Sol Lewitt
1928
born in Hartford, Connecticut
died in 2007
1953
studied at the School of Visual Arts, New York
1945-49
studied at Syracuse University, New York
PUBLIC COLLECTIONS (selection)
Art Institute of Chicago
Guggenheim Bilbao, Spain
Solomon R. Guggenheim Museum, New York
Metropolitan Museum of Art, New York
Museum of Modern Art, New York
National Galleries of Scotland, Edinburgh
National Gallery of Art, Washington D.C.
National Galelry of Australia, Canberra
National Gallery of Camada, Ottawa
Nelson-Atkins Museum of Art, Missouri
San Francisco Museum of Modern Art
Tate Gallery, London
Whitey Museum of American Art, New York
Bonnefanten Museum, Netherlands
Brooklyn Museum, New York
Castello di Rivoli Museo d’Arte Contemporanea, Torino, Italy
The Cleveland Museum of Art, Ohio
Harvard Art Museums, Massachusetts
Kunstmuseum Basel, Switzerland
Los Angeles County Museum of Art, LA
The Museum of Contemporary Art, Los Angeles
Philadelphia Museum of Art
SELECTED SOLO EXHIBITIONS
2024
Sol LeWitt, Alfonso Artiaco, Italy
2023-2024
Sol LeWitt's Wall. Performed, Kunsthaus Graz, Austria
Sol LeWitt, Jewish Historical Museum, Amsterdam, Netherlands
2022-2023
Sol Lewitt: All Ideas Are Art, Bechtler Museum of Modern Art, USA
2022
Conversation of "Wall Drawing #120" by Sol LeWitt, Kroller-Muller Museum, Netherlands
Sol LeWitt: Structures, Paula Cooper Gallery, New York, USA
2021-2022
Strict Beauty: Sol LeWitt Prints, New Britain Museum of American Art, Connecticut, USA
2019
Sol LeWitt: Lines, Forms, Volumes, 1970s to Present, Galleria Alfonso Artiaco, Naples, Italy
Book as System: The Artists’ Books of Sol LeWitt, Printed Matter, Inc., New York, USA
2018
Sol LeWitt: Large Gouaches, Paula Cooper Gallery, New York, USA
Sol LeWitt: Lines in All Directions, Mignoni, New York, USA
By Hand: Sol LeWitt, The Mattatuck Museum, Waterbury, Connecticut, USA
Sol LeWitt Wall Drawings: Expanding a Legacy, Yale University Art Gallery, New Haven, USA
Sol LeWitt, Honor Fraser Gallery, Los Angeles, USA
Sol LeWitt: 1 + 1 = 1 Million, Vito Schnabel Gallery, St. Moritz, Switzerland
2017
Sol LeWitt: Between the Lines, Fondazione Carriero, Milan, Italy
Sol LeWitt: Structures, Massachusetts Museum of Contemporary Art, North Adams, USA
One Wall, One Work: Sol LeWitt, Barbara Krakow Gallery, Boston, USA
Sol LeWitt: 6 Wall Drawings, Musee des Beaux-Arts, Le Locle, Switzerland
2016
Sol LeWitt: Wall Drawing #1183: Eight Bands of Color, Cahiers D’Art Gallery, Paris, France
Sol LeWitt, Paula Cooper Gallery, New York, USA
Sol LeWitt, Cardi Gallery, Milan, Italy
2015
Sol LeWitt, Gladstone Gallery, New York, USA
Sol LeWitt, Konrad Fischer Galerie, Berlin
Sol LeWitt, Konrad Fischer Galerie, Düsseldorf
Sol LeWitt. 17 Wall Drawings 1970-2015, Fundación Botín, Santander, Spain
Sol LeWitt. 40 Years with Annemarie Verna Gallery Part I, Annemarie Verna Galerie, Zurich, Switzerland
From The Collection – Sol LeWitt, SMAK, Gent, Belgium
Sol LeWitt. Structures and Related Works on Paper, Barbara Krakow Gallery, Boston, USA
2014
Redrawing Sol LeWitt Wall Drawing 731, Gallery Onetwentyeight, New York, USA
Creating Place, Asheville Art Museum, Asheville, USA
Sol LeWitt. at that Line, Art Gallery of New South Wales, Sydney, Australia
Sol LeWitt. Prints, Pace Prints, New York, USA
Sol LeWitt. Horizontal Progressions, Pace Gallery, New York, USA
2013
The Music Collection, Aldrich Contemporary Art Museum, Ridgefield, USA
Sol LeWitt. Paula Cooper Gallery, New York, USA
Sol LeWitt. Shaping Ideas, Jewish Community Center, New York, USA
Sol LeWitt. Wall Drawings, Blondeau & Cie, Geneva, Switzerland
Sol LeWitt. Concrete Block Structure, Rhona Hoffman Gallery, Chicago, USA
Sol LeWitt. Cut, Torn, Ripped, Folded, James Cohan Gallery, New York, USA
2012
Sol LeWitt. The Artist and His Artists, Museo d’Arte Contemporanea Donnaregina, Naples, Italy
Sol LeWitt, Alfonso Artiaco, Naples, Italy
Sol LeWitt. Pyramides, Galerie Marian Goodman, Paris, France
Sol LeWitt. The Well-Tempered Grid, Williams College Museum, Williamstown, MA, USA
Sol LeWitt. Colors, M-Museum, Leuven, Belgium
Sol LeWitt’s Lines in Four Directions in Flowers, Philadelphia Museum of Art, Philadelphia, USA
Sol LeWitt. Wall Drawings from 1968 to 2007, Centre Pompidou, Metz, France
Sol LeWitt, JGM Galerie, Paris, France
2011
Sol LeWitt. Structures, Works on Paper, Wall Drawings 1971–2005, L.A. Louver Gallery, Los Angeles, USA
Sol LeWitt. Artist's Books, Art Laboratory, Berlin
Sol LeWitt.The Structures, Public Art Fund, City Hall Park, New York, USA
Sol LeWitt. Photographic Works 1968 - 2004, Fraenkel Gallery, San Francisco, USA
Sol LeWitt. Arcs and Lines, Paula Cooper Gallery, New York, USA
Sol LeWitt. Structures and Drawings, Barbara Mathes Gallery, New York, USA
Sol LeWitt. Four Towers Structure, Annemarie Verna Galerie, Zurich, Switzerland
2010
Sol LeWitt. Wall Drawings, Konrad Fischer Galerie, Berlin
Sol LeWitt. The Artist's Books, Site Gallery, Sheffield, UK
Sol LeWitt, Gladstone Gallery, New York, USA
Remix: Sol LeWitt, Albright-Knox Art Gallery, Buffalo, USA
Sol LeWitt, Rhona Hoffman Gallery, Chicago, USA
Sol LeWitt, Christophe Daviet-Therry, Paris, France
Sol LeWitt. 2D + 3D, Walker Art Center, Minneapolis, USA
Sol LeWitt. Wall Drawings and Gouaches, Galería Juana de Aizpuru, Madrid, Spain
Sol LeWitt, Gladstone Gallery, Brussels, Belgium
Sol LeWitt. A Mercer Union Legacy Project, Mercer Union, Toronto, Canada
Sol LeWitt. Hartford’s Native Son, Wadsworth Atheneum Museum of Art, Hartford, USA
Sol LeWitt. Scribble Wall Drawing, Albright-Knox Art Gallery, Buffalo, USA
Sol LeWitt. Rhona Hoffman Gallery, Chicago, USA
Sol LeWitt. Gouache on Paper, 1987–2005, L.A. Louver, Venice, USA
Sol LeWitt. Wall Drawings and Gouaches, Galeria Juana de Aizpuru, Madrid, Spain
2009
Sol LeWitt, Brooke Alexander, New York, USA
Sol LeWitt. Seven Wall Drawings, Magasin 3, Stockholm Konsthall, Stockholm, Sweden
Sol LeWitt, Pace Prints, New York, USA
Sol LeWitt. Forms Derived from a Cube, PaceWildenstein, 32 East 57th Street, New York, USA
Sol LeWitt. Locations, Barbara Krakow Gallery, Boston, USA
Artist Rooms. Sol LeWitt, Tate Liverpool, Liverpool, UK
Sol LeWitt. Works on Paper, Paula Cooper Gallery, New York, USA
Sol LeWitt. Wall Drawing Scribble #15, 2007, Annemarie Verna Gallery, Zurich, Switzerland
Sol LeWitt. Works on Paper and Structures 1966–2005, Annemarie Verna Gallery, Zurich, Switzerland
Artist’s Books by Sol LeWitt, Galleria Civica d’Arte Moderna, Palazzo Collicola, Spoleto, Italy; Museo internazionale e biblioteca musica, Bologna, Italy; BAS, Instanbul, Turkey; Christophe Daviet-Thery Bookstore, Paris, France; Site Gallery, Sheffield, UK; Intonation Centre of Graphic Arts, Ljubljana, Slovenia
Sol LeWitt. Emblemata, Florence Loewy, Paris, France
Sol LeWitt. Walldrawing 815, Exile, Berlin
Sol LeWitt. Wall Drawing, Galleria Continua, San Gimignano, Italy
Sol LeWitt. Sculptures and gouaches, Muller Gallery, Knokke-Heist, Belgium
2008
Sol LeWitt. Works on Paper, Serge Sorokko Gallery, San Francisco, USA
Sol LeWitt. Wall Drawing #139, Smith College Museum of Art, Northampton, USA
The ABCD's of Sol LeWitt, Williams College Museum of Art, Williamstown, USA
Sol LeWitt x 2, Cincinnati Contemporary Arts Center, Cincinnati, USA
Sol LeWitt. Color and Line - Reproduced, Smart Museum of Art, Chicago, USA
Sol LeWitt. Monumental Drawings, Galleria Nazionale d'Arte Moderna, Rome, Italy
Sol LeWitt, The Barbara Krakow Gallery, Boston, USA
Sol LeWitt, Storm King Art Center, Mountainville, USA
Sol LeWitt, Galerie Lelong, Paris, France
Focus: Sol LeWitt, Museum of Modern Art, New York, USA
Sol LeWitt. Arbeiten auf Papier, Galerie Boisserée, Cologne, Germany
Sol LeWitt. Early Works, Björn Ressle Gallery, New York, USA
Sol LeWitt, Annemarie Verna Gallery, Zurich, Switzerland
2007
Sol LeWitt. Selected Editions, Pace prints, New York, USA
Sol LeWitt x 2, Weatherspoon Art Museum, Greensboro / Miami Art Museum, USA
Sol LeWitt. A cube with scribble band in four directions, Paula Cooper Gallery, New York, USA
Sol LeWitt. Gouaches, Muller Gallery, Knokke-Heist, Belgium
Sol LeWitt. Works on paper 1990 - 2004, Serge Sorokko Gallery, San Francisco, USA
Sol LeWitt. The Allen Memorial Art Museum, Oberlin, USA
Sol LeWitt. Scribble Wall Drawings, PaceWildenstein, New York, USA
Sol LeWitt, Museo Serralves, Porto, Portugal
Sol LeWitt. In Memoriam, Museum of Contemporary Art, Chicago, USA
Sol LeWitt, Bonnefantenmuseum, Maastricht, Netherlands
Sol LeWitt, Metropol Kunstraum, Munich, Germany
2006
Sol LeWitt. Portfolios - Sets: 1971-1983, Barbara Krakow Gallery, Boston, USA
Sol LeWitt. Drawing Series, Dia:Beacon, USA
Sol LeWitt x 2, The Madison Museum of Contemporary Art, Madison, USA
Sol LeWitt. Monoprints, Pace Prints, New York, USA
New Acquisitions, Serge Sorokko Gallery, San Francisco, USA
Sol LeWitt. Wall Drawings and Early Works, Le Case d’Arte, Milan, Italy
Sol LeWitt. Wall Drawings 1973, Lisson Gallery, London, UK
Replication: The Books of Sol LeWitt, New York Art Book Fair, New York, USA
Sol LeWitt. Table, Dorfman Projects, New York, USA
Sol LeWitt. Monoprints, Pace Prints, New York, USA
Sol LeWitt, Adam Gallery, London, UK
Sol LeWitt, Al Galeria, Budapest, Hungary
Sol LeWitt. Wall Drawings and Gouaches, Galleria Studio G7, Bologna, Italy
Sol LeWitt, Fondazione Merz, Turin, Italy
2005
Sol LeWitt. Splotches and Gouaches, Margo Leavin Gallery, Los Angeles, USA
Sol LeWitt. Gouaches, Yvon Lambert, Paris, France
New Editions: Sol LeWitt, Pace Prints, New York, USA
New Sol LeWitt Drawings, The Space Gallery, New York, USA
Sol LeWitt. Complex Form No. 7, Everson Museum of Art, Syracuse, USA
Sol LeWitt on the Roof: Splotches, Whirls and Twirls, The Metropolitan Museum of Art, New York, USA
Sol LeWitt. Drawings for Projects, Donald Young Gallery, Chicago, USA
Sol LeWitt. Wall Drawing #801: Spiral, Bonnefantenmuseum, Maastricht, Netherlands
Sol LeWitt, Galleria Massimo Minini, Brescia, Italy
Sol LeWitt. Works From 1961 to 1986, Galerie Piéce Unique, Paris, France
Sol LeWitt. Photographic works, Gemeentemuseum, The Hague, Netherlands
Sol LeWitt. Recent Work, Lyman Allyn Art Museum, New London, USA
Sol LeWitt, Galleria Valentina Bonomo Arte Contemporanea, Rome, Italy
Sol LeWitt. Lost Voices, Synagoge Stommeln, Pulheim, Germany
Minimal LeWitt, Alva Gallery, New London, USA
Sol LeWitt. 123, Dia Art Foundation, New York, USA
Sol LeWitt. New Wall Drawings, Alfonso Artiaco, Napoli, Italy
Sol LeWitt. New Wall Drawings, Pace Wildenstein, New York, USA
Sol LeWitt. Walldrawing for Josef Albers, Josef Albers Museum Quadrat Bottrop, Bottrop, Germany
Sol LeWitt. Gouaches, Paula Cooper Gallery, New York, USA
Sol LeWitt. Graphic Work, Galeria Estiarte, Madrid, Spain
Sol LeWitt. New Works, Galerie Meert Rihoux, Brussels, Belgium
Sol LeWitt, Madison Square Park, New York, USA
2004
Sol LeWitt. Gouaches, Muller Gallery, Knokke-Heist, Belgium
Sol LeWitt. The Zurich Project - Haus Konstruktiv, Stiftung für konstruktive und konkrete Kunst, Zurich, Switzerland
Sol LeWitt. New Works, Lisson Gallery, London, UK
Sol LeWitt. New Wall Drawings, Fraenkel Gallery, San Francisco, USA
Sol LeWitt. Weatherspoon Art Museum, Greensboro, USA
Sol LeWitt. Wall Drawing #1123 - Planes with broken bands of color, The Aldrich Contemporary Art Museum, Ridgefield, USA
Sol LeWitt. Recent Acquisitions, The RISD Museum, University of Rhode Island, Providence, USA
Sol LeWitt. Structures 1962 - 2003, PaceWildenstein, New York, USA
Sol LeWitt. Recent Work, Katonah Museum of Art, Katonah, USA
Sol LeWitt. Indoor/Outdoor Exhibition, Laumeier Sculpture Park, Saint Louis, USA
Sol LeWitt. Wall Drawing - Structure - Gouaches, Annemarie Verna Galerie, Zurich, Switzerland
Sol LeWitt. Photography, Camera Austria, Kunsthaus Graz, Austria
Sol LeWitt. Wall, Kunsthaus Graz, Austria
Sol LeWitt. Recent Works, Katonah Museum of Art, New York, USA
Sol LeWitt. New Wall Drawing, Collection Lambert, Avignon, France
2003
Sol LeWitt. New Wall Drawings and Gouaches, Rhona Hoffman Gallery, Chicago, USA
Sol LeWitt. Serge Sorokko Gallery, San Francisco, USA
Sol LeWitt, Konrad Fischer Galerie, Düsseldorf
Sol LeWitt. Wall Drawing/Print/Works on Paper, Rosemarie Schwarzwälder, Vienna, Austria
Sol LeWitt. New Drawings, Margo Leavin Gallery, Los Angeles, USA
Sol LeWitt. Brick and Block Outdoor Sculpture, Max Protetch Sculpture Garden, Beacon, USA
Sol LeWitt. Fotografia, Museo Colecciones ICO, Madrid, Spain
Sol LeWitt. Models for Proposed Dome Structures and Recent Gouaches, The Barbara Krakow Gallery, Boston, USA
Sol LeWitt. Wall Drawings, Kunstsammlung Chemnitz, Germany
Sol LeWitt. Wall Drawings, Gouaches, Galleria Allesandra Bonomo, Rome, Italy
Sol LeWitt. Paula Cooper Gallery, New York, USA
Sol LeWitt. Walter Storms Galerie, Munich, Germany
LeWitt's LeWitt and Selections from the Collection of Sol and Carol LeWitt, New Britain Museum of American Art, New Britain, USA
Sol LeWitt. Horizontal Brushstrokes, Livingston Gallery, The Hague, Netherlands
Sol LeWitt. Maquettes 1979-2003, Maiden Lane Exhibition Space, New York, USA
2002
Sol LeWitt. Incomplete open cubes, Scottsdale Museum of Contemporary Art, Scottsdale, USA
Sol LeWitt, Alfonso Artiaco, Naples, Italy
Sol LeWitt. Gouaches, Paula Cooper Gallery, New York, USA
Project Space: Sol LeWitt, Center for Contemporary None Objective Art, Brussels, Belgium
Sol LeWitt. New Wall Drawings, PaceWildenstein, New York, USA
Sol LeWitt. Drawings, Prints and Books 1968 - 1988, National Gallery of Australia, Canberra, Australia
Sol LeWitt, The Nordic Watercolour Museum, Skärhamn, Sweden
Sol LeWitt. Recent Prints, Augen Gallery, Portland, USA
Sol LeWitt. Wall Drawings – New Gouaches, Galerie Sfeir, Hamburg, Germany
Sol LeWitt. Wall Drawings, Phillip Alan Gallery, New York, USA
Sol LeWitt, Juliana Gallery, Seoul, South Korea
Sol LeWitt. Wall Drawings y Gouaches, Galerie Juana de Aizpuru, Madrid, Spain
Sol LeWitt, Fundación Pedro Barrié de la Maza, Coruña, Spain
2001
Sol LeWitt. Wall Drawings, Fundación PROA, Buenos Aires, Argentina
Sol LeWitt. Incomplete Open Cubes, The Cleveland Museum of Art, Cleveland / Wadsworth Atheneum Museum of Art, Hartford, USA
Sol LeWitt, Regen Projects, Los Angeles, USA
Sol LeWitt, Margo Leavin Gallery, Los Angeles, USA
Sol LeWitt. Variations of Incomplete Open Cubes, Colby College Museum of Art, Waterville, USA
Sol LeWitt, Galerie Greta Meert, Brussels, Belgium
Sol LeWitt. New Wall Drawings, Irish Museum of Modern Art, Dublin, Ireland
Sol LeWitt, Annemarie Verna Gallery, Zurich, Switzerland
Sol LeWitt. New Wall Drawings, Galerie Thomas Schulte, Berlin
Sol LeWitt. Emblemata, Dabbeni Studio d'arte contemporanea, Lugano, Switzerland
Sol LeWitt. Wall Drawings, Yvon Lambert, Paris, France
Sol LeWitt. Wall Drawings, Artspace New Haven, New Haven, USA
Sol LeWitt, Atelier del Bosco di Villa Medici, Rome, Italy
Sol LeWitt. New Gouaches, Art and Public Gallery, Geneva, Switzerland
Sol LeWitt. Wall Drawings and Prints, Chestnut Hill Academy, Philadelphia Celebrating 75 Years: A Wall Drawing by Sol LeWitt, Williams Collage Museum of Art, Williamstown, USA
2000
Sol LeWitt. New Large Concrete Block Structures, Paula Cooper Gallery, New York, USA
Sol LeWitt. A Retrospective, Whitney Museum of American Art, New York, USA
Sol LeWitt. Structure / Wall Drawing / Gouaches, PaceWildenstein, New York, USA
Sol LeWitt. Wall Work, Queens Museum of Art, New York, USA
Sol LeWitt. Black Cubes, Konrad Fischer Galerie, Düsseldorf
Sol LeWitt. San Francisco Museum of Modern Art, San Francisco, USA
Sol LeWitt. Works on Paper, Structures, Rhona Hoffman Gallery, Chicago, USA
Sol LeWitt. Arcs and Bands in Colors, Edition Schellmann, Munich, Germany
Sol LeWitt. The University of Michigan Museum of Art, Michigan, USA
Sol LeWitt. Galería Toni Tápies, Barcelona, Spain
Sol LeWitt. Sculptures and Gouaches, The Barbara Krakow Gallery, Boston, USA
Wall to Wall: A Decade of Prints by Sol LeWitt, Alva Gallery, New London, USA
Sol LeWitt, Juliana Gallery, Seoul, South Korea
Sol LeWitt, Donald Young Gallery, Chicago, USA
Sol LeWitt. New Structures, Galerie Tschudi, Clarus, Switzerland
Sol LeWitt, Palazzo del Esposizioni, Rome, Italy
Sol LeWitt, Alfonso Artiaco, Naples, Italy
1999
Sol LeWitt. Wall Drawings, Paula Cooper Gallery, New York, USA
Sol LeWitt. Neue Gouachen, Galerie Daniel Blau, Munich, Germany
Sol LeWitt. New Work, Galerie Meert Rihoux, Brussels, Belgium
Sol LeWitt. New Work (Black + Colors), Institute of Contemporary Art, University of Pennsylvania, Philadelphia , USA
Sol LeWitt. Irregular Forms, Galerie Franck + Schulte, Berlin
Sol LeWitt, Fondazione Volume!, Rome, Italy
Sol LeWitt. Circles Arcs and Bands, Rhona Hoffman Gallery, Chicago Sol LeWitt. Indoors: Drawings and Models - Outdoors: Concrete Block Structures, P.S.1, New York, USA
Sol LeWitt. New Wall Drawings, Galerie Pietro Sparta, Chagny, France
1998
Sol LeWitt. New Wall Drawings, PaceWildenstein, New York, USA
Sol LeWitt. Wall Drawings and Photographs, Fraenkel Gallery, San Francisco, USA
Sol LeWitt, Liliana Tovar, Stockholm Sol LeWitt. Wall Pieces (Drawings and Maquettes for Large Scale Structures), Lisson Gallery, London, UK
Sol LeWitt. Flat and Glossy Colors, PaceWildenstein, Los Angeles, USA
Sol LeWitt. Recent’ Gouaches, PaceWildenstein, Los Angeles, USA
Sol LeWitt, Galleria d’Arte Moderna e Contemporanea Palazzo Forti, Verona, Italy
Sol LeWitt, Galleria Continua, San Gimignano, Italy Sol LeWitt. Works on Paper, San Jose Institute of Contemporary Art, San Jose, USA
Sol LeWitt. New Wall Paintings, Museum of Contemporary Art, Sydney, Australia
Sol LeWitt. New Wall Drawings, PaceWildenstein, New York, USA
Sol LeWitt. Bands of Lines: A Wall Drawing, Birmingham Bloomfield Art Center, Birmingham, USA
Sol LeWitt. Wall Works, Alyce de Roulet Williamson Gallery, Art Center College of Design, Pasadena, USA
Sol LeWitt, Museum Moderner Kunst Landkreis Cuxhaven, Germany
1997
Sol LeWitt. Stars, Hiram Butler Gallery, Houston, USA
Sol LeWitt. New Work, Rice University Art Gallery, Houston, USA
Sol LeWitt. 100 Cubes, Kunsthaus Aarau, Switzerland
Sol LeWitt. New Works, Galerie Nächst St. Stephan, Vienna, Austria
Sol LeWitt. Drawings and Structures, Montserrat College of Art Gallery, Beverly, USA
Sol LeWitt. Wall Drawing and Prints, Cummings Art Center, Connecticut College, New London New Work, Rhona Hoffman Gallery, Chicago Wall Paintings, Ace Gallery, New York Wall Drawings, Donald Young Gallery, Seattle Progressions. Works on Paper from the LeWitt Collection, Connecticut College, New London, USA
Sol LeWitt, Paula Cooper Gallery, New York Sol LeWitt, Works of the 60s and 70s, Ubu Gallery, New York, USA
Sol LeWitt. Sculpture & Works on Paper, Jan Weiner Gallery, Kansas City, USA
Sol LeWitt. Recent Works, Annemarie Verna Galerie, Zurich, Switzerland
Sol LeWitt. Cinque Quadri, Ugo Ferranti, Rome, Italy
1996
United States Representative, 23rd International Bienal of São Paulo, Brasil
Sol LeWitt. Prints: 1970 - 1995, The Museum of Modern Art, New York travelled to: Blaffer Gallery, University of Houston, The Cleveland Museum of Art, The Detroit Institute of Arts Sol LeWitt. Wall Drawing Installation and Styrofoam Installation, St Marks Position, New York, USA
Retrospektiv II. Sol LeWitt - Richard Tuttle: Werke/Works 1965-1995, Annemarie Verna Galerie, Zurich, Switzerland
Sol LeWitt. Wall Drawings, Sala de las Alhajas, Caja de Madrid, Spain
Sol LeWitt. Drawings, Colby College Museum of Art, Waterville, USA Sol LeWitt. New Work, Skoto Gallery, New York, USA (with El Anatsui)
Sol LeWitt. New Wall Drawings, The Pier Arts Centre, Stromess Orkney, UK Sol LeWitt. Drawings and Sculptures, Barbara Krakow Gallery, Boston, USA
Sol LeWitt. Stars, Betsy Senior Gallery, New York, USA
Sol LeWitt. Gouaches, Dan Galeria, São Paulo, Brazil Sol LeWitt. Large Scale Monoprints, Pace Prints, New York, USA
Sol LeWitt, Works On Paper, Philadelphia, USA
Sol LeWitt, Galerie Konrad Fischer, Düsseldorf
Two works by Sol LeWitt, Stedelijk Van Abbemuseum, Eindhoven, Netherlands
Walls, Galerie Franck + Schulte, Berlin
1995
Sol LeWitt, Lisson Gallery, London, UK
Sol LeWitt. Working Drawings, John Weber Gallery, New York, NY, travelled to Rhona Hoffman Gallery, Chicago, USA
Sol LeWitt. Wall Drawings 1970 - 1971, Lawrence Markey, New York, USA
Sol LeWitt. Cinderblock Structures, Ace Gallery, New York, USA
Sol LeWitt. Wall Drawings, Kukje Gallery, Seoul, South Korea
Sol LeWitt. New Wall Works, Joseloff Gallery, West Hartford, USA
Sol LeWitt : Styrofoam Wall Pieces, Kunstverein Ludwigsburg, Villa Franck, Ludwigsburg, Germany
Sol LeWitt. Wall Drawings, Ludwigsburger Schloßfestspiele, Ludwigsburg, Germany
Sol LeWitt. Structures, Galerie Pietro Spartà, Chagny, France
Sol LeWitt. Gouaches, Daniel Weinberg Gallery, San Francisco, USA
Sol LeWitt. Very Large Gouaches, Gagosian Gallery, New York, USA
Sol LeWitt. 25 Small Gouache Drawings, Gallery 128, New York, USA
Sol LeWitt. 26 Gouaches, Chester Gallery, Chester, USA
Sol LeWitt. New Gouaches, PaceWildenstein, Beverly Hills, USA
1994
Sol LeWitt, John Weber Gallery, New York, USA
Sol LeWitt. Wall Drawings, Pace Gallery, New York Sol LeWitt. Recent Works on Paper, Annemarie Verna Galerie, Zurich, Switzerland
Sol LeWitt. Wall Drawings, Art & Public, Geneva, Switzerland
Sol LeWitt. Wall Drawings, Zerynthia, Contrada Cervinara di Paliano, Paliano, Italy
Sol LeWitt. Wall Work: White Styrofoam on Black & Related Works on Paper, Barbara Krakow Gallery, Boston, USA
Sol LeWitt. Working Drawings, Thomas Segal Gallery, Boston, USA
Sol LeWitt. Dessins, 1958-1992, Centre Pompidou, Musée National d'art Moderne, Paris, France
Sol LeWitt. Wall Drawings 25 Years of Wall Drawings - 1969 – 1994, RENN Espace d’Art Contemporain, Paris, France
1993
Sol LeWitt: Twenty - Five Years of Wall Drawing: 1968 – 1993, Addison Gallery of American Art, Phillips Academy, Andover, USA
Sol LeWitt Structures 1962 - 1993 Museum of Modern Art, Oxford, UK
Sol LeWitt, Galeria Tovar, Bogotá, Spain
Sol LeWitt: New Wall Pieces, Konrad Fischer, Düsseldorf
Sol LeWitt Structures 1962–1993, Museum of Modern Art, Oxford travelled to: Villa Stuck, Munich, Henry Moore Sculpture Trust, Leeds City Art Gallery, Fruitmarket Gallery, Edinburgh, Neues Museum Weserburg, Bremen, Germany
Sol LeWitt. Styrofoam Wall Installation, Gallery Yvon Lambert, Paris, France
Sol LeWitt. Recent Work, New Britain Museum of American Art, New Britain, USA
1993
Sol LeWitt: Wall Drawings from the Collection of Robert and Sana Risman, Francis Colburn Gallery, University of Vermont, Burlington, USA
1992
Sol LeWitt. Una Struttura per Esterno, Massimo Minini, Brescia, Italy
Sol LeWitt, John Weber Gallery, New York, USA
Sol LeWitt. Black Gouaches, Galerie Natkin Berta, Paris, France
Sol LeWitt. Complex Forms: Structures and Prints, Akus Gallery, Eastern Connecticut State University, Willimantic, USA
Sol LeWitt. New Wall Drawings, Quint Krichman Projects, La Jolla and San Diego, USA
Sol LeWitt. Drawings 1958–1992, Gemeentemuseum Den Haag. Travelled to Museum of Modern Art, Westfälisches Landesmuseum, Münster, Henry Moore Sculpture Trust, Leeds City Art Gallery, Kunstmuseum Winterthur, Centre Georges Pompidou, Paris, Musée de Picardie, Amiens, Fundació Tapiès, Barcelona, Museum of Fine Arts, Boston, Baltimore Museum of Art, Maryland Sol LeWitt. New Aquatints, Aldrich Museum, Ridgefield, USA
1991
Sol LeWitt, Donald Young Gallery, Chicago, USA
Sol LeWitt, Konrad Fischer Galerie, Düsseldorf
Sol LeWitt. Black Gouaches, Julian Pretto Gallery, New York, USA
Sol LeWitt. Structures, Thomas Segal Gallery, Boston, USA
Sol LeWitt. New Structures, Donald Young Gallery, Seattle, USA
Sol LeWitt. Wall Drawings and Gouaches, Galerie Ressle, Stockholm, Sweden
Sol LeWitt. Wall Drawings # 44, 45, 46, 1970, Galerie Yvon Lambert, Paris, France
Sol LeWitt. Wall Drawings, Structures & Gouaches, John Stoller & Co., Minneapolis, USA
Sol LeWitt. Œuvres de 1961 a 1986, Galerie 1900–2000, Paris, France
Sol LeWitt. Sculptures et gouaches, Galerie Patrick Roy, Lausanne, Switzerland
Sol LeWitt. Five Geometric Structures and their Combinations, Graeme Murray Gallery, Edinburgh, UK
Sol LeWitt. Wall Drawing, Bündner Kunstmuseum Chur, Switzerland
Sol LeWitt. Gallery Cellar, Nagoya, Japan
Sol LeWitt. Sculture e gouaches, Galleria Marilena Bonomo, Bari, Italy
Sol LeWitt. Complex Forms, Annemarie Verna, Zurich, Switzerland
Sol LeWitt. Wall Drawings, Barbara Krakow Gallery, Boston, USA
Sol LeWitt, Galleria Allessandra Bonomo, Rome, Italy
Sol LeWitt: New Structures, Lisson Gallery, London, UK
1990
Sol LeWitt, Galleria Alfonso Artiaco, Pozzuoli, Italy
Sol LeWitt, Spazio d'Arte, Naples, Italy
Sol LeWitt. Complex Forms 1990, Wall Drawings, Gerichtsgebäude E, Frankfurt am Main, Germany
Sol LeWitt. New Structures and Gouaches, Galerie Pierre Huber, Geneva, Switzerland
Sol LeWitt. New Wall Drawings, John Weber Gallery, New York, USA
Sol LeWitt. Prints, Susan Sheehan Gallery, New York, USA
Sol LeWitt. Prints and Related Works, Tomoko Liguori Gallery, New York, USA
Sol LeWitt. Recent Prints, Lawrence Oliver Editions, Philadelphia, USA
Sol LeWitt. Structures, Galerie Vega, Liège, Belgium
Sol LeWitt. Structures & Prints, Galleria Juana de Aizpuru, Seville, Spain
Sol LeWitt. Wall Drawings, Galeria Benet Costa, Barcelona, Spain
Sol LeWitt. Wall Drawings, Galleria Persano, Turin, Italy
Sol LeWitt. Large Scale Concrete Block Sculpture, Max Protetch Gallery, New York, USA
Sol LeWitt. Bücher/Books 1966–1990, Portikus, Frankfurt a. Main, Germany
1989
Sol LeWitt. Wall Drawings 1984 – 1989, Kunsthalle Bern, Switzerland
Sol LeWitt. Incomplete Open Cubes, Galerie Le Gall Peyroulet, Paris, France
Sol LeWitt. Sculpture and Drawings, Daniel Weinberg Gallery, Los Angeles, USA
Sol LeWitt. Serigraphies et dessins, Gilbert Brownstone et Cie, Paris, France
Sol LeWitt. 3 recente zeefdrukken, Galerie de Expeditie, Amsterdam, Netherlands
Sol LeWitt. Wall Drawings, Galeria 57, Madrid, Spain
Sol LeWitt. Wall Drawings, Galleria Ugo Ferranti, Rome, Italy
Sol LeWitt. Wall Drawings, Texas Gallery, Houston, USA
Sol LeWitt. Wall Drawings/Works on Paper, Thomas Segal Gallery, Boston, USA
Sol LeWitt. Works on Paper, Shea & Beker, New York, USA
Sol LeWitt. Wall Drawings, Samuel S.T. Chen Art Center, Central Connecticut State, USA
Sol LeWitt. Sculture / Acquarelli, Studio G7, Ginevra Grigolo, Bologna, Italy
Sol LeWitt. Wall Drawings y Gouaches, Galeria Juana de Aizpuru, Madrid, Spain
Sol LeWitt. Prints and Related Works, Brooke Alexander Editions, New York, USA
Sol LeWitt. A Wall Drawing Exhibition, Lisson Gallery, London, UK
Sol LeWitt. Complex Form #8, Galleria Bonomo, Bari, Italy
Sol LeWitt, Alfonso Artiaco, Pozzuoli/Naples, Italy
Sol LeWitt. Wall Drawings, Galerie Tanit, Munich, Germany
1988
Sol LeWitt, Lawrence Oliver Gallery, Philadelphia, USA
Sol LeWitt. New Structures, John Weber Gallery, New York, USA
Sol LeWitt. Installation and Sculpture, B.R. Kornblatt, Washington, USA
Sol LeWitt. New Structures, John Weber Gallery, New York, USA
Sol LeWitt. Structures, Galerie Peter Pakesch, Vienna, Austria
Sol LeWitt. Structures, Galleria Massimo Minini, Brescia, Italy
Sol LeWitt. Wall Drawings, Annemarie Verna, Zurich, Switzerland
Sol LeWitt. Wall Drawings and Works on Paper, Donald Young Gallery, Chicago, USA
Sol LeWitt. Wall Drawings, Des Moines Art Center, Iowa, USA
Sol LeWitt. Wall Drawings, Le Case d'arte, Milan, Italy
Sol LeWitt. Wall Drawings, Kestner-Gesellschaft, Hannover, Germany
Sol LeWitt. Forme di Righe in Bianco e Nero, Salone dei Camuccini, Museo Di Capodimonte, Naples, Italy
Sol LeWitt. 12 Recent Works on Paper, Lisson Gallery, London, UK
Sol LeWitt. Wall Drawings: Continuous Forms with Color and Gouache Superimposed, Wiener Secession, Vienna, Austria
1987
Sol LeWitt Structure: 3 x 3 x l, Doris C. Freedman Plaza, New York, USA
Sol LeWitt. Wall Drawings, Galerie Ressle, Stockholm, Sweden
Sol LeWitt. Wall Drawings, Graeme Murray Gallery, Edinburgh, UK
Sol LeWitt. Wall Drawings, Konrad Fischer, Düsseldorf
Sol LeWitt. Gravures, Gouaches, Dessins, Galerie Vega, Liège, Belgium
Works: Sol LeWitt, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA
Drawing Now. Sol LeWitt, Baltimore Museum of Art, USA
Sol LeWitt. Wall Drawings, Galerie Yvon Lambert, Paris, France
Sol LeWitt. Wall Drawings, Alessandra Bonomo, Rome, Italy
Sol LeWitt. Tilted Forms, Wall Drawings, Westfalischer Kunstverein, Munster, Germany
Sol LeWitt. Wall Drawings, Ugo Ferranti Gallery, Rome, Italy
Sol LeWitt. Wall Drawings, Cleveland Museum of Art, Cleveland, USA
Sol LeWitt. Double Pyramids, John Weber Gallery, New York, USA
Pick Up the Book, Turn the Page, and Enter the System: Books by Sol LeWitt, Minnesota Center for Book Arts, Minneapolis, USA
Sol LeWitt. Open Structures, New Prints, Galleria Marilena Bonomo, Bari, Italy
Sol LeWitt. Wall Drawings, Musée d'Art Moderne de la Ville de Paris, France
1986
Sol LeWitt, Galerie Peter Pakesch, Vienna, Austria
Sol LeWitt, Galleria Mario Pieroni, Rome, Italy
Sol LeWitt, Marco Noire, Turin, Italy
Sol LeWitt. New Structures, Donald Young Gallery, Chicago, USA
Sol LeWitt. Pyramides Aquarelles Sur Papier, Galerie Yvon Lambert, Paris, France
Sol LeWitt. Pyramids, John Weber Gallery, New York, USA
Sol LeWitt. Structures: 1978–1986, Annemarie Verna, Zurich, Switzerland
Sol LeWitt. Wall Drawings, Institute for Contemporary Art, London, UK
Sol LeWitt. Wall Drawings, Magasin, Centre National d'Art Contemporain de Grenoble, France
Sol LeWitt. Wall Drawings, Dessins, et Aquarelles, Galerie Vega, Liège, Belgium
Sol LeWitt. Works on Paper from the RSM Collection, Contemporary Arts Center, Cincinnati, USA
Sol LeWitt. Wall Drawings, Drawing Center, New York, USA
Sol LeWitt. Prints 1970–1986, Tate Gallery, London, UK
Sol LeWitt. Acquarelle von 1982–1985, Galerie Schiessel, Munich, Germany
Sol LeWitt. New Wall Drawings, Rhona Hoffman Gallery, Chicago, USA
Sol LeWitt. Intervento Su Parete, Spazio immagine, Foligno, Italy
Sol LeWitt, Studio G7, Ginevra Grigolo, Bologna, Italy
1985
Sol LeWitt, Saatchi Collection, London, UK
Sol LeWitt. Diciannove Poliedre in Legno, Fausto Scaramucci, Spoleto, Italy
Sol LeWitt. Wall Drawings and Structures, Daniel Weinberg Gallery, Los Angeles, USA
Sol LeWitt, Galleria Mario Pieroni, Rome, Italy
New Works: Sol LeWitt, Harvard University Art Museums, Cambridge, Massachusetts, USA
Pyramid: A Wall Drawing by Sol LeWitt, Brooklyn Museum of Art, New York, USA
Sol LeWitt, Light Gallery, New York, USA
Sculture di Sol LeWitt a Tecnopolis, Marilena Bonomo, Bari, Italy
1984
Skulpturen von Sol LeWitt, Konrad Fischer, Düsseldorf
Sol LeWitt. Drawings, Galerie Yvon Lambert, Paris, France
Sol LeWitt. Wall Drawings, Gewad, Belgium
Sol LeWitt. Wall Drawings and Drawings, Annemarie Verna, Zurich, Switzerland
Sol LeWitt. Wall Drawings and Works on Paper, Stedelijk Museum, Amsterdam, Netherlands
Sol LeWitt, Galleria Marilena Bonomo, Bari, Italy
Sol LeWitt. Wall Drawings, Lisson Gallery, London, UK
Sol LeWitt. Sculptures: 1964–1974, Galerie Daniel Templon, Paris, France
Sol LeWitt. Wall Drawings, Au Fond de la Cour À Droite, Chagny, France
Sol LeWitt. Wall Drawings, Raum für Kunst, Hamburg, Germany
Sol LeWitt. Structures, Stedelijk Van Abbemuseum, Eindhoven, Netherlands
Sol LeWitt: Books 1968–1983, Gallery A, Amsterdam, Netherlands
1983
Sol LeWitt, Academia del Belle Arti, Perugia, Italy
Sol LeWitt. Three Portfolios, Brooke Alexander Gallery, New York, USA
Sol LeWitt. Wall Drawings, Ugo Ferranti Gallery, Rome, Italy
Sol LeWitt. Wall Drawings, Aquatints, Woodcuts, Screenprints, Galleriet, Lund, Sweden
Sol LeWitt. Piramide, Galleriea Mario Pieroni, Rome, Italy
Sol LeWitt, Davenport Art Gallery, Iowa, USA
Sol LeWitt. Star Prints, Matrix Gallery, University Art Museum, Berkeley, California, USA
Sol LeWitt. Drawings, Watercolors and Prints, Lisson Gallery, London, UK
Sol LeWitt, Musée d'Art Contemporain de Bordeaux, Bordeaux, France
1982
Sol LeWitt, Banco Gallery, Brescia, Italy
Sol LeWitt, William Aronowitsch Gallery, Stockholm, Sweden
Sol LeWitt,Young/Hoffman Gallery, Chicago, USA
Sol LeWitt. Wall Drawings, Illinois Institute of Technology, Chicago, USA
Sol LeWitt. Drawings, David Bellman Gallery, Toronto, Canada
Sol LeWitt. Structures, Ugo Ferranti Gallery, Rome, Italy
Sol LeWitt. Barbara Toll Fine Arts, New York, USA
Sol LeWitt. Isometric Drawings, John Weber Gallery, New York, USA
Wall Drawings. Sol LeWitt, Rudiger Schöttle Gallery, Munich, Germany
Sol LeWitt. Wall Drawings, Galleria Marilena Bonomo, Bari, Italy
1981
Sol LeWitt, Graphics l and 2, Boston, USA
Sol LeWitt, Konrad Fischer, Düsseldorf
Sol LeWitt, Van Krimpen Gallery, Amsterdam, Netherlands
Sol LeWitt. New Structures. Works on Paper, David Bellman Gallery, Toronto, Canada
Sol LeWitt. Photogrids, Brick Wall, Autobiography, On the Walls of the Lower East Side, University Art Gallery, New Mexico State University, Las Cruces, New Mexico, USA
Sol LeWitt. Wall Drawings, Geometric Figures, Max Protetch Gallery, New York, USA
Sol LeWitt. Six Geometric Figures, Real Art Ways, Hartford, Connecticut, USA
Sol LeWitt. Wall Drawings and Drawings, Daniel Weinberg Gallery, San Francisco, USA
Sol LeWitt. Wall Drawings and Drawings, Graeme Murray Gallery, Edinburgh, UK
Sol LeWitt. Wall Drawings: 1968–1981, Wadsworth Atheneum, Hartford, Connecticut, travelled to Wesleyan University Art Gallery, Middletown, Connecticut, USA
Sol LeWitt, Paula Cooper Gallery, New York, USA
Sol LeWitt, Palace of Culture, Warsaw, Poalnd
Sol LeWitt. Strukturen 1978–80, Annemarie Verna, Zurich, Switzerland
Sol LeWitt, Mercer Union Art Gallery, Toronto, Canada
Sol LeWitt. Six geometric figures and all their double combinations, Galerie Yvon Lambert, Paris, France
1980
Sol LeWitt, Ugo Ferranti Gallery, Rome, Italy
Sol LeWitt. Grids & Color, Rüdiger Schottle, Munich, Germany
Sol LeWitt. Photogrids, Protetch MacIntosh Gallery, Washington, D.C., USA
Sol LeWitt, Larry Gagosian Gallery, Los Angeles and Venice, California, USA
Sol LeWitt. Structures and Wall Drawings, Texas Gallery, Houston, USA
Sol LeWitt. Statues (A Melodrama), John Weber Gallery, New York, USA
Sol LeWitt. New Structures, Wall Drawings, Drawings, Young/Hoffman Gallery, Chicago, USA
Sol LeWitt. All Four-Part Combinations of Six Geometric Figures, Galerie Watari, Tokyo, Japan
Sol LeWitt. These are 20 drawings all 3 part combinations of six geometric figures, Galleria Marilena Bonomo, Bari, Italy
Sol LeWitt, John Weber Gallery, New York, USA
1979
Sol LeWitt, Galerie Yvon Lambert, Paris, France
Sol LeWitt, Konrad Fischer, Düsseldorf
Sol LeWitt, Rosa Esman Gallery, New York, USA
The Graphics of Sol LeWitt, New Britain Museum of American Art, Connecticut, USA
Sol LeWitt. New Structures and Photogrids, Young/Hoffman Gallery, Chicago, USA
Sol LeWitt. Photogrids, Margo Leavin Gallery, Los Angeles, USA
Sol LeWitt. Geometric Structures, Lisson Gallery, London, UK
1978
Sol LeWitt, Protetch MacIntosh Gallery, Washington, D.C., USA
Sol LeWitt. Drawings, Michael Berger Gallery, Pittsburgh, USA
Sol LeWitt. Geometric Figures, Rolf Preisig Gallery, Basel, Sitzerland
Sol LeWitt. Prints and Drawings, John Weber Gallery, New York, USA
Sol LeWitt. Hallen für Internationale Neue Kunst, Zurich, Switzerland
Sol LeWitt. Galleria Marilena Bonomo, Bari, Italy
Sol LeWitt. Prints, Brooklyn Museum of Art, New York, USA
Sol LeWitt. The Museum of Modern Art, New York, travelled to Museum of Contemporary Art, Montreal, Krannert Museum of Art, University of Illinois, Champaign, Museum of Contemporary Art, Chicago, La Jolla Museum of Contemporary Art, La Jolla, CA, USA
1977
Sol LeWitt, Joslyn Art Museum, Omaha, Nebraska, USA
Sol LeWitt, National Gallery of Victoria, Melbourne, Australia
Sol LeWitt, University of North Dakota Art Gallery, Grand Forks, USA
Sol LeWitt. Geometric Figures, Konrad Fischer, Düsseldorf
Sol LeWitt. Incomplete Open Cubes, Prints, and Wall Drawings, University Gallery, University of Massachusetts, Amherst, MA, USA
Sol LeWitt, Art & Architecture Gallery, Yale School of Art, New Haven, CT, USA
Sol LeWitt. In una vecchia torre a Spoleto, Galleria Marilena Bonomo, Bari, Italy
Sol LeWitt. Saman Gallery, Genoa, Italy
Sol LeWitt. Incomplete Open Cubes, Museum of Modern Art, Oxford, UK
Sol LeWitt. Art Gallery of New South Wales, Sydney, Australia
Sol LeWitt. Lisson Gallery, London, UK
Sol LeWitt. Structures, John Weber Gallery, New York, USA
Sol LeWitt. Geometric Figures within Geometric Figures, Utah Museum of Fine Arts, Salt Lake City, USA
1976
Sol LeWitt, Galerie T.H. Keller, Kempfenhausen, Germany
Sol LeWitt. Geometric Figures, Galerie MTL, Brussels, Belgium
Sol LeWitt. Modular Drawings, Centre d'art contemporain, Geneva, Switzerland
Sol LeWitt. Wall Drawings, Claire Copley Gallery, Los Angeles, USA
Sol LeWitt, Wall Drawings, Structures, and Prints, Fine Arts Gallery, University of Colorado, Boulder, USA
Sol LeWitt. Drawings, Prints, and Cubes, Kornblatt Gallery, Baltimore, USA
Sol LeWitt, Gian Enzo Sperone, Rome, Italy
Sol LeWitt. Incomplete Open Cubes, Kölnischer Kunstverein, Cologne, Germany
Sol LeWitt. Five Structures, Dag Hammarskjöld Plaza Sculpture Garden, New York, USA
Sol LeWitt, Visual Arts Museum, New York, USA
1975
Sol LeWitt, Aronowitsch Gallery, Stockholm, Sweden
Sol LeWitt, Galerie Konrad Fischer, Düsseldorf
Sol LeWitt, Lucio Amelio Modern Art Agency, Naples, Italy
Sol LeWitt, Saman Gallery, Genoa, Italy
Sol LeWitt. Incomplete Open Cubes and Wall Drawings, Scottish National Gallery of Modern Art, Edinburgh, UK
Sol LeWitt. Lines and Color, Annemarie Verna, Zurich, travelled to Rolf Preisig Gallery, Basel, Switzerland
Sol LeWitt. Incomplete Open Cubes, Galleria Peccolo, Livorno, Italy
Sol LeWitt, Claire Copley Gallery, Los Angeles, USA
Sol LeWitt. Graphik, 1970–1975, Kunsthalle Basel, Switzerland
Sol LeWitt. Incomplete Open Cubes, Kunsthalle Basel, Switzerland
Sol LeWitt. Incomplete Open Cubes, Galleria Sperone, Turin, Italy
Sol LeWitt. Wall Drawings, Israel Museum, Jerusalem, Israel
Sol LeWitt. Incomplete Open Cubes, Stedelijk van Abbemuseum, Eindhoven, Netherlands
Sol LeWitt. Wall Drawings, Drawings, and Incomplete Open Cubes, Daniel Weinberg Gallery, San Francisco, USA
Sol LeWitt. Incomplete Open Cubes, Art & Project, Amsterdam, Netherlands
1974
Sol LeWitt, Ace Gallery, Los Angeles, USA
Sol LeWitt, Daniel Weinberg Gallery, San Francisco, USA
Sol LeWitt, Galerie December, Münster, Germany
Sol LeWitt, Galerie Vega, Liege, Belgium
Sol LeWitt, Galleria Scipione, Macerata, Italy
Sol LeWitt, Rijksmuseum Kröller Muller, Otterlo, Netherlands
Sol LeWitt, Gian Enzo Sperone, New York, USA
Prints, Stedelijk Museum, Amsterdam, Netherlands
Wall Drawings and Structures: The Location of Six Geometric Figures: Variations of Incomplete Open Cubes, John Weber Gallery, New York, USA
Sol LeWitt, Galleria Sperone, Turin, Italy
Sol LeWitt. Location of Three Geometric Figures, Palais des Beaux Arts, Brussels, Belgium
Sol LeWitt, Lisson Gallery, London, UK
The Location of Eight Points, Max Protetch Gallery, Washington, D.C., USA
Incomplete Open Cubes, Galerie Yvon Lambert, Paris, France
1973
Sol LeWitt, Galleria L'Attico, Rome, Italy
Sol LeWitt, Lisson Gallery, London, UK
Sol LeWitt, Museum of Modern Art, Oxford, UK
Sol LeWitt. Six Wall Drawings, Cusack Gallery, Houston, USA
Sol LeWitt. Wall Drawings, Portland Center for the Visual Arts, Oregon, USA
Sol LeWitt, Galleria Marilena Bonomo, Bari, Italy
Sol LeWitt, Galleria Toselli, Milan, Italy
Sol LeWitt, Rosa Esman Gallery, New York, USA
Sol LeWitt, John Weber Gallery, New York, USA
Cercles & lignes. Sol LeWitt, Galerie Yvon Lambert, Paris, France
1972
Sol LeWitt, Dayton Art Institute, Ohio, USA
Sol LeWitt, Galerie MTL, Brussels, Belgium
Sol LeWitt, Harcus-Krakow Gallery, Boston, USA
Arcs, from corners & sides, circles, & grids and all their combinations, Kunsthalle Bern, Switzerland
Sol LeWitt, Konrad Fischer, Düsseldorf
Sol LeWitt, Art & Project, Amsterdam, Netherlands
Sol LeWitt. Lithographs and Wall Drawings, Nova Scotia College of Art & Design, Halifax, Canada
Sol LeWitt, Gallery A-402, California Institute of the Arts, Valencia, Italy
Sol LeWitt. Wall Drawings, Sculpture, Hayden Gallery, Massachusetts Institute of Technology, Cambridge, USA
1971
Sol LeWitt, Dunkelman Gallery, Toronto, Canada
Sol LeWitt, Galerie Stampa, Basel, Switzerland
Sol LeWitt, Galerie Ernst, Hannover, Germany
Sol LeWitt. Structures and Wall Drawings, John Weber Gallery, New York, USA
Sol LeWitt, Art & Project, Amsterdam, Netherlands
Sol LeWitt, Konrad Fischer, Düsseldorf
Sol LeWitt, Informations-Raum 3, Basel, Switzerland
Sol LeWitt, Galleria Toselli, Milan, Italy
Sol LeWitt, Lisson Gallery, London, UK
Sol LeWitt. Prints and Drawings, Dwan Gallery, New York, USA
Sol LeWitt. Wall Drawings, Protetch-Rivkin Gallery, Washington, D.C., USA
Sol LeWitt, Art & Project, Amsterdam, Netherlands
1970
Sol LeWitt, Pasadena Art Museum, Pasadena, USA
Sol LeWitt, Galerie Heiner Friederich, Munich, Germany
Sol LeWitt, Haags Gemeentemuseum, Netherlands
Sol LeWitt, Lisson Gallery, London, UK
Sol LeWitt. Wall Drawings, Galleria Sperone, TurinTurin, Italy
Sol LeWitt, Galerie Yvon Lambert, Paris, France
Sol LeWitt, Wisconsin State University, River Falls, Wisconsin, USA
Sol LeWitt, Art & Project, Amsterdam, Netherlands
1969
Sol LeWitt, Galerie Bischofberger, Zurich, Switzerland
Sol LeWitt, Galerie Ernst, Hannover, Germany
Sol LeWitt. Sculptures and Wall Drawings, Museum Haus Lange, Krefeld
Sol LeWitt. Wall Drawings, Dwan Gallery
Sol LeWitt, Galleria L'Attico, Rome
Sol LeWitt, Galerie Konrad Fischer, Düsseldorf
1968
Sol LeWitt, Ace Gallery, Los Angeles
Sol LeWitt, Galerie Heiner Friederich, Munich
Sol LeWitt, Galerie Bischofberger, Zürich
Sol LeWitt, Dwan Gallery, New York
Sol LeWitt, Galerie Konrad Fischer, Düsseldorf
1967
Sol LeWitt, Dwan Gallery, Los Angeles1966Sol LeWitt, Dwan Gallery, New York
1965
Sol LeWitt, John Daniels Gallery, New York
SELECTED GROUP EXHIBITIONS
2024
Flavin, Judd, Kawara, LeWitt, Palermo, Ryman, Sandback, Serra, David Zwirner, Los Angeles, USA
On Paper, Locks Gallery, Pennsylvania, USA
Tracing Lineage: Abstraction and it's Aftermath, Bruce Museum, Connecticut, USA
2023-2024
Sculpture from Louisiana's Collection, Louisiana Museum of Modern Art, Denmark
Seven Rooms and a Garden:Rashid Johnson and The Moderna Museet Collection, Moderna Museet, Stockholm, Sweden
Thinking outside the box, MGKSiegen, Germany
No Feeling is Final, Kunsthalle Wien, Austria
2023
Pulp Potential, Asheville Art Museum, North Carolina, USA
A Leap into the Void. Art Beyond Matter, Galleria d'Arte Moderna e Contemporanea, Italy
2022-2023
Snowfall: Surface & Seeing, Sotheby's Aspen, Colorado, USA
2021-2023
Sol LeWitt & Konrad Fischer: Lines And Lines, K21, Kunstsammlung NRW, Düsseldorf
2019
Where the River Twists, Wangsim, Taipei, Taiwan
Monumental Minimal, Galerie Thaddaeus Ropac, Paris, France
2018
Suspension: A History of Abstract Hanging Sculpture. 1918–2018, Palais d’léna, Paris, France
50 Years: An Anniversary, Paula Cooper Gallery, New York, USA
Picasso – Gorky – Warhol: Sculptures and Works on Paper, Collection Hubert, Kunsthalle Krems, Krems an der Donau, Austria, July 1–November 2018; Kunsthaus Zürich, Switzerland
American Masters 1940–1980, National Gallery of Australia, Canberra, Australia
Between the Lines, Yumiko Chiba Associates, Tokyo, Japan
LeWitt, Nevelson, Pendleton Part II, Pace Gallery, Geneva, Switzerland
Bernd and Hilla Becher: In Dialogue with Carl Andre and Sol LeWitt, Paul Cooper Gallery, New York, USA
LeWitt, Nevelson, Pendleton, Pace Gallery, Geneva, Switzerland
Principia Mathematica, Pace Gallery, 32 East 57th Street, New York, USA
Carl Andre, Dan Flavin, On Kawara, Sol LeWitt: Early Works, Mignoni Gallery, New York, USA
Overlays, Krakow Witkin Gallery, Boston, USA
2017
Darkling, Krakow Witkin Gallery, Boston, USA
2016
Wolke und Kristall - Die Sammlung Dorothee und Konrad Fischer, Kunstsammlung Nordrhein-Westfalen, Düsseldorf
Between Subjects, Krakow Witkin Gallery, Boston, USA
WITH A TOUCH OF PINK - WITH A BIT OF VIOLET - WITH A HINT OF GREEN - Dorothee Fischer in memoriam, Konrad Fischer Galerie, Düsseldorf
2015
Mental Diary, Kunstverein Hannover, Germany
Ein Quadrat ist ein Quadrat ist ein Quadrat, Highlights aus der Sammlung Marli Hoppe-Ritter, Museum Ritter, Waldenbuch, Germany
Summer Group Exhibition, Marian Goodman Gallery, New York, USA
Gray Would Be the Color If I Had a Heart, Marc Straus, New York, USA
Black & White, Sammlung Maximillian and Agathe Weishaupt, Munich, Germany
Showing Off: Recent Modern & Contemporary Acquisitions, Denver Art Museum, Denver, USA
Selections from the Kramarsky Collection, David Zwirner, New York, USA
New York America is Hard to See, Whitney Museum of American Art, New York, USA
Signs/Words, Sperone Westwater, New York, USA
Carl Andre, Dan Flavin, Sol LeWitt, Paula Cooper Gallery, New York, USA
2014
wizz eyelashes. Walter De Maria, Katharina Grosse, Sol LeWitt, Magasin III, Stockholm, Sweden
#4/9 JKL, A-Z. Die Sammlung Marzona, Hamburger Bahnhof, Berlin
Intenzione manifesto. Il disegno in tutte le sue lingue e forme, Castello di Rivoli, Turin, Italy
One Million Years - System und Symptom, Kunstmuseum Basel – Museum für Gegenwartskunst, Basel, Switzerland
Melting Walls, works from the Igal Ahouvi Art Collection, curated by Sarit Shapira, the Genia Schreiber University Art Gallery, Tel Aviv, Israel
By Proxy, James Cohan Gallery, New York, USA
Love Story – The Anne & Wolfgang Titze Collection, Winter Palace and 21er Haus, Vienna, Austria
Mind and Matter, Fonds M-ARCO, Le Box, Marseille, France
PLIAGE/FOLD, Gagosian Gallery, Paris, France
Converging Lines: Eva Hesse and Sol LeWitt, Blanton Museum of Art at the University of Texas, Austin, USA
2013
Galleria Massimo Minini, Brescia, Italy
White, Dickinson Gallery, New York, USA
System/Repetition, Russell Bowman Art Advisory, Chicago, USA
Under Pressure: Contemporary Prints from the Collection of Jordan D. Schnitzer and his Family Foundation, Utah Museum of Fine Arts, Salt Lake City, USA travelled to Missoula Art Museum, Montana, USA
Yes, No, Maybe: Artists Working at Crown Point Press, National Gallery of Art, Washington, D.C, travelled to McNay Art Museum, San Antonio, USA
Image and Abstraction, Pace Gallery, New York, USA
The Lunder Collection: A Gift of Art to Colby College, Colby College Museum of Art, Waterville, Ireland
When Attitudes Become Form: Bern 1969/Venice 2013, Ca’ Corner della Regina, Fondazione Prada, Venice, Italy
Moving: Norman Foster on Art, Carré d'Art - Musée d'art Contemporain, Nîmes, France
Striped, Mitterand + Cramer, Geneva, Switzerland
Edge, Order, Rupture, Galerie Lelong, New York, USA
Celebrating 20 Years of Neptunstrasse 42, Annemarie Verna Galerie, Zurich, Switzerland
Winter Group Show, Pace Gallery, New York, USA
Geometric Abstraction, Pace Prints, New York, USA
2012
Kabinettstücke - Vorhut aus dem Hinterland Teil 2, Weserburg, Bremen, Germany
How to Make - Ideen, Notationen, Materialisierungen, Kunsthaus Dresden, Germany
The Artists' Postcard Show, Spike Island, Bristol, UK
Autobiographies, Espace Louis Vuitton, Paris, France
The Barbara Krakow Gallery, Boston, USA
Barbara Mathes Gallery, New York, UK
The Pace Gallery, New York, UK
Margo Leavin Gallery, Los Angeles, USA
Senior & Shopmaker Gallery, New York, USA
Art=Text=Art: Works by Contemporary Artists From the Collection of Sally and Wynn Kramarsky, Jane Voorhees Zimmerli Art Museum, New Brunswick, Canada
Close Relations and A Few Black Sheep: Sculpture from the Permanent Collection, Weatherspoon Art Museum, Greensboro, North Carolina, USA
Wood, Metal, Paint: Sculpture from the Fischer Collection, Cantor Arts Center at Stanford University, Stanford, USA
Arte torna Arte, Galleria dell'Accademia, Florence, Italy
Art: The Language of Less, Castellani Art Museum, Lewiston, USA
Look Now: Modern and Contemporary Art from Private Collections, Montclair Art Museum, USA
Martin Visser: collector, designer, free spirit, Bonnefantenmuseum, Maastricht, Netherlands
2011
Light Years: Conceptual Art and the Photograph, 1964–1977, Art Institute, Chicago, USA
NOMA 100: Gifts for the Second Century, New Orleans Museum of Art, New Orleans, USA
Multiplicity, Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C., USA
The Language of Less (Then), Museum of Contemporary Art, Chicago, USA
From Picasso to Koons: The Artist as Jeweler, Museum of Arts and Design, New York, travelled to Benaki Museum, Athens; Bass Museum of Art, Miami, USA
LeWitt, Mangold, Nauman, Serra: Extended Drawing, Bonnefantenmuseum, Maastricht, Netherlands
Surface Area, Barbara Krakow Gallery, Boston, USA
Art=Text=Art, Joel and Lila Harnett Museum of Art, University of Richmond, VA, USA
21 Americans, Bernard Jacobson Gallery, New York, USA
Locations, Paula Cooper Gallery, New York, USA
Eva Hesse and Sol LeWitt, Craig F. Starr Gallery, New York, USA
Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, USA
Elemental, Paula Cooper Gallery, New York, USA
Human Nature: Contemporary Art from the Collection, Los Angeles County Museum of Art, Los Angeles, USA
Contemporary Collecting: The Judith Neisser Collection, Art Institute of Chicago, USA
Drawn / Taped / Burned: Abstraction on Paper, Katonah Museum of Art, New York, USA
Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, USA
January White Sale, Loretta Howard Gallery, New York, USA
Dance Your Life, Centre Pompidou, Musée National d'Art Moderne, Paris Museum of Contemporary Art, Chicago, USA
Werke der Daimler Kunst Sammlung, Daimler Contemporary, Berlin
ATLAS. How to carry the world on Ones Back, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
Architektona, Hamburger Bahnhof, Museum für Gegenwart, Berlin
The Shape of the Problem, Elizabeth Leach Gallery, Portland, USA
2010
Image by Image: Film and Contemporary Art, Museum Ostwall im Dortmunder U, Dortmund, Germany
On-Line: Drawing through the Twentieth Century, The Museum of Modern Art, New York, USA
Carl Andre, Dan Flavin, Sol LeWitt, Richard Long, Mario Merz, Gladstone Gallery, New York, USA
Seriality: Sol LeWitt and Allan McCollum, Armand Bartos Fine Art, New York, USA
50 Years at Pace, The Pace Gallery, New York, USA
Post-War American Art: The Novak / O’ Doherty Collection, Irish Museum of Modern Art, Dublin, Ireland
Calder to Warhol: Introducing the Fisher Collection, San Francisco Museum of Modern Art, San Francisco, USA
Contemporary Collecting: Selections from the Donna and Howard Stone Collection, Art Institute, Chicago, USA
Sol LeWitt and Marisa Merz, Galleria Alessandra Bonomo, Rome, Italy
Accrochage: Donald Judd, Louise Lawler, Sol LeWitt, and Robert Mangold, Galerie Greta Meert, Brussels, Belgium
Sol LeWitt and Adrian Piper: Selected Infinite Extensions Arbitrarily Constrained, Bowery Poetry Club, New York, USA
With a Probability of Being Seen: Dorothee and Konrad Fischer—Archives of an Attitude, Museu d'Art Contemporani de Barcelona, Spain travelled to Museum Kurhaus Kleve, Germany
Minimal—Conceptual—Art, Jason Rulnick, Inc., New York, USA
The Shape of Abstraction, Boston University Art Gallery, Massachusetts, USA
3 x 3: Minimal Sculpture and Painting, L.A. Louver, Venice, California, USA
Andre, LeWitt, Shapiro, Perry Rubenstein Gallery, New York, USA
Connecticut Group Exhibition,D’Amelio Terras, New York, USA
Wall and Floor, Galerie Almine Rech, Paris, France
On the Square, Pace Wildenstein, New York, USA
Group show, Paula Cooper Gallery, New York, USA
2009
Just What Is It…, ZKM, Museum für Neue Kunst, Karlsruhe, Germany
Collection: MOCA’s First 30 Years, Museum of Contemporary Art, Los Angeles, USA
Sol LeWitt, Keith Sonnier, Lawrence Weiner, Leo Castelli Gallery, New York, USA
Sans-Titre #1: Peintures des années 1970–1980, Œuvres de la Collection Lambert, Collection Lambert, Avignon, France
Donald Judd and Sol LeWitt: Conceptual Color in Print, de Young Museum, San Francisco, USA
Artists in Depth: Liam Gillick, Jenny Holzer, Donald Judd, Sol LeWitt. Museum of Contemporary Art, Chicago, USA
Not For Sale, Galería Toni Tàpies, Barcelona, Spain
Beyond Black White and Gray, L & M Arts, New York, USA
American Printmaking since 1960, Art Gallery Dubrovnik, Croatia
Spaces/Räume, Annemarie Verna Galerie, Zurich, Switzerland
In and Out of Amsterdam, The Museum of Modern Art, New York, USA
Art at Colby: Celebrating the 50th Anniversary of the Colby College Museum of Art, Colby College Museum of Art, Waterville, Ireland
Sculpture, Margo Leavin Gallery, Los Angeles, USA
Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Mangold, Robert Ryman, Andrea Rosen Gallery, New York, USA
6 Works, 6 Rooms, David Zwirner, New York, USA
Make It New: Abstract Art from the Collection—Robert Motherwell, Sol LeWitt, and others, Ulrich Museum of Art, Wichita, Kansas, USA
40th Anniversary Show, Pace Prints, New York, USA
The Minimalist Site, Barbara Mathes Gallery, New York, USA
Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, The Museum of Modern Art, New York, USA
The Endless Renaissance, Bass Museum of Art, Miami, USA
Contemporary Art from the Barron Collection, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, USA
A Mancha Humana/ The Human Stain, Galician Centre for Contemporary Art, Santiago de Compostela, Spain
New York/New Drawings 1946–2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, Spain
Classic Contemporary: Lichtenstein, Warhol & Friends, Bellagio Gallery of Fine Art, Las Vegas, USA
Innovations in the Third Dimension: Sculpture of Our Time, Bruce Museum, Greenwich, USA
Sol LeWitt, Agnes Martin, Wes Mills: Drawings, Dickinson Agents and Dealers in Fine Art, New York, USA
Geometry as Image, Russell Bowman Art Advisory, Chicago, USA
Opening Lines, New ArtCenter, Newtonville, Massachusetts, USA
2008
The Panza Collection, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., USA
21: Selections of Contemporary Art at the Brooklyn Museum, Brooklyn Museum, New York, USA
Begin Again Right Back Here, White Columns, New York, USA
Abstract Mash-up, Crown Point Press, San Francisco, USA
A Year of Drawing 2007–2008, Galerie Lelong, New York, USA
The Hague Sculpture 2008: Freedom – American Sculpture, Haags Gemeentemuseum, The Hague, Netherlands
ONE More, In Memoriam: Sol LeWitt, Esbjerg Kunstmuseum, Denmark
Summer, Donald Young Gallery, Chicago, USA
Selections from the Collection of Helga and Walther Lauffs, Zwirner & Wirth and David Zwirner, New York, USA travelled to: Hauser & Wirth, Zurich, Switzerland
Sculpture, Texas Gallery, Houston, USA
To Infinity and Beyond: Mathematics in Contemporary Art, Heckscher Museum of Art, Huntington, West Virginia, USA
Wonders of Numbers: Art about Mathematics, Heckscher Museum of Art, Huntington, USA
Styrofoam, Museum of Art, Rhode Island School of Design, Providence, USA
The Skat Prayers, Vilma Gold, London, UK
Color Chart: Reinventing Color, 1950 to Today, The Museum of Modern Art, New York, USA
Jedermann Collection, Fotomuseum Winterthur, Sitzerland
Exact + Different: Art and Mathematics from Dürer to Sol LeWitt, Museum Moderner Kunst Stiftung Ludwig Wien, MuseumsQuartier, Vienna, Austria
Based on Paper: The Marzona Collection, Middlesbrough Institute of Modern Art, Middlesbrough, UK
How Artist’s Draw: Toward the Menil Drawing Institute and Study Center,The Menil Collection, Houston, USA
Secular Geometry, Worksonpaper.biz, Philadelphia, USA
Collecting Collections: Highlights of the Permanent Collection, Museum of Contemporary Art, Los Angeles, USA
Successive Approximation, Perry Rubenstein Gallery, New York, USA
Carl Andre, Bernd & Hilla Becher, Sol LeWitt, Bridget Riley, Karsten Schubert, London, UK
2007
Black and White and Red - All Over, Michele Mosko Fine Art, Denver, USA
The Complexity of the Simple, L&M Arts, New York, USA
La vida privada - Coleccion Josep Civit, Centro de Arte y Naturaleza - Fundacion Beulas, Huesca, Spain
Die aufregende Kunst des 20. Jahrhunderts, Neue Nationalgalerie, Berlin
Deconstructed Geometry, Vivian Horan Fine Art, New York, USA
Repeat Performances: Seriality and Systems Art since 1960, The Allen Memorial Art Museum, Oberlin, Ohio, USA
The Eclectic Eye - Pop and Illusion, Taylor Museum - Colorado Springs Fine Arts Center, Colorado Springs, USA
Summer Show, James Cohan Gallery, New York, USA
POP ART 1960's to 2000's, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan
Everything, Dunn and Brown Contemporary, Dallas, USA
Matthys-Colle Collection, Museum Dhondt-Dhaenens, Deurle, France
Guggenheim Collection: 1940s to Now, National Gallery of Victoria, Melbourne, Australia
Block Party II. Daniel Weinberg Gallery, Los Angeles, USA
Light Time and Three Dimensions, The Pace Gallery, New York, USA
Summer reflections 2007, Rosenbaum Contemporary, Boca Raton, Florida, USA
7007 - Kunst der 70er Jahre, Galerie von der Milwe, Aachen, Germany
SITEings, SECCA Winston-Salem, Winston-Salem, New York, USA
Ausgerechnet..., Museum im Kulturspeicher, Würzburg, Germany
O DEBUXO POR DIANTE, CGAC Santiago de Compostela, Santiago de Compostela, Spain
Il faut rendre - Cezanne, Collection Lambert, Avignon, France
What does the jellyfish want?, Museum Ludwig, Cologne, Germany
Die Kunst zu Sammeln, Museum Kunst Palast, Düsseldorf
Before and after Minimalism, Fundacion Juan March, Palma de Mallorca, Spain
Klio. Eine kurze Geschichte der Kunst in Euramerika nach 1945, ZKM Karlsruhe, Germany
Autopsie unseres Umgangs mit Toten, Deutsches Hygiene-Museum, Dresden, Germany
A TRIBUTE TO BRICE MARDEN - Arbeiten auf Papier, fruehsorge contemporary drawings, Berlin
The 52nd Venice Biennale, Venice, Italy
Commemorating 30 Years Part III: 1991-2007, Rhona Hoffman Gallery, Chicago, USA
Conceptual Photograpy 1964-1989, Zwirner & Wirth, New York, USA
The Happiness of Objects, Sculpture Center, New York, USA
Commemorating 30 Years Part II: 1981-1990, Rhona Hoffman Gallery, Chicago, USA
Paper thin, Institute of Visual Arts, Milwaukee, Wisconsin, USA
Pure, Sean Kelly Gallery, New York, USA
Das Schwarze Quadrat. Hommage an Malewitsch, Hamburger Kunsthalle, Germany
Based on Paper, Die Sammlung Marzona - Revolution der Kunst 1960-1975, Kupferstichkabinett, Berlin
Artisti, parole, immagini dal 1960 al 1968, Fondazione Sandretto Re Rebaudengo, Cirie, Italy
Return to Cézanne, Collection Lambert, Avignon, France
Commemorating 30 Years Part I: 1976-1980, Rhona Hoffman Gallery, Chicago, USA
L'aura della serialitá, Centro de Arte Moderna e Contemporanea della Spezia, La Spezia, Italy
Mapping the City, Stedelijk Museum Amsterdam, Netherlands
American Master Prints, Alan Cristea Gallery, London, UK
Group Show, Björn Ressle Gallery, New York, USA
REALLIFE 1979-1990, Artists Space, New York, USA
2006
Mario Merz - Sol Lewitt, Fondazione Merz, Turin, Italy
Strange I've Seen That Face Before - Objekt, Gestalt, Phantom, Museum Abteiberg, Mönchengladbach, Germany
Drawing through it, David Nolan Gallery, New York, USA
busy going crazy, La Maison Rouge, Paris, France
Modulated Abstraction, Brooke Alexander Editions, New York, USA
Elemental Form, L&M Arts, New York, USA
Group Sculpture, Rosenbaum Contemporary, Boca Raton, Florida, USA
Von Carl Andre bis Bruce Nauman, Hamburger Bahnhof, Museum für Gegenwart, Berlin
Galerie mit Bleistift - Papierarbeiten aus den 60er und 70er Jahren, Konrad Fischer Galerie, Düsseldorf
Artitudes, Palais des Beaux-Arts, Paleis voor Schone Kunsten, Brussels, Belgium
Crown Point Press - The Art of Etching, The de Young Museum, San Francisco, USA
Venezia 1948-1986 - La scena dell arte, Peggy Guggenheim Collection, Venice, Italy
Nomaden im Kunstsalon - Begegnungen mit der Moderne von Bayer bis Sol LeWitt, Lentos Kunstmuseum Linz, Austria
Line and Surface - Works on Paper, Peter Blum Gallery, New York, USA
A Show of Prints, James Kelly Contemporary, Santa Fe, USA
Winter Group Show, The Barbara Krakow Gallery, Boston, USA
Multiples, Red Dot Contemporary, West Palm Beach, USA
Gegen Kandinsky, Museum Villa Stuck, Munich, Germany
Six Feet Under; Autopsie unseres Umgangs mit Toten, Kunstmuseum Bern, Switzerland
Modulated Abstraction, Brooke Alexander Editions, New York, USA
Elemental Form, L&M Arts, New York, USA
Group Sculpture, Rosenbaum Contemporary, Boca Raton, USA
NEO MINIMALISM and some antecedents, John Buckley Gallery, Richmond, USA
Perspectives VII, Borzo Modern & Contemporary, Amsterdam, Netherlands
Twice Drawn, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York, USA
Minimalism: On and Off Paper, Vivian Horan Fine Art, New York, USA
Was ist Plastik? 100 Jahre 100 Köpfe - Das Jahrhundert moderner Skulptur, Lehmbruck Museum, Duisburg, Germany
Review - 25 Jahre Österreichische Ludwig Stiftung, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
SAMMELN UND ENTDECKEN, Galerie Schrade, Karlsruhe, Germany
Works on Paper, Thomas McCormick Gallery, Chicago, USA
Drawn into the World, Museum of Contemporary Art Chicago, Chicago, USA
Nineteen Sixty-Eight, Thomas Solomon Gallery, Los Angeles, USA
Inventur, Kunsthaus Graz, Austria
On the Wall, The Art Gallery at the Cleveland State University, Cleveland, USA
2005
Galerie M + R Fricke, Berlin
Napoli presente. Posizioni e prospettive dell'arte contemporanea, Palazzo delle Arti di Napoli, Naples, Italy
Outdoor Sculpture, Zwirner & Wirth, New York, USA
Looking at Words, Andrea Rosen Gallery, New York, USA
Fast nichts - Minimalistische Werke aus der Friedrich Christian Flick Collection, Hamburger Bahnhof, Berlin
Künstler-Holzpostkarten aus der Sammlung Hussong, Museum Schloss Burgk, Germany
SQUARE, Die Sammlung Marli Hoppe-Ritter, Museum Ritter, Waldenbuch, Germany
Rainbow: A painting show, Galerie Sfeir-Semler, Beirut, Libanon
Salon d'automne, Annemarie Verna Gallery, Zurich, Switzerland
PERFECT PAINTING, Langen Foundation, Neuss, Germany
Group Show, The Barbara Krakow Gallery, Boston, USA
OpenSystems - Rethinking Art c.1970, Tate Modern, London, UK
Swing Space: Wallworks, Art Gallery of Ontario, Toronto, Canada
Daumenkino, Kunsthalle Düsseldorf
Accrochage, Von Delaunay bis Lichtenstein, Galerie Proarta, Zurich, Switzerland
Elemental, Walker Art Center, Minneapolis, USA
L'Art de Vivre, Lehmann Maupin, New York, USA
Sol LeWitt and Robert Mangold - Drawing Into Print, Senior & Shopmaker Gallery, New York, USA
Design Art: Functional Objects from Donald Judd to Rachel Whiteread, Aspen Art Museum, Aspen, USA
The Last Picture Show - Artists using Photography 1960-1982, Miami Art Central, Miami, USA
Verzamelen!, Bonnefantenmuseum, Maastricht, Netherlands
Sweet Temptations, Kunstmuseum St.Gallen, St. Gallen, Switzerland
Logical Conclusions: 40 Years of Rule-Based Art, Pace Gallery, New York, USA
Wahlverwandtschaften, Städel Museum, Frankfurt am Main, Germany
Major Prints, John Berggruen Gallery, San Francisco, USA
Gegenwelten. Das 20. Jahrhundert in der Neuen Nationalgalerie, Neue Nationalgalerie, Berlin
STRIPES - LINES - COLORS - ARBEITEN IN VERSCHIEDENEN TECHNIKEN, Galerie Wolfgang Exner, Vienna, Austria
EXIT- Ausstieg aus dem Bild, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
2004
15 year anniversary of Regen Projects, Regen Projects, Los Angeles, USA
The Print Show, Exit Art, New York, USA
Geometrical abstraction and op art, Museum of Contemporary Art, Skopje, North Macedonia
Beyond Geometry - Experiments in Form 1940s-70s, Miami Art Museum, Miami, USA
Small: The Object in Film, Video, and Slide Installation, Whitney Museum of American Art, New York, USA
Contemporary Art: Floor to Ceiling - Wall to Wall, The Wadsworth Atheneum Museum of Art, Hartford, Conneticut, USA
Sol LeWitt / Christian Marclay, Collection Lambert, Avignon, France
Visions of America, ESSL MUSEUM – Kunst der Gegenwart, Klosterneuburg, Austria
Contemporary Works on Paper from the Collection, New Mexico Museum Arts, Santa Fe, USA
Sommerausstellung, Annemarie Verna Gallery, Zurich, Switzerland
Arbeiten auf Papier/ Grafiken Part II, Fahnemann Projects, Berlin
Summer 2004, The Pace Gallery, New York, USA
Support: Die Neue Galerie als Sammlung 1950-heute, Neue Galerie Graz, Austria
Universalmuseum Joanneum, Graz, Austria
Modern Means: Continuity and Change in Art from 1880 to the Present, Mori Art Museum, Tokyo, Japan
Symmetries, Senior & Shopmaker Gallery, New York, USA
Singular Forms (Sometimes Repeated) - Art from 1951 to the Present, Solomon R. Guggenheim Museum, New York, USA
Sol LeWitt and Chuck Close, Pace Prints, New York, USA
Das MoMA in Berlin. Meisterwerke aus dem Museum of Modern Art New York, Neue Nationalgalerie, Berlin
Picasso to Thiebaud, Cantor Arts Center at Stanford University, Stanford, USA
The Last Picture Show - Artists Using Photography, 1960-1982, Hammer Museum, Los Angeles, USA travelled to: Walker Art Center, Minneapolis, USA
2003
temporal values. Von Minimal zu Video, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
Minimal to the Max - The Brownstone Collection, Norton Museum of Art, West Palm Beach, USA
Fine Lines: Drawings from the Collection of Wynn Kramarsky, Santa Barbara, USA
Contemporary Arts Forum, Santa Barbara, USA
Das Recht des Bildes, Kunstmuseum Bochum, Germany
Wandarbeiten / Papierarbeiten, Fahnemann Projects, Berlin
In full view, Andrea Rosen Gallery, New York, USA
The Stage of Drawing: Gesture & Act - Selected from the Tate Collection, Museum of Contemporary Art Sydney, Australia
Corso Terracciano 56, Alfonso Artiaco, Naples, Italy
Zona People 1974-1985, musée d'art moderne et contemporain, Geneva, Switzerland
Guest Art. Das Kunsthaus mit Leihgaben zu Gast, Haus Konstruktiv, Stiftung für konstruktive und konkrete Kunst, Zurich, Switzerland
Flavin Judd Lewitt Serra, Zwirner & Wirth, New York, USA
Drawings, Donald Young Gallery, Chicago, USA
Journey to Now, John Kaldor Art Projects & Collection, Art Gallery of South Australia, Adelaide, Australia
Elemental - Selections from the permanent collection, Walker Art Center, Minneapolis, USA
Not Exactly Photographs, Fraenkel Gallery, San Francisco, USA
Minimalism and After II, Daimler Contemporary, Berlin
Drawings, Drawings, Drawings, Margarete Roeder Gallery, New York, USA
Contemporary Collectors XVIII, Museum of Contemporary Art San Diego, La Jolla, CA, USA
Rendez-vous #4, Collection Lambert, Avignon, France
From Broodthaers to Horn, Stedelijk Van Abbemuseum, Eindhoven, Netherlands
2002
Crossing Cultures, Kunsthaus Muerz, Mürzzuschlag, Austria
Lucio Fontana. Metafore barocche - Palazzo Forti - Galleria d'Arte Moderna e Contemporanea, Verona, Italy
Network, Annemarie Verna Gallery, Zurich, Switzerland
Drawings of Choice from a New York Collection, Krannert Art Museum, Champaign, IL, USA
Group Exhibition, Paula Cooper Gallery, New York, USA
Representing Nature, Museum of Contemporary Art Chicago, USA
Judd, LeWitt, Mangold, Martin and Shapiro, The Pace Gallery, New York, USA
Jim, Jonathan, Kenny, Frances and Sol, Stedelijk Museum, Amsterdam, Netherlands
American Abstraction, Alan Cristea Gallery, London, UK
Private / Corporate, Daimler Contemporary, Berlin
American Beauty, Annely Juda Fine Art, London, UK
My Head is on Fire but my Heart is full of Love, Kunsthal Charlottenborg, Copenhagen, Denmark
Gallery Artists, Donald Young Gallery, Chicago, USA
From The Observatory, Paula Cooper Gallery, New York, USA
Under Pressure, Prints from Two Palms Press, Amherst Fine Arts Center, University of Massachusetts, USA
Portfolios, Brooke Alexander Editions, New York, USA
Minimal art and Mondriaan, Gemeentemuseum Den Haag, Netherlands
Portfolios, The Barbara Krakow Gallery, Boston, USA
Hypothesis of the Stolen Painting, Slought Foundation, Philadelphia, USA
2001
Celebrating a Decade, Irish Museum of Modern Art, Dublin, Ireland
PAINTINGS/ABSTRACT, Konrad Fischer Galerie Düsseldorf
Conception - The Conceptual Document 1968-1972, The Morris and Helen Belkin Art Gallery, Vancouver, Canada
Szenenwechsel XX, Museum für Moderne Kunst, Frankfurt am Main, Germany
Monets Vermächtnis - Serie - Ordnung und Obsession, Hamburger Kunsthalle, Hamburg, Germany
Carl Andre, Sol LeWitt & Joel Shapiro, Paula Cooper Gallery, New York, USA
8.Triennale Kleinplastik, Fellbach, Germany
Which ART do you like best?, Kamakura Gallery, Kanagawa, Japan
Two-Palms Press: Under Pressure, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, USA
Minimalismos. Un signo de los tiempos, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
Die Cabinette des Dr. Czerny, Neue Galerie Graz, Universalmuseum Joanneum, Graz, Austria
La Percezione dello spazio - Palazzo Forti - Galleria d'Arte Moderna e Contemporanea, Verona, Italy
Works on Paper, Victoria Miro Gallery, London, UK
Minimal Maximal, National Museum of Modern Art Kyoto, Kyoto, Japan
49th International Art Exhibition Venice Biennale, Italy
Ornament und Abstraktion, Fondation Beyeler, Riehen, Switzerland
Drawings, Regen Projects, Los Angeles, USA
Die Sammlung Lauffs II, Museen Haus Lange / Haus Esters, Krefeld, Germany
Drawing is Another Kind of Language, The Contemporary Museum Honolulu, Hawaii
Vision, Toyota Municipal Museum of Art, Toyota Aichi, Japan
The 1970s: Suites and Portfolios From The Hallmark Collections, H&R Block Artspace at Kansas City Art Institute, Kansas City, USA
Glossalgia, Frissiras Museum, Athens, Greece
Für Hanne, Galerie Crone, Berlin
A Room of Their Own From Arbus to Gober, The Geffen Contemporary at MOCA, Los Angeles, USA
Contemporary Collectors XVI, Museum of Contemporary Art San Diego, La Jolla, CA, USA
Weiss, Museum für Gegenwartskunst, Emanuel Hoffmann-Stiftung, Basel, Switzerland
2000
Ligne(s) de conduite, Espace de l'art concret, Mouans Sartoux, France
Many Colored Objects Placed Side By Side To Form A Row Of Many Colored Objects, Casino Luxembourg
Forum d'art contemporain, Luxembourg
Global Conceptualism - Points of Origin 1950s-1980s, List Visual Arts Center, Cambridge, UK
In Process, Curt Marcus Gallery, New York, USA
Percepciones en transformacion: La Coleccion Panza del Museo Guggenheim Bilbao, Spain
Museo Guggenheim de Arte Moderno y Contemporaneo, Bilbao, Spain
The Cities Collect, Walker Art Center, Minneapolis, USA
Drawing is Another kind of Language, Mary & Leigh Block Museum of Art, Evanston, USA
Campi di oscillazione, Centro Sperimentale per le Arti Contemporanee, Caraglio, Italy
Century of Innocence. The History of the White Monochrome, Rooseum Center for Contemporary Art, Malmö, Sweden
Minimal Affect - Selections from the Permanent Collection, Museum of Contemporary Art, North Miami, USA
Wall Works, Edition Schellmann, Munich, Germany
La Biennale de Lyon, France
Sol LeWitt + Sophie Calle, Donald Young Gallery, Chicago, USA
Art at Work: Forty Years of the Chase Manhattan Collection, Queens Museum of Art, New York, USA
Afterimage - Drawing Through Process, Contemporary Arts Museum Houston, USA
Erwerbungen, Dauerleihgaben und Schenkungen der neunziger Jahre, Museum Wiesbaden, Germany
Destruction / Creation, Ubu Gallery, New York, USA
1999
Sculpture and Sculptors' Drawings, Paula Cooper Gallery, New York, USA
John Cage, Fischli & Weiss, Ellen Gallagher, Sol Lewitt, Richard Long, Tatsuo Mi, James Cohan Gallery, New York, USA
Drawing is Another kind of language, Parrish Art Museum, Southampton, New York, USA
Die Kunst der Linie - Möglichkeiten des Graphischen, Landesgalerie am Oberösterreichischen Landesmuseum, Linz, Austria
Alchemies of the Sixties. From the Rose Art Museum Permanent Collection, The Rose Art Museum, Waltham, Massachusetts, USA
Independence Day, KW Institute for Contemporary Art, Berlin
Summer '99, Pace Wildenstein, New York, USA
U.S. Classics, Galerie Tanit, Munich, Germany
Summer Group Show, The Barbara Krakow Gallery, Boston, USA
Jubiläumsausstellung, Annemarie Verna Gallery, Zurich, Switzerland
WÄNDE / WALLS, Konrad Fischer Galerie, Düsseldorf
Wall Works, Paula Cooper Gallery, New York, USA
Minimal Maximal, Staatliche Kunsthalle Baden-Baden, Germany
Die Sammlung Paul Maenz, Neues Museum Weimar, Germany
Afterimage: Drawing Through Process, Museum of Contemporary Art Los Angeles, California, USA
Contemporary Arts Museum, Houston, Texas, USA
Primarily Structural: Minimalist and Post-minimalist Works on Paper, P.S.1/Institute for Art and Urban Resources, Long Island City, New York, USA
Art at Work: Forty Years of the Chase Manhattan Collection, Museum of Fine Arts, Houston, Texas, USA
Art in our Time: 1950 to the Present, Walker Art Center, Minneapolis, Minnesota, USA
The American Century: Art and Culture, 1950-2000, Whitney Museum of American Art, New York, USA
Modern Starts: People, Places, Things, The Museum of Modern Art, New York, USA
1998
Paintings and Drawings, Rhona Hoffman Gallery, Chicago, USA
Minimal-Maximal, Neues Museum Weserburg, Bremen, Germany
Kunst ohne Unikat, Neue Galerie Graz, Universalmuseum Joanneum, Graz, Austria
A Choice from the Collection, Stedelijk Van Abbemuseum, Eindhoven, Netherlands
Then and now, Lisson Gallery, London, UK
Jan Vercruysse - Thomas Houseago - Donald Judd - Gert Vermeiren - Louise Bourgeois - Sol Lewitt, Xavier Hufkens, Brussels, Belgium
Summer Group Show, The Pace Gallery, New York, USA
The '60s in the Seventies, Ubu Gallery, New York, USA
Sculpture, Rhona Hoffman Gallery, Chicago, USA
Das Jahrhundert der Künstlerischen Freiheit, Wiener Secession, Vienna, Austria
Selections From the Collection of Marne and James DeSilva, Museum of Contemporary Art San Diego, La Jolla, USA
100 Years of Sculpture: From the Pedestal to the Pixel, Walker Art Center, Minneapolis, Minnesota, USA
Waves Breaking on the Shore: Ad Dekkers in his Time, Stedlijk Museum, Amsterdam, Netherlands
Envisioning the Contemporary: Selections from the Permanent Collection, Museum of Contemporary Art Chicago, USA
Commission Possible: Walker Art Center, 1980-1998, Walker Art Center, Minneapolis, USA
Photography at Princeton: Celebrating 25 Years of Collecting and Teaching the History of Photography, Art Museum, Princeton University, New Jersey, USA
Een keuze uit de eigen collectie: A Choice from the Collection, Stedelijk Van Abbemuseum, Eindhoven, Netherlands
1997
Group Exhibition of Gallery Artists, PaceWildenstein, Greene St. New York, USA
A Lasting Legacy: Selections From The Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA
Seven by Six, University of Massachusetts, Amherst Fine Arts Center, Amherst, USA
Etchings of the Twentieth Century, Margo Leavin Gallery, Los Angeles, USA
One-Line Drawing, Ubu Gallery, New York, USA
Summer Show '97, The Pace Gallery, New York, USA
47th International Art Exhibition Venice Biennale, Italy
Thirty-five Years at Crown Point Press, The National Gallery of Art, Washington D.C., USA
Tra post-minimal e concettuale, Museo Cantonale d'Arte, Lugano, Switzerland
Color and Paper, Rosemarie Schwarzwälder, Vienna, Austria
Without trembling, Galerie Fortlaan 17, Gent, Belgium
Old friends inside and outside the museum, Stedelijk Van Abbemuseum, Eindhoven, Netherlands
Ne dites pas non!, musée d'art moderne et contemporain, Geneva, Switzerland
Skulptur Projekte Münster, Westfälisches Landesmuseum, Münster, Germany
In Visible Light: Photography and Classification in Art, Science, and the Everyday, Museum of Modern Art, Oxford, UK
Lois Beurman Torf Print Collection, Fine Arts Center, University of Massachusetts, Amherst, USA
Progressions: Works on Paper from the LeWitt Collection, Connecticut College, New London, Connecticut, USA
Drawing is Another Kind of Language: Recent American Drawings from a New York Private Collection, Harvard University Art Museums, Cambridge, Massachusetts, USA
Kunstmuseum, Winterthur, Switzerland
Kunstmuseum, Ahlen, Germany
Akademie der Kunst, Berlin
Parrish Art Museum, Long Island, New York, USA
Lyman Allyn Art Museum, New London, Connecticut, USA
1996
Main Stations, Casino Luxembourg, Luxembourg
Group Exhibition of Gallery Artists, PaceWildenstein, New York, USA
23rd Bienal de Sao Paulo, Brasil
Sammeln ist wie Tagebuchführen 1964 - 1996, Galerie Rainer Wehr, Stuttgart, USA
Ars Saevi 2000, Centro per l'Arte Contemporanea Luigi Pecci, Prato, Italy
American Contemporary Prints, Wako Works of Art, Tokyo, Japan
Black Grey & White - Part II, Galerie Bugdahn und Kaimer, Düsseldorf
Black Grey & White - Part I, Galerie Bugdahn und Kaimer, Düsseldorf
1995
Sniper's Nest: Art That Has Lived with Lucy R. Lippard, Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, NY, USA
Au rendez-vous des amis, coll. A. LH., musée dart moderne et contemporain, Geneva, Switzerland
Pop Art and Minimalism from the Louisiana and the Moderna Museet, Rooseum Center for Contemporary Art, Malmö, Sweden
25 Years: An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles, USA
Abstand und Nähe ? Prospect '68 '69 '71 in Düsseldorf, Galerie Bugdahn und Kaimer, Düsseldorf
Album: The photographic collection of Museum Boijmans-van Beuningen Rotterdam, Museum Boijmans van Beuningen, Rotterdam, Netherlands
Sol Lewitt and Robert Mangold, Lisson Gallery, London, UK
Drawn on the Museum, Aldrich Museum of Contemporary Art, Ridgefield, USA
Corpus Delicti, Museum van Hedendaagse Kunst, Ghent, Belgium
Views from Abroad, Whitney Museum of American Art, New York, USA
Accumalazioni: Jan Dibbets, Sol LeWitt, Mario Merz, Zerynthia, Contrada Cervinara, Paliano, Italy
Revolution in Contemporary Art: The Art of the Sixties, Museum of Contemporary Art, Tokyo, Japan
Being Human, Museum of Fine Arts, Boston, Massachusetts, USA
1994
The Box: From Duchamp to Horn, Ubu Gallery, New York, USA
Drawing Rooms: Jonathan Borofsky, Sol Lewitt, Richard Serra, The Modern Art Museum of Fort Worth, Fort Worth, Texas, USA
Installations, Margo Leavin Gallery, Los Angeles, USA
From Minimal to Conceptual Art, The National Gallery of Art, Washington D.C., USA
Die Erste Sammlung 1988 Bis 1994 - Positionen Aktueller Kunst, Akademie der bildenden Künste, Vienna, Austria
Arte Contemporanea dalla Collezione della Federazione delle Cooperative Migros, Museo Cantonale d'Arte Lugano, Lugano, Switzerland
After Construction, Magasin 3, Stockholm Konsthall, Stockholm, Sweden
European and American Drawings 1961-69 - David Nolan Gallery, New York, USA
The Art of Memory: Holocaust Memorials in History, Jewish Museum, New York, USA
Minimal Art: Andre, Flavin, Judd, LeWitt, Morris, Mangold, Ryman, Weiner: A New Condensed Exhibition Presenting Early and New Works, Which Question the Common Label Minimal Art, Hallen für Neue Kunst, Schaffhausen, Switzerland
Under Development, Museum of Contemporary Art, Chicago, USA
Wall to Wall: Robert Barry, Daniel Buren, Sol LeWitt, Simon Patterson, Julie Roberts, Lily van der Stokker, Southampton City Art Gallery, Southampton, England, UK
Traum vom Absoluten - Dream of the Absolute, Galerie Beyeler, Basel, Switzerland
Works on Paper: Selections from the Permanent Collection, Whitney Museum of American Art, New York, USA
Prints of Darkness, Fogg Art Museum, Harvard University, Cambridge, Massachusetts, USA
Mapping, The Museum of Modern Art, New York, USA
1993
Oeuvres choisies dans la collection du FRAC Rhône-Alpes, centre d'art contemporain, Thiers, France
Minimal, Galerie Eugen Lendl, Graz, Austria
On the Road: Selections from the Permanent Collecton of the Museum of Contemporary Art, San Diego, USA
Contemporary Arts Museum Houston, USA
Out of sight out of mind, Lisson Gallery, London, UK
Motion and Document/Sequence and Time: Eadweard Muybridge and Contemporary American Photography, Henry Art Gallery, Seattle, USA
The Geometric Tradition in American Art 1930-1990, Whitney Museum of American Art, New York, USA
American Art in the 20th Century: Painting and Sculpture, Martin-Gropius-Bau, Berlin
Royal Academy, London, UK
Multiple Images: Photographs Since 1965 from the Collection, The Museum of Modern Art, New York, USA
De Verzameling/The Collection, Stedlijk Van Abbemuseum, Eindhoven, Netherlands
Rolywholyover: A Circus, Museum of Contemporary Art, Los Angeles, USA
Menil Collection, Houston, Texas, USA
Solomon R. Guggenheim Museum, New York / Art Tower, Mito, Japan / Philadelphia Museum of Art, USA
Das Einfache ist das Schwierige, Kunsthaus Zug, Switzerland
1992
Drawings, Galerie Thomas Schulte, Berlin
Sans og samling, Museet for Samtidskunst / Museum of Contemporary Art, Roskilde, Denmark
Collezione Panza di Biumo - Gli anni Ottanta e Novanta, Museo Cantonale d'Arte Lugano, Lugano, Switzerland
An Exploration of Minimalism, Greenfield Sacks Gallery, Santa Monica, USA
I Love Art II, Watari Museum of Contemporary Art, Tokyo, Japan
Arte Americana 1930-1970, Lingoto, Turin, Italy
Allegories of Modernism: Contemporary Drawing, The Museum of Modern Art, New York, USA
Pop to Now: Selections from the Permanent Collection and Extended Loans, Williams College Museum of Art, Williamstown, Massachusetts, USA
Sammlung Lafrenz, Neues Museum Weserburg, Bremen, Germany
Transform: BildObjektSkulptur im 20. Jahrhundert, Kunsthalle Basel, Switzerland
5eme collection: Objets d'artistes, Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France
Series and Sequences: Contemporary Drawings and Prints from the Permanent Collection, National Gallery of Art, Washington, D.C., USA
Selections from the Collection, The Museum of Modern Art, New York, USA
1991
The Presence of Absence: New Installations, Ben Maltz Gallery at Otis College of Art and Design, Los Angeles, USA
Act-Up Benefit Exhibition, Paula Cooper Gallery, New York, USA
Zeichnungen des 20. Jahrhunderts. Karl August Burckhardt-Koechlin-Fonds 1991, Kunstmuseum Basel, Switzerland
Three Rooms, Galerie Thomas Schulte, Berlin
Immaterial Objects: Works from the Permanent Collection of the Whitney Museum of American Art, Henry Art Gallery, Seattle, USA
Word As Image: American Art 1960 - 1990, Contemporary Arts Museum Houston, USA
Geometry and Minimalism, Greg Kucera Gallery, Seattle, USA
Sculpture: Andre / Judd / LeWitt, Margo Leavin Gallery, Los Angeles, USA
Gallery Selections, Barbara Mathes Gallery, New York, USA
Masterworks of Contemporary Sculpture, Painting, and Drawing: The 1930s to the 1990s; Small Sculpture in an Inner Space, Bellas Artes, Santa Fe, USA
3rd Monte Carlo Sculpture Biennial, Monte Carlo, Monaco
Metamemphis, Museum Kunstlerkolonie, Darmstadt, Germany
Salon de los 16, Palacio Velazquez, Madrid, Spain
Immaterial Objects: Works for the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art at Federal Plaza, New York, USA
Recent Acquisitions: Works on Paper, National Gallery of American Art, Washington, USA
1990
Zeichnungen und Skulpturen, Galerie Hubert Winter, Vienna, Austria
American Masters of the 60's, Tony Shafrazi Gallery, New York, USA
Floorworks, Museum of Contemporary Art, Los Angeles, USA
Wittgenstein: The Play of the Unsayable, Palais des Beaux-Arts, Brussels / Wiener Secession, Vienna, Austria
The New Classicism, Gallery of the New York School of Interior Design, New York, USA
Radikal auf Papier, Aargauer Kunsthaus, Aarau, Switzerland
Affinities and Intuitions: Selections from the Gerald S. Elliot Collection of Contemporary Art, Art Institute of Chicago, USA
20th Century Sculptures from Arp to Zadkine, Galerie Academia, Salzburg, Austria
The Future of the Object: A Selection of American Art, Minimalism and After, Gallery Ronny Van De Velde, Antwerp, Belgium
Musée d`Art Contemporain de Bordeaux, France
Un Choix d'art minimal dans la collection Panza, Musée d'Art Moderne de la Ville de Paris, France
Minimalist Vision: Buren, LeWitt, Mangold, Cleveland Center for Contemporary Art, Cleveland, Ohio, USA
New Works for New Spaces: Into the Nineties, Wexner Center for the Visual Arts, Columbus, Ohio, USA
Arte & Arte, Castello di Rivoli Museo d'Arte Contemporanea, Turin, Italy
1989
Abstractions, The Museum of Modern Art, New York, USA
Tate Gallery, Liverpool, UK
Capita Selecta, Stedelijk Van Abbemuseum, Eindhoven, Netherlands
The Presence of Absence: New Installations, Gallery 400, University of Illionis, Chicago, USA
Bilderstreit, Messehallen, Cologne, Germany
1 Triennal de dibuix Joan Miro, Fundació Juan Miro, Barcelona, Spain
2nd International Istanbul Biennial, Istanbul, Turkey
Einleuchten: Will, Vorstel und Simul in HH, Deichtorhallen, Hamburg, Germany
Ville nouvelles, nouveaux projets, Musée National d'Art Moderne Centre Georges Pompidou, Paris, France
The Mindful Page, Contemporary Arts Museum Houston, USA
Aus dem Würfelmuseum, Karl-Ernst-Osthaus-Museum, Hagen, Germany
1988
Porkkana - kokoelma: nykytaiteen museon puolesta, Kiasma Museum of Contemporary Art, Helsinki, Finland
Ensembles de Centre Pompidou, Musée National d'Art Moderne, Paris, France
USA - Back and Now, Galerie Eugen Lendl, Graz, Austria
Zeichnung, Galerie M + R Fricke, Düsseldorf
La Biennale di Venezia, Venice, Italy
Rot, Gelb, Blau, Kunstmuseum St. Gallen, St. Gallen, Switzerland
Museum Fridericianum, Kassel, Germany
Het Meubel Verbeeld - Furniture as Art, Museum van Beuningen, Rotterdam, Netherlands
1988: The World of Art Today, Milwaukee Art Museum, Milwaukee, USA
Zeitlos, Hamburger Bahnhof, Berlin
Collage, The Museum of Modern Art, New York, USA
Works 88, Hirshhorn Museum and Sculpture Garden, Washington D.C., USA
1987
Selections from the John Weber Gallery, New York, Fay Gold Gallery, Atlanta, USA
Homage to Beuys, Fruitmarket Gallery, Edinburgh, UK
Lincoln Center/List Prints, Greg Kucera Gallery, Seattle, USA
20th anniversary exhibition, Lisson Gallery, London, UK
Sculpture of the Sixties, Margo Leavin Gallery, Los Angeles, USA
Skulptur. Projekte in Münster 1987, Skulptur Projekte Münster, Germany
Werkgruppen. Arbeiten auf Papier, Rosemarie Schwarzwälder, Vienna, Austria
Andre, Flavin, Judd, LeWitt, Nauman, Serra, Galerie Daniel Templon, Paris, France
Mathematik in der Kunst der letzten dreißig Jahre, Wilhelm Hack Museum, Ludwigshafen, Germany
Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Mangold, Heath Gallery, Atlanta, USA
1967: At the Crossroads, Institute of Contemporary Art, Philadelphia, USA
Drawings from the Collection of Dorothy and Herbert Vogel, Pensylvania State University, Museum of Art, University Park, Pensylvania, USA
Skulptur Projekte in Münster, Germany
1987 Biennal Exhibition, Whitney Museum of American Art, New York, USA
Daniel Buren / Sol LeWitt; Centre National d'Art Contemporain, Grenoble, France
1986
Chambres d'amis, SMAK Stedelijk Museum voor Actuele Kunst, Ghent / Museum van Heddandaagse Kunst, Ghent, Belgium
Arte Contemporanea, Galleria La Fenice, Sassari, Italy
Lisson Gallery Dan Graham & Sol LeWitt, Lisson Gallery, London, UK
Point, ligne, plan, Musée d'art contemporain de Montréal, Montreal, Canada
Forty Years of Modern Art: 1945-1985, Tate Gallery, London, UK
Political Geometries: Daniel Buren, Peter Halley, Sherrie Levine, Sol LeWitt, Blinky Palermo, Robert Ryman, Hunter College Art Gallery, New York, USA
Hommage : Beuys, Städtische Galerie im Lenbachhaus, Munich, Germany
Collection Souvenir, Nouveau Musée, Lyon, France
Eye Level: Ooghoogte, Stedelijk Van Abbemuseum, Eindhoven, Netherlands
1985
Estructuras Repetitivas, Fundacion Juan March, Madrid, Spain
Ouverture, Castello di Rivoli, Turin, Italy
Art Minimal I, Musée d'art contemporain, Bordeaux, France
Contrast of Form: Geometric Abstract Art 1910-1980, The Museum of Modern Art, New York, USA
Experiment Haus Lange - 30 Years Across the Art, Museum Haus Esters, Krefeld, Germany
Vom Zeichnen: Aspekte der Zeichnung 1960-1985, Frankfurter Kunstverein, Frankfurt am Main, Germany
Carnegie International, Museum of Art, Carnegie Institute, Pittsburgh, USA
1984
American Sculpture, Margo Leavin Gallery, Los Angeles, USA
Flyktpunkter, Moderna Museet, Stockholm, Sweden
Artists Call, Paula Cooper Gallery, New York, USA
Geometric Art of the Twentieth Century, Kunstmuseum Bern, Switzerland
Hallen für Neu Kunst, Schaffhausen, Switzerland
Skulptur im 20. Jahrhundert, Merian Park, Basel, Switzerland
Legendes, Musée d'art contemporain, Bordeaux, France
Olympian Gestures, Los Angeles County Museum of Art, Los Angeles, USA
Citywide Contemporary Sculpture Exhibition, Toledo, Ohio, USA
Prefiguration d'une collection d'art contemporain / Nimes, Galeries des Areves, Musée des beaux arts de Nimes, Nimes, France
La Grande Parade: Highlights in Painting after 1940, Stedelijk Museum, Amsterdam, Netherlands
1983
Ars `83, Art Museum of the Ateneum, Helsinki, Finland
17th Biennale of Sculpture, Antwerp, Belgium
Nuclear Weapons Freeze Benefit Exhibition, Margo Leavin Gallery, Los Angeles, USA
Group Exhibition, Rhona Hoffman Gallery, Chicago, USA
The first show: Painting and sculpture form eight collections, 1940-1980, Museum of Contemporary, Los Angeles, USA
1982
documenta 7, Kassel, Germany
American Painting and Sculpture 74th Annual, The Art Institute of Chicago, USA
Yvon Lambert présente 24 Artistes de sa Galerie Chez Jeanne Laffitte, Yvon Lambert, Paris, France
A Century of Modern Drawing, The Museum of Modern Art, New York, USA
The British Museum, London, UK
Summer Group Show, Konrad Fischer, Düsseldorf
Zeitgenössische Kunst aus der Sammlung Crex, Kunsthalle Basel, Switzerland
1981
Murs, Centre Pompidou Musée National d'Art Moderne, Paris, France
Carl Andre, Donald Judd, Sol LeWitt, Paula Cooper Gallery, New York City, USA
Sammlung Crex, Kunstverein in Hamburg, Germany
Minimal Art, Fundacion Juan March, Madrid, Spain
Viewpoint `81: Installations, Cranbook Academy of Art, Bloomfield Hills, Michigan, USA
Recent Acquisitions: Drawings, The Museum of Modern Art, New York, USA
1980
The Decade in Review Selections from the 1970s from the Permanent Collection, Whitney Museum of American Art, New York, USA
Daniel Buren, Sol LeWitt, Richard Long, Fred Sandback, Lisson Gallery, London, UK
Objects and Logotypes - Relationships Between Minimal Art and Corporate Design, The Renaissance Society at The University of Chicago, USA
Contemporary Drawings and Watercolors, Memorial Art Gallery, University of Rochester, New York, USA
Printed Matter, The Museum of Modern Art, New York, USA
Pier + Ocean: Construction in the Art of the Seventies, Hayward Gallery, London, England / Rijksmuseum Kröller-Müller, Netherlands
Otterlo International Sculpture Exhibition, Basel, Switzerland
The 39th Biennale di Venezia, Venice, Italy
1979
Through the summer, Lisson Gallery, London, UK
A Great Big Drawing Show, Institute for art and urban resources, P.S. 1, Queens, New York, USA
Whitney Biennale 1979, Whitney Museum of American Art, New York, USA
The Reductive Object: A Survey of the minimal Aesthetic in the 1960s, Institute of Contemporary Art, Boston, USA
Recent Acquisitions: American Prints, The Museum of Modern Art, New York, UK
New York Now, Phoenix Art Museum, Arizona, USA
The Decade of Review, Whitney Museum of American Art, New York, USA
1978
GRIDS Format and Image in 20th Century Art, The Pace Gallery, New York, USA
Artistes americains contemporains, Musee d'art contemporain de Montreal, Montreal, Canada
Summer Show, Lisson Gallery, London, UK
La Biennale di Venezia, Italy
Works on Paper, Margo Leavin Gallery, Los Angeles, USA
The Poetry of Systems, Baxter Art Gallery, California Institute of Technology, Pasadena, USA
Aspekte der 60er Jahre - Aus der Sammlung Reinhard Onnasch, Neue Nationalgalerie, Berlin
Numerals 1924 - 1977, Leo Castelli Gallery, New York , USA
1977
documenta 6, Kassel, Germany
Sculpture Paintings Drawings, Rhona Hoffman Gallery, Chicago, USA
Ideas in Sculpture 1965-1977, The Renaissance Society at The University of Chicago, USA
Early Work, Sperone Westwater Fischer, New York, USA
Drawing Now, Museum of Modern Art, Tel Aviv, Israel
A view of a decade, Museum of Contemporary Art, Chicago, USA
New York: The State of Art, New York State Museum, Albany, USA
1976
Druckgrafik von Künstlern der USA nach 1945, Kunsthalle zu Kiel, Germany
New York in Europa, Neue Nationalgalerie, Berlin
Ideas on Paper 1970-1976, The Renaissance Society at The University of Chicago, USA
Drawing Now, The Museum of Modern Art, New York, USA
SELECTED PUBLICATIONS
by LeWitt:
2002
LeWitt, Sol: Chicago. Axminster : Axminster Printing Company
1999
Bands of color, Chicago
1990
Sol LeWitt - complex forms 1990, Frankfurt am Main
1989
Lines & formes. Paris
1986
Pyramiden, Wien
1984
From Monteluco to Spoleto. Eindhoven
Sol LeWitt. Chagny
1980
Autobiography. New York
Sunrise & sunset at Praiano. New York
Cock fight dance. New York
All four part combinations of six geometric figures. Tokyo
1979
Geometric figures & color. New York
Five geometric structures and their combinations. London
1978
Five cubes placed on twenty-five squares with either corners or sides touching. Bari
Photo grids. New York
1977
Brick wall. New York
Colour grids. New York
Arcs from two corners, arcs from four sides, staight, not straight & broken lines in four directions. Sydney
Squares with sides and corners torn off. New York
The location of eight points. New York
1976
Circles, squares, triangles, rectangles, trapezoids and parallelograms within circles, squares, triangles, rectangles, trapezoids and parallelograms & all their combinations. Boulder University of Colorado
The location of straight, not-straight & broken lines and all their combinations. New York
Modular drawings. Genéve
Modular drawings. Genéve
Five structures. New York
1975
Grids using all combinations of straight, not-straight and broken lines. Bruxelles 1975
Lines & color. Zürich
red, blue and yellow lines from sides, corners and the center of the page to points on a grid. Jerusalem
Graphik 1970 - 1975. Basel
1974
the location of eight points. Washington, D.C.
diciassette quadrati con sedici linee ed un arco. Milano
squares with sides and corners torn off. Brussels
Drawing series I, II, III, IIII A & B. Torino / Sperone / Düsseldorf - Konrad Fischer
The location of lines. London
incomplete open cubes. New York
All combinations of arcs from four corners, arcs from four sides, straight lines, not straight lines, and broken lines. Lausanne
location of three geometric figures. Hamburg
La posizione di tre figure geometriche. Torino
1973
Cercles & lignes. Paris
1972
Arcs, from corners & sides, circles, & grids and all their combinations. Bern
1971
Four basic colours and their combinations. London
Four basic kinds of lines & colour. London / New York
1969
Four basic kinds of straight lines. London
49 three-part variations using three different kinds of cubes. Zurich
1967
Serial project # 1. New York
SELECTED BOOKS AND CATALOGUES
2021
Areford, David S. Strict Beauty: Sol LeWitt Prints (exhibition catalogue). New Britain and New Haven: New Britain Museum of American Art; Yale University Press, 2021. Areford, David S., ed. Locating Sol LeWit. Texts by David S.
Areford, Lindsay Aveilhe, Erica DiBenedetto, Anna Lovatt, James H. Miller, Veronica Roberts, Kristen Swenson and John A. Tyson. New Haven: Yale University Press, 2021.
2018
American Masters 1940–1980 (exhibition catalogue). Texts by Lucina Ward, James Lawrence and Anthony E. Grudin. Canberra: National Gallery of Australia, 2018: 186–187, illustrated.
Cameron, Dan and Fatima Manalili. The Avant-Garde Collection. Newport Beach, California: Orange County Museum of Art, 2018: 57, illustrated.
Destination Art: 500 Artworks Worth the Trip. New York: Phaidon, 2018: 294, 374, illustrated.
LeWitt, Sol. “Sol LeWitt: A Primary Medium.” In Auping, Michael. 40 Years: Just Talking About Art. Fort Worth, Texas and Munich: Modern Art Museum of Fort Worth; DelMonico Books·Prestel, 2018: 84–87, illustrated.
Picasso – Gorky – Warhol: Sculptures and Works on Paper, Collection Hubert Looser (exhibition catalogue). Edited by Florian Steininger. Krems an der Donau, Austria and Zürich: Kunsthalle Krems; Fondation Hubert Looser, 2018: 104, illustrated.
Sol LeWitt: Between the Lines (exhibition catalogue). Texts by Francesco Stocchi. Rem Koolhaas and Adachiara Zevi. Milan: Fondazione Carriero, 2018
Sol LeWitt: Wall Drawings. Edited by Lindsay Aveilhé. [New York]: Artifex Press, 2018.
2017
The Art Museum. London: Phaidon, 2017: 387, illustrated.
Booknesses: Artists’ Books from the Jack Ginsberg Collection (exhibition catalogue). Johannesburg, South Africa: University of Johannesburg Art Gallery, 2017: 129, 151, 221, illustrated.
Delirious: Art at the Limits of Reason 1950–1980 (exhibition catalogue). Texts by Kelly Baum, Lucy Bradnock and Tina Rivers Ryan. New York: Met Breuer, 2017: pl.21, 22, 23, 24, illustrated.
Doss, Erika. American Art of the 20th–21st Centuries. New York and Oxford: Oxford University Press, 2017: fig. 113, p.178, illustrated.
Gross, Béatrice. “Beyond Painting (Over and Over Again): Sol LeWitt’s Late Wall Drawings.” In Cahiers D’Art: 40th Year Revue 2016–2017. Paris: Éditions Cahiers D’Art, 2017: 162–181, illustrated.
Lista, Marcella, Liz Kotz, Corinne Rondeau, et al. A Different Way to Move: Minimalismes, New York, 1960– 1980 (exhibition catalogue). Nîmes, France and Berlin: Carré d’Art Nîmes; Hatje Cantz, 2017: 158–165, illustrated.
Minimal Art from Marzona Collection (exhibition catalogue). London: Galerie Thaddaeus Ropac, 2017: 83– 83, illustrated.
UBS Art Collection: To Art Its Freedom. Text by Mary Rozell. Berlin: Hatje Cantz Verlag CmbH, 2016: 97– 104, illustrated.
2016
Art at Work: The JPMorgan Chase Art Collection. Third edition. New York: JP Morgan Chase & Co., 2016: 188–91, illustrated.
Blackness in Abstraction (exhibition catalogue). Texts by Adrienne Edwards. New York: Pace Gallery, 2016: 35, 37, illustrated.
Credi, Paolo ed. An Invitation to Sol LeWitt. Ravenna, Italy: Danilo Montanari Editore, 2016.
Embracing the Contemporary: The Keith L. and Katherine Sachs Collection (exhibition catalogue). Texts by Timothy Rub, Katherine Sachs, Joseph J. Rishel et al. Philadelphia: Philadelphia Museum of Art, 2016: 172– 3, illustrated.
The Fisher Collection at the San Francisco Museum of Modern Art. San Francisco: San Francisco Museum of Modern Art, 2016: 6–7, 80–3, illustrated.
Galerie Templon 50 Years. Paris: Galerie Daniel Templon, 2016: 121, 284, 285, 340, 341, illustrated.
Gamwell, Lynn. Mathematics + Art: A Cultural History. Text by Neil deGrasse Tyson. Princeton and Oxford: Princeton University Press, 2016: 316–7, illustrated.
Getlein, Mark and Annabel Howard. Art Visionaries. London: Laurence King Publishing Ltd., 2016: 176–9, illustrated.
Los Angeles to New York: Dwan Gallery, 1959–1971 (exhibition catalogue). Washington, D.C.: National Gallery of Art, 2016: cat. 58, 70–3, 93, pp. 164, 176–80, illustrated.
Julliard, Julie Enckell ed. Nestlé Art Collection. Zurich: JRP|Ringier Kunstverlag AG, 2016: 136–7, illustrated.
Pasti, Carolina. A Life with Artists: Hannelore and Rudolph Schulhof. Texts by Richard Armstrong, Tom Freudenheim, Carol Goldberg, Suzanne Landau et al. New York: Skira Rizzoli Publication, 2016: 13, 18, 19, illustrated.
The Serial Attitude (exhibition catalogue). Texts by Rachel Schaefer, Susan Wallach and Katie Woods. New York: Eykyn Maclean,2016: illustrated.
“Sol LeWitt.” In Neues Museum Weimar – Die Sammlung Paul Maenz. Ostfildern, Germany: Hatje Cantz Verlag, 1998: 56–62, illustrated.
The Sun Placed in the Abyss (exhibition catalogue). Ohio: Columbus Museum of Art, 2016: p.91, illustrated.
Tate Modern: The Handbook. Edited by Matthew Gale. London: Tate Publishing, 2016: 208, illustrated.
Unfinished: Thoughts Left Visible (exhibition catalogue). New York: The Metropolitan Museum of Art, 2016: 232–3, illustrated.
Works on Paper from the Collection of the Sheldon Museum of Art. Edited by Brandon K. Ruud and Gregory Nosan. Lincoln and London: University of Nebraska Press, 2016: 242–243, illustrated.
2015
American Icons: Master Works from the SFMoMA and the Fisher Collection (exhibition catalogue). Text by Sarah Roberts. Paris: Galeries nationales du Grand Palais, 2015: 92–103, illustrated.
Artist Rooms: The First Five Years. London: Tate, 2015: illustrated, cover.
Artists and Architecture: Variable Dimensions (exhibition catalogue). Paris: Pavillon de l’Arsenal, 2015: 154– 155, illustrated.
Macel, Christine and Elisabeth Sussman. Collected by Thea Westreich Wagner and Ethan Wagner (exhibition catalogue). Text by Elisabeth Sherman. New York and New Haven: Whitney Museum of American Art; Yale University, 2015: 159, illustrated.
Miller, Dana, ed. Whitney Museum of American Art: Handbook of the Collection. Text by Adam D. Weinberg. New York: Whitney Museum of American Art, 2015: 229, illustrated.
Swenson, Kirsten. Irrational Judgments: Eva Hesse, Sol LeWitt, and 1960s New York. New Haven and London: Yale University Press, 2015.
Sol LeWitt: 17 Wall Drawings 1970–2015 (exhibition catalogue). Santander, Spain: Fundación Botín, 2015.
2014
Beckwith, Naomi. William J. O’Brien (exhibition catalogue). Chicago: Museum of Contemporary Art Chicago, 2014: 22, illustrated
Formes Simples (exhibition catalogue). Metz and Paris: Éditions du Centre Pompidou-Metz; Fondation d’entreprise Hermès, 2014: 33, illustrated
George, Herbert. The Elements of Sculpture: A Viewer’s Guide. London and New York: Phaidon, 2014: 134, illustrated
Love Story – The Anne & Wolfgang Titze Collection(exhibition catalogue). Vienna: Verlag für modern Kunst Nürnberg, 2014: 30, 31, 172–7, illustrated
Newman, Amy. Challenging Art: Artforum 1962–1974. New York: Soho Press, 2014
Roberts, Veronica, ed. Converging Lines: Eva Hesse and Sol LeWitt (exhibition catalogue). Texts by Lucy R. Lippard, Veronica Roberts and Kirsten Swenson. Austin; New Haven: Blanton Museum of Art and Yale University Press, 2014
Sol LeWitt: Horizontal Progressions (exhibition catalogue). New York: Pace Gallery, 2014.
Stout, Katharine.
Contemporary Drawing: From the 1960s to Now. London: Tate Publishing, 2014: 19, illustrated
Usher, Shaun. Letters of Note: An Eclectic Collection of Correspondence Deserving of a Wilder Audience. San Francisco: Chronicle Books, 2014
2013
Blunt, Hannah W. and Fronia Simpson, ed. The Lunder Collection: A Gift of Art to Colby College (exhibition catalogue). Waterville, Maine: Colby College Museum of Art, 2013: 335, 352, 354, 357, illustrated
Celant, Germano, Thomas Demand, Rem Koolhaas and Harald Szeemann. When Attitudes Become Form: Bern 1969/Venice 2013 (exhibition catalogue). Milan: Ca’ Corner della Regina and Fondazione Prada, 2013: 161–162, illustrated
Collecting Ideas: Modern and Contemporary Works from the Polly and Mark Addison Collection. Denver: Denver Art Museum, 2013: 72–73, illustrated
The Contemporary Art Masters. Japan: Bijutsu Shuppan-Sha, 2013: 150–151, illustrated.
Delong, Lea Rosson, ed. Des Moines Art Center Collects. Des Moines, Iowa: Des Moines Art Center, 2013: 8, 194, 195, illustrated
Moving: Norman Foster on Art (exhibition catalogue). Texts by Norman Foster and Jean-Marc Prevost. London: Ivorypress Architecture: 180, 181, 390, 410, illustrated
Princeton University Art Museum: Handbook of the Collections. Princeton, New Jersey: The Princeton University Art Museum, 2013: 265, 294, 401, illustrated
Rosoff, Patricia. Innocent Eye. North Adams, Massachusetts: Tupelo Press, 2013: illustrated
Uidhir, Christy Mag. Art and Art Attempts.Oxford: Oxford University Press, 2013: 64, illustrated
Yes, No, Maybe: Artists Working at Crown Point Press (exhibition catalogue). Texts by Judith Brodie and Adam Greenhalgh. Washington, D.C.: Board of Trustees, National Gallery of Art, Washington, D.C, 2013: 108–109, illustrated
2012
Arcadia in celle: l’art pour la nature, la nature pour l’art (exhibition catalogue). Saint-Paul de Vence, France: Fondation Maeght, 2012: 85, illustrated
Beard, Lee, Adam Butler, Claire Van Cleave, Diane Fortenberry and Susan Stirling. The Art Book. London: Phaidon Press Limited, 2012: 323, illustrated
Bird, Michael. 100 Ideas That Changed Art. London: Laurence King Publishing Ltd., 2012: 16, illustrated
Decade: Contemporary Collecting 2002–2012 (exhibition catalogue). Texts by David Pagel and Heather Pesanti. Buffalo, New York: The Buffalo Fine Arts Academy, 2012: illustrated.
Extreme Abstraction: Revisited. Buffalo, New York: The Buffalo Fine Arts Academy, 2012, illustrated
Garten. Munich: Galerie Thomas, 2012: 40–43, illustrated
Groos, Ulrike and Simone Schimpf. Tracing the Grid: The Grid in Art after 1945 (exhibition catalogue). Cologne: Wienand Verlag, 2012: illustrated
Hollein, Max and Martin Engler, eds. Gegenwarts-Kunst 1945–Heute im Städel Museum. Ostfildern: Hatje Cantz Verlag, 2012: 198–199, illustrated
Powell, Amy Knight. Depositions: Scenes from the Late Medieval Church and the Modern Museum. New York: Zone Books, 2012: illustrated
Sol LeWitt (exhibition catalogue). Edited by Béatrice Gross. Metz, France: Éditions du Centre Pompidou-Metz, 2012
Sol LeWitt: The Well-Tempered Grid (exhibition catalogue). Texts by Charles W. Haxthausen, Christianna Bonin, and Erica DiBenedetto. Williamstown, Massachusetts: Williams College Museum, 2012.
Zevi, Adachiara, ed. L’Italia nei Wall Drawings di Sol LeWitt (exhibition catalogue). Milan: Electa, 2012
2011
Dander, Patrizia and Ulrich Wilmes, eds. A Bit of Matter and a Little Bit More: Daled Collection. Verlag der Buchhandlung Walther Konig, Cologne, Germany, 2011, p. 224-229.
Davidson, Margaret. Contemporary Drawing: Key Concepts and Techniques. Watson-Guptill Publications, New York, NY, 2011, p. 62-63
Extended Drawing: Sol LeWitt, Robert Mangold, Bruce Nauman, Richard Serra, exhibition brochure, Bonnefantenmuseum, Maastricht, The Netherlands, p. 2-19
Weatherspoon Art Museum: 70 Years of Collecting, Weatherspoon Art Museum, Greensboro, 2011, p. 150
Witkovsky, Matthew, ed. Light Years: Conceptual Art and Photograph, 1964-1977, Art Institute of Chicago and Yale University Press, p. 28-29, 246-248
Modern Art, 1870-2000, Taschen, 2011, p. 517-528, 532-533
2010
Furthermore, Fraenkel Gallery, San Francisco, CA, 2010, p. 16
Getlein, Mark. Living with Art, Ninth Edition, McGraw-Hill Companies, Inc., 2010, p. 154
Corwin, Sharon, Elizabeth Finch, and Lauren Lessing. Art at Colby: Celebrating the Fiftieth Anniversary of the Colby College Museum of Art, Colby College Museum of Art, Waterville, ME, 2009, p. 330-333
Arnason, H.H., and Elizabeth C. Mansfield. History of Modern Art, Sixth Edition, Pearson Education, Inc., Prentice Hall, Upper Saddle River, NJ, 2010, p. 548
2009
Schellmann, Jörg. Forty Are Better Than One: Edition Schellmann 1969-2009, Schellmann Art Production, Munich and New York, 2009, p. 212-219, 374, 379, 389, 398-399, 403, 413, 427, 433-435
Thomas, Elizabeth. Matrix: Berkeley A Changing Exhibition of Contemporary Art, University of California, Berkeley Art Museum and Pacific Film Archive, 2009, p. 131
Yale University Art Gallery Bulletin 2009, State of the Art: Contemporary Sculpture, Yale University Art Gallery, New Haven, CT, 2009, p. 204
Lodermeyer, Peter, Karlyn de Jongh and Sarah Gold. Personal Structures: Time, Space, Existence, DuMont Buchverlag Gmbh & Co. KG, Cologne, Germany, 2009, p. 426-427
Bonham-Carter, Charlotte and David Hodge. The Contemporary Art Book, Goodman, 2009, p. 139
Rattemeyer, Christian. The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné, The Museum of Modern Art, New York, 2009, p. 175-176
Cross, Susan, Denise Markonish. Sol LeWitt 100 Views, MASS MoCA, North Adams, 2009
Cherix, Christophe. In & Out of Amsterdam: Travels in Conceptual Art. 1960-1976, The Museum of Modern Art, New York, NY, 2009, p. 99-106.
Archer, Michael. It?s Like This, Hiroshima City Museum of Contemporary Art, Japan, 2009, p. 42
Kellein, Thomas. 1968. Die Grobe Unschuld, Kunsthalle Bielefeld, Germany, DuMont Buchverlag, 2009
Maffei, Giorgio, Emanuele De Donno. Sol LeWitt Artist’s Books, Edizioni Viaindustriae, CMF Moduli, Foligno, Italy 2009
2008
Cohen, Jean-Louis. New York. Paris: Citadelles & Mazenod, 2008. p. 419, 421.
The Castle, The Collection. Castello di Rivoli Museum of Contemporary Art, Skira Editore, Milan, Italy 2008, p. 331-332
Order. Desire. Light. Contemporary Drawing. Irish Museum of Modern Art, Dublin, Ireland, 2008, p. 96
Glenstone: The Inaugural Exhibition. Glenstone Foundation, Potomac, MD, 2008, p.156
This Is Not To Be Looked At: Highlights from the Permanent Collection of The Museum of Contemporary Art, Los Angeles, The Museum of Contemporary Art, Los Angeles, CA, 2008, p. 172-173
Heartney, Eleanor. Art & Today, Phaidon Press, New York, NY, 2008, p. 84, 86, 88, 298.
Eshoo, Amy, ed. 560 Broadway: A New York Drawing Collection at Work, 1991-2006. Yale University Press, New Haven
2007
Treasures of the DIA: Detroit Institute of Arts, Detroit Institute of Arts, Detroit, 2007, p. 428.
Art Works: The Progressive Collection, Distributed Art Publishers, New York, NY, 2007, p.104
Dreishpoon, Douglas, and David Bonetti. The Panza Collection: An Experience of Color and Light, The Buffalo Fine Arts Academy, Buffalo, New York, 2007
Contemporary + Cutting Edge: Pleasures of Collecting, Part III, Bruce Museum, Greenwich, CT, 2007
Kotz, Liz. Words to Be Looked At: Language in 1960?s Art, The MIT Press, London, England, 2007
Design contre Design, Galeries Nationales du Grand Palais, Paris, France, 2007.
Wallworks: Contemporary Artists and Place, Art Gallery Ontario, Toronto, Ontario, 2007, p. 39-43
Bickers, Patricia and Andrew Wilson, eds. Talking Art: Inteviews with Artists Since 1976. London: Art Monthly and Ridinghouse, 2007
Sol LeWitt: Scribble Wall Drawings, Pace Wildenstein, New York, NY, 2007
De Corral, Maria and John Lane. Fast Forward; Contemporary Collections for the Dallas Museum of Art, Dallas Museum of Art and Yale University Press, New Haven and London, CT, 2007, p .34, 51, 137
2006
Art Metropole: The Top 100. National Gallery of Canada, Ottowa, Canada, 2006, p. 59, 73.
Six Feet Under: Autopsy of Our Relation to the Dead, Kunstmuseum Bern, 2006, p. 92, 113, 154, 212, 217
van Voolen, Edward. My Grandparents, My Parents and I: Jewish Art and Culture, Munich: Prestel Verlag, 2006, p. 154-155
Nothing and Everything, Fraenkel Gallery, San Francisco, and Peter Freeman, Inc., New York, 2006, p. 12
Swanson, Dean, Stephen Fleischman and Martin Friedman. LeWitt x 2: Structure and Line and Selections from the LeWitt Collection, Madison: Madison
Museum of Contemporary Art, 2006
Liesbrock, Heinz. Sol LeWitt: Seven Basic Colors and All their Combinations in a Square Within a Square, Dänischenhagen: Richter Verlag, 2006
Coen, Ester and Giovanni Maria Accame. Sol LeWitt, Galleria Studio G7, Bologna, Italy: Damiani, 2006
Ideal City – Invisible Cities, European Art Projects, Berlin, Germany, 2006, p. 216-221
2005
Stedelijk Museum Amsterdam 2003/2004, Beeldrecht, Amsterdam, 2005, p. 9
Guglielmino, Giorgio. Ladies & Gentelmen, Torino, 2005, p. 70
Sol LeWitt, Madison Square Park Conservancy, New York
2004
Pakesch, Peter. Sol LeWitt: Wall, Kunthaus Graz am Landesmuseum Johanneum, Köln: Verlag der Buchhandlung Walther König, 2004
Design ? Art: Functional Objects from Donald Judd to Rachel Whiteread, Cooper-Hewitt, National Design Museum, New York, 2004
Goldstein, Ann. A Minimal Future? Art As Object 1958-1968, The Museum of Contemporary Art, Los Angeles, CA, 2004, p. 266-269
Ozaki, Shinichiro, ed. Traces: Body and Idea in Contemporary Art, The National Museum of Modern Art, Kyoto, Japan, 2004, p. 262-263
Singular Forms (Sometimes Repeated): Art from 1951 to the Present, The Solomon R. Guggenheim Foundation, New York, 2004
2003
Buskirk, Martha. The Contingent of Contemporary Art, The MIT Press, Massachusetts, 2003, p. 39-40, 45-46, 48, 52,198, 215, 217
Ross, James, ed. The Farm, Keystone Conservancy Limited, Kaipara, New Zealand, 2003
Work Ethic, The Pennsylvania State University Press, PA, 2003, p. 158-159
2002
Works From the DaimlerChrysler Collection and from the Paul Maenz Collection: A Dialogue. Berlin, 2002
2001
LeWitt, Sol, Adachiara Zevi. Sol Lewitt Wall Drawings, Proa Fundacion, Buenos Aires, Argentina, December 2001
Kellein, Thomas, ed. Art Works: The Marzona Collection Art around 1968, Hatje Cantz Verlag, Germany, 2001, p. 110 - 115
LeWitt, Sol and Sachiko Cho. Equivalent, Kusnacht: Inktree Eds, 2001
Marzona Villa Manin: a private collection. Hatje Cantz, Germany, 2001, p. 46-47, 113, 180-181
Potts, Alex. The Sculptural Imagination, Yale University Press, New Haven and London 2001, p. 256, 289, 340
Alberro, Alexander, and Patricia Norvell. Recording Conceptual Art, Berkeley: University of California Press, 2001, p. 112-23
Rorimer, Anne. New Art in the 60s and 70s Redefining Reality, Thames & Hudson Ltd., London, 2001, p. 22, 23, 154-160, 230-233
2000
Garrels, Gary, ed. Sol LeWitt: A Retrospective, The San Francisco Museum of Modern Art, New Haven: Yale University Press, 2000
Nacking, Asa, and Bo Nilsson, eds. Century Of Innocence: The History of the White Monochrome, Rooseum Center for Contemporary Art, Malmo Sweden, and Liljevalchs Konsthall, Stockholm, Sweden
1999
Emerson, Stephanie. Afterimage: Drawing Through Process, The Museum of Contemporary Art, Los Angeles, CA, The MIT Press, Cambridge, MA and London, England
The American Century: Art & Culture 1950 - 2000, The Whitney Museum of American Art, New York, New York, 1999
Princenthal, Nancy. Sol LeWitt Wall Drawings, Paula Cooper Gallery. New York, 1999
Schick, Ulrike. Sol LeWitt Wall Drawing, Museum Moderner Kunst Landkreis Cuxhaven, Otterndorf, Germany
1998
Causey, Andrew. Sculpture Since 1945, Oxford University Press
Borthe, Rolf. Die Sammlung Paul Maenz, Neues Museum Weimar, Cantz Verlag
Sauer, Christel. Minimal Art: Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Morris, Bank Brussels Lambert, 1998
Cora, Bruno. Sol LeWitt in Italia, Centro Espositivo della Rocca Paolina, Perugia, Italy
1997
Davies, Hugh. Blurring the Boundaries: Installation Art 1969-1996, Museum of Contemporary Art, San Diego, CA
Iles, Chrissie, and Russell Roberts, eds. In Visible Light: Photography and Classification in Art, Science and the Everyday, Museum of Modern Art, Oxford, England
Stringer, John. Material Perfection: Minimal Art & Its Aftermath: Selected from the Kerry Stokes Collection, Lawrence Wilson Art Gallery, University of Western Australia, Perth, Australia
Fine, Ruth E., Karin Breuer, and Steven A. Nash. Thirty Five Years at Crown Point Press: Making Prints, Doing Art, University of California Press, Berkeley and Los Angeles, 1997
1996
Drucker, Johanna, ed. Art at the End of the 20th Century: Selections from the Whitney Museum of American Art, 1996
De Corral, Lorena M., ed. Sol LeWitt: Dibujos Murales, Wall Drawings, Sala de las Alhajas, Caja de Madrid. Museum of Modern Art, 1978
Fraenkel, David, ed. Sniper's Nest: Art that has lived with Lucy Lippard, Center for Curatorial Studies and Art in Contemporary Culture, Bard College, Annandale-on-Hudson, NY
Baume, Nicholas. From Christo and Jeanne-Claude to Jeff Koons: John Kaldor Art Projects and Collection, Museum of Contemporary Art, Sydney, Australia.
1995
Auping Michael, ed. Drawing Rooms: Jonathan Borofsky, Sol LeWitt, Richard Serra, Modern Art Museum of Fort Worth, Fort Worth, TX, 1995
Wayson, Anne. Essence and Persuasion: The Power of Black and White, Anderson Gallery, Buffalo, NY, 1995
Mickenberg, David. Printmaking in America: Collaborative Prints and Presses 1960-1990, Harry N. Abrams, New York, NY, 1995
Goldstein, Ann, Anne Rorimer, Lucy Lippard. Reconsidering the Object of Art: 1965-1975, Museum of Contemporary Art, Los Angeles, CA, 1995
Singer, Susanna, ed. Sol LeWitt Working Drawings, John Weber Gallery, New York, NY & Rhona Hoffman Gallery, Chicago
Hindry, Ann. Sol LeWitt, Centre National des Arts Plastiques, Editions du Regard, Paris.
Zevi, Adachiara, ed. Sol LeWitt Critical Texts, AEIUO, Incontri Internazionali D'Arte, Rome, Italy, 1995
1994
Schraenen, Guy. Sol LeWitt's Systeme in Buchform, Neues Museum Weserburg, Bremen Germany, 1994.
Traum vom Absoluten - Dream of the Absolute, Galerie Beyeler, Basel, Switzerland, 1994
Gill, Brendan, Barry Rosenberg. 30 years - Art in the Present Tense: The Aldrich?s Curatorial History 1964-1994, The Aldrich Museum of Contemporary Art, Ridgefield CT, 1994
From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, DC, 1994
1993
Scanlan, Joseph, ed. A History of the Renaissance Society at the University of Chicago: The First Seventy-Five Years, The Renaissance Society, Chicago, 1993, p. 81
Sol LeWitt: Twenty-Five Years of Wall Drawings, 1968-93, Addison Gallery of American Art, Phillips Academy, Andover, MA, 1993
Batchelor, David, David Elliott, Chrissie Iles, and Rosalind Krauss. Sol LeWitt Structures 1962 - 1993, Museum of Modern Art, Oxford, England, 1993
1992
Kaiser, Franz W., Rudi Fuchs. Sol LeWitt Drawings 1958-1992, The Haags Gemeentemuseum, The Hague, Netherlands, 1992
Loock, Ulrich. Sol LeWitt Wall Drawings 1984-92, updated 1989 catalogue raisonné from the Kunsthalle Bern, Switzerland, 1992
1990
Sol LeWitt Books. 1966-90, Portikus, Frankfurt, 1990
Sol LeWitt: A CUBE, Walther König, Cologne, 1990
1986
Sol LeWitt Prints 1970-86, Tate Gallery, London, 1986
1984
Debbaut, Jan, Alexander van Grevenstein and Andrea Miller-Keller. Sol LeWitt Wall Drawings, the Stedelijk Museum, Amsterdam; Stedelijk Abbemuseum, Eindhoven, and the Wadsworth Atheneum, Hartford, CT, 1984
1980
Sol LeWitt: All Four Part Combinations of Six Geometric Figures, Galerie Watari, Tokyo, Japan, 1980
1978
Lippard, Lucy, Bernice Rose and Robert Rosenblum. Sol LeWitt, Museum of Modern Art, New York, 1978
1977
Harvey, Michael. Notes on the Wall Drawings of Sol LeWitt. Geneva, Switzerland: Adelina von Furstenberg, 1977
LeWitt, Sol. Brick Wall (artist’s book).New York: Tanglewood Press, 1977
LeWitt, Sol. Color Grids (artist’s book).New York: Multiples, 1977
LeWitt, Sol. Five Cubes on Twenty-Five Squares.Bari, Italy: Galleria Marilena Bonomo, 1977
LeWitt, Sol. Four Basic Kinds of Lines & Colour (artist’s book).London and New York: Lisson Gallery and Studio International; Paul David Press, 1977
LeWitt, Sol. Irish (artist’s book). Edinburgh: Morning Star Publications, 1977
LeWitt, Sol. PhotoGrids (artist’s book).New York: Paul David Press, 1977
LeWitt, Sol. Wall Drawings in Australia (artist’s book). Melbounre: John Kaldor, 1977
1976
Drawing Now (exhibition catalogue).Text by Bernice Rose. New York: The Museum of Modern Art, 1976
LeWitt, Sol. Five Structures.New York: HammarskjoldPlazaSculptureGarden and John Weber Gallery, 1976
LeWitt, Sol. Geometric Figures Within Geometric Figures (artist’s book).Boulder: Department of Fine Arts, University of Colorado, 1976
LeWitt, Sol. The Location of Six Geometric Figures. Double Page (artist’s book). Zurich: Annemarie Verna, 1976
LeWitt, Sol. The Location of Straight, Not-Straight & Broken Lines and All Their Combinations (artist’s book).New York: John Weber Gallery, 1976
LeWitt, Sol. Modular Drawings (artist’s book).Geneva: Adelina von Furstenberg, 1976
Lippard, Lucy R. Eva Hesse.New York: New York University Press, 1976
Minimal Art Druckgraphik (exhibition catalogue), Text by: Norbert Lynton, Kathan Brown, Nancy Tousley, Donald B. Kuspit. Hanover: Kestner Gesellschaft, 1976
Seventy-second American Exhibition (exhibition catalogue). Text by Anne Rorimer. Chicago: Art Institute of Chicago, 1976
Today/Tomorrow (exhibition catalogue). Text by Paul Thompson. Miami: Art Museum, University of Miami, 1976
200 Years of American Sculpture (exhibition catalogue). Text by Barbara Haskell. New York: WhitneyMuseum of American Art, 1976
1975
Alloway, Lawrence. Topics in American Art Since 1945. New York: W.W. Norton & Co., 1975
Kostelanetz, Richard, ed. Essaying Essays: Alternative Forms of Exposition. New York: Out of London Press, 1975
Legg, Alicia, ed. American Art Since 1945: From the Collection of the Museum of Modern Art (exhibition catalogue).New York: The Museum of Modern Art, 1975.
LeWitt, Sol. Grids (artist’s book).Brussels, Belgium: Pour Ecrire La Liberté, 1975.
LeWitt, Sol. Grids, Using Straight, Not-Straight and Broken Lines in Yellow, Red & Blue And All Their Combinations.Oakland, California and New York: Crown Point Press and Parasol Press Ltd., 1975.
LeWitt, Sol. Lines and Color (artist’s book).Zurich, Basel, and Bari, Italy: Annemarie Verna; Rolf Preisig; Galleria Marilena Bonomo, 1975.
LeWitt, Sol. Red, Blue, and Yellow Lines from Sides, Corners, and the Center of the Page to Points on a Grid (artist’s book).Jerusalem: Israel Museum, 1975
LeWitt, Sol. Stone Walls.Oakland, California: Crown Point Press, 1975
Sol LeWitt: Graphik, 1970–1975 (exhibition catalogue).Bern, Switzerland: Kunsthalle Basel and Verlag Kornfeld und Cie, 1975
1974
America on Paper (exhibition catalogue). Basel: Galerie Beyeler, 1974
Art Now 74: A Celebration of the American Arts (exhibition catalogue).Washington, D.C.: Artrend Foundation, 1974
de Vries, Gerd, ed. Über Kunst – On Art: Artists' Writings on the Changed Notion of Art After 1965 (exhibition catalogue). Cologne: DuMont Schauberg, 1974
Kelley, James. The Sculptural Idea. Minneapolis: Burgess Publishing, 1974
LeWitt. Sol. Arcs and Lines (artist’s book).Lausanne, Switzerland and Paris: Editions des Massons; Galerie Yvon Lambert, 1974
LeWitt, Sol. Diciassette Quadrati con Sedici Linee ed un Arco (artist’s book). Milan: Galleria Toselli and Università di Bari, 1974
LeWitt. Sol. Drawing Series I, II. III. IIII A & B (artist’s book).Turin and Düsseldorf: Galleria Sperone; Galerie Konrad Fischer, 1974
LeWitt, Sol. Incomplete Open Cubes (artist’s book).New York: John Weber Gallery, 1974
LeWitt, Sol. The Location of Eight Points (artist’s book).Washington, D.C.: Max Protetch Gallery, 1974
LeWitt, Sol. The Location of Lines (artist’s book).London: Lisson Publications, 1974
LeWitt, Sol. Locations of Three Geometric Figures (artist’s book). Brussels: Société des Expositions and Palais des Beaux Arts, 1974
LeWitt, Sol. La Posizione di tre figure geometriche. Tre disegni su parete / The Location of Three Geometric Figures. Three Wall Drawings (artist’s book).Turin, Italy: Galleria Serpone, 1974
LeWitt, Sol. Squares with Sides and Corners Torn Off (artist’s book).Brussels: Galerie MTL, 1974
Line as Language: Six Artists Draw (exhibition catalogue).Text by Rosalind Kraus. Princeton, New Jersey: The Art Museum, Princeton University, 1974
Multiples (exhibition catalogue). Berlin: Neuen Berliner Kunstverein, 1974
1973
Artists Books (exhibition catalogue). Texts by Dianne Perry Vanderlip, Lynn Lester Hershman, and John Perreault. Philadelphia: MooreCollege of Art, 197.
Contemporanea (exhibition catalogue). Florence: Achille Bonito Oliva, 1973
LeWitt, Sol. Cercles & Lignes (artist’s book). Paris: Galerie Yvon Lambert, 1973
LeWitt, Sol. Grids Using Straight Lines, Not-Straight Line & Broken Lines in All Their Possible Combinations. Oakland, California and New York: Crown Point Press; Parasol Press, 1973
LeWitt, Sol. Six Wall Drawings. Arcs with Straight Lines, Not-straight Lines and Broken Lines (artist’s book). Houston: Cusack Gallery, 1973
LeWitt, Sol. Sol LeWitt (artist’s book). Bari, Italy, Marilena Bonomo, 1973
LeWitt, Sol. Vier Muurtekeningen/Quatre Dessins Muraux.Amsterdam: Art & Project, 1973
LeWitt, Sol. Wall Drawings. Seventeen Squares of Eight Feet with Sixteen Lines and One Arc (artist’s book).Portland, Oregon: Portland Center for the Visual Arts, 1973
Lippard, Lucy R, ed. Six Years: The Dematerialization of the Art Object. New York: Praeger Publishers, Inc., 1973
Some Recent American Art (exhibition catalogue). Introduction by Jennifer Licht. New York: The Museum of Modern Art, 1973
Young American Artists: Drawings, and Graphics (exhibition catalogue). Copenhagen: Steingrim Laursen, 1973
1972
Actualite d’un bilan. Paris: Yvon Lambert, 1972
LeWitt, Sol. Arcs Circles & Grids (artist’s book). Bern and Paris: Kunsthalle Bern; Paul Bianchini, 1972
LeWitt, Sol. Lithographs and Wall Drawing.Halifax: Nova ScotiaCollege of Art & Design, 1972
LeWitt, Sol. Wall Drawings & Structures: The Location of Six Geometric Figure/ Variations of Incomplete Open Cubes.New York: John Weber Gallery, 1974
Müller, Gregoire and Gianfranco Gorgoni. The New Avant Garde: Issues for the Art of the Seventies.New York: Praeger Publishers, Inc., 1972
Pluchart, François. Pop Art & Cie, 1960–1970.Paris: Editions Martin-Malburet, 1972
Sol LeWitt (exhibition catalogue). Bern: Kunsthalle Bern, 1972
1971
LeWitt, Sol. Four Basic Colours and Their Combinations (artist’s book). London: Lisson Publications, 1971
Lippard, Lucy R. “Sol LeWitt: Nonvisual Structures.” In Changing: Essays in Art Criticism. New York: E.P. Dutton & Co., 1971: 154–166, illustrated
Situation Concepts (exhibition catalogue). Innsbruck: Galerie im Taxispalais, 1971
1970
Artists & Photographs (artists’ book). New York: Multiples, Inc. in association with Colorcraft, Inc., 1970
Information (exhibition catalogue).New York: The Museum of Modern Art, 1970
Sol LeWitt (exhibition catalogue). Texts by John N. Chandler, Enno Develing, Dan Graham et al. The Netherlands: Haags Gemeentemuseum, 1970
1969
Art by Telephone (exhibition catalogue). Chicago: Museum of Contemporary Art, 1969
LeWitt, Sol. 49 Three-Part Variations Using Three Different Kinds of Cubes / 1967–68 (artist’s book). Zurich: Bruno Bischofberger, 1969
LeWitt, Sol. Four Basic Kinds of Straight Lines (artist’s book). London: Studio International, 1969
Lippard, Lucy. 557,087 / 955,000 (exhibition catalogue)Seattle, Washington and Vancouver: Seattle Art Museum; Vancouver Art Gallery, 1969
Siegelaub, Seth. [One Month}. New York: Seth Siegelaub, 1969
Sol LeWitt: Sculptures and Wall Drawings (exhibition catalogue). Text by Paul Wember. Krefeld, Germany: Museum Haus Lange, 1969
Szeemann, Harald. Live in Your Head: When Attitudes Become Form (exhibition catalogue). Bern: Kunsthalle Bern, 1969: 53, illustrated.
1968
Art of the Real (exhibition catalogue). Text by E.C. Goosen.New York: The Museum of Modern Art, 1968: 48
Battcock, Gregory. Minimal Art: A Critical Anthology. New York: E. P. Dutton & Co., 1968.
Burnham, Jack. Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of This Century. New York: George Braziller, 1968
Cool Art: 1967 (exhibition catalogue). Ridgefield, Connecticut: Aldrich Museum of Contemporary Art, 1968: no. 20, illustrated.
Hightlights of the 1967–68 Art Season (exhibition catalogue). Ridgefield, Connecticut: Aldrich Museum of Contemporary Art, 1968: illustrated.
Kulterman, Udo. The New Sculpture: Environments and Assemblages. Translated by Stanley Baron. New York: Frederick A. Praeger, 1968
LeWitt, Sol. Set IIA/1–24 (artist’s book). Los Angeles: Ace gallery, 1968
Siegelaub, Seth and John W. Wendler, eds. Carl Andre, Robert Barry, Jan Dibbets, Douglas Heubler, Joseph Kosuth, Sol LeWitt, Richard Long, N.E. Thing Co. Ltd., Robert Smithson, Lawrence Weiner (artists’ book). New York: Seth Siegelaub, 1968
New York Times, 09.04.2007
Michael Kimmelmann
Sol LeWitt, Master of Conceptualism, Dies at 78
www.nytimes.com/2007/04/09/arts/design/09lewitt.html
Sol LeWitt, Master of Conceptualism, Dies at 78
By MICHAEL KIMMELMAN
Published: April 9, 2007
Sol LeWitt, whose deceptively simple geometric sculptures and drawings and ecstatically colored and jazzy wall paintings established him as a lodestar of modern American art, died yesterday in New York. He was 78 and lived mostly in Chester, Conn. The cause was complications from cancer, said Susanna Singer, a longtime associate.
Mr. LeWitt helped establish Conceptualism and Minimalism as dominant movements of the postwar era. A patron and friend of colleagues young and old, he was the opposite of the artist as celebrity. He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper.
Typically, a 1980 work called “Autobiography” consisted of more than 1,000 photographs he took of every nook and cranny of his Manhattan loft, down to the plumbing fixtures, wall sockets and empty marmalade jars, and documented everything that had happened to him in the course of taking the pictures. But he appeared in only one photograph, which was so small and out of focus that it is nearly impossible to make him out. His work — sculptures of white cubes, or drawings of geometric patterns, or splashes of paint like Rorschach patterns — tested a viewer’s psychological and visual flexibility. See a line. See that it can be straight, thin, broken, curved, soft, angled or thick. Enjoy the differences. The test was not hard to pass if your eyes and mind were open, which was the message of Mr. LeWitt’s art.
He reduced art to a few of the most basic shapes (quadrilaterals, spheres, triangles), colors (red, yellow, blue, black) and types of lines, and organized them by guidelines he felt in the end free to bend. Much of what he devised came down to specific ideas or instructions: a thought you were meant to contemplate, or plans for drawings or actions that could be carried out by you, or not.
Sometimes these plans derived from a logical system, like a game; sometimes they defied logic so that the results could not be foreseen, with instructions intentionally vague to allow for interpretation. Characteristically, he would then credit assistants or others with the results. With his wall drawing, mural-sized works that sometimes took teams of people weeks to execute, he might decide whether a line for which he had given the instruction “not straight” was sufficiently irregular without becoming wavy (and like many more traditional artists, he became more concerned in later years that his works look just the way he wished). But he always gave his team wiggle room, believing that the input of others — their joy, boredom, frustration or whatever — remained part of the art.
In so doing, Mr. LeWitt gently reminded everybody that architects are called artists — good architects, anyway — even though they don’t lay their own bricks, just as composers write music that other people play but are still musical artists. Mr. LeWitt, by his methods, permitted other people to participate in the creative process, to become artists themselves.
A Dry Humor
To grasp his work could require a little effort. His early sculptures were chaste white cubes and gray cement blocks. For years people associated him with them, and they seemed to encapsulate a remark he once made: that what art looks like “isn’t too important.” This was never exactly his point. But his early drawings on paper could resemble mathematical diagrams or chemical charts. What passed for humor in his art tended to be dry. “Buried Cube Containing an Object of Importance but Little Value” (1968), an object he buried in the garden of Dutch collectors, was his deadpan gag about waving goodbye to Minimalism. He documented it in photographs, in one of which he stands at attention beside the cube. A second picture shows the shovel; a third, him digging the hole.
Naturally, he was regularly savaged by conservative critics. By the 1980s, however, he moved from Manhattan to Spoleto, Italy, seeking to get away from the maelstrom of the New York art world. (He had had a retrospective at the Museum of Modern Art in 1978.) His art underwent a transformation. Partly it grew out of what he saw in Italy. But it was all the more remarkable for also proceeding logically from the earlier work.
Eye-candy opulence emerged from the same seemingly prosaic instructions he had come up with years before. A retrospective in 2000, organized by the San Francisco Museum of Modern Art, which traveled to the Whitney Museum of American Art in New York and the Museum of Contemporary Art in Chicago, concluded with some of these newly colorful wall drawings. (Mr. LeWitt always called them drawings, even when the medium became acrylic paint.)
His description for a wall drawing, No. 766 — “Twenty-one isometric cubes of varying sizes each with color ink washes superimposed” — sounded dry as could be: but then you saw it and there were playful geometries in dusky colors nodding toward Renaissance fresco painting. “Loopy Doopy (Red and Purple),” a vinyl abstraction 49 feet long, was like a psychedelic Matisse cutout, but on the scale of a drive-in movie. Other drawings consisted of gossamer lines, barely visible, as subtle as faintly etched glass.
Some people who had presumed that Mr. LeWitt’s Conceptualism was arcane and inert were taken aback. He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year’s Eve, often as enormous decorations for buildings around the world. It was as if he had devised a latter-day kind of Abstract Expressionism, to which, looking back, his early Conceptualism had in fact been his response.
Sol LeWitt was born in Hartford, on Sept. 9 1928, the son of immigrants from Russia. His father, a doctor, died when he was 6, after which he moved with his mother, a nurse, to live with an aunt in New Britain, Conn. His mother took him to art classes at the Wadsworth Atheneum in Hartford. He would draw on wrapping paper from his aunt’s supply store.
Finding His Way
At Syracuse University, he studied art before he was drafted for the Korean War in 1951, during which he made posters for the Special Services. After his service he moved to New York to study illustration and cartooning. For a while he did paste-ups, mechanicals and photostats for Seventeen magazine. He spent a year as a graphic designer in the office of a young architect named I. M. Pei.
Meanwhile, he painted, or tried to. For a while, he hired a model to draw from life and copied old masters. He felt lost. An aspiring artist in New York during the waning days of Abstract Expressionism, an art squarely about individual touch, he thought he had no particular touch of his own and therefore nothing to add.
But then he took a job at the book counter at the Museum of Modern Art, where he met other young artists with odd jobs there, including Dan Flavin, Robert Ryman and Robert Mangold. He noticed the nascent works of Flavin and also absorbed early art by Jasper Johns and Frank Stella. Minimalism, a yet-unnamed movement, seemed like a fresh start. Mr. LeWitt was meanwhile intrigued by Russian Constructivism, with its engineering aesthetic, and by Eadweard Muybridge’s photographs, sequential pictures of people and animals in motion, which he came across one day in a book that somebody had left in his apartment. From all this he saw a way forward. It was to go backward.
He decided to reduce art to its essentials, “to recreate art, to start from square one,” he said, beginning literally with squares and cubes. But unlike some strict Minimalists, Mr. LeWitt was not interested in industrial materials. He was focused on systems and concepts — volume, transparency, sequences, variations, stasis, irregularity and so on — which he expressed in words that might or might not be translated into actual sculptures or photographs or drawings. To him, ideas were what counted.
At the time, linguistic theorists were talking about words and mental concepts as signs and signifiers. Mr. LeWitt was devising what you might call his own grammar and syntax of cubes and spheres, a personal theory of visual signs. It was theoretical, but not strictly mathematical. Partly it was poetic. He began with propositions for images, which became something else if they were translated into physical form by him or other people.
He also liked the inherent impermanence of Conceptual art, maybe because it dovetailed with his lack of pretense: having started to make wall drawings for exhibitions in the 1960s, he embraced the fact that these could be painted over after the shows. (Walls, unlike canvases or pieces of paper, kept the drawings two-dimensional, he also thought.) He wasn’t making precious one-of-a-kind objects for posterity, he said. Objects are perishable. But ideas need not be.
“Conceptual art is not necessarily logical,” he wrote in an article in Artforum magazine in 1967. “The ideas need not be complex. Most ideas that are successful are ludicrously simple. Successful ideas generally have the appearance of simplicity because they seem inevitable.”
Relishing Collaboration
To the extent that Mr. LeWitt’s work existed in another person’s mind, he regarded it as collaborative. Along these lines he became especially well known in art circles for his generosity, often showing with young artists in small galleries to give them a boost; helping to found Printed Matter, the artists’ organization that produces artists’ books; and trading works with other, often needier artists, whose art he also bought. Some years back he placed part of what had become, willy-nilly through this process, one of the great private collections of contemporary art in the country on long-term loan to the Wadsworth Atheneum, his childhood museum and the one that again was in his neighborhood after he moved, in the mid-’80s, from Spoleto to Chester. He lived there with his wife, Carol, who survives him, along with their two daughters, Sofia, who lives in New York and works at the Paula Cooper Gallery, and Eva, a senior at Bard College.
It was said that Mr. LeWitt didn’t like vacations. His pleasure was being in his studio. He explained that he had worked out his life as he wanted it to be, so why take a vacation from it?
To the sculptor Eva Hesse, he once wrote a letter while she was living in Germany and at a point when her work was at an impasse. “Stop it and just DO,” he advised her. “Try and tickle something inside you, your ‘weird humor.’ You belong in the most secret part of you. Don’t worry about cool, make your own uncool.” He added: “You are not responsible for the world — you are only responsible for your work, so do it. And don’t think that your work has to conform to any idea or flavor. It can be anything you want it to be.”
Gary Garrels, a curator who organized Mr. LeWitt’s retrospective for San Francisco in 2000, said: “He didn’t dictate. He accepted contradiction and paradox, the inconclusiveness of logic.” He took an idea as far as he thought it could go, then tried to find a way to proceed, so that he was never satisfied with a particular result but saw each work as a proposition opening onto a fresh question. Asked about the switch he made in the 1980’s — adding ink washes, which permitted him new colors, along with curves and free forms — Mr. LeWitt responded, “Why not?” He added, “A life in art is an unimaginable and unpredictable experience.”
2020
LINES
Konrad Fischer Galerie, Düsseldorf
04 September 2020 – 06 November 2020
2017
50 Years of Konrad Fischer Galerie 1967-2017
Konrad Fischer Galerie, Berlin
15 September 2017 – 25 November 2017
50 Years of Konrad Fischer Galerie 1967-2017
Konrad Fischer Galerie, Düsseldorf
08 September 2017 – 17 November 2017
2015
WALL DRAWINGS, GRID ON COLOR
Konrad Fischer Galerie, Berlin
04 September – 31 October 2015
WALL DRAWINGS, GRIDS ON BLACK AND WHITE
Konrad Fischer Galerie, Düsseldorf
03 September – 31 October 2015
2014
Summer Show
Carl Andre, Daniel Buren, Alan Charlton, Sol LeWitt, Lawrence Weiner
Konrad Fischer Galerie, Berlin
27 June – 13 September 2014
2010
Aber Schwarz Ist Doch Gar Keine Farbe !
Carl Andre, Tony Cragg, Harald Klingelhöller, Jannis Kounellis, Wolfgang Laib, Sol LeWitt, Richard Long, Rita McBride, John McCracken, Mario Merz, Dennis Oppenheim, Giuseppe Penone, Thomas Ruff,
Gregor Schneider, Thomas Schütte, Juergen Staack, Paloma Varga Weisz, Lawrence Weiner
Konrad Fischer Galerie, Düsseldorf
19 March – 30 April 2010
Sol LeWitt - Wall Drawings
Konrad Fischer Galerie, Berlin
26 February – 24 April 2010
2006
Galerie mit Bleistift Fischer -
Papierarbeiten aus den 60er und 70er Jahren
Andre Bladen Brouwn Charlton Darboven Dibbets Flavin Joseph
Kaltenbach Law LeWitt Merz Nauman Rückriem Ruthenbeck
Konrad Fischer Galerie, Düsseldorf
06 May – 17 June 2006
2003
Sol LeWitt
Konrad Fischer Galerie, Düsseldorf
08 November 2003 – 07 February 2004
2001
Konrad Fischer Galerie, Düsseldorf
07 December 2001 – 26 January 2002
Konrad Fischer Galerie, Düsseldorf
31 March – 05 May 2001
2000
Sol LeWitt
Konrad Fischer Galerie, Düsseldorf
13 may – 24 June 2000
1999
Konrad Fischer Galerie, Düsseldorf
08 May – 19 June 2000
1993
Sol LeWitt - New Wall Pieces
Konrad Fischer Galerie, Düsseldorf
16 September – 16 October 1993
A Group Show in Progress
Carl Andre, Daniel Buren, Alan Charlton. Hanne Daboven, Martin Gewers, Gilbert & George
Martina Klein. Harald Klingelhöller, Jannis Kounellis, Wolfgang Laib, Sol LeWitt, Richard Long,
Robert Mangold, Mario Merz, Jürgen Meyer, Juan Muñoz, Helga Natz, Bruce Nauman, Robert Ryman, Thomas Schütte
Konrad Fischer Galerie, Düsseldorf
23 April – 15 August 1993
1991
Sol LeWitt
Konrad Fischer Galerie, Düsseldorf
02 August – 27 September 1991
1977
Sol LeWitt: Geometric Figures
Galerie Konrad Fischer, Düsseldorf
