mackintosh Gallery, Glasgow School of Art, UK (as part of the Glasgow International, UK)


Worn-work, The Approach, London, UK

Every Separation Is A Link,, Milan, IT

I Cannot Tell The Difference Between One Thing And Another, Pied-á-terre, Portland, US

Works Folded Out Of And In To The Collection Of, World Class Boxing, Miami, US

I have been unable to borrow the template of Big Ben, Punctuation Programme, Limoncello, London, UK


That Make Up Some Things, Associates Gallery, London, UK


Look! Exposing Art and Fashion, Marta Herford, Marta

High Desert Test Sites 2022, curated by Iwona Blazwick, Joshua Tree


Liverpool Biennial 2021: The Stomach and The Port, curated by Manuela Moscoso, Liverpool

Afterness, a series of major new commissions by Artangel at Orford Ness

Sculpture In The City, City Of London

Breaking the Mould, Sculpture by Women since 1945, An Arts Council Collection Touring Exhibition, Longside Gallery, Yorkshire Sculpture Park, Wakefield, UK, Spring 2021, then touring to New Art Gallery, Walsall; Djanogly Art Gallery, Nottingham; Ferens Art Gallery, Hull


Lines, Konrad Fischer Galerie, Düsseldorf

Into The Labyrinth, curated by Charlotte Schepke, Dalby Forest, Low Dalby, Thornton-Le-Dale, Pickering

60 Years, Tate Britain, London


The Technological Hand, Konrad Fischer Galerie, Berlin

Psychotropics, curated by Iwona Blazwick, The New Art Centre, Salisbury

Breathless. London Art Now, a British Council exhibition curated by Norman Rosenthal and Harry Woodlock, Ca'Pesaro, Venice


Pairings: Sculpture in the Nasher and Rachofsky Collections, Nasher Sculpture Centre, Dallas

The Weather Garden: Anne Hardy curates the Arts Council Collection, Towner Art Gallery, Eastbourne

Fault Lines, curated by Edward Ball, Freelands Foundation, London

In The Labyrinth, Large Glass, London

Der Flexible Plan, Das Rokoko in der Gegenwartskunst, Museum Morsbroich


This is the Gallery and the Gallery is Many Things X, Eastside Projects, Birmingham

The Axial Line, PS120, Berlin

The Shape Left By The Body, The Sunday Painter, London

Crash Test, curated by Nicolas Bourriaud, La Panacée, Montpellier

ISelf Collection: The Upset Bucket, Whitechapel Gallery, London, UK

Actions: 'The Image of the World Can Be Different', Kettles Yard, Cambridge, UK

Shifting Landscapes, Nottingham Castle Museum



Rest in the Furrows of My Skin, Kunsthaus Hamburg

Production Show, Eastside Projects, Birmingham

Gravity and Grace, Aspen Art Museum

In A Dream You Saw A Way To Survive And You Were Full Of Joy, a Hayward Gallery Touring show curated by Elizabeth Price; The Whitworth Manchester; De La Warr Pavilion, Bexhill-on-Sea; Glynn Vivian Art Gallery, Swansea


Production Show, Eastside Projects, Birmingham

Now for Tomorrow II, Nottingham Castle Museum & Art Gallery, Nottingham

The Cable Guys 2, Future Gallery, Berlin

In A Dream You Saw A Way To Survive And You Were Full Of Joy, The Whitworth, Manchester; (a Hayward Gallery touring show, curated by Elizabeth Price)

Wer nicht denken will, fliegt raus, Museum Kurhaus Kleve, Kleve


Don’t Shoot the Painter, Galleria d’Arte Moderna, Milan

An Intervention, John Hansard Gallery, Southampton

Image Objects, Public Art Fund at City Hall Park, New York

New Skin, Aïshti Foundation, Beirut


Chat Jet (Part 2) – Sculpture in Reflection, Künstlerhaus, Halle für Kunst & Medien, Graz

Nature after Nature, Fridericianum, Kassel

Cable Guys, Future Gallery, Berlin

Pool, Kestnergesellschaft, Hanover

Hi-Tide, Art Unlimited, Art Basel

Return Journey, Mostyn, Llandudno


You Are Here, Worcester Art Museum, Massachuesetts

Skinz, Frieze Sculpture Park, Frieze London

COOKBOOK: l’art et le processus culinaire, Palais des Beaux-Arts, Paris

Slip, The Approach, London

Antibody, Lisa Cooley, New York

Il Palazzo Enciclopedico / The Encyclopedic Palace, 55th Venice Biennale, Venice

O the sleeping bag contains the body but not the dreaming head, Altman Siegel, San Francisco

Detouched, Project Arts Centre, Dublin

Drawing Sculpture, Drawing Room London / Leeds Art Gallery, touring exhibition


Hard Metal Body, Art on the Underground, Central Line Series commission for Notting Hill Gate Tube Station, London, UK

Ultra Low/No Whiffs NO Butts, Hobbs Mclaughlin, London, UK

The London Open, Whitechapel Gallery, London, UK

Contemporary Collection Display: The Space Between, Tate Britain, London, UK

Caroline Achaintre, Sara Barker, Alice Channer, Eastside Projects, Birmingham, UK

Look here, upon this picture, Cherry & Martin, Los Angeles, US


The Cat Is On The Table, Spazio A, Pistoia, IT

The Hole, London, UK Young London, V22 Workspace, London, UK

Alice Channer, Jamie Isenstein, J. Parker Valentine, Lisa Cooley, New York, US

Independent Art Fair, New York, US

Americans and Apricots, Crisp, London, UK


Every night, I go to sleep, Stuart Shave/Modern Art, London, UK

Unto This Last, Raven Row, London, UK

Alice Channer, Dagmar Heppner, Alicja Kwade, Maria Zahle, Bolte Lang, Zurich, CH


Boule to Braid, Lisson Gallery, London, UK (curated by Richard Wentworth)

The Quiet Revolution, Milton Keynes Gallery / Harris Museum & Art Gallery Preston /

Djanogly Art Gallery Nottingham, a Hayward Gallery touring exhibition, UK (curated by Chris Fite-Wassilak)

Because I Say So, Frost Art Museum at Florida International University, Miami, US

December 1952, Chelsea Space, London, UK

Little Shop On Hoxton Street, Limoncello, London, UK


Dogtooth and Tessellate, The Approach, London, UK

Strange Solution, Art Now, Tate Britain, London, UK

Associates, Phillips De Pury, New York, US

M25 Around London, CCA Andtrax, Mallorca, ES (curated by Barry Schwabsky)

Please Don’t Make Me Be Misunderstood, World Class Boxing, Miami, US

V22, The Wharf Road Project, The Wenlock, London, UK (selected by Martin Westwood)  3 Building, Wharf Road, London, UK

100 Years, 100 Artists, 100 Works of Art, Art On The Underground, Rochelle School, London, UK

Multi-Focal, MA show, Royal College of Art Sculpture School, London, UK


Took My Hands Off Your Eyes Too Soon, Tanya Bonakdar Gallery, New York, US

Two Halves A Show In, Interim Show, Royal College of Art, London, UK


Explorers From Overseas, Galleri Specta, Copenhagen, DK

A Collection of Various Parts Including, Degree show, Goldsmiths College, London, UK


Dividing Lines, Numbers Gallery, London, UK



Alice Channer "Megaflora" Large Glass / London by Alex Bennet - Flash Art


Freelands Foundation, Fault Lines, Exhibition publication, Edward Ball, February 2019

Konrad Fischer Galerie, Alienated Bodies and Exilic Beings: Alice Channer's Man-made Exhibition, Exhibition essay, Noam Segal, January 2019

Turf Projects, Contaminated, Implicated, Exhibition text, Jes Fernie, July 2019


"Conversations With Artists", by Heidi Zuckerman, Published by Aspen Art Press

"Writings on Pied-à-terre", by Benjamin Ashlock, Kim Bennet, Amanda Gracia Blanco, Juliette Blightman, Alice Channer, Shannon Ebner,

Anthony Huberman, Josh Minkus, K.r.m. Mooney, Blueberry Elizabeth Morningsnow, Kim Nguyen, McIntyre Parker, Scott Ponik, Lisa Radon,

Nick Raffel, Sophia Rhee, Michael Snow, Jordan Stein, Diego Villalobos, Hazel White, Published by Pied-à-terre in an edition of 701


Monopol, Alte Meister, Von Neuen Geliebt, Alice Channer, June 2016, p 19


Cornell, Lauren and Halter, Ed, “Mass Effect: Art and the Internet in the Twenty-First Century”, MIT Press, USA  

“Don’t Shoot The Painter”, Paintings from the UBS Art Collection, Exhibition Catalogue, Galleria d’Arte Moderna, Milan, IT

Aspen Art Museum Exhibition Essay, Fast but Slow, Courtenay Finn, February, 2015

Artforum, 500 Words: Alice Channer, Barry Schwabsky, February, 2015

Art in America, The Form-Giver; A Picasso Symposium, Alice Channer, September 2015, pp 85 - 95


Dietz, Heinrich and Lotz, Antonia, “Pool | Art from London”, Exhibition Magazine. Hamburg: Textem-Verlag, DE

Fridericianum Exhibition Publication, nature after nature, Susanne Pfeffer, May, 2014

Future Gallery Exhibition Publication, The Cable Guys, Ory Dessau, May 2014


Bourriaud, Nicolas, “Cookbook: L’art et le processus culinaire”, Exhibition Catalogue, Paris: École Nationale Supérieure des Beaux-Arts, FR

Invertebrates, prose poem, commissioned by Alice Channer and Hepworth Wakefield, Kari Rittenbach, February 2013


Lovatt, Anna, “Drawing: Sculpture”. Exhibition Catalogue, London: Drawing Room / Leeds: Leeds Art Gallery, UK

“Breathing”, Exhibition Catalogue, London: South London Gallery, UK

“The London Open”, Exhibition Catalogue, London: Whitechapel Gallery, UK 


Mackintosh Gallery at The Glasgow School of Art, His hOles, Alice Channer, April 2010


The Coelacanth Journal, No.3 The Moderns: Inside Out, Alice Channer, 2009


Artforum, Critic's Pick: Unto This Last, Ben Luke, June 2010


Artforum, Worn-work, Barry Schwabsky, pp. 249, October 2009


04. Sep 2020 - 06. Nov 2020



18. Jan 2019 - 09. Mar 2019


Alice Channer

29. Apr 2016 - 18. Jun 2016