Lawrence Weiner
1942
born in New York
died in 2021
AWARDS
2017
Wolf Prize, Jerusaelm Israel
Aspen Award for Art honoree
2015
Roswitha Haftmann Prize, Zurich, Switzerland
2013
Honorary Doctorate of Humane Letters from the Graduate Center, City University of New York
1999
Skowhegan Medal for Painting/Conceptual Art, Skowhegan, Maine
1995
Wolfgang Hahn Prize, Ludwig Museum, Cologne
1994
John Simon Guggenheim Fellowship, New York
1991
Arthur Kopcke Prize, Arthur Kopcke Memorial Fund, Copenhagen1988
Singer Prize, Singer Museum, Laren, The Netherlands
1983
National Endowment for the Arts Fellowship, Washington, D.C.
1986
Stichting De Appel, Amsterdam, and the State Film Board of the Netherlands, production of film "Plowmans Lunch"
1976
National Endowment for the Arts Fellowship, Washington, D.C.
72nd American Exhibition, Art Institute of Chicago, prize, Chicago
1975-1976
DAAD, Berlin (for production of film, "A Second Quarter")
PUBLIC COLLECTION (selection)
Solomon R. Guggenheim Museum, New York, USA
Guggenheim Bilbao, Spain
Whitney Museum of American Art, New York, USA
Museum of Modern Art, New York, NY, USA
Museum of Contemporary Art, Los Angeles, CA, USA
National Gallery of Australia, Canberra, Australia
Netherlands British Museum, London, UK
Centre Pompidou, Paris, France
Stedelijk Museum, Amsterdam, Netherlands
Van Abbemuseum, Eindhoven, Netherlands
Herbert Collection, Ghent, Belgium
Boymans-van Beuningen Museum, Rotterdam
Irish Museum of Modern Art, Dublin, Ireland
Israel Museum, Jerusalem, Israel
Musée de Toulon, France
Musée Saint Pierre, Art Contemporain, Lyon, France
Musée de Beaux-Arts, La Chaux-de-Fonds, Switzerland
Städtisches Museum for Kunst, Copenhagen, Denmark
Museum Moderner Kunst, Vienna, Austria
Krefelder Kunst Museen, Haus Esters, Germany
Kunstmuseum Wolfsburg, Wolfsburg, Germany
Kunstverein Museum Schloss Morsbroich, Leverkusen, Germany
SELECTED SOLO EXHIBITIONS
2023-2024
UNDER THE SUN, Amorepacific Museum of Art, Seoul, South Korea
2021
Lawrence Weiner, Galerie Thomas Schulte, Berlin
Close to a Rainbow, Holstebro Kunstmuseum, Denmark
2020
Lawrence Weiner: South of the Border, Fundación Casa Wabi, Puerto Escondido, Oaxaca, Mexico
2019
Brought Down to Just Below, Kode Kunstmuseer, Bergen, Norway
Attached by Ebb & Flow, Museo Nivola, Orani, Italy
Just in Time / Zur Rechten Zeit, Galerie Hubert Winter, Vienna, Austria
Whisked Away From, OSL Contemporary, Oslo, Norway
2018
Folded Waves Vague Pliees, Galerie Marian Goodman, Paris
Piles of Used Marble Breaking the Water, Galleria Alfonso Artiaco, Naples, Italy
Artist Rooms Lawrence Weiner, The McManus, Dundee, Scotland
In Tandem with the Sands, Dvir Gallery, Tel Aviv, Israel
Water & Some of Its Forms, Taro Nasu Gallery, Tokyo
2017
Forever and a Day (Siempre y un Dia), Various public installations in Mexico City: Museo de la Ciudad de Mexico; Plaza de la Constitucion/Zocalo; Nezah Ualcoyotl; Museo Tamayo; Marquesina Cervantes Sa Avedra
Wherewithal - Was es braucht, Kunsthaus Bregenz
Out of Sight, Pérez Art Museum, Miami, USA
Inherent Innate Tension, Milwaukee Art Museum, Milwaukee, USA
2016
Wherewithal - Was es braucht, Kunsthaus Bregenz
made to be, Regen Projects, Los Angeles
2015
Lawrence Weiner: Within Grasp, Mai 36 Galerie, Zurich
Lawrence Weiner: Within a Realm of Distance, Blenheim Art Foundation, England
2014
Along the Shore, i8 Gallery, Reykjavic, Iceland
Some Moved Pictures of Lawrence Weiner, GoMA Gallery of Modern Art, Glasgow
All in Due Course, South London Gallery, London
Written on the Wind, Drawings by Lawrence Weiner, Stedelijk Museum, Amsterdam
Lawrence Weiner, Bury Sculpture Center, Bury Art Museum, Lancashire
Straight Down to Below: Lawrence Weiner Artist Rooms, Woodhorn Museum, Ashington
Somewhere, Mendes Wood DM and Galeria Luisa Strina, São Paulo
2013
The Grace of A Gesture, Written Art Foundation & the 55th Venice Biennale, Palazzo Bembo, Venice
Forever & A Day, ArtAids Foundation, Barcelona
Written on the Wind, Drawings by Lawrence Weiner, Museum of Contemporary Art, Barcelona
Lawrence Weiner, Works 1969-73, Villa e Collezione Panza, Varese
Finding a Place to Put What, Museum of Contemporary Art, Barcelona
2012
Be it as it may, Lisson Gallery, London
Catch as Catch, Elizabeth Murray Art Wall Bowery Arts + Science, New York
Ever so much, Base, Progetti par l'arte, Florence
No tree no branch, The Jewish Museum, New York
Concentricity Per Se, Blain Southern, Berlin
Around & Around High & Low, Regen Projects, Los Angeles
Just before, Alfonso Artiaco, Naples
Impeded Time, Galerie Huber Winter, Vienna
The Drawing Center Gala 2012: Honoring Lawrence Weiner, Tribeca Rooftop, New York
2011
Three videos, Leslie Tonkonow Artworks + Projects, New York
Specific Object Presents Lawrence Weiner's Published Work from The Jean Noel Herlin Archive Project, Susan Inglett Gallery, New York
Designing The Whitney of the future, Whitney Museum of American Art, New York
A Syntax of Dependency, Museum of Contemporary Art, Antwerp
Altered to Siut, Electronic Arts, Intermix, New York
Use them It, 10 Downing Street, New York
& That Was The Trouble With Aristotle, Mairie du 2e arrondissement, Paris
Sharon Hayes + Lawrence Weiner, New Museum, New York
Brought to Light, University of California, San Francisco
Lawrence Weiner and Kathryn Bigelow: Films and Videos, Museum of Modern Art, New York
Paperwork 5/24, Fundacao Cidade de Guimaraes, PT
After crossing the river, Collection Lambert, Avignon
2010
Gyroscopically Speaking, Marian Goodman Gallery, New York
Bent & Broken Shaft of Light, Biennale für Internationale Lichtkunst Ruhr 2010
Polgnant Adaptiation, Cristina Guerra Contemporary Art, Lisbon
Graceful Haste, Mai 36 Galerie, Zurich
Dict Bij, BAK, Utrecht / Stedelijk Museum, Amsterdam
Under the sun, Espai d'art contemporani de Castello, Spain
i8 Gallery, Reykjavik, Iceland
Taken from the wind & bolted to the ground, House of Art, Budweis, Czech Republic
Johanneskirche Stadtkirche, Düsseldorf
Emscherkunst.2010, Berne Park, Bottrop
As to be in plain sight, Denver Art Museum, Colorado
2009
Dvir Gallery, Jaffa Port, Telaviv
Sota al sol, Eacc, Castellon de la Plana
One in Front (Sea) Two if in Back (Land), Newlyn Art Gallery, Newlyn
Placed on the Tip of a wave, Regen Projects II, Los Angeles
Au pays, L'abbaye et Le Village de Corbigny, Nievre-Bourgogne
The other side of the cul-de-sac, The power plant, Toronto
The bay of Naples, Alfonso Artiaco, Naples
Done with, Galerie Micheline Szwajcer, Antwerp
Die Ebbe und der Strom, Galerie Hubert Winter, Wien
A Bit of Matter and a Little Bit More, Argos, Brussels
Inclined enough to roll, fondazione merz, Turin
empty - full, Yvon Lambert, Paris
At the level of the sea, Marian Goodman Gallery, New York
Done with, Micheline Swajcer, Antwerp
2008
Quid pro quo, Gagosian Gallery, Rome
The crest of a wave, Fundació Sunol, Barcelona
Lawrence Weiner: statements, El Sourdog Hex, Berlin
Forever & a day, CAC, Malaga
Dematarializing cinema: the films of Lawrence Weiner, Havard Film Archive, Carpenter
Center for the Visual Arts, Boston
Seven statements in one (Works from 1970-1988), El Sourdog Hex, Berlin
Konrad Fischer Galerie, Berlin
With a line of graphite/Con una linea di grafite, Galleria Massimo De Carlo, Milan
Offsides, Lisson Gallery, London
A selections of shorts films and videos by Lawrence Weiner, Ullens Center for Contemporary Art
Auditorium, Beging 2007c Lawrence Weiner, Kunstparterre, Munich
As Far as the Eye Can See, Whitney Museum of American Art, New York
Kunstsammlung im Ständehaus, Düsseldorf
Inherent in the Rhumb Line, National Maritime Museum, London
Para/Site Art Space, Hong Kong, China
The Die is Cast, Gallerie Cristina Guerra, Lisbon
Haus der Kunst, Munich
2006
Galerie Micheline Szwajcer, Antwerp
Nicht Weit Vom Stamm, Konrad Fischer Galerie, Düsseldorf
Made to produce a spark, Museo d'Arte Contemporanea Castello di Ravoli, Turin
XY & Z, BAWAG Foundation, Vienna
If Silence Was, Galleria Alfonso Artiaco, Naples
Printed Works, Van Abbe Museum, Eindhoven
2005
Galerie Thaddaeus Ropac, Salzburg
Regen Projects, Los Angeles
Within a Realm of relative form, Lisson Gallery, London
Posters, Bury Art Gallery, Bury
i8, Gallery Reykjavik
Glleria Giorgio Persano, Turin
Galerie Johann Widauer, Innsbruck
Galerie Marian Goodman, Paris
Marian Goodman Gallery, New York
2004
Drift (film project with John Baldessari and Juliao Sarmento), Fundacao Centro
Cultural de Belem, Lisbon
Tamayo Museum, Mexico City
On a string, Mai 36 Galerie, Zurich
2003
Primary Secondary Tertiary, Kunstverein Ruhr, Essen
Setting the Stage, Galleri Sussanne Ottesen, Copenhagen
Lawrence Weiner Artist Books, Galerie rose Marie, Malmö
Statements, L'Ancien College des Jesuites, Reims
La Destin la Destinee, Yvon Lambert Gallery, Paris
The Wrong Gallery, New York
2002
Notations, Until it is, Wexner Center for the Arts, Columbus
A Basic Assumption, The Birmingham Museum of Art, Birmingham, Alabama
Parfois L'Horizon C'est plus comme un verbe pas encore Comme un nom, Emmentrop & Transpalette, Bourges
Any given time, Stadt Stommelm Snynagoge, Stommeln
All this time on this Place, Regen Projects, Los Angeles
Galerie Roger Pailhas, Marseille
Just on time - Nur Einmal, Klosterfelde, Berlin
Until it is, Wexner Center fort the Arts
In one end and out the other , Gandy Gallery, Prag
Towards the end of the Beginning, Christina Guerra Contemporary Arts, Lisboa
Wave after Wave, Marian Goodman Gallery, New York
There are those things that move outside of motion, De Verbeelding, Zeewolde
Ignoti Nulla Cupido, Alfonso Artiaco, Naples
2001
Lawrence Weiner, Brigitte March, Stuttgart
Per Se/Por Si Mismo, Palacio de Cristal y Biblioteca MNCARS, Museo Nacional Centro de Arte Reina Sofia, Madrid
A Basic Assumption, Birmingham Museum of Art, Alabama
For better or for Worse, Galerie Erna Hecey, Luxembourg
Wordscapes, Galeria andre Viana, Porto
Por Si Mismo, Palacio de Cristal, Madrid
For Any Given Time, Galleria Gianluca Collica, Catania
2000
Bent and Broken Shafts of Light, Kunstmuseum Wolfsburg
Moved Pictures (film festival), Künstlerhaus, Vienna
Au Meme Moment/At The Same Time, Marian Goodman Gallery, Paris
Nach Alles/After All, Deutsche Guggenheim, Berlin / The Lobby Gallery, Deutsche Bank, New York
Some Moved Pictures of Lawrence Weiner Selected by Barbara Clausen, Transmission
Gallery, Glasgow, Scotland / Henry Moore Foundation External Programmes at Dean Clough, Halifax, Nova Scotia
Time + Place, Inverleith House, The Royal Botanic Gardens, Edinburgh, Scotland
1999
A Basic Assumption & Five Figures of Structure, Marian Goodman Gallery, New York
Project Gallery at CCA Kitakyushu, Kitakyushu
Projet Spécifique (with Anne Bregeaut), école Régionale des Beaux-Arts de Nantes (LA GALERIE), Nantes
Tatsächlich. Weserburg, Museum für Moderne Kunst, Bremen
Regen projects, Los Angeles
Under the sun, Buchmann Galerie, Berlin
Leslie Tonkonow Artworks + Projects, New York
1998
Auf den Wind Geschrieben, Nuremberg Kunsthalle, Nürnberg
Dirty Eyes (performance with Ned Sublette), Kunsthalle Wien, Vienna
Films & Videos, Kunstbunker Forum für Zeitgenössische Kunst, Nürnberg
5 Elements 2 Times, Galerie Dr. Dorothea van der Koelen, Mainz
1997
Towards Motion, Canary Wharf, London
Then Now & Then, LEO Castelli Gallery, New York
1996
Second Floor Exhibition Space, Reykjavik
Some Things Brought to Hand: The Multiples of Lawrence Weiner (revision of 1995 Marian Goodman Gallery exhibition), Museum Boijmans Van Beuningen, Rotterdam, The Netherlands
Mathias Kampl and Andreas Binder, Projektraum Berlin
A Selection of Films and Videos of Lawrence Weiner, Nova Scotia College of Art and Design, Halifax, Nova Scotia
Here & Now & Now & Then &, Gallery 360, Tokyo
Die Kärntner Landesgalerie zeigt in der Kunsthalle Ritter, Kagenfurt
1995
Some Things Brought to Hand: The Multiples of Lawrence Weiner, Marian Goodman Gallery, New York
Holstebro Kunstmuseum, Holstebro, Denmark
To Build A Square in the Rhineland, Museum Ludwig, Cologne
Between the Pyrenées & the Mediterranean Sea, Fundacio Pueblo Barcelona, Barcelona
In The Stream, Ivam Centre Julio Gonzales, Valencia
Kunstmuseum St. Gallen, St. Gallen
Learn to Read Art: Lawrence Weiner/The Books, The New York Public Library, New York
Kunsthof WBK, Zurich
1994
Philadelphia Museum of Art, Philadelphia
Hotel De Ville, Cluny
Städtische Galerie Chemnitz, Chemnitz
The Films & Videos of Lawrence Weiner, Schule und Museum für Gestaltung, Zurich
Walker Art Center, Minneapolis
Kunsthalle Kiel, Kiel
Lost at Sea/Verloren auf See, Radio Düsseldorf, Düsseldorf
1993
Le Nouveau Musée-Institut d'Art Contemporain, Villeurbanne, France
Marian Goodman Gallery, New York
The Vancouver Art Gallery Archive of Lawrence Weiner Posters (including the NSCAD Collection), Vancouver Art Gallery, Vancouver, British Columbia
Steel Pennies Don't Come From or Go to Heaven (a work for Dean Clough), The Henry Moore Studio, Halifax
Tic Tac Toe (presentation of publication), Via Tasso, Library, Rome
The Vancouver Art Gallery Archive of Lawrence Weiner Posters, 125 Jahre Hochschule für Angewandte Kunst in Wien, Vienna, Austria
1992
Quelques choses..., CAPC Musée d'Art Contemporain de Bordeaux, Bordeaux, France
San Francisco Museum of Modern Art, San Francisco, California
Le Channel, Scéne Nationale de Calais, Galerie de l?Ancienne Poste, Calais, France
Rites of Passage/Riten Des bergangs, Lenbachhaus/Kunstforum, Munich
& Onward &, Museum Boymans-van Beuningen, Rotterdam, The Netherlands
Lawrence Weiner-Films & Videos, Galérie Nationale du Jeu de Paume, Paris, France
Show & Tell & Then-The Films and Videos of Lawrence Weiner, Sous Sol, école
Superieure d'Art Visuel, Geneva, Switzerland
Drawings, Art & Project/Van Krimpen, Rotterdam
1991
Displacement, CAPC Musée d'Art Contemporain de Bourdeaux, Bordeaux, France
Displacement, Dia Center for the Arts, New York
Institute of Contemporary Arts, London, England
Livres & Boeken, Palais des Beaux-Arts, Brussels, Belgium
1990
Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Marian Goodman Gallery, New York
Joods Historisch Museum, Amsterdam, The Netherlands
Le Nouveau Musée-Institut d'Art Contemporain, Villeurbanne, France
Put into Another Light, Galerie Pietro Sparta, Chagny, France
Just About Enough/Just Over There, Air de Paris, Nice, France
1989
Marian Goodman Gallery, New York
Portikus, Frankfurt am Main
Mortar Stone and Such, Galerie T.O.O., Vancouver, British Columbia
Posters Hanging in European Collections, Sous Sol, école Supérieure d'Art Visuel, Geneva, Switzerland
Stones + Stones 2+2=4, L'école Regionale des Beaux-Arts de Dunkereque, Dunkereque, France
1988
Stedelijk Museum, Amsterdam, The Netherlands
Galerie Mai 36, Lucerne, Switzerland
Krefelder Kunstmuseum, Museum Haus Esters, Krefeld
Le Magasin, Centre Nationale d'Art Contemporain de Grenoble, Grenoble, France
1987
Le Magasin, Centre Nationale d'Art Contemporain de Grenoble, Grenoble, France
Exposorium Vrije Universiteit, Amsterdam, The Netherlands
Chicago Arts Club, Chicago The Funnel, Toronto, Ontario
Galerie Daniel Temlon, Paris
1986
Marian Goodman Gallery, New York
Pier Art Centre, Stremness, Orkney, Scotland
Art Gallery Theatrette, Art Gallery of New South Wales, Sydney, Australia
Leo Castelli Gallery, New York
Galerie Micheline Szwajcer Antwerp
1985
Wallace Gallery, SUNY at Old Westbury, Old Westbury, New York / AIR Gallery, London, England / Orchard Gallery, Derry, Ireland
The Lawrence Weiner Poster Archive of The Nova Scotia College of Art and Design, Emile A. Le Coin du Miroir, Le Consortium, Dijon, France
The Artists View, A Project of City Thoughts, Amsterdam, The Netherlands
ARC/Musée d'Art Moderne de la Ville de Paris, Paris, France
Musée St. Pierre, Art Contemporain, Lyon, France
Musée Art Contemporain, Lyon, France
1984
Ohio State University, Columbus, Ohio
Tangeman Fine Arts Gallery, University of Cincinnati, Cincinnati, Ohio
Espace Lyonnaise d'Art Contemporain, Lyon, France
Vin Tijd Tot Tijd/From Time to Time, TTL, BRT, NOS Teletekst, Belgium
1983
Nordjyllands Kunst Museum, Aalborg, Denmark
Bleecker Street Cinema, New York
Kunsthalle Bern, Bern, Switzerland
Nova Scotia Collage of Art and Design, Halifax, Nova Scotia
1982
Gewad, Ghent, Belgium
The Film House, Den Haag/Kriterion Theater, Amsterdam, The Netherlands
Eurocinema, Eindhoven, The Netherlands
1981
Kabinett für Aktuelle Kunst, Bremerhaven
P.S.1/Institute for Art and Urban Resources, Long Island City, New York
The Gap, in cooperation with A Space, Toronto, Ontario There But For (film screening), The Mudd Club, New York
Art & Project Gallery (street installation), Amsterdam, The Netherlands
Piwna, Warsaw, Poland
1980
Centre d'Art Contemporain, Geneva, Switzerland
Museum of Contemporary Art, Chicago, Illinois
Van Abbemuseum, Eindhoven, The Netherlands
"Altered to Suit" and "A Second Quarter" (film screening), Millennium, New York
"There But For", "Altered to Suit", "Done To" (film screening), Foundation for Art Resources and Encounter Cinema, Los Angeles, California
1979
Van Abbemuseum, Eindhoven, The Netherlands
Nova Scotia College of Art & Design, Halifax, Nova Scotia
Lawrence Weiner/Video, Art & Project Gallery, Amsterdam, The Netherlands
"Altered to Suit" (film screening), The Mudd Club, New York / Van Abbemuseum, Eindhoven, The Netherlands
1978
Renaissance Society, University of Chicago, Chicago
INK/Halle fur International Neue Kunst, Zurich, Switzerland
A Work of Lawrence Weiner Presented within the Context of a Book?," Kabinett für Aktuelle Kunst, Bremerhaven
A Second Quarter" (film screening), Museum Folkwant, Essen
Special One-Day Exhibition of Four Art Language Video Tapes, Gallery Theatrette, Art Gallery of New South Wales, Sydney, Australia
1977
CEAC, Toronto, Ontario
Salle Simon L. Patio, Centre d'Art Contemporain, Geneva, Switzerland
Contemporary Art Society, Paddington Hall, Sydney, Australia
Laguna Gloria Museum, Austin, Texas
Anatol AV und Filmproduktion, Hamburg
1976
Van Abbemuseum, Eindhoven, The Netherlands
Institute for Contemporary Art, London, England
P.S.1/Institute for Art and Urban Resources, Long Island City, New York
Kunsthalle Basel, Basel, Switzerland
1975
Kabinett für Aktuelle Kunst, Bremerhaven
1974
Gentofte Kommunes Kunstbibliotek, Hellerup, Denmark
1973
Project Inc., Cambridge, Massachusetts
Städtisches Museum, Mönchengladbach
Modern Art Agency, Naples, Italy
Kabinett für Aktuelle Kunst, Bremerhaven
1972
Westfalischer Kunstverein, Münster
California Institute of the Arts, Valencia, California
Anna Leonowens Gallery, Nova Scotia College of Art and Design, Halifax, Nova Scotia
1971
Art & Project Gallery, Amsterdam, The Netherlands
1960
Cratering piece, Mill Valley, California
SELECTED GROUP EXHIBITIONS
2020-2022
A.B.O. Theatron. Art or Life, Castello di Rivoli Museo d’Arte Contemporanea, Torino, Italy
2021
Sidewalks, Fences and Walls: Robert Barry, Daniel Buren, Luis Camnitzer and Lawrence Weiner, Parra & Romero, Ibiza, Spain
Climate Care: Reimagining Shared Planetary Futures, MAK Museum, Vienna, Austria
Around the Day in 80 Worlds, CAPC: Musée d’art Contemporain de Bordeaux, France
Ellis Island, Belgium: Jewish Museum of Belgium, Brussels
2019
A New Spirit in Booking, BOZAR, Brussels
Distance intime. Chefs-d'oeuvre de la collection Ishikawa, MO.CO. Hôtel des Collections, Montpellier, France
2018
Soundlines of Contemporary Art, International Contemporary Art Exhibition: Armenia 2018, Yerevan
A New Spirit in Booking, Van Abbemuseum, Eindhoven, Netherlands
Drift. Crossed looks between design and contemporary art, Museo de Arte Contemporáneo Gas Natural Fenosa, A Coruña, Spain
The World on Paper, Palais Populaire, Berlin, Germany
Resistance, Centrale for Contemporary Art, Brussels, Belgium
Masterprints & Photography, Brigitte March International Contemporary, Stuttgart, Germany
Stardust, Anna Nova Gallery, St. Petersburg, Russia
Summer 2018 – 10 Year Anniversary, Kunsthal 44 Moen, Askeby, Denmark
Take Me (I'm yours), Villa Médicis, Académie de France à Rome, Italy
GELD - WAHN - SINN, Reinbeckhallen, Berlin
Die 90er Jahre, Museum Startgalerie Artothek, Vienna, Austria
The Pull of a Well Placed Comma, Museu de Arte Contemporânea de Elvas, Portugal
Spin: Turning Records into Art, Kentucky
Museum of Art and Craft, Louisville
Kedem-Kodem-Kadima, The Center for Contemporary Art, Tel Aviv, Israel
2017
The Noise of Time, Dvir Gallery, Tel Aviv, Israel
Lisson Presents…,” Lisson Gallery, London
Artist’s Books, Hamburger Kunsthalle, Hamburger, Germany
Kunst ins Leben! Der Sammler Wolfgang Hahn und die 60er Jahre , Museum Moderner Kunst Stiftung Ludwig (MUMOK), Vienna
Take Me (I'm Yours), National Museum of Decorative Arts, Buenos Aires; traveled to: Pirelli Hangar Bicocca, Milan
thisConnection, Shanghai Urban Space Art Season 2017 (SUSAS2017), Shanghai
Field Guide, Inaugural Exhibition, Remai Modern, Saskatoon, Canada
Everything At Once, Lisson Gallery, London
In Relation To A Spectator, Studio For Propositional Cinema, Kestner Gesellschaft, Hannover, Germany
Schreibtischuhr, Galerie Meyer Kainer, Vienna
50 Years of Konrad Fischer Galerie, Konrad Fischer Galerie, Düsseldorf
Time as Landscape: Inquiries in Art and Sciences, The George D. & Harriet W. Cornell Fine Arts Museum, Rollins College, Winter Park, Florida, US
Time Extended /1964-1978. Part II, Herbert Foundation, Ghent, Belgium
Text Me: How We Live in Language, Museum of Design Atlanta, Georgia, US
Von Da An (From Then On): Spaces, Works, Visualizations From The Anti-Museum 1967–1978. Museum Abteiberg & the old Städtisches Museum, Mönchengladbach, Germany
2017 Summer Group Show, Mixografia, Los Angeles, CA
True Faith, Manchester Art Gallery, Manchester, UK
Hanne Darboven. Correspondences, Hamburger Bahnhof - Museum für Gegenwart, Berlin
Reconstitution, LAXART, Los Angeles, CA
2016
Wolke und Kristall - Die Sammlung Dorothee und Konrad Fischer, Kunstsammlung Nordrhein-Westfalen, Düsseldorf
WITH A TOUCH OF PINK - WITH A BIT OF VIOLET - WITH A HINT OF GREEN - Dorothee Fischer in memoriam, Konrad Fischer Galerie, Düsseldorf
Das Loch, Künstlerhaus Bremen
2015
Summer Group Exhibition, Marian Goodman Gallery, New York
As Long As It Lasts, Witte de With Center for Contemporary Art, Rotterdam
Selections from The Kramarsky Collection, David Zwirner, New York
America is Hard to See, Whitney Museum of American Art, New York
I Remember The Armenian Genocide, Galerie Sobering, Paris
tutttovero – La nostra città la nostra arte Torino 2015, Castello di Rivoli Museo d’Arte Contemporanea/GAM/Fondazione Sandretto Re Rebaudengo/Fondazione Merz, Torino
Imaginary Audience Scale & Suck -A sceptical approach to exhibition making, Artspace, Auckland
We’ve Got Mail II, Mostyn, Wales
Five Issues of Studio International, Raven Row, London
Art Eco Deel II: Architectuur Cultuurcentrum Strombeek Grimbergen, Strombeek
do it (adelaide), Samstag Museum, Adelaide
The future = Beurssc50uwburg, Beursschouwburg vzw, Brussels
more Konzeption Conception now, Museum Morsboich, Leverkusen
Too early, Too late: Middle East and Modernity, Pinoteca Nazionale di Bologna
Per Kirkeby, Lawrence Weiner, Galleri Susanne Ottesen, Copenhagen
A Man Walks Into a Bar… Jokes & Postcards, me Collectors Room, Berlin
2014
Intenzione manifesto. Il disegno in tutte le sue lingue e forme Castello di Rivoli, Turin
Propganda für die Wirklichkeit, Museum Morsbroich, Leverkusen
The Light of Day - Magma Works, Safn Berlin
2013
Analog, Blain/Southern, Berlin
Language Games, Centro de Artes Visuales Helga de Alvear, Caceres
First Avenue: One Way Street, Museu Serralves, Porto, Portugal
Things from Before Beside, Things from After Around, Things of the Moment, Parra & Romero, Ibiza
2012
Si j'avais un marteau, Musée des Beaux-Arts de Nantes, France
Ends of the Earth, Land Art bis 1974, Haus der Kunst, Munich
Ecstatic Alphabets / Heaps of languages, Museum of modern Art, New York
Art = text = Art: Works by contemporary Artists from the Collection of Sally and Wynn Kramarsky, Jane Voorhees Zimmerli Art Museum, New York
Something Turned into a Thing, Magasin 3 Stockholm Konsthall, Stockholm
Fremde Überall / Foreigners Everywhere, Zeigenössiosche Kunst aus der Pomeranz Collection, Jüdisches Museum, Wien
Beyond Corrupted eye - Akumulatory 2 Gallery, 1972- 1990, Zacheta, National Gallery of Art, Warsaw
Documenta (13), Kassel
Hypothese zur Entstehung, Beck & Eggeling International Fine Art, Düsseldorf
Refocus: Art of the 1970s. Museum of Contemproary Art Jacksonville
Through the Looking Glass, Collectors Room Berlin
Editions! Grieder Contemporary, Zürich
The Poster Show Show, Galerie Carlier/Gebauer, Berlin
A House of Leaves. First Movement, The David Roberts Art Foundation, London
Les chefs-doeuvre de la donation Yvon Lambert, Collection Lambert, Avignon
These socks are not white, Stedelijk Van Abbemuseum, Eindhoven
How to make - Ideen, Notationen, Materialisierungen, Kunsthaus Dresden
The poster show, Galerie Carlier, Berlin
Grid, Leo Catelli Gallery, New York
Affordable Bananas or Whatever II, Jürgen Becker Galerie, Hamburg
A Field Guide to Plane Text, Art Basel Miami Beach
2011
Homage to Bas Jan Ader, Dvir Gallery, Tel Aviv
Von Carl Andre bis Gregor Schneider. Dorothee und Konrad Fischer: Archiv einer Haltung, Museum Kurhaus Kleve
A syntax of dependency, Museum van Hedendaagse Kunst Antwerpen, Antwep
Made in Italy, Gagosian Gallery, Rome
Clap. Hessel Museum of Art, CCS Bard College, Annadale-on-Hudson (NY)
La chateau, CAPC Musée d'Art Contemporain de Bordeaux
Matergraphik des 20. Jh, Brigitte March Stuttgart
Let's party for a piece of Art, Pinakothek des Moderne, München
Text, Kuckei + Kuckei, Berlin
Arte Povera International, Castello di Rivoli museo d?Arte contemporanea, Turin
I hate Paul Klee (Papierarbeiten und Künstlerbücher aus der Sammlung Speck), Leopold Hoesch Museum, Düren
An Autography of Our Collection, Vancouver Art Collection
#40 Ideal Home, Chelsea Space, Chelsea College of Art and Design, London
Farbe im Fluss, Weserburg, Museum für Moderne Kunst, Bremen
Melanchotopia, Witte de With Center for Contemporary Art, Rotterdam
Distant Star, Regen Projects, Los Angeles
Plot: Plan: process, Leslie Tonkonow Artworks + Projects, New York
Vold If removed, Cocrete Erudition 4, FRAC, Ille de France Le Plateau, Paris
Érudition concrète 4, FRAC, Ile de France Le Plateau, Paris
Jeff Wall - The Crooked Path, BOZAR, Palais de Beaux Arts, Paleis voor Sschone Kunsten, Brussels
Made in Italy, Gagosian Gallery, Rome
The End of Money, Witte de With Center for Contemporary Art, Rotterdam
As Long as it lasts, Arratia, Beer, Berlin
A painting show, Autocenter, Berlin
Historias de la Vida Material / Stories of Material Life, Centro de Artes Visuales Helga de Alvear, Cacares
Poisson d'avril, Vous Etes Ici, Amsterdam
Compass, Drawings from the Museum of Modern Art, Martin Groupis Bau, Berlin
After Hours, Murals on the Bowery, New Museum of Contemporary Art, New York
Sculpture in so many words, Text Pieces 1960 ? 75, ZieherSmith, New York City
2010
Die Natur der Kunst, Kunstmuseum Winterthur
PERSONAL STRUCTURES - TIME. SPACE. EXISTENCE, Georg Kargl, Wien
curated by_vienna 2010: Albert Oehlen, Galerie Mezzanin, Wien
Weniger ist mehr - Sammlung Herman und Nicole Daled, Haus der Kunst, München
Forms of Contingency: New York and Turin, 1960s-1970s, Philadelphia Museum of Art
Funktionen der Zeichnung, MMK Frankfurt
Gipfeltreffen der Moderne - Das Kunstmuseum Winterthur, Museum der Moderne Salzburg
Radical Conceptual, MMK Frankfurt
Contemplating the Void - Interventions, Guggenheim Museum, New York
Compilation, Galerie Bernhard Knaus, Frankfurt
What happens next is a secret, Irish Museum of Modern Art, Dublin
Personal Structures TIME SPACE EXISTENCE, Künstlerhaus Palais Thurn & Taxis, Bregenz
FEEDBACKSTAGE, Galerie Thomas Schulte, Berlin
Lawrence Weiner // Carey Young, The Power Plant, Toronto
Spring Exhibitions, Series 1, CCS Bard Hessel Museum, Annandale-on-Hudson
The First Stop on the Super Highway, Nam June Paik Art Center, Yongin-Si
Collected Visions, Bronx Museum of the Arts, New York
The Porn Identity, Kunsthalle Wien?desire acquire, Galerie Bob van Orsouw, Zürich
THE WINTER SHOW, i8 Gallery, Reykjavik
Rencontres Internationales Paris/Berlin/Madrid in Paris, roARaTorio Paris
Made in Munich, Haus der Kunst, München
Love, Love, Love, MARTOS GALLERY New York
Kult des Künstlers: Ich kann mir nicht jeden Tag ein Ohr abschneiden, Hamburger Bahnhof, Berlin
Mischa Kuball und Lawrence Weiner, Lichtinstallation der Klärbecken & Catch as catch can, Emscher Kunst 2010
2009
Perhaps the heart - Francis Alys, Juliao Saramento, Lawrence Weiner, Dvir Galler, Tel Aviv
LEARN TO READ ART: A History of Printed Matter (1976-2009), Badischer Kunstverein, Karlsruhe
Sol LeWitt, Keith Sonnier, Lawrence Weiner, Leo Castelly Gallery, New York
1969: MOMA PS1, New York
Fri Porto, Den Frie Centre of Contemporary Art, Copenhagen
time, Konrad Fischer Galerie, Düsseldorf
Tate St Ives, Summer Season 2009, Tate St Ives
Time as Matter. MACBA Collection. New Acquisitions, MACBA Barcelona
TWILIGHT ZONE - Art Hits Design, KUNST RAUM NOE, Wien
Take the Money and Run, De Appel, Amsterdam
Discover US!, UFERHALLEN, Berlin
Espèces d'Espaces, Yvon Lambert, New York
International Collection of Contemporary Art. 5th Edition, Centre for Contemporary Art, Warschau
1968. Die Grosse Unschuld, Kunsthalle Bielefeld
The End - The Andy Warhol Museum, Pittsburgh
2008
Text/Messages: Books by Artists, Walker Art Center, Minneapolis
The Panza Collection and ways of Seeing: Giuseppe and Giovanna Panya, Hirshorn
Museum and Sculpture Garden, Washington
Wall Rockets: Contemporary Artists and Ed Ruscha, Flag Art Foundation, New York
German Angst, Neuer Berlin Kunstverein
7th Shanghai Biennale
Text. Drawings, Leo Castelli Gallery
NOLEFTOVERS, Kunsthalle Bern
That was then, This is now, Moma Ps1, New York
16th Biennale of Sydney
once upon a time, Yvon Lambert, Paris
A Room of One's Own, Castello di Rivoli, Museo D'arte contemporanea, Turin
Book/Shelf, Museum of Modern Art, New York
25 Jahre Galerie Crone, Berlin
2007-27 Bienal de Sao Paulo, Fundacio Bienal de Sao Paulo, Sao Paulo, Brazil
Group Show, Meyer Riegger Galerie, Karlsruhe
busy going crazy, La Maison Rouge, Paris, France
Swing Space: Wallworks, Art Gallery of Ontario, Toronto, Ontario, Canada
Good Riddance, MOT, London, UK
The Fit, Nans, Düsseldorf
Not For Sale, MoMA, New York, USA
Modelle für Morgen: Köln, European Kunsthalle, Köln
Il faut rendre - Cézanne / Return to Cézanne, Collection Lambert, Avignon, France
e-flux VIDEO RENTAL, Centre culturel suisse de Paris, Paris, France
INTO ME / OUT OF ME, P.S.1 Moma, Long Island, USA / KW Berlin, Germany / MACRO Rome, Italy
Romantischer Konzeptionalismus, Kunsthalle Nürnberg, Nürnberg
MARTa schweigt, Marta Herford Museum für zeitgenössische Kunst, Herford
52. Biennale Venedig 2007, Venedig, Italy
Andreas Stalzer - 20 Jahre Werkstatt für Kunstsiebdruck, N DOK für zeitgenössische Kunst, St. Pölten
Im Fluss, Neues Museum Weserburg, Bremen
Lange nicht gesehen, MUSA, Wien
Lonnie van Brummelen & Siebren de Haan, argos, Brüssel, Belgium
On fait le mur..., Espace de l'Art Concret, Mouans-Sartoux, France
Grey Water, Institute of Modern Art, Brisbane, Australia
BODYPOLITICX, Witte de With, Rotterdam, NL
Romantischer Konzeptionalismus, Bawag Foundation, Wien
25 Jahre GALERIE CRONE - Jubiläumsausstellung, Galerie Crone, Berlin
PERFORMA New York, biennial of new visual art performance, New York
J'EMBRASSE PAS, Collection Lambert, Avignon, France
PERFORMANCE ON DEMAND, EFA Gallery, New York
In the Stream of Life, Betonsalon Paris, Paris, France
OUT OF TIME, Neues Museum Weserburg, Bremen
Im Wort, Kunsthalle Göppingen, Göppingen
2006
ONESTAR STOP, Galerie Erna Hecey, Brussels, Belgium
Espai Public / Dues Audiéncies. Obres i documents de la Col.lecció Herbert, Museu d'Art Contemporani de Barcelona, Barcelona, Spain
Collection 2000+23, Moderna Galerija - Ljubljana, Ljubljana, Slovenia
Printemps de Septembre, Toulouse Ideal City - Invisible Cities - Brandenburgischer Kunstverein Potsdam, Potsdam
Les Fils de Marcel, CRAC - Centre Régional d'Art Contemporain de Séte, Séte
Moving on - Motion, Galerie Thomas Schulte, Berlin
The Known and the Unknown, Galleri Nicolai Wallner, Kopenhagen, Danmark
Monuments with a horizon line, Buchmann Galerie, Berlin
Into me / Out of me, P.S.1 Contemporary Art Center, New York
Group Show, Galerie Mezzanin, Wien - ANDREAS STALZER - 20 Jahre Werkstatt und Edition, Galerie Wolfgang Exner, Wien
I, an exhibition in three acts, Futura, Prague - Access for All, Museum Jan Cunen, Oss
Camere / Chambers, Sound art museum, Rom, Italy - Thank You For The Music (London Beat), Sprüth Magers Lee, London
Daniel Buren - Laurence Weiner, Musée de Sérignan, Sérignan, France
2005
Künstlerische Konzepte als Drucksache Katalog Künstlerbuch Objektbuch Postkarte Plakat, Galerie M + R Fricke, Berlin
Looking at words, Andrea Rosen Gallery, New York
Des deux cotes du rhin - movement, Museum Ludwig, Köln
Dall'occhio elettronico, Castello di Rivoli, Museo d'arte contemporanea, Turin
2004
Infinite Possibilities, Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts
Intra-Muros, Musee d'Art Moderne et D'Art Contemporain, Nice, France
Richter, Weiner, Whiteread, Guggenheim Bilbao, Bilboa, Spain
Reflecting the Mirror, Marian Goodman Gallery, New York
The Snow Show, Finland
Behind the Facts (Interfunktionen 1968-75), Fundacio Joan Miro, Barcelona, Spain
A Minimal Future: Art as Object 1958-1968, The Museum of Contemporary Art, Los Angeles
2003
De Verbeelding, Zeewolde, the Netherlands
100 Artists See God, sponsored by Independent Curators International, traveling to Naples Museum of Art, Naples Florida / The Jewish Museum, San Francisco, California / Memorial Art Gallery, University of Rochester, Rochester, New York
Utopia Station Poster Project, Haus der Kunst, Munich
Family Likenesses, Institute of Visual Culture, Cambridge, England
Incommunicado, Sainsbury Centre for Visual Arts, Norwich, England / City Art Centre, Edinburgh, Scotland
Partners, Haus der Kunst, Munich
A Sculpture Show, Marian Goodman Gallery, New York
2nd Biennale d'Art Contemporain de Lyon: Et tous ils changent le monde, Lyon, France
2002
Lmits de La Percepci, Fundacio Joan Miro, Barcelona, Spain
Taipiei Biennal
Stars and brights, Brigitte March, Stuttgart
Building structures, Moma PS1
Les Enfants du Paradis, Yvon Lambert
From the Observatory, Paula Cooper Gallery, New York
2001
A Minimal Future - Art as Object 1958-, Museum of Contemporary Art, Los Angeles, California
Rolling Stones Adored with Starlight, Wien, Austria
Rendez-vous # 3, Collection Lambert, Avignon
Minimal Maximal, National Museum of Modern Art, Kyoto
Recent Works on Paper, Leo Castelli Gallery, New York
Drawings, Regen Projects, Los Angeles
2000
Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Works from the Collection of Annick and Anton Herbert, Casino Luxembourg-Forum d'art contemporain, Luxembourg
Cildo Miereles (The Southern Cross) and Lawrence Weiner (As Far as the Eye Can See), Kölnischer Kunstverein, Cologne
Get Together-Kunst als Teamwork, Kunsthalle Wien, Vienna, Austria
Teatro Botanico, Museo Civico di Catania, Catania, Italy
The Work Shown in this Space is a Response to the Existing Conditions and/or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin
La Frontiére, Recit d'Exériences (one of several exhibitions collectively entitled "Ruseau Galleries/ Multilangages de l'Art"), Institut d'Art Contemporain-Fonds Régional d'Art Contemporain Rhone-Alps, Villeurbanne, France / Collège de Prévessin-Mo?ns (Ain), Academie de Lyon, France
TransAct - Platform for Transitional Activities in the Cultural Field (A cycle of artworks, performances and published public announcements protesting political events in Austria. Lawrence Weiner's contribution: advertisement in Der Standard's Kultur section, February 19), Museum in Progress in cooperation with Art Pool, Vienna, Austria
Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, Sweden / Living Art Museum (as part of "Kyikar Myndir" show), Reykjavik, Iceland
Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York
Copyright/Copywrong, École Régionale des Beaux-Arts de Nantes, France
Two by Two for Aids and Art (benefit auction for Dallas Museum of Art/American Foundation for AIDS Research), Dallas Museum of Art, Dallas, Texas
Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, Belgium
Die Natur der Dinge, NRW-Forum Kultur und Wirtschaft, Düsseldorf
Pure (one of several simultaneous exhibitions around U.K., collectively entitled "On the Frac Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC) Nord-Pas de Calais"), Maidstone Library Gallery, Maidstone, England
Under the Apple Tree, Galleria Massimo de Carlo, Milan, Italy A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, England From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart
Multiple Configurations: Displaying the Contemporary Portfolio, Busch-Reisinger Museum, Harvard University, Cambridge, Massachusetts, In the Mirror of Space and Time, Listasafns AS, Reykjavik, Iceland
?r?tta, Listasafn K?pavogur, Reykjavik, Iceland
Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain de Bordeaux, Bordeaux, France
l'Oeuvre Collective, les Abattoirs, Toulouse, France
Arteast 2000+ The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, Slovenia
E Cosí Via)(And So On): 99 Artisti Della Collezione Marzona," Galleria Comunale d'Arte Moderna e Contemporanea, Rome, Italy
Collection Lambert en Avignon: Rendez-vous #1," Hotel de Caumont, Avignon, France
Wallpapers" (NSCAD benefit), Art Gallery of Nova Scotia and Nova Scotia College of Art and Design, Halifax, Nova Scotia
Orbis Terrarum: Ways of Worldmaking, Museum Plantin-Moretus, Antwerp, Belgium
Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters,
Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced from 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD)," Library and Archives, National Gallery of Canada, Ottawa, Ontario
Stanze, Museo d'Arte Moderna, Bolzano, Italy
Tempus Fugit, Nelson-Atkins Museum of Art, Kansas City, Missouri
L'exotisme sans partage, Musee d'Art Contemporain, Lyon, France
1999
Global Conceptualism: Point of Origin 1950?s-1980?s, Queens Museum, Queens, New York / Walker Art Center, Minneapolis, Minnesota / Miami Art Center, Miami, Florida / List Visual Art Center, Massachusetts Institute of Technology, Cambridge,
Massachusetts / Vancouver Art Gallery, Vancouver, British Columbia
Barry Leva, Kirsten Ortwed and Lawrence Weiner, Malmö Kunsthall, Malmö, Sweden
Chronos & Kairos, Museum Fridericianum, Kassel
The American Century: Art and Culture (1950-2000), Whitney Museum of American Art, New York
Tatsächlich, Neues Museum Weserburg, Bremen
Tel Aviv Museum of Art (installation for inauguration of new wing), Tel Aviv, Israel
Unconvention, Centre for Visual Arts, Cardiff, Wales
Millennium Messages, Heckscher Museum of Art, Long Island, New York
Minimal-Maximal, Santiago de Compostela, Spain
Circa 1968, The Serralves Museum of Contemporary Art, Oporto, Portugal
1998
Breaking Ground, Marian Goodman Gallery, New York
Dessins lécole, École Nationale des Beaux-Arts, Dijon, France
P.S.1/Institute for Art and Urban Resources, Long Island City, New York
Rendez-vous: Masterpieces from the Centre Georges Pompidou and the Guggenheim Museum, Solomon R. Guggenheim Museum, New York
Wat Van Waarde Is, The Loevestein Castle and the Gorcums Museum, Gorinchem, The Netherlands
MINIMAL-MAXIMAL, Kunsthalle Baden-Baden, Baden-Baden
Jardin d'artiste: de mémoire d'arbre, Musée Zadkine, Paris, France, Le cercle, le ring, Maison Levanneur, Chatou, France
Poemes a petite vitesse, Musee d'Art Contemporain, Lyon, France
1997
Skulptur Projekte Münster, Westfälisches Landesmuseum, Münster
Der Rode Loper/The Red Carpet (with Matt Mullican), Van Abbemuseum, Eindhoven, The Netherlands
Kunst in Kontorhaus Mitte, Kontorhaus Mitte, Berlin
1995
Biennial 4, Istanbul Foundation for Culture and Arts, Istanbul, Turkey
Sniper's Nest: Art that has lived with Lucy Lippard, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York
Vancouver 1965-75: Context and Influences, Vancouver Art Gallery and Anna Leonowens Gallery, Halifax, Nova Scotia
Art Metropole, Toronto, Ontario
Revolution in Contemporary Art, The Art of the Sixties, Museum of Contemporary Art, Tokyo, Japan
CAPC/Musée d'Art Contemporain de Bordeaux, Bordeaux, France
Trust, Tramway, Glasgow, Scotland
Degrees of Abstraction: From Morris Louis to Robert Mapplethorpe, Museum of Fine Arts, Boston, Massachusettes
Duck Not On A Pond, Rochdale Canal, Manchester, England
Whitney Biennial, Whitney Museum of American Art, New York
Kopfbahnhof/Terminal, Deutsche Bundesbahn, Hauptbahnhof, Leipzig
ARS 95 Helsinki, Museum of Contemporary Art/Finnish National Gallery, Helsinki, Finland
Emblem Exhibition, Yale University, New Haven, Connecticut
Museum Boymans van Beuningen, Rotterdam, The Netherlands
Museum of Modern Art, Melbourne, Australia
The 30th Anniversary of the Israel Museum, Marian Goodman Gallery, New York
1994
Marian Goodman Gallery, New York
Rosebud, Städtische Galerie im Lenbachhaus, Munich
Dialogues, Museum of Hasselt, Hasselt, Belgium
The NSCAD Connection 1967-73, Anna Leonowens Gallery, Halifax, Nova Scotia
Wide White Space, Palais des Beaux-Arts, Antwerp/Brussels, Belgium
Installations: Selections from the Permanent Collection, Museum of Contemporary Art, Los Angeles, California
International Print Society, Krakow, Poland
1993
As Long as It Lasts, Witte de With, Rotterdam, The Netherlands
New Works on Paper, Anthony d'Offay Gallery, London, England
1992
Platzverführung-klassische Beispiele, Kulture-Region Stuttgart, Ditzingen
1991
Wanderlieder, Stedelijk Museum, Amsterdam, The Netherlands
Stuart Regen Gallery, Los Angeles, California
This Land..., Marian Goodman Gallery, New York
Art Conceptuel des Annes 70 a Aujourd d'hui, Galerie Rüdiger Schöttle, Paris, France
1989
Marian Goodman Gallery, New York
Histoires de Sculpture, Espace Lyonnais d'Art Contemporain
1988
Marian Goodman Gallery, New York
Art Metropole, Toronto, Ontario
CAPC/Musée d'Art Contemporain de Bordeaux, Bordeaux, France
1987
Marian Goodman Gallery, New York
Museo d'Arte Contemporanea, Turin, Italy
Grand Palais, Paris, France
Robert Barry, Lawrence Weiner, Christian Stein Gallery, Turin, Italy
Dialog: Parables & Paradigms, Nordjyllands Kunstmuseum, Aalborg, Denmark
1986
P.S.1/Institute for Art and Urban Resources, Long Island City, New York
Van Abbemuseum, Eindhoven, The Netherlands
Spectrum, Corcoran Museum, Washington, D.C.
1985
National Library, Musée Nationale d'Art Moderne, Centre Georges Pompidou, Paris, France
Stedelijk Museum, Amsterdam, The Netherlands
1984
Van Abbemuseum/Stadschouwburg, Eindhoven, The Netherlands
Kunstverein Hamburg, Hamburg
Marian Goodman Gallery, New York
Venice Biennial, Venice, Italy
Hirshhorn Museum and Sculpture Garden, Washington, D.C.
1983
Museum of Contemporary Art, Los Angeles, California
Arts Council of Great Britain, London, England
1982
Dokumenta 7, Kassel
Stedelijk Museum, Amsterdam, The Netherlands
Tate Gallery, London, England
Palais des Beaux-Arts, Brussels, Belgium
ARC/Musée d'Art Moderne de la Ville de Paris, Paris, France
The New Museum, New York, New York
1981
Stedelijk Museum, Amsterdam, The Netherlands
1980
Museum of Contemporary Art, Chicago, Illinois
The Museum of Modern Art, New York, New York
Van Abbemuseum, Eindhoven, The Netherlands
Whitney Museum of American Art, New York, New York
Musée Nationale d'Art Moderne, Centre Georges Pompidou, Paris, France
Stedelijk Museum, Amsterdam, The Netherlands
1978
Museum of Modern Art, New York, New York
Art Institute of Chicago, Chicago, Illinois
National Gallery, Berlin
1977
The Museum of Contemporary Art, Chicago, Illinois
The Museum of Modern Art, New York
Los Angeles County Museum, Los Angeles, California
Whitney Museum of American Art, New York
Documenta 6, Kassel
1975
Van Abbemuseum, Eindhoven, The Netherlands
The Museum of Modern Art, New York
1974
Art Institute of Chicago, Chicago
Projekt 74, Cologne
1973
Goup Film Exihibition, Leo Castelli Gallery, New York
Lenbachhaus, Munich
Prospect 74, Kunsthalle Düsseldorf
1972
Venice Biennial, Venice, Italy
Dokumenta 5, Kassel
Louisiana Museum, Humlebaek, Denmark
Stedelijk Museum, Amsterdam, The Netherlands
1971
Solomon R. Guggenheim Museum, New York
The Museum of Modern Art, New York
Sonsbeek 71. International Sculpture Exhibition, Arnhem, The Netherlands
Prospect 71, Kunsthalle Düsseldorf
Experimenta 4, Frankfurt Art Union, Frakfurt
1970
Jewish Museum, New York
The Museum of Modern Art, New York
1969
Stedelijk Museum, Amsterdam, The Netherlands
Folkwang Museum, Essen
SELECTED BOOKS AND CATALOGUES
2015
Baker, George, Ann Goldstein, Michael Maltzan, and Shaun Caley Regen, Regen Projects 25, published by Prestel, New York, NY, 2015
2014
Moure, Gloria, ed., On The Road, published by Xunta de Galicia, Santiago de Compostela, Spain, 2014
Hyde, James, Steven Henry Madoff, Kim Rosenfeld, Barry Schwabsky, and Jessica Stockholder, The Jewel Thief, published by The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY, 2014
2013
Holton, Johan and Friedrich Meschede. Auf Zeit. Was hinter dem Putz steckt, published by Verlag Der Buchhandlung Walther Konig, Cologne, Germany, 2013 [ill.]
Guiot, Nathalie, Artists and Collectors, published by blackjack éditions, France, 2013, pp. 107 – 127 [ill.]
Alice Zimmerman, ed., Lawrence Weiner: Written on the Wind, published by Verlag der Buchhandlung Walther König, Cologne, Germany, 2013
2012
Catalogue, Only Parts of Us Will Ever Touch Parts of Others, edited by Timothée Chaillou, published by Galerie Thaddaeus Ropac, Paris/Salzburg, 2012
Lawrence Weiner: Nach Bildende Kunst / After Fine Art, Works in the German-Speaking World, text by Gabriele Wix, published by Hatje Cantz, Stuttgart, 2012
2009
Catalogue, Target Practice: Painting Under Attack 1949 – 78, published by The Seattle Art Museum, Seattle, Wahington, 2009, pp. 78-79, ills
2008
Catalogue, "AS FAR AS THE EYE CAN SEE 1960-2007," published by Whitney Museum of American Art, New York, NY, The Museum of Contemporary Art, Los Angeles, CA
Heiser, Jörg, All of a Sudden: Things that Matter in Contemporary Art, published by Sternberg Press, Berlin, Germany, 2008, pp. 45, 238, 239
2007
Gielen, Denis, "Atlas of Contemporary Art for Use by Everyone," published by Musée des Arts Contemporains au Grand-Hornu, Tournai, Belgium, August 2007, pp. 201, 218, 219, 299, 385
Catalogue, "Collection Art Contemporain," published by Centre Pompidou, Paris, France, 2007, p. 487, ill.
Catalogue, "Fast Forward: Contemporary Collections for the Dallas Museum of Art," published by the Dallas Museum of Art, Dallas, Texas, 2007, p. 50, ill.
2006
Catalogue, Maigritte and Contemporary Art: the Treachery of Images, edited by Stephanie Barron and Michel Draguet, published by Los Angeles County Museum of Art, Los Angeles, California, 2006, p. 229, ill.
"No. 1: First Works by 362 Artists," edited by Grancesca Richer and Matthew Rosenzweig, published by D.A.P., 2006, p. 399, ill.
Ellipse Foundation: Contemporary Art Collection, published by Ellipse Foundation Contemporary Art Collection, Cascais, Portugal, Oct 2006, ill.
Fast nichts: Minimalistiche Werke aus der Friedrich Christian Flick Collection im Hamburger Bahnhof, published by SM and B DuMont, Berlin, Germany, pp. 250-3, ills.
"material time work time life time," co-published by Eidar Art Centre and Revolver, 2006, pp.
186-191, ills.
'"X Y & Z," published by Bawag Foundation, Vienna, Austria, 2006
Catalogue, Esquiador en el fondo de un pozo, published by La Colección Jumex, Hong Kong, 2006, pp. 38-40 (ill)
2005
pressPLAY: contemporary artists in conversation, published by Phaidon Press, New York, 2005, pp. 658-75, ill.
Screenplay & Movie, published by Regen Projects, Los Angeles, CA, 2005
2004
New Modern for a New Millennium: Abstraction and Surrealism are Reinvented in the Internet Age, published by The Logan Collection Vail, 2004, p. 67, ills.
Covered By Clouds-Cubierto Por Nubes, Text by Lynne Cooke, published by Olga y Rufino Tamayo, Museo / Tamayo Arte Contemporaneo, June 17 – August 15, 2004, Mexico
Joyce in Art, Lilliput Press: Dublin, pp. 150, 168 – 169, 202 – 203, 261, 299 – 301, 330, 381, ills.
Language in Art, published by Lindinger + Schmid Press, 2004, pp. 30 – 45, ills.
100 Artists See God, curated by John Baldessari and Meg Cranston, published by Independent Curators International, New York, NY, p. 128, ill.
A Minimal Future? Art As Object 1958 – 1968, published by the Museum of Contemporary Art, Los Angeles, 2004, pp. 362-367, ills.
Fietzek, Gerti, and Gregor Stemmrich, eds., Having Been Said: Writings and Interviews of Lawrence Weiner 1968-2003, published by Hatje Cantz Verlag, Ostfildern-Ruit, Germany, October 2004
Singular Forms (Sometimes Repeated): Art from 1951 to the Present, Published by Solomon R. Guggenheim Museum, 2004, pp. 134-135, ills.
2002
Lawrence Weiner/Frank Perrin, artist book, published by Almine Rech Editions and Editions Images Modernes, 2002
2001
Lawrence Weiner: Blue Moon Over, artist comic book, published by Moved Pictures, 2001
2000
Lawrence Weiner: NACH ALLES/AFTER ALL, artist book, published by The Solomon R.
Guggenheim Foundation, in conjunction with an exhibition at the Deutsched Guggenheim Berlin, 2000
1999
Lawrence Weiner: Apples & Eggs/ Salt & Pepper. CCA Kitakyushu. 1999
Tatsachlich. NeusMuseum Weserburg. 1999
Close-Ups: Contemeporary Art and Carl Th. Dreyer. Copenhagen Contemporary Art Center. 1999
The Metaphor Problem Again. Ink Tree Kusnacht. 1999. Lawrence Weiner with John Baldessari
The American Art Book. Phaidon Press 1999. Edited by Jay Tobler.
1998
Lawrence Weiner. Phaidon Press 1998. Texts by Alexander Alberro and Alice Zimmerman, David Batchelor, and interview with Benjamin H.D. Buchloh.
1995
Lawrence Weiner. In the Stream. Valencia: IVAM Center Julio Gonzales, 1995. Texts by Bartemou
Mari, A. Zimmerman, L. Weiner. In Spanish and English.
1993
Specific & General Works. Lawrence Weiner. Villeurbanne: Le Nouveau Musée, Institut d'Art Contemporain, 1993.
1992
Offentlich/Public Freehold. Documentation and exchanges regarding the installation of public sculpture of Ulrich Ruckreim and Lawrence Weiner at Singlefingen, Germany. Edited by Ingrid Burgbacher Krupka. In German. Stuttgart: Edition Cantz, 1992.
Show (&) Tell. The Films and Videos of Lawrence Weiner. A Catalogue Raisonné. Preface by R.H.
Fuchs. Essays by Dieter Schwarz, Lawrence Weiner. Postface and interview by Bartomeu Mari. Film and video synopses by Alice Weiner. Reproductions of articles, reviews, film and video stills. In English, French, German. Gent: Imshcoot/Uitgevers, 1992.
Chains Wrapped Around One Thing & Another Broken One by One with the Passage of Time.
Essay by John Caldwell. New Work: San Francisco Museum of Modern Art, 20 February - 19 April 1992.
1991
In the Still of the Night. Im Frieden der Nacht. Weiner Festwochen, 26 September-11 November 1991. Essays by Anne Rorimer, Ferdinand Schmatz, Dieter Schwarz, Dr. Ursula Pasterk. In English, German. Wien: Wiener Festwochen, 1991.
You Can Tell a Book by Its Cover. In conjunction with the exhibition LIVRES & BOEKEN, Palais des Beaux-Arts, Bruxelles, 1 June-20 July 1991. Supplement to the Catalogue Raisonné‚ of Books. Uitgever: De Vereniging voor Tentoonstellingen van het Paleis voor Schone Kunsten, Brussels, 1991.
Displacement. Chronicle of the work and installation from its inception with essays, drawings, and installation photos. Essay by Gary Garrels. New York: Dia Center for the Arts, 1991.
Lawrence Weiner: Spheres of Influence. Institute of Contemporary Art, London, 25 January-3 March 1991. Essay by Emma Dexter. London: Institute of Contemporary Art, 1991.
Flags Folded Out of Sight of the Barricade. 1779-1989. Fahnen Ausser Sicht der Barrikaden
Gefastet. Brigitte March Galerie, Stuttgart, 14 April-30 May 1989. In English, German.
Stuttgart: Brigitte March Galerie, 1991.
1990
Lawrence Weiner. Works. With the Passage of Time. Hirshhorn Museum and Sculpture Garden,
28 November 1990 - 3 March 1991. Essay and interview by Phyllis Rosenzweig. Washington D.C.: Hirshhorn Museum and Sculpture Garden, 1990.
Licht=(Licht). Ale Yevonim Hobn Eyn Ponim. Joods Historisch Museum, Chanoeka, 1990. Essay by Renee Waale. In English, Dutch. Amsterdam: Joods Historisch Museum, 1990.
STONES+STONES/2+2=4. Ecole d'art de Dunkerque, January-February 1990. In English, French. Dunkerque: Editions A Bruit Secret, 1990.
1989
Posters Hanging in European Collections. Lawrence Weiner. 16 November-20 December 1989.
Ecole superieure d'art visuel, Geneve. Documents exhibition and seminar. Includes transcript of discussion, and student essays. Christian Robert-Tisso, Catherine pier Favre, Anne Marie Fell-Kohler, Nicolas Fernandez, Ellen Versluis. In French. Geneve: Ecole superieure d'art visuel, 1990.
Lawrence Weiner. Books 1968-89. Catalogue Raisonné. In conjunction with "Austellung
Nr.17/Bucher Lawrence Weiner," Portikus, Frankfurt, 30 September-29 October 1989. Essay by Dieter Schwarz. In English, French, German. Cologne and Villeurbanne: Verlag der Buchhandlung Walther König and Le Nouveau Musée, 1989.
1988
Lawrence Weiner. What is Set Upon the Table Sits Upon the Table. Stedelijk Museum, Amsterdam,
19 November 1988-1 January 1989. Essays by Wim Beeren, Anne Rorimer, Lawrence Weiner, Marja Bloem, Edward Leffingwell, R.H. Fuchs. Includes bibl., film, and videography. In English, Dutch.
Altered to Suit. Passend Gemacht. Museum Haus Esters Krefeld, 25 September-6 November 1988. Essays by Julian Heynen and Lawrence Weiner. Krefeld: Krefelder Kunstmuseum, 1988.
On Top of the Trees. Mai 36 Galerie, 24 May-25 June 1988. Essay by Dieter Schwarz. In English, German. Lucerne: Mai 36 Galerie, 1988.
1987
5 Figures of Structure. The Arts Club of Chicago, 11 November-31 December 1987. Essays by Anne
Rorimer. Chicago, The Arts Club, 1987.
Somewhere Over the Rainbow. Delfryd Celf Essays, No.2, 1987. Edited by David Bellman. Essay
and drawings by Lawrence Weiner. Caernarfon: Delfryd Celf, 1987.
1986
Posters. November 1965-April 1986. Lawrence Weiner. Essays by B.H.D. Buchloh and Lawrence Weiner. Edited by Benjamin H.D. Buchloh. Published by The Press of the Nova Scotia
College of Art & Design and Art Metropole. Contents of the Lawrence Weiner Poster Archive of the Nova Scotia College of Art & Design. The Nova Scotia Series, Vol. XVII, 1986. pp. 177
Nach Themyscira. A Project of Carol Quartucci and Carla Tato within a context of Lawrence Weiner. Contains libretto from performance based on Penthesilea by Heinrich v. Kleist. Vienna: Wiener Festwochen, 1986.
Paradigms Suitable for Daily Use. Published with concurrent exhibition, "Works from the Lawrence
Weiner Poster Archive of the Nova Scotia College of Art & Design, 1965-86." 23 April-18 May 1986. London: Air Gallery, 1986.
Above Beyond Below. Pier Arts Centre, Stromness, Orkney, 12 April-3 May 1986. The Fruitmarket Gallery, Edinburgh, Scotland, 19 April-17 May 1986. Essays by Erlend Brown and Mark Francis. Edinburgh: The Fruitmarket Gallery, 1986.
1985
Sculpture. Lawrence Weiner. Arc-Musée d'Art moderne de la Ville de Paris, 27 June-22 September 1985. Interview by Suzanne Pagé. Paris: Paris-Musées, 1985.
1984
Mounds+Smooth Cairns. Ohio State University, Columbus, Ohio, 14 January-18 February 1984.
Text by Edward Leffingwell. Columbus: Ohio State University, 1984.
Factors in the Scope of Difference. A Structure of Lawrence Weiner. Antwerp, Belgium, Galerie
Anny de Decker, Add, 1984.
1983
Works & Reconstructions: Kunsthalle Bern. 19 August-16 October 1983. Essays by Jean-Hubert Martin and Lawrence Weiner. In English, German. Bern: Die Kunsthalle, 1983.
Albert Mertz/Lawrence Weiner-Red/As Well as Green/As well as Yellow/As Well as Blue.
Nordjyllands Kunstmuseum, Aalborg, Denmark, 5-27 February 1983. Text and images by Albert Mertz and Lawrence Weiner. Aalborg: Nordjyllands Kunstmuseum, 1983.
1980
Lawrence Weiner. Options 3. Museum of Contemporary Art, Chicago, 12 March-22 May 1980. Essay by Pauline A. Siliga.
1979
Art & Project. Bulletin 113. 11 December 1979-12 January 1980. In English, Dutch. Amsterdam: Art & Project, 1979.
1978
In Relation to Probable Use...: The Renaissance Society at the University of Chicago, 29 January-4 March 1978.
Lawrence Weiner, Kunsthalle, Basel. 28 August-3 Oktober 1976. Text by R. Fuchs. In English, German. Basel: Kunstverein, 1978.
1977
A Work of Lawrence Weiner Presented at Laguna Gloria Art Museum. 26 March-24 April 1977.
Essay by Laurence Miller. In English, Spanish. Austin, Texas, Laguna Gloria Art Museum, 1977.
1976
New Urban Landscapes #6. Lawrence Weiner. New York: Institute for Art and Urban Resources, 1976.
Lawrence Weiner. Van Abbemuseum Eindhoven, 12 March-26 April 1976. Text by R.H. Fuchs. In English, Dutch. Eindhoven: The Van Abbemuseum, 1976.
1974
Lawrence Weiner. 8-30 Juni 1974. Gentofte Kommunes Kunstbibliotek, Hellerup, Denmark. Essay by Jane Pedersen. Interview by Willoughby Sharp. Text by Lawrence Weiner. Hellerup: Gentofte Kunstbibliothek, 1974.
1973
Arbeiten von Lawrence Weiner. 4 October-4 November 1973. Boxed catalogue. Text by Johannes Cladders. Monchengladbach: Stadtisches Museum, 1973.
Art & Project. Bulletin 72. Lawrence Weiner. 11-21 December 1972 and 2-11 January 1973. Amsterdam: Art & Project, 1973.
Lawrence Weiner. Jahresgabe 1972. Westfälischer Kunstverein, Munster, Germany, 9 September-14 October 1972. Text by Klaus Honnef. bio,bib. In English, German. Munster: Westfälischer Kunstverein, 1973.
Lipppard, Lucy. Six Years: The Dematerialization of the Art Object from 1966 to 1972...Occurring now in the Americas, Europe, England, Australia, and Asia. London: Studio Vista, 1973.
1972
Art & Project. Bulletin 54. Lawrence Weiner. 22 April-12 May 1972. Amsterdam: Art & Project, 1972. In English, Dutch.
Art & Project. Bulletin 53. Lawrence Weiner. 22 April-12 May 1972. In English, Dutch. Amsterdam: Art & Project, 1972.
1971
Bowles/Russel, editors. This Book is a Movie. New York: Dell Publications, 1971.
1970
Lawrence Weiner. An Exhibition/Eine Austellung. Gegenverkehr, Aachen, Germany, May 1970.
Essay by Klaus Honnef. In English, German. Aachen: Gegenverkehr e.V., Zentrum fur Aktuelle Kunst, 1970.
1969
Art & Project. Bulletin 10. Lawrence Weiner. 1 September 1969. English/Dutch. Amsterdam: Art & Project, 1969.
1964
Weiner. Seth Siegelaub. Contemporary Art. Volume 1, No.3, 10 November-7 December 1964. Seth Siegelaub Contemporary Art, 1964.
SELECTED ARTICLES, REVIEWS AND INTERVIEWS
2013
Baker, Elizabeth C. "Inside the Art Bars." Art in America, December 2013 [ill.].
2012
Simek, Peter, "Interview: Artist Lawrence Weiner, on Communication, the Market, and the Artist's Role in Society," Dmagazine, November 28, 2012
Buck, Louisa, "Artist Interview: Lawrence Weiner," The Art Newspaper, Issue 240, November , p. 66, 67
Tylevich, Katya "Meetings: Lawrence Weiner" Elephant No. 10 Spring 2012 p. 108-117
Holman, Martin, "Thought Follows Words," The Florentine, March 1, 2012
Friedman, Julia "Lawrence Weiner," Artforum.com, June 8, 2012
2011
David, Elliott, "Simon Rodia by Lawrence Weiner," V Magazine, Issue 73, Fall 2011, p. 158
Herbert, Martin, "Liam Gillick & Lawrence Weiner," Art Review, Issue 52, September 2011, p. 177
Ulrichs, David, "Lawrence Weiner & Liam Gillick," Modern Painters, May 2011, p. 75
2010
West, Kevin, "Dallas," W, July 2010, pp.54-63 (ill.)
Manaugh, Geoff, "Village People," Dwell, April 2010, pp. 51-58, ill
MacMillan, Kyle, "Embrace! Denver Art Museum," Artforum, February 2010, p. 208-209 (ill)
2009
Knight, Christopher, "Art Review: Lawrence Weiner at Regen Projects II," The Los Angeles Times, August 7, 2009, pp. D16-D17
Jones, Ronald, "Are You Experienced? How designers are adopting the strategies of Conceptual art,"
frieze, January-February 2009, pp. 30-31 (ill.)
2008
Markle, Leslie, "Lawrence Weiner," ArtUS, Fall/ Winter 2008, p. 16
McBride, Rita, "Lawrence Weiner," ArtForum, December 2008, XLVII, No. 4, pp. 99-110 (ill.)
Holte, Michael Ned, "Lawrence Weiner, ArtForum, December 2008, XLVII, No. 4, p.279 (ill.)
Buchloh, Benjamin, "Lawrence Weiner," ArtForum, December 2008, XLVII, No. 4, p. 256-257 (ill.)
Poledna, Mathias, "Lawrence Weiner: As Far As the Eye Can See," in "Best of 2008: The Artists'
Artists," Artforum, December 2008, p. 99
Storr, Robert, "Art and Text, Two Vindications of Conceptualism and its Offshooots," Frieze, Issue 116, June July August 2008, p. 19 (ill.).
Smith, Roberta, "The Well-Shaped Phrase as Art," The New York Times, November 16, p. B29-33.
Scene: Social Canvas," Angeleno, June, p. 124.
Lehrer-Graiwer, Sarah, "Skim Flick," Artforum, July 1, 2008, artforum.com/film/id=20662
Frank, Peter, "Talk and Awe," Angeleno, June, p. 76.
Weiner, Lawrence, Lawrence Weiner on the Watts Towers, Art Review, May 2008, ill
Hirsch, Faye, "Where Words Go," Art in America, April 2008, pp. 140-7, 178, cover, ills.
Stern, Steven, "Lawrence Weiner," Frieze, March 2008, pp. 176-7, ills.
2007
Colman, David, "The Discreet Charm of the Gauloisie," The New York Times, December 2, 2007, ill.
Kröner, Magdalena, "Ich Kann Nicht Mal Richtig Schreiben," Monopol, November 2007, pp. 6, 54 58, ills.
Kennedy, Randy, "Language as Sculpture, Words as Clay," The New York Times, October 21, 2007, p. AR 31, ills.
Antin, David, "Previews: Lawrence Weiner: As Far as the Eye Can See," Artforum, September 2007, p. 157, ill.
Ginsberg, Allen, curated by Allen Ruppersberg, "First Thought Best Thought," Artforum, March 2007, p. 296 ill.
2006
Ayers, Robert, interview, "Lawrence Weiner," state of art, September – October 2006, p. 5, ills.
2005
Leffingwell, Edward, "Lawrence Weiner at Marian Goodman," Art in America, September 2005, p. 153, ill.
Frank, Peter, "John Baldessari and Lawrence Weiner," LA Weekly, May 6 – 12, 2005, vol 27, no. 24, p. 53
Knight, Christopher, "A treatise on time, in stencil," Los Angeles Times, April 15, 2005, p. E24, ill.
Glueck, Grace, "Lawrence Weiner: 'En Route'," The New York Times, March 18, 2005, p. B38.
2004
Weiner, Lawrence, "Electoral Collage: A Portfolio," Artforum, September 2004, p. 229, ill.
Brugerolle, Marie de, "John Baldessari, Juliao Sarmento and Lawrence Weiner," Flash Art, May/June 2004, pp. 148 – 149, ill.
Prince, Mark, "Pop/Art," Art Monthly, May 2004, pp. 6 – 9, ills.
Rose, Matthew, "Best Sellers – Avant Garde Artist Books," Art & Antiques, March 2004, p. 40, ill.
Knight, Christopher, "Max Minimal," Los Angeles Times, March 16, 2004, pp. E1 & E8
Farquharson, Alex, "In the Midst of Things," Frieze, December, pp. 96-97, ill.
1999
Hainley, Bruce, "Lawrence Weiner-Regen Projects," Artforum, October, 1999, pp. 151-152, ill.
Pagel, David. "Free Associating," Los Angeles Times, July 16, 1999, Calendar F30
1998
Weiner, Lawrence The International Review of Graphic Design, #9 Vol. 8, (Autumn 1998)
1995
Drolet, Owen. Review, "Lawrence Weiner," Flash Art, 183 (Summer 1995).
Cotter, Holland. Review, "Conceptually, and Literally, a New York Figure," The New York Times, March 31, 1995.
Schwabsky, Barry. "'A Meaning Exists That The Outside Is Not Privy To,' Lawrence Weiner as a Culture," The Print Collector's Newsletter (March-April 1995)
1994
Adams, Brook. "Weiner's Werkstätte," Parkett 42 (Winter 1994).
Richard, Frances. "Providing Metaphor Needs: Lawrence Weiner's Specific & General Works," Parkett 42 (Winter 1994): 38-40.
Schwarz, Dieter. "Public Freehold," Parkett 42 (Winter 1994): 48-51.
Salvioni, Daniela. "The Meaning that Comes Away from the Work of Art," Parkett 42 (Winter 1994), pp. 52- 55.
"SMASHED TO PIECES (IN THE STILL OF THE NIGHT), The Public Reacts," Parkett 42 (Winter 1994), pp. 62-63.
Relyea, Lane. "But Can She Bake a Cherry Pie?," Parkett 42 (Winter 1994): 64-65.
Leffingwell, Edward. "& Vers Les Etoiles," Parkett 42 (Winter 1994): 68-70.
"Lawrence Weiner," Grand Street 48 (Spring 1994): 225.
1993
Wilson, Andrew. Review, "Out of Sight, Out of Mind, Lawrence Weiner," Art Monthly (April 1993).
Bass, Ruth. Review, "Lawrence Weiner-Marian Goodman," Artnews (April 1993).
Myers, Terry R. Review, "Lawrence Weiner," Galeries Magazine (February/March 1993).
Denizot, Ren, Holmes, Brian, and Nouvel, Jean. Interview, "Lawrence Weiner," Galeries Magazine (October/November 1993).
1991
Wilson, Andrew. Review, "Lawrence Weiner, The ICA, London," Forum International (March/April 1991).
Weiner, Lawrence. "Carl Th. Dreyer. A Fable of Women & Water." Halle, Howard.
Decter, Joshua. Review, "Lawrence Weiner, DIA Center for the Arts," Flash Art (October 1991).
Leigh, Christian. Interview, "Lawrence Weiner, A Place in the Sun," Flash Art (1991).
Stals, Jos‚ Lebrero. Review, "Lawrence Weiner, Jablonka," Flash Art (January/February 1991).
1990
Cyphers, Peggy. Review, "Lawrence Weiner, Marian Goodman," Arts Magazine 54 (Summer 1990): 97.
Decter, Joshua. Review, "Marian Goodman," Flash Art 150 (January/February 1990): 121.
Evans, Steven, and Jenkins, Michael. Review, "John Miller, Gary Mirabelle, Lawrence Weiner at American Fine Arts, Co.," Artscribe International (January/February 1990).
Faust, Gretchen. Review, "Lawrence Weiner, Marian Goodman," Arts Magazine 64 (January 1990): 99-100.
Gardner, Colin. Review, "Lawrence Weiner, Stuart Regen Gallery," Artforum 28 (February 1990).
"The Space between Words: Lawrence Weiner," Artforum 29 (November 1990): 156-60.
Hapgood, Susan. Review, "Lawrence Weiner, Marian Goodman," Art in America 78 (February 1990): 175-76.
Hoffberg, Judith. "Ulises Carrion and Lawrence Weiner," High Performance 13 (Spring 1990): 80.
Mahoney, Robert. "Lawrence Weiner, Marian Goodman," Contemporanea (January 1990): 97.
Pagel, David. "Compromised Positions," Artweek 21, January 18, 1990, p.12-13.
"Prints and photographs published, Lawrence Weiner," Print Collectors Newsletter (March-April 1990): 26.
Vogel, Sabine. Review, "Lawrence Weiner, Portikus, Frankfurt," Contemporanea (March 1990).
1989
Baker, E., etc. Interview, "The Peripatetic Artist: 14 Statements ... Lawrence Weiner," Art in America 77 (July 1989): 134-35.
Batchelor, David. Interview, "I Am Not Content, Lawrence Weiner interviewed," Artscribe
International (March/April 1989): 50-58.
Carpenter, Merlin. Review, "Lawrence Weiner, Anthony D'Offay," Artscribe International (May 1989): 73-74.
Donohue, Marlena. Review, "La Cienega Area," Los Angeles Times, December 29, 1989.
Grout, Catherine. "Lawrence Weiner, The realization that what a work of art is, is more important than how a work of art is (1)," Arte Factum 29 (1989): 18-21.
Interview, "Lawrence Weiner," Arts Magazine (February 1989): 23.
Morgan, Robert C. "The Situation of conceptual art: the January Show and after (with interviews reprinted from Arts Magazine, 1969, and 4 more interviews 20 years later," Arts Magazine 63 (February 1989): 40-50.
Review, Arts Magazine (1989).
1988
Banz, Stefan. "Lawrence Weiner, Mai 36 Galerie, Luzern," Noema 18-19 (1988): 95.
"Figures of Structure, Arts Club of Chicago," The Print Collectors Newsletter 19/1 (March-April 1988): 21.
"Lawrence Weiner, Luzern, Galerie Mai 36," Arte Factum (September/October 1988): 46-47.
Oehen, Berta. "Lawrence Weiner--Evokation der Dreidimensionalität," Luzerner Tagblatt, May 28, 1988.
Schenker, Christopher. Review, "Lawrence Weiner, Galerie Mai 36, Lucerne," Flash Art 143 (November/December 1988): 127.
Segard, Michel. Review, "Arts Club of Chicago," New Art Examiner 15 (March 1988): 48-49.
Simon, Joan. Interview, "Gordon Matta-Clark: reconstructions (interviews with 4 artists)," Arts Magazine 52 (Summer 1988): 84-87.
Zingg, Max. "Die Existenz des Inexistenten," Luzerner Neuste Nachrichten, May 25, 1988.
1987
Gauthier, Michel. "Lawrence Weiner--Les mobiles du concept," Art Press 116 (Juillet/Août 1987): 8-9.
"Les apories du concept," Consequénces (1987): 76.
Rorimer, Anne. "Sculpture: Figures of Structure. The Work of Lawrence Weiner," The Arts Club of Chicago (November/December 1987).
1986
Denizot, Ren‚. "De l'art du pouvoir, de l'image, de l'histoire et de deux artistes--Lawrence Weiner--
Le consortium, Dyon, avril-may 1985," Plus 2 (janvier 1986): 21-23.
Francis, Mark. "A Passage to and From the North," Alba 1 (Summer 1986).
Groot, Paul. "Chambres d'amis," Wolkenkratzer 13/3 (June/July/August 1986): 75-80.
Kessler, Pamela. "In Other Words: Spectrum," The Washington Post, May 16, 1986.
Leirner, Sheila. "TV Perigosa sedu," Caderno 2 [Sao Paulo], November 29, 1986.
Watson, G. Review, "Anthony d'Offay Gallery," Burlington Magazine 128/621 (August 1986).
Wijers, Louwrien. "Beeldende kunstenaars en film: de tijd als dimensie," Finaci le Dagblad, February 18, 1986.
1985
Cournot, Michel. "Decouverte--Sculpture de Minceur, Peinture de Sant‚," Le Monde, July 4, 1985.
Dagen, Philippe. "Salade de sculptures," Le Quotidien de Paris, July 4, 1985.
Garrel, Betty van. "Lawrence Weiner," NRC Handelsblad, March 1, 1985.
Gauthier, Michel. "Matières grises," Consequénces 5 (hiver-printemps 1985): 21-40.
McEvilley, T. "I Think Therefore I Art," Artforum 23/10 (Summer 1985): 74.
1984
Leffingwell, Edward. "Lawrence Weiner at the Tangeman," Dialogue (September/October 1984): 72-73.
"Ohio State University Galleries: Lawrence Weiner," Dialogue (January/February 1984): 62.
Smith, Paul. "Election Issues: A Timely Artistic Response," Arts Magazine 59/3 (November 1984): 126.
Wechsler, Max. "Lawrence Weiner. Werke & Rekonstruktionen, Kunsthalle Bern," Arte Factum (December 1983-January 1984): 92-94.
1983
Aebli, Hans H. "Kopfkunst oder 'Sprache' für den Kopf," Schaffhauser Nachrichten, October 5, 1983.
BCB. "Kunsthalle Bern: Rekonstruktionen ideeler Kunstwerke," Der Bund, August 23, 1983.
Fassert, Sigmar. "Lawrence Weiner in der Kunsthalle Bern. Kunst ist Kunst im Denken," Basler Zeitung, August 24, 1983.
Groot, Els de. "Lawrence Weiner," Modern Denken 5 (Juli 1983): 20-3.
Hollen Stein, Roman. "Eine Tasse Meerwasser auf den Boden gegossen. Lawrence Weiner in der Kunsthalle Bern," Neue Züricher Zeitung, September 6, 1983.
Morgan, Robert C. "A conversation with Lawrence Weiner," Real Life Magazine 11/12 (Winter 1983): 36.
Ottevanger, Alied. "Een heel afschuwelijke tekst. Het enige wat me ervan bijblijft zijn de citaten van Picabia (Een gesprek over Buchloh's boude stellingen)," Museumsjournaal 28/4 (1983): 224.
Wechsler, Max. "Der tiefe Graben zwischen Idee und Realisation der Amerikaner Lawrence Weiner in der Kunsthalle Bern," Vaterland, September 3, 1983.
1982
Acker, Kathy. "Kosuth, Joseph, Weiner, Lawrence. Portraits: Necrophilia Mon Amour," Artforum 20/9 (May 1982): 58-65.
Bos, Saskia. "Plowmans Lunch," De Appel 4 (1982): 34-37.
Gibbs, Michael. "Lawrence Weiner's Plowmans Lunch," Artzien 28 (November 1982): 5-9.
Groot, Paul. "Lawrence Weiner," NRC Handelsblad, August 6, 1982.
Kosuth, J., Weiner, L., and Acker, K. "Portraits: Necrophilia Mon Amour," Artforum 20/9 (May 1982): 58-65.
Phillpot, Clive. "Words and Word Works," Art Journal 42/2 (Summer 1982): 95-143.
Weiner, Lawrence. "Installation & presentation. Within a context of intention," Artistes-Revue d'Art contemporain (Juillet 1982): 40-44.
1981
Cavaliere, Barbara. "Edward Ruscha and Lawrence Weiner at Leo Castelli," Arts Magazine 55/9 (May 1981): 32-33.
Einreinhofer, Nancy. "Language in the Visual Arts," Artery 8th National Forum for College Art 4/3 (Spring 1981): 10-11,
Fischer, Jean. "Lawrence Weiner," Art Monthly 46 (December 1980-January 1981): 12.
Millet, Catherine. "L`Art de la fin de l'art.. 10 ans après," Art Press International 54 (December 1981): 6-9.
Oille, Jennifer. "A Question of Place 2," Vanguard 10/9 (November 1981): 12-13.
Review, "Lawrence Weiner and David Jones, Anthony d'Offay Gallery, London," Art International 24/5-6 (January-February 1981): 70-113.
Stodder, John F. "Subjectivity and Self Obsession," Art Week, May 31, 1981, pp.15-16.
Weiner, Lawrence. "Notes from the California lectures," Museumsjournaal 26/7 (1981): 312-314.
"Aufforderung zum Hürdensprung--Lawrence Weiner, in der Galerie Schöttle," München Kulturberichte, January 4, 1980.
1980
Ellmann, Lucy. "David Jones and Lawrence Weiner," The Arts Review, November 21, 1980: 539.
Furlong, William. Interview, "A Conversation with William Furlong concerning 20 works by Lawrence Weiner presented in London," Marginalia 5 (1980).
Lucie-Smith, Edward. Art in the Seventies. Ithaca, Cornell University Press, 1980. A Phaidon Book.
Morschel, JÅrgen. "Lawrence Weiner (Galerie Sch"ttle, MÅnchen)," Das Kunstwerk 33/2 (1980): 87.
Puliafito, Isabella. "Lawrence Weiner," Artforum 18/6 (February 1980): 107-108.
Review, "Lawrence Weiner at Saman Gallery, Genova," Artforum 18 (February 1980): 107-108.
Saliga, Pauline A. Lawrence Weiner [pamphlet], Museum of Contemporary Art, Chicago. March 12-May 22, 1980.
Weiner, Lawrence. "Concerning Twenty Works," Audio Arts [supplement] (London 1980-81).
Wright, B. "David Jones and Lawrence Weiner at Anthony d'Offay Gallery, London," Arts Review 32/23 (November 21, 1980): 539.
1979
Gibbs, Michael. "Lawrence Weiner," Artzien 2/3 (December 1979-Januari 1980).
Giesler, D. "Different Purposes, Different Rewards: Encounter Cinema, Los Angeles; Performance," Artweek 11/12, March 29, 1980.
Grayson, Cewzan. "Lawrence Weiner, There But For Mudd Club," Live Performance Art 3 (1980): 45-46.
Ehrlich, R. Review, "Lawrence Weiner at Leo Castelli Gallery," Arts Magazine 54/1 (September 1979): 34-35.
Frank, Peter. "Mechanisms of Meaning," The Village Voice, April 23, 1979.
Garrel, Betty van. "Het belang van de registratie," NRC Handelsblad, December 29, 1979.
Groot, Paul. "Taal is het materiaal van Lawrence Weiner," NRC Handelsblad, December 29, 1979.
Hoberman, J. "Declarations of Independance," The Village Voice [New York], September 24, 1979.
Stimson, P. "Between the Signs," Art in America 67/6 (October 1979): 6.
Weiner, Lawrence. "2 lavori di Lawrence Weiner," Domus 591 (February 1979): 49.
1978
Lister, A. "Edge Junction: Words in Art," Criteria 4/1 (Spring 1978): 22-23.
Wierk, Hans-Peter. "Lawrence Weiner: mit einem Hauch von Rosa," Nordsee-Zeitung, September 7, 1978.
Wilson, Martha. "Artists' Books as Alternative Space," The New Arts Space. The Los Angeles Institute of Contemporary Art, 1978. 35-37.
1977
Burnside, Madeleine. "Raw Material," The Soho Weekly News, March 24, 1977.
Perrone, Jeff. "Words: When Art takes a Rest," Artforum 15/12 (Summer 1977): 34-37.
1976
Barracks, B. Review, "Lawrence Weiner, The Kitchen," Artforum 15/4 (December 1976): 67-70.
Beks, Maarten. "Lawrence Weiner in Van Abbe," Eindhovens Dagblad, March 26, 1976.
Blok, Cor. "Lawrence Weiner gepresenteerd door het van Abbemuseum: geen daden maar woorden," De Groene Amsterdammer, April 7, 1976.
Brandt Corstius, Liesbeth, "Tentoonstellingen: Lawrence Weiner in het Stedelijk en Van Abbemuseum in Eindhoven," Avenue (Maart 1976): 11.
Brown, Gordon. "Lawrence Weiner, Donald Judd, Dan Flavin," Arts Magazine 51/1 (September 1976): 37.
Burnside, Madeleine. "A Question of Values, A bit of manner and little bit more--Lawrence Weiner, The Kitchen," The SoHo Weekly News, December 30, 1976.
"Expositie Weiner," Hollands Diep, April 10, 1976.
Fuchs, Rudi. "Lawrence Weiner, 'A Second Quarter,'" Museumsjournaal 21/1 (1976): 22-23.
"De taaie traditie: een boekje over Lawrence Weiner," Nieuwe journalistiek, Art & Project (Amsterdam 1976).
Ginneken, Lily van. "Galerij der galerijen--Lawrence Weiner," Volkskrant, March 27, 1976.
Graevenitz, Antje von. "Man sieht mehr, als man sieht Lawrence Weiner Sprachkunstwerke im Van Abbemuseum, Eindhoven," Suddeutsche Zeitung, April 8, 1976.
Hazzledine, Mike. "Lawrence Weiner at ICA New Gallery," Studio International 192/982 (July/August 1976): 90-91.
"Lawrence Weiner," Basler Nachrichten, April 21, 1976.
"Lawrence Weiner," De Nieuwe Gazet, April 21, 1976.
Marioni, T. "New York City," Vision 3 (November 1976): 5-90.
Morris, Linda. "Today Together: A joint Show of Contemporary Galleries at the Collage Art Fair," Studio International 191/979 (January/February 1976): 55-75.
"Notaties in taal: Beeldende Kunst buiten klassieke kaders. Werk Lawrence Weiner in het Van Abbemuseum," Het Eindhovens Dagblad, March 12, 1976.
Redeker, Hans. "Lucassen en Weiner: twee richtingen in de schilderkunst," NRC Handelsblad, April 15, 1976.
Reise, Barbara. "Who, what is Sigmar Polke (and where can he be found?)," Studio International 192/982 (July/August 1976): 84.
Salle, D. Review, "Lawrence Weiner at The Kitchen," Arts Magazine 51/4 (December 1976): 39-40.
Sargent-Wooster, Anne. "The interplay of touch. Do you believe in Water? Lawrence Weiner at the Kitchen," The Soho Weekly News, September 30, 1976.
Stutzer, Bee. "Amerikanische Künstler stossen in Neuland vor," Basler Volksblatt, August 4, 1976.
Vries Robbë Londe. "Kunst is even gespecialiseerd als theoretische natuurkunde. De teksten van Lawrence Weiner in het Van Abbemuseum," Vrij Nederland, April 17, 1976.
1975
"Berliner Künstlerprogramm: Ein Zweites Viertel," Kulturinformation aus Berlin 2 (1975): 23-4.
Frank, Pete. Review, "Lawrence Weiner at Castelli," Artnews 96 (April 1975): 96.
Heinemann, Susan. "Lawrence Weiner: Given the Context," Artforum 13/7 (March 1975): 36-37.
Monteil, Annemarie. "Preisig: Lawrence Weiner-Basler Galerien," National Zeitung Basel, December 18, 1975.
Sargent-Wooster, Anne. Review, "Lawrence Weiner," Art in America 63/2 (March/April 1975): 93.
1974
Cameron, Eric. "Lawrence Weiner: The Books," Studio International 187 (January 1974): 2-8.
Fuchs, Rudi. "De taaie traditie--Een boekje over Lawrence Weiner," NRC Handelsblad, February 15, 1974.
"Over Lawrence Weiner," De Gids 5 (1974): 385-388.
Catalogue, Hunter, Sam and Jacobus J. American Art of the 20th Century: Art as Action and Idea (New York: Abrams, 1974).
Moser, Charlotte. "The Concept as the Art in World--or More," Houston Chronicle, December 29, 1974: 11.
Tuyl, Gijs van. "Met betrekking tot de vorige twee bladzijden: vult u maar in, maar het hoeft niet," Museumsjournaal 19/3 (1974): 122-123.
Weiner, Lawrence. "With an advance declined," Interfunktionen 11 (1974): 54-58.
"Within a reasonable doubt," Flash Art (January 1974--special issue).
"Having a relation," Museumsjournaal 19/3 (Juni 1974): 120-121.
1973
Gruterich, M. "Lawrence Weiner: Kunst zum konzeptuellen Gebrauch," Heute Kunst 4-5 (Dezember 1973-Februar 1974): 30-31.
Ahorn, Hannelore. Kleine weisse Bücher bis 14 Februar: Lawrence Weiner [exhibition catalogue]. Kabinett für Aktuelle Kunst, Bremerhaven, January 29, 1973.
Grassi, Gino. "L'arte il linguaggio di Weiner," Roma, anno 112/26 (January 27, 1973).
Sargent-Wooster, Anne. "First Quarter. Lawrence Weiner's first film," Arts Magazine 47/7 (May 1973): 32.
Tisdall, Caroline. "Weiner," The Guardian, October 8, 1973.
1972
Ashton, D. "New York Commentary: Abracadabrizing Art," Studio International 183 (January 1972): 39.
Celant, Germano. "Le Livre comme travail artistique 1960-70," VH 101 no.9 (Automne 1972): 5-28.
Cork, R. "UK Commentary," Studio 183/942 (March 1972): 116-117.
Sharp, Willoughby. Interview, "Lawrence Weiner at Amsterdam," Avalanche 4 (Spring 1972): 64-74.
1971
Borgeaud, B. "Book Entitled 10 Works," Arts Magazine 45 (April 1971): 72.
Interview, "avec Michel Claura," VH 101 no.5 (Printemps 1971): 64-66.
Lovell, A. "Lawrence Weiner," Studio International 181/931 (March 1971): 126-127.
1970
Battcock, Gregory. "Documentation in Conceptual Art," Arts Magazine 44/6 (April 1970): 42-45.
Borgeaud, B. "Exhibition in Paris," Arts Magazine 44/7 (May 1970).
Burnham, J. "Alice's Head: Reflections on Coceptual Art," Artforum 8 (February 1970): 38.
Celant, Germano. "Conceptual Art," Casabella 347 (April 1970): 42-49.
Karshan, D.C. "The Seventies: Post object art," Studio International 180/925 (September 1970): 69- 70.
Lippard, Lucy. "Groups," Studio International 179/94 (March 1970): 48.
"Art within the Arctic Circle," Changing [New York] (1970): 286 ev. ep.
"Art within the Arctic Circle," The Hudson Review (February 1970): 665-674.
48-page exhibition. Studio International 180/94 (March 1970).
Ohff, Heinz. "Die Idee der reinen Kunst--Lawrence Weiner in Berlin," Der Tagesspiegel, December 23, 1970.
Ratcliff, Carter. "New York: Conceptual Art and Conceptual Aspects, New York Cultural Center," Art International 14/6 (Summer 1970): 133-34.
Weiner, Lawrence. "The artist and politics: A symposium," Artforum 9/1 (1970): 39.
"Lawrence Weiner," VH 101 3 (automne 1970): 37.
"Some notes upon the sculpture itself of Sol Lewitt," Sol LeWitt. Haags Gemeentemuseum, 1970.
1969
Amman, Jean-Christophe. "Schweizer Brief," Art International 13/5 (May 1969): 47-50.
"Art & Project, Bulletin 10 van Art & Project is uit," De Tijd, September 5, 1969.
Battcock, Gregory. "Painting is Obsolete," New York Free Press Critique, January 23, 1969: 7.
Claura, Michel. "Extrémisme et rupture (1) Mouvement de l'art contemporain autor d'un concept,"
Lettres francaises, September 24, 1969: 26-27.
Constable, Rosalind "The New Art (Big ideas for sale)," New York Magazine, March 10, 1969: 46-49.
"Entrémisme et rupture (2)," Lettres francaises (October 1969).
Frenken, Ton. "Kunstenaars zoeken nieuwe mededelingsvormen voor de huidige sensibiliteit,"
Brabants Dagblad, March 22, 1969.
Garrel, Betty van. "De afwenzige kunst van de nieuwe avantgarde," Haagse Post, March 22, 1969.
Glueck, Grace. "Art Notes: Venice, anyone?" The New York Times, March 16, 1969.
Higgins, Dick and Vostell, Wolf. Pop architektur, Concept Art. Dusseldorf: Droste Verlag, 1969.
Junker, Howard. "Idea as Art," Newsweek, August 11, 1969: 81.
Kosuth, Joseph. "Art after Philosophy," Studio International 178/916 (November 1969): 160.
Pierce, Gretchen. "Art Critic Becoming Absolete--Art Critic," The Mail-Star, November 29, 1969.
Pierce, Gretchen. "Hot Dog! Weiner plus Roll Must Equal Art," The Mail-Star, April 24, 1969.
Perrault, John. "Art Disturbances," The Village Voice [New York], January 23, 1969.
Rose, Arthur R. "Four interviews with Barry, Huebler, Kosuth, Weiner," Arts Magazine 43/4 (February 1969): 22-23. Reprinted in Idea Art, edited by G. Battock (New York: E.P.Dutton, 1973).
Shirey, David L. "Idea as Art," Newsweek, April 11, 1969: 81.
Strelow, Hans. "Regungen einer neuen Romantik (Kunst am Ende des mechanischen Zeitalters- Ausstellung in Bern)," Frankfurter Allgemeine Zeitung, April 9, 1969.
Weiner, Lawrence. "Statements--Lawrence Weiner 1968," Art & Language 1/1 (1969): 17-18.
1968
Junker, Howard. "The New Sculpture," The Saturday Evening Post, November 2, 1968.
1966
Bannitz, Jacqueline. "In the galleries: Lawrence Weiner," Arts Magazine 40/3 (January 1966): 64.
Benedict, Michael. "New York Letter," Art International 10/1 (January 1966): 97.
1965
Judd, Donald. "In the galleries," Arts Magazine 39/4 (January 1965): 64.
"Reviews and Previews," ArtNews 64/8 (December 1965): 18.
Welsh, Marjorie, "Lawrence Weiner" Bomb. Winter 1995
1964
Levin, K. "Reviews and Previews: New Names this Month," ArtNews 63/7 (November 1964): 20-22.
BOOKS & MONOGRAPHS BY THE ARTIST
1998
LAWRENCE WEINER. Artist monograph. 160 pages. Edition of 5,000. Interview: Benjamin H.D. Buchloh. Writings: Alexander Alberro, Alice Zimmerman, David Batchelor, W.B. Yeats, Kenneth
Patchen, Lawrence Weiner. Photos by Rudolph Burckhardt et. Al London: Phaidon Press Limited, 1998
1993
RITEN DES ÜBERGANGS/RITES OF PASSAGE.
Exhibition catalogue: Lenbachhaus/Kunstforum, München. November 20, 1992 – January 9, 1993. 12 pages. 550 copies. Text: Ulrich Wilmes.
Photographs: Simone Gänsheimer. Design: L. Weiner [English/German. Translation: Brigitte
Kalthoff]. München: Städtische Galerie im Lenbachhaus, 1993
LAWRENCE WEINER/GALLERY 360°. Folded exhibition catalogue: Tokyo. February 1993. 8 pages. Edition unknown. Includes essay and photos. Select exhibitions,bio., lists of permanent installations/public projects, and institutions having work in permanent collections.
[English/Japanese]. Tokyo: Gallery 360°, 1993
STEEL PENNIES. In conjunction with the exhibition: "Steel Pennies Don't Come From Or Go To Heaven". A work for Dean Clough, The Henry Moore Studio, Halifax, England. February 19-May 23, 1993. 48 pages. 1000 copies. Chronicle of the work and installation with essays, drawings, and installation photographs. Essay: Iwona Blazwick. Photographs: Susan Crowe and Jerry Hardman- Jones. Design: L. Weiner with Peter McGrath. [English]. Halifax, England: The Henry Moore Sculpture Trust.
TO BUILD A WORK. Exhibition catalogue with Lucas L'Hermitte and Niele Toroni. Galerie Arnaud Lefebvre, Paris. April 1993. 8 pages + a sticker. 300 numbered copies. [English/French]. Paris: Galerie Arnaud Lefebvre, 1993
ZWEI BLÖCKE/TWO BLOCKS… Exhibition catalogue: Städtische Galerie Nordhorn. May 8-June 27, 1993. 44 pages. 300 copies. Essay: Sabine Dylla. Photos: Werner Westdörp and Kunsthalle Bern. Design: L. Weiner Sel.bib., sel bio. Nordhorn: Städtische Galerie Nordhorn, 1993
1992
ALL FALL DOWN. Produced concurrent with the exhibition "Heinz Gappmayr, Maurizio Nannucci, Lawrence Weiner. Denkraume/Spazi del Pensiero" (April/June 1992). Bozen and Bolzano: Museum fur Moderne Kunst and Museo d'Arte Moderna, 1992. In English, German, Italian.
OFFENTLICH/PUBLIC FREEHOLD. Documentation and exchanges regarding the installation of public sculpture of Ulrich Ruckreim and L. Weiner at Singlefingen, Germany. 96 plates. Unlimited edition. Edited: Ingrid Burgbacher Krupka [German] Stuttgart: Edition Cantz, 1992
OFFENTLICH/PUBLIC FREEHOLD. Special edition of book and enamel plaque: 100. Stuttgart: Edition Cantz, 1992
1991
IN THE CRACK OF THE DAWN. Comic book collaboration with Matt Mullican. Lucerne and Brussels: Mai 36 Galerie and Yves Gavaert, 1991.
ART & PROJECT/LAWRENCE WEINER. THROWN SOMEPLACE/ERGENS NEERGEGOOID. Produced concurrent with the exhibition (July 1991). Amsterdam: Art & Project, 1991. In English, Dutch.
1990
TA SAMA WODA/THE SAME WATER. Includes essay. Related to the exhibition ON ONE SIDE OF THE SAME WATER (October 1990). Warsaw: Biblioteka Galerij Foksal, 1990. In English, Polish.
LA MARELLE/PIE IN THE SKY. Essay and drawings related to the public sculpture (Inauguration: June 21, 1990). Villeurbanne: Le Nouveau Musée, 1990. In French.
1989
JUST ANOTHER THING TAKEN & CHANGED (A WOOD)(A STONE). Travel diary containing work, drawings, and an essay on New Guinea. Antwerp and Brussels: Galerie Micheline Szwajcer and Yves Gevaert, 1989.
PLOWMANS LUNCH COMIX. Photo-roman for the film PLOWMANS LUNCH. Rotterdam: Uitgeverij/Publishing House Bebert, 1989.
CALENDAR 1989. London: Anthony d'Offay Gallery, 1988.
1988
TOWARDS A THEATRICAL ENGAGEMENT/DUCKS ON A POND. Includes an essay and stills from the film PASSAGE TO THE NORTH. Ghent: Imschoot, Uitgevers, 1988.
1984
FACTORS IN THE SCOPE OF DISTANCE/A STRUCTURE OF LAWRENCE WEINER.
Paradigmatic comic book. Antwerp: ADD, 1984.
1981
PASSAGE TO THE NORTH. Includes an essay and stills from the film PASSAGE TO THE NORTH.
Photographs: Louise Lawler, cropped by Lawrence Weiner. Great River, New York: Tongue Press, 1981.
1979
Z PRAWDOPODOBIENSTWEM, ZE KTOS ZOBACZY/WITH A PROBABILITY OF BEING SEEN. Related to the exhib. in September, 1979. Warsaw: Biblioteka Galerij Foksal PSP, 1979. In English, Polish.
1978
THE LEVEL OF WATER. Includes essay. Ghent: Vereniging voor het Museum van Hedendaagse Kunst, 1978. In English, Flemish.
HARD LIGHT. Collaboration with Edward Ruscha. Los Angeles and New York: Heavy Industrial Publications and Moved Pictures, 1978.
WITH A TOUCH OF PINK. Includes essay. Bremerhaven: Kabinett fur Aktuelle Kunst, 1978. In English, German.
REGARDING INSCRIPTIONS (OF A SORT). Basel: Rolf Preisig Gallery, 1978. In English, German.
1977
WORKS. Complete works 1968-77. Hamburg: Anatol AV und Filmproduktion, 1977.
PERTAINING TO A STRUCTURE. Includes essay. Photographs by Daniel Buren from a videotape, DO YOU BELIEVE IN WATER? London: Robert Self Publications, 1977.
COMING AND GOING. Work and essay presented in the context of a game. Produced concurrent with the exhibition (September 20, 1977). Geneva: Centre d'art contemporain/Ecart Publications, 1977.
1976
ON THE ROCKS. Includes essay. (See also videotape A BIT OF MATTER AND A LITTLE BIT MORE.) Lund: Edition Sellem-Archive of Experimental and Marginal Art, 1976. In English, Swedish.
ART & PROJECT/LAWRENCE WEINER. (Combined edition of ART & PROJECT/LAWRENCE WEINER and HAVING TIME TO TIME A RELATION TO:) Amsterdam: Art & Project, 1976. In English, Dutch.
VARIOUS MANNERS WITH VARIOUS THINGS. Essay by Barry Barker (on dustjacket). Produced concurrent with exhibition. London: ICA New Gallery, 1976.
1975
RELATIVE TO HANGING. Ringkobing: Edition After Hand, 1975. In English, Dutch, Icelandic, Swedish, Finnish, Norwegian.
TOWARDS A REASONABLE END. Includes stills from the film DONE TO and essay. Produced concurrent with the exhibition (March-April). Bremerhaven: Kabinett fur Aktuelle Kunst, 1975. In German, English.
1973
HAVING FROM TIME TO TIME A RELATION TO:. [English/Dutch]. Produced concurrent with the exhibition. Amsterdam: Art & Project, 1973.
ONCE UPON A TIME. Includes an essay. (Used in the film A SECOND QUARTER.) Milano: Franco Toselli Gallery, 1973. In English, Italian.
WITHIN A REASONABLE DOUBT. Milano: Flash Art Special Issue, 1973. In English, Italian, French, German.
WITHIN FORWARD MOTION. Produced concurrent with exhib. (Jan-Feb). Bremerhaven: Kabinett fur Aktuelle Kunst, 1973. In English, German.
1972
GREEN AS WELL AS BLUE AS WELL AS RED. Produced concurrent with the exhib. (See videotape GREEN AS WELL AS BLUE AS WELL AS RED.) London: Jack Wendler Gallery, 1972.
A PRIMER. Produced as participation in the exhibition. Kassel: DOCUMENTA 5, 1972. In English, German.
HAVING BEEN DONE AT/having been done to. Produced concurrent with the exhib. Torino: Editions Sperone, 1972. In English, Italian.
1971
L. WEINER 10 OBRAS/10 WORKS. (Pirate edition of 10 works.) Buenos Aires: CAYC, 1971. In English, Spanish.
L. WEINER. Pirate edition of ART & PROJECT/LAWRENCE WEINER). Buenos Aires: Centro de Arte y Communicacion, 1971.
CAUSALITY: AFFECTED AND/OR EFFECTED. Produced concurrent with the exhibition. New York: Leo Castelli Gallery, 1971.
FLOWED. Halifax: Nova Scotia College of Art & Design, 1971. In English, Italian, French, Danish, Spanish, German, Dutch.
10 WORKS. Paris: Yvon Lambert Gallery, 1971. In English, French.
ART & PROJECT/LAWRENCE WEINER. Produced concurrent with the exhibition (January). Amsterdam: Art & Project, 1971. In English, Dutch.
1970
TRACCE=TRACES/LAWRENCE WEINER. Torino: Sperone editore, 1970. In English, Italian.
1968
STATEMENTS. New York: Seth Siegelaub/The Louis Kellner Foundation, 1968.
FILMS BY THE ARTIST
READING LIPS [collaboration with Steen Moller Rasmussens], 1997 [16mm, color, 11 min., sound]
Produced by Moved Pictures NYC and PLAGIAT film. Directed by Lawrence Weiner and Steen Moller Rasmussens. Cinematography: Steen Moller Rasmussens. Music: Lawrence Weiner and Ned Sublette. Editiors: Rasmussens and Weiner.
First Screening: Arken, Denmark, 13 November, 1997
PLOWMANS LUNCH, 1982. [16mm Kodacolor, 28 mins., sound] Produced by Stichting de Appel, Amsterdam (Wies Smals).
Cinematography: Jules van den Steenhoven. Music: Peter Gordon. Editor: Eva Reisel.
First Screening: The Film House, Den Haag/Kriterion Theatre, Amsterdam, October 13, 1982. First American screening: Bleecker Street Cinema, New York, April 9, 1983.
PASSAGE TO THE NORTH, 1981
ALTERED TO SUIT, 1979
A SECOND QUARTER, 1975
DONE TO, 1974
A FIRST QUARTER, 1973
VIDEOS BY THE ARTIST
Niets Aan Verloren/Nothing to Lose, 1984
Trailer for Plowmans Lunch, 1982
There But For, 1980
For Example Decorated, 1977
A Bit of Matter and a Little Bit More, 1976
Do You Believe in Water?, 1976
Various Manners with Various Things, 1976
Green as Well as Blue as Well as Red, 1975/76
Affected and/or Effected, 1974
Shifted from Side to Side, 1972
To and Fro/Fro and To/And To and Fro/And Fro and To, 1972
Broken Off, 1971
Beached, 1970
To the Sea/On the Sea/From the Sea/At the Sea/Bordering the Sea, 1970
RECORDS BY THE ARTIST
Having Been Built on Sand with Another Base (Basis) In Fact, A structure of Lawrence Weiner, music by Richard Landry. Voices, Britta Le Va, Tina Girouard, Lawrence Weiner, Richard Landry. Mix, Landry/Weiner, Remix, Kurt Munkacai. Produced by Moved Pictures NYC. Munich: Rudiger Schottle, 1978.
Nothing to Lose/Niets Aan Verloren, Voices Coosje van Bruggen, Lawrence Weiner. Translation, Ger Van Caspel, Coosje van Bruggen. Eindhoven: Van Abbemuseum, 1976.
7, Spoken text by Lawrence Weiner and Beatrice Conrad-Eybesfeld, Flute by Pierre-Yves Artaud. Translated by Beatrice Conrad-Eybesfeld. Paris: Yvon Lambert, 1972.
Having Been Done at/Having Been Done to, Essendo Stato Fatto A, Voices spoken by Lawrence Weiner and Marina Girotte. Piano, Marina Girotte, Translation, Cesare Scaglia. Rome: Sporone Gian Enze and Fischer Konrad, May, 1973
Monsters From the Deep, Ned Sublette and Lawrence Weiner, 1997
CASSETTES BY THE ARTIST
Lawrence Weiner/The Preformance Tapes, Preformance soundtracks, 1976-1981. New York City: Moved Pictures, 1984.
Lawrence Wiener/Twenty Works, A conversation with William Furlong Concerning 20 Works by Lawrence Weiner presented in London 1980. London: Audio Arts, 1980.
Need to Know/A Structure of Lawrence Weiner, Radio play aired on WBAI, 29 January 1978. New York City: Moved Pictures & J. Umland, 1978.
WITH A TOUCH OF PINK - WITH A BIT OF VIOLET - WITH A HINT OF GREEN - DOROTHEE FISCHER - IN MEMORIAM
03. Jun 2016 - 23. Jul 2016
DÜSSELDORF
