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Lawrence Weiner


born in New York

died in 2021


Wolf Prize, Jerusaelm Israel
Aspen Award for Art honoree

Roswitha Haftmann Prize, Zurich, Switzerland

Honorary Doctorate of Humane Letters from the Graduate Center, City University of New York

Skowhegan Medal for Painting/Conceptual Art, Skowhegan, Maine

Wolfgang Hahn Prize, Ludwig Museum, Cologne

John Simon Guggenheim Fellowship, New York

Arthur Kopcke Prize, Arthur Kopcke Memorial Fund, Copenhagen1988
Singer Prize, Singer Museum, Laren, The Netherlands

National Endowment for the Arts Fellowship, Washington, D.C.

Stichting De Appel, Amsterdam, and the State Film Board of the Netherlands, production of film "Plowmans Lunch"

National Endowment for the Arts Fellowship, Washington, D.C.
72nd American Exhibition, Art Institute of Chicago, prize, Chicago

DAAD, Berlin (for production of film, "A Second Quarter")



Solomon R. Guggenheim Museum, New York, USA
Guggenheim Bilbao, Spain
Whitney Museum of American Art, New York, USA
Museum of Modern Art, New York, NY, USA
Museum of Contemporary Art, Los Angeles, CA, USA
National Gallery of Australia, Canberra, Australia
Netherlands British Museum, London, UK
Centre Pompidou, Paris, France
Stedelijk Museum, Amsterdam, Netherlands
Van Abbemuseum, Eindhoven, Netherlands
Herbert Collection, Ghent, Belgium
Boymans-van Beuningen Museum, Rotterdam
Irish Museum of Modern Art, Dublin, Ireland
Israel Museum, Jerusalem, Israel
Musée de Toulon, France
Musée Saint Pierre, Art Contemporain, Lyon, France
Musée de Beaux-Arts, La Chaux-de-Fonds, Switzerland
Städtisches Museum for Kunst, Copenhagen, Denmark
Museum Moderner Kunst, Vienna, Austria
Krefelder Kunst Museen, Haus Esters, Germany
Kunstmuseum Wolfsburg, Wolfsburg, Germany
Kunstverein Museum Schloss Morsbroich, Leverkusen, Germany



UNDER THE SUN, Amorepacific Museum of Art, Seoul, South Korea 


Lawrence Weiner, Galerie Thomas Schulte, Berlin

Close to a Rainbow, Holstebro Kunstmuseum, Denmark


Lawrence Weiner: South of the Border, Fundación Casa Wabi, Puerto Escondido, Oaxaca, Mexico


Brought Down to Just Below, Kode Kunstmuseer, Bergen, Norway

Attached by Ebb & Flow, Museo Nivola, Orani, Italy

Just in Time / Zur Rechten Zeit, Galerie Hubert Winter, Vienna, Austria

Whisked Away From, OSL Contemporary, Oslo, Norway


Folded Waves Vague Pliees, Galerie Marian Goodman, Paris

Piles of Used Marble Breaking the Water, Galleria Alfonso Artiaco, Naples, Italy

Artist Rooms Lawrence Weiner, The McManus, Dundee, Scotland

In Tandem with the Sands, Dvir Gallery, Tel Aviv, Israel

Water & Some of Its Forms, Taro Nasu Gallery, Tokyo


Forever and a Day (Siempre y un Dia), Various public installations in Mexico City: Museo de la Ciudad de Mexico; Plaza de la Constitucion/Zocalo; Nezah Ualcoyotl; Museo Tamayo; Marquesina Cervantes Sa Avedra

Wherewithal - Was es braucht, Kunsthaus Bregenz

Out of Sight, Pérez Art Museum, Miami, USA

Inherent Innate Tension, Milwaukee Art Museum, Milwaukee, USA


Wherewithal - Was es braucht, Kunsthaus Bregenz

made to be, Regen Projects, Los Angeles


Lawrence Weiner: Within Grasp, Mai 36 Galerie, Zurich

Lawrence Weiner: Within a Realm of Distance, Blenheim Art Foundation, England


Along the Shore, i8 Gallery, Reykjavic, Iceland

Some Moved Pictures of Lawrence Weiner, GoMA Gallery of Modern Art, Glasgow

All in Due Course, South London Gallery, London

Written on the Wind, Drawings by Lawrence Weiner, Stedelijk Museum, Amsterdam

Lawrence Weiner, Bury Sculpture Center, Bury Art Museum, Lancashire

Straight Down to Below: Lawrence Weiner Artist Rooms, Woodhorn Museum, Ashington

Somewhere, Mendes Wood DM and Galeria Luisa Strina, São Paulo


The Grace of A Gesture, Written Art Foundation & the 55th Venice Biennale, Palazzo Bembo, Venice

Forever & A Day, ArtAids Foundation, Barcelona

Written on the Wind, Drawings by Lawrence Weiner, Museum of Contemporary Art, Barcelona

Lawrence Weiner, Works 1969-73, Villa e Collezione Panza, Varese

Finding a Place to Put What, Museum of Contemporary Art, Barcelona


Be it as it may, Lisson Gallery, London

Catch as Catch, Elizabeth Murray Art Wall Bowery Arts + Science, New York

Ever so much, Base, Progetti par l'arte, Florence

No tree no branch, The Jewish Museum, New York

Concentricity Per Se, Blain Southern, Berlin

Around & Around High & Low, Regen Projects, Los Angeles

Just before, Alfonso Artiaco, Naples

Impeded Time, Galerie Huber Winter, Vienna

The Drawing Center Gala 2012: Honoring Lawrence Weiner, Tribeca Rooftop, New York


Three videos, Leslie Tonkonow Artworks + Projects, New York

Specific Object Presents Lawrence Weiner's Published Work from The Jean Noel Herlin Archive Project, Susan Inglett Gallery, New York

Designing The Whitney of the future, Whitney Museum of American Art, New York

A Syntax of Dependency, Museum of Contemporary Art, Antwerp

Altered to Siut, Electronic Arts, Intermix, New York

Use them It, 10 Downing Street, New York

& That Was The Trouble With Aristotle, Mairie du 2e arrondissement, Paris

Sharon Hayes + Lawrence Weiner, New Museum, New York

Brought to Light, University of California, San Francisco

Lawrence Weiner and Kathryn Bigelow: Films and Videos, Museum of Modern Art, New York

Paperwork 5/24, Fundacao Cidade de Guimaraes, PT

After crossing the river, Collection Lambert, Avignon


Gyroscopically Speaking, Marian Goodman Gallery, New York

Bent & Broken Shaft of Light, Biennale für Internationale Lichtkunst Ruhr 2010

Polgnant Adaptiation, Cristina Guerra Contemporary Art, Lisbon

Graceful Haste, Mai 36 Galerie, Zurich

Dict Bij, BAK, Utrecht / Stedelijk Museum, Amsterdam

Under the sun, Espai d'art contemporani de Castello, Spain

i8 Gallery, Reykjavik, Iceland

Taken from the wind & bolted to the ground, House of Art, Budweis, Czech Republic

Johanneskirche Stadtkirche, Düsseldorf

Emscherkunst.2010, Berne Park, Bottrop

As to be in plain sight, Denver Art Museum, Colorado


Dvir Gallery, Jaffa Port, Telaviv

Sota al sol, Eacc, Castellon de la Plana

One in Front (Sea) Two if in Back (Land), Newlyn Art Gallery, Newlyn

Placed on the Tip of a wave, Regen Projects II, Los Angeles

Au pays, L'abbaye et Le Village de Corbigny, Nievre-Bourgogne

The other side of the cul-de-sac, The power plant, Toronto

The bay of Naples, Alfonso Artiaco, Naples

Done with, Galerie Micheline Szwajcer, Antwerp

Die Ebbe und der Strom, Galerie Hubert Winter, Wien

A Bit of Matter and a Little Bit More, Argos, Brussels

Inclined enough to roll, fondazione merz, Turin

empty - full, Yvon Lambert, Paris

At the level of the sea, Marian Goodman Gallery, New York

Done with, Micheline Swajcer, Antwerp


Quid pro quo, Gagosian Gallery, Rome

The crest of a wave, Fundació Sunol, Barcelona

Lawrence Weiner: statements, El Sourdog Hex, Berlin

Forever & a day, CAC, Malaga

Dematarializing cinema: the films of Lawrence Weiner, Havard Film Archive, Carpenter

Center for the Visual Arts, Boston

Seven statements in one (Works from 1970-1988), El Sourdog Hex, Berlin

Konrad Fischer Galerie, Berlin

With a line of graphite/Con una linea di grafite, Galleria Massimo De Carlo, Milan

Offsides, Lisson Gallery, London

A selections of shorts films and videos by Lawrence Weiner, Ullens Center for Contemporary Art

Auditorium, Beging 2007c Lawrence Weiner, Kunstparterre, Munich

As Far as the Eye Can See, Whitney Museum of American Art, New York

Kunstsammlung im Ständehaus, Düsseldorf

Inherent in the Rhumb Line, National Maritime Museum, London

Para/Site Art Space, Hong Kong, China

The Die is Cast, Gallerie Cristina Guerra, Lisbon

Haus der Kunst, Munich


Galerie Micheline Szwajcer, Antwerp

Nicht Weit Vom Stamm, Konrad Fischer Galerie, Düsseldorf

Made to produce a spark, Museo d'Arte Contemporanea Castello di Ravoli, Turin

XY & Z, BAWAG Foundation, Vienna

If Silence Was, Galleria Alfonso Artiaco, Naples

Printed Works, Van Abbe Museum, Eindhoven


Galerie Thaddaeus Ropac, Salzburg

Regen Projects, Los Angeles

Within a Realm of relative form, Lisson Gallery, London

Posters, Bury Art Gallery, Bury

i8, Gallery Reykjavik

Glleria Giorgio Persano, Turin

Galerie Johann Widauer, Innsbruck

Galerie Marian Goodman, Paris

Marian Goodman Gallery, New York


Drift (film project with John Baldessari and Juliao Sarmento), Fundacao Centro

Cultural de Belem, Lisbon

Tamayo Museum, Mexico City

On a string, Mai 36 Galerie, Zurich


Primary Secondary Tertiary, Kunstverein Ruhr, Essen

Setting the Stage, Galleri Sussanne Ottesen, Copenhagen

Lawrence Weiner Artist Books, Galerie rose Marie, Malmö

Statements, L'Ancien College des Jesuites, Reims

La Destin la Destinee, Yvon Lambert Gallery, Paris

The Wrong Gallery, New York 


Notations, Until it is, Wexner Center for the Arts, Columbus

A Basic Assumption, The Birmingham Museum of Art, Birmingham, Alabama

Parfois L'Horizon C'est plus comme un verbe pas encore Comme un nom, Emmentrop & Transpalette, Bourges

Any given time, Stadt Stommelm Snynagoge, Stommeln

All this time on this Place, Regen Projects, Los Angeles

Galerie Roger Pailhas, Marseille

Just on time - Nur Einmal, Klosterfelde, Berlin

Until it is, Wexner Center fort the Arts

In one end and out the other , Gandy Gallery, Prag

Towards the end of the Beginning, Christina Guerra Contemporary Arts, Lisboa

Wave after Wave, Marian Goodman Gallery, New York

There are those things that move outside of motion, De Verbeelding, Zeewolde

Ignoti Nulla Cupido, Alfonso Artiaco, Naples


Lawrence Weiner, Brigitte March, Stuttgart

Per Se/Por Si Mismo, Palacio de Cristal y Biblioteca MNCARS, Museo Nacional Centro de Arte Reina Sofia, Madrid

A Basic Assumption, Birmingham Museum of Art, Alabama

For better or for Worse, Galerie Erna Hecey, Luxembourg

Wordscapes, Galeria andre Viana, Porto

Por Si Mismo, Palacio de Cristal, Madrid

For Any Given Time, Galleria Gianluca Collica, Catania


Bent and Broken Shafts of Light, Kunstmuseum Wolfsburg

Moved Pictures (film festival), Künstlerhaus, Vienna

Au Meme Moment/At The Same Time, Marian Goodman Gallery, Paris

Nach Alles/After All, Deutsche Guggenheim, Berlin / The Lobby Gallery, Deutsche Bank, New York 

Some Moved Pictures of Lawrence Weiner Selected by Barbara Clausen, Transmission

Gallery, Glasgow, Scotland / Henry Moore Foundation External Programmes at Dean Clough, Halifax, Nova Scotia

Time + Place, Inverleith House, The Royal Botanic Gardens, Edinburgh, Scotland


A Basic Assumption & Five Figures of Structure, Marian Goodman Gallery, New York

Project Gallery at CCA Kitakyushu, Kitakyushu

Projet Spécifique (with Anne Bregeaut), école Régionale des Beaux-Arts de Nantes (LA GALERIE), Nantes

Tatsächlich. Weserburg, Museum für Moderne Kunst, Bremen

Regen projects, Los Angeles

Under the sun, Buchmann Galerie, Berlin

Leslie Tonkonow Artworks + Projects, New York


Auf den Wind Geschrieben, Nuremberg Kunsthalle, Nürnberg

Dirty Eyes (performance with Ned Sublette), Kunsthalle Wien, Vienna

Films & Videos, Kunstbunker Forum für Zeitgenössische Kunst, Nürnberg

5 Elements 2 Times, Galerie Dr. Dorothea van der Koelen, Mainz


Towards Motion, Canary Wharf, London

Then Now & Then, LEO Castelli Gallery, New York


Second Floor Exhibition Space, Reykjavik

Some Things Brought to Hand: The Multiples of Lawrence Weiner (revision of 1995 Marian Goodman Gallery exhibition), Museum Boijmans Van Beuningen, Rotterdam, The Netherlands

Mathias Kampl and Andreas Binder, Projektraum Berlin

A Selection of Films and Videos of Lawrence Weiner, Nova Scotia College of Art and Design, Halifax, Nova Scotia

Here & Now & Now & Then &, Gallery 360, Tokyo

Die Kärntner Landesgalerie zeigt in der Kunsthalle Ritter, Kagenfurt


Some Things Brought to Hand: The Multiples of Lawrence Weiner, Marian Goodman Gallery, New York

Holstebro Kunstmuseum, Holstebro, Denmark

To Build A Square in the Rhineland, Museum Ludwig, Cologne

Between the Pyrenées & the Mediterranean Sea, Fundacio Pueblo Barcelona, Barcelona

In The Stream, Ivam Centre Julio Gonzales, Valencia

Kunstmuseum St. Gallen, St. Gallen

Learn to Read Art: Lawrence Weiner/The Books, The New York Public Library, New York

Kunsthof WBK, Zurich


Philadelphia Museum of Art, Philadelphia

Hotel De Ville, Cluny

Städtische Galerie Chemnitz, Chemnitz

The Films & Videos of Lawrence Weiner, Schule und Museum für Gestaltung, Zurich
Walker Art Center, Minneapolis

Kunsthalle Kiel, Kiel

Lost at Sea/Verloren auf See, Radio Düsseldorf, Düsseldorf


Le Nouveau Musée-Institut d'Art Contemporain, Villeurbanne, France

Marian Goodman Gallery, New York

The Vancouver Art Gallery Archive of Lawrence Weiner Posters (including the NSCAD Collection), Vancouver Art Gallery, Vancouver, British Columbia

Steel Pennies Don't Come From or Go to Heaven (a work for Dean Clough), The Henry Moore Studio, Halifax

Tic Tac Toe (presentation of publication), Via Tasso, Library, Rome

The Vancouver Art Gallery Archive of Lawrence Weiner Posters, 125 Jahre Hochschule für Angewandte Kunst in Wien, Vienna, Austria


Quelques choses..., CAPC Musée d'Art Contemporain de Bordeaux, Bordeaux, France 

San Francisco Museum of Modern Art, San Francisco, California

Le Channel, Scéne Nationale de Calais, Galerie de l?Ancienne Poste, Calais, France

Rites of Passage/Riten Des bergangs, Lenbachhaus/Kunstforum, Munich

& Onward &, Museum Boymans-van Beuningen, Rotterdam, The Netherlands

Lawrence Weiner-Films & Videos, Galérie Nationale du Jeu de Paume, Paris, France

Show & Tell & Then-The Films and Videos of Lawrence Weiner, Sous Sol, école

Superieure d'Art Visuel, Geneva, Switzerland 

Drawings, Art & Project/Van Krimpen, Rotterdam


Displacement, CAPC Musée d'Art Contemporain de Bourdeaux, Bordeaux, France

Displacement, Dia Center for the Arts, New York

Institute of Contemporary Arts, London, England 

Livres & Boeken, Palais des Beaux-Arts, Brussels, Belgium


Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Marian Goodman Gallery, New York

Joods Historisch Museum, Amsterdam, The Netherlands

Le Nouveau Musée-Institut d'Art Contemporain, Villeurbanne, France

Put into Another Light, Galerie Pietro Sparta, Chagny, France

Just About Enough/Just Over There, Air de Paris, Nice, France


Marian Goodman Gallery, New York

Portikus, Frankfurt am Main

Mortar Stone and Such, Galerie T.O.O., Vancouver, British Columbia

Posters Hanging in European Collections, Sous Sol, école Supérieure d'Art Visuel, Geneva, Switzerland 

Stones + Stones 2+2=4, L'école Regionale des Beaux-Arts de Dunkereque, Dunkereque, France


Stedelijk Museum, Amsterdam, The Netherlands

Galerie Mai 36, Lucerne, Switzerland

Krefelder Kunstmuseum, Museum Haus Esters, Krefeld

Le Magasin, Centre Nationale d'Art Contemporain de Grenoble, Grenoble, France


Le Magasin, Centre Nationale d'Art Contemporain de Grenoble, Grenoble, France

Exposorium Vrije Universiteit, Amsterdam, The Netherlands

Chicago Arts Club, Chicago The Funnel, Toronto, Ontario

Galerie Daniel Temlon, Paris


Marian Goodman Gallery, New York

Pier Art Centre, Stremness, Orkney, Scotland 

Art Gallery Theatrette, Art Gallery of New South Wales, Sydney, Australia

Leo Castelli Gallery, New York

Galerie Micheline Szwajcer Antwerp


Wallace Gallery, SUNY at Old Westbury, Old Westbury, New York / AIR Gallery, London, England / Orchard Gallery, Derry, Ireland

The Lawrence Weiner Poster Archive of The Nova Scotia College of Art and Design, Emile A. Le Coin du Miroir, Le Consortium, Dijon, France

The Artists View, A Project of City Thoughts, Amsterdam, The Netherlands

ARC/Musée d'Art Moderne de la Ville de Paris, Paris, France

Musée St. Pierre, Art Contemporain, Lyon, France

Musée Art Contemporain, Lyon, France


Ohio State University, Columbus, Ohio

Tangeman Fine Arts Gallery, University of Cincinnati, Cincinnati, Ohio 

Espace Lyonnaise d'Art Contemporain, Lyon, France

Vin Tijd Tot Tijd/From Time to Time, TTL, BRT, NOS Teletekst, Belgium 


Nordjyllands Kunst Museum, Aalborg, Denmark

Bleecker Street Cinema, New York

Kunsthalle Bern, Bern, Switzerland 

Nova Scotia Collage of Art and Design, Halifax, Nova Scotia


Gewad, Ghent, Belgium

The Film House, Den Haag/Kriterion Theater, Amsterdam, The Netherlands

Eurocinema, Eindhoven, The Netherlands


Kabinett für Aktuelle Kunst, Bremerhaven

P.S.1/Institute for Art and Urban Resources, Long Island City, New York 

The Gap, in cooperation with A Space, Toronto, Ontario There But For (film screening), The Mudd Club, New York

Art & Project Gallery (street installation), Amsterdam, The Netherlands

Piwna, Warsaw, Poland


Centre d'Art Contemporain, Geneva, Switzerland

Museum of Contemporary Art, Chicago, Illinois

Van Abbemuseum, Eindhoven, The Netherlands

"Altered to Suit" and "A Second Quarter" (film screening), Millennium, New York

"There But For", "Altered to Suit", "Done To" (film screening), Foundation for Art Resources and Encounter Cinema, Los Angeles, California


Van Abbemuseum, Eindhoven, The Netherlands

Nova Scotia College of Art & Design, Halifax, Nova Scotia

Lawrence Weiner/Video, Art & Project Gallery, Amsterdam, The Netherlands

"Altered to Suit" (film screening), The Mudd Club, New York / Van Abbemuseum, Eindhoven, The Netherlands


Renaissance Society, University of Chicago, Chicago

INK/Halle fur International Neue Kunst, Zurich, Switzerland

A Work of Lawrence Weiner Presented within the Context of a Book?," Kabinett für Aktuelle Kunst, Bremerhaven

A Second Quarter" (film screening), Museum Folkwant, Essen

Special One-Day Exhibition of Four Art Language Video Tapes, Gallery Theatrette, Art Gallery of New South Wales, Sydney, Australia


CEAC, Toronto, Ontario

Salle Simon L. Patio, Centre d'Art Contemporain, Geneva, Switzerland

Contemporary Art Society, Paddington Hall, Sydney, Australia 

Laguna Gloria Museum, Austin, Texas 

Anatol AV und Filmproduktion, Hamburg


Van Abbemuseum, Eindhoven, The Netherlands

Institute for Contemporary Art, London, England

P.S.1/Institute for Art and Urban Resources, Long Island City, New York 

Kunsthalle Basel, Basel, Switzerland 


Kabinett für Aktuelle Kunst, Bremerhaven


Gentofte Kommunes Kunstbibliotek, Hellerup, Denmark


Project Inc., Cambridge, Massachusetts

Städtisches Museum, Mönchengladbach

Modern Art Agency, Naples, Italy

Kabinett für Aktuelle Kunst, Bremerhaven


Westfalischer Kunstverein, Münster

California Institute of the Arts, Valencia, California

Anna Leonowens Gallery, Nova Scotia College of Art and Design, Halifax, Nova Scotia


Art & Project Gallery, Amsterdam, The Netherlands


Cratering piece, Mill Valley, California 



A.B.O. Theatron. Art or Life, Castello di Rivoli Museo d’Arte Contemporanea, Torino, Italy


Sidewalks, Fences and Walls: Robert Barry, Daniel Buren, Luis Camnitzer and Lawrence Weiner, Parra & Romero, Ibiza, Spain

Climate Care: Reimagining Shared Planetary Futures, MAK Museum, Vienna, Austria

Around the Day in 80 Worlds, CAPC: Musée d’art Contemporain de Bordeaux, France

Ellis Island, Belgium: Jewish Museum of Belgium, Brussels


A New Spirit in Booking, BOZAR, Brussels

Distance intime. Chefs-d'oeuvre de la collection Ishikawa, MO.CO. Hôtel des Collections, Montpellier, France


Soundlines of Contemporary Art, International Contemporary Art Exhibition: Armenia 2018, Yerevan

A New Spirit in Booking, Van Abbemuseum, Eindhoven, Netherlands

Drift. Crossed looks between design and contemporary art, Museo de Arte Contemporáneo Gas Natural Fenosa, A Coruña, Spain

The World on Paper, Palais Populaire, Berlin, Germany

Resistance, Centrale for Contemporary Art, Brussels, Belgium

Masterprints & Photography, Brigitte March International Contemporary, Stuttgart, Germany

Stardust, Anna Nova Gallery, St. Petersburg, Russia

Summer 2018 – 10 Year Anniversary, Kunsthal 44 Moen, Askeby, Denmark

Take Me (I'm yours), Villa Médicis, Académie de France à Rome, Italy

GELD - WAHN - SINN, Reinbeckhallen, Berlin

Die 90er Jahre, Museum Startgalerie Artothek, Vienna, Austria

The Pull of a Well Placed Comma, Museu de Arte Contemporânea de Elvas, Portugal

Spin: Turning Records into Art, Kentucky

Museum of Art and Craft, Louisville

Kedem-Kodem-Kadima, The Center for Contemporary Art, Tel Aviv, Israel


The Noise of Time, Dvir Gallery, Tel Aviv, Israel

Lisson Presents…,” Lisson Gallery, London

Artist’s Books, Hamburger Kunsthalle, Hamburger, Germany

Kunst ins Leben! Der Sammler Wolfgang Hahn und die 60er Jahre , Museum Moderner Kunst Stiftung Ludwig (MUMOK), Vienna

Take Me (I'm Yours), National Museum of Decorative Arts, Buenos Aires; traveled to: Pirelli Hangar Bicocca, Milan

thisConnection, Shanghai Urban Space Art Season 2017 (SUSAS2017), Shanghai

Field Guide, Inaugural Exhibition, Remai Modern, Saskatoon, Canada

Everything At Once, Lisson Gallery, London

In Relation To A Spectator, Studio For Propositional Cinema, Kestner Gesellschaft, Hannover, Germany

Schreibtischuhr, Galerie Meyer Kainer, Vienna

50 Years of Konrad Fischer Galerie, Konrad Fischer Galerie, Düsseldorf

Time as Landscape: Inquiries in Art and Sciences, The George D. & Harriet W. Cornell Fine Arts Museum, Rollins College, Winter Park, Florida, US

Time Extended /1964-1978. Part II, Herbert Foundation, Ghent, Belgium

Text Me: How We Live in Language, Museum of Design Atlanta, Georgia, US

Von Da An (From Then On): Spaces, Works, Visualizations From The Anti-Museum 1967–1978. Museum Abteiberg & the old Städtisches Museum, Mönchengladbach, Germany

2017 Summer Group Show, Mixografia, Los Angeles, CA

True Faith, Manchester Art Gallery, Manchester, UK

Hanne Darboven. Correspondences, Hamburger Bahnhof - Museum für Gegenwart, Berlin

Reconstitution, LAXART, Los Angeles, CA


Wolke und Kristall - Die Sammlung Dorothee und Konrad Fischer, Kunstsammlung Nordrhein-Westfalen, Düsseldorf

WITH A TOUCH OF PINK - WITH A BIT OF VIOLET - WITH A HINT OF GREEN - Dorothee Fischer in memoriam, Konrad Fischer Galerie, Düsseldorf

Das Loch, Künstlerhaus Bremen 


Summer Group Exhibition, Marian Goodman Gallery, New York

As Long As It Lasts, Witte de With Center for Contemporary Art, Rotterdam

Selections from The Kramarsky Collection, David Zwirner, New York

America is Hard to See, Whitney Museum of American Art, New York

I Remember The Armenian Genocide, Galerie Sobering, Paris

tutttovero – La nostra città la nostra arte Torino 2015, Castello di Rivoli Museo d’Arte Contemporanea/GAM/Fondazione Sandretto Re Rebaudengo/Fondazione Merz, Torino

Imaginary Audience Scale & Suck -A sceptical approach to exhibition making, Artspace, Auckland

We’ve Got Mail II, Mostyn, Wales

Five Issues of Studio International, Raven Row, London

Art Eco Deel II: Architectuur Cultuurcentrum Strombeek Grimbergen, Strombeek

do it (adelaide), Samstag Museum, Adelaide

The future = Beurssc50uwburg, Beursschouwburg vzw, Brussels

more Konzeption Conception now, Museum Morsboich, Leverkusen

Too early, Too late: Middle East and Modernity, Pinoteca Nazionale di Bologna

Per Kirkeby, Lawrence Weiner, Galleri Susanne Ottesen, Copenhagen

A Man Walks Into a Bar… Jokes & Postcards, me Collectors Room, Berlin


Intenzione manifesto. Il disegno in tutte le sue lingue e forme Castello di Rivoli, Turin

Propganda für die Wirklichkeit, Museum Morsbroich, Leverkusen

The Light of Day - Magma Works, Safn Berlin


Analog, Blain/Southern, Berlin

Language Games, Centro de Artes Visuales Helga de Alvear, Caceres

First Avenue: One Way Street, Museu Serralves, Porto, Portugal

Things from Before Beside, Things from After Around, Things of the Moment, Parra & Romero, Ibiza


Si j'avais un marteau, Musée des Beaux-Arts de Nantes, France

Ends of the Earth, Land Art bis 1974, Haus der Kunst, Munich

Ecstatic Alphabets / Heaps of languages, Museum of modern Art, New York

Art = text = Art: Works by contemporary Artists from the Collection of Sally and Wynn Kramarsky, Jane Voorhees Zimmerli Art Museum, New York

Something Turned into a Thing, Magasin 3 Stockholm Konsthall, Stockholm

Fremde Überall / Foreigners Everywhere, Zeigenössiosche Kunst aus der Pomeranz Collection, Jüdisches Museum, Wien

Beyond Corrupted eye - Akumulatory 2 Gallery, 1972- 1990, Zacheta, National Gallery of Art, Warsaw

Documenta (13), Kassel

Hypothese zur Entstehung, Beck & Eggeling International Fine Art, Düsseldorf

Refocus: Art of the 1970s. Museum of Contemproary Art Jacksonville

Through the Looking Glass, Collectors Room Berlin

Editions! Grieder Contemporary, Zürich

The Poster Show Show, Galerie Carlier/Gebauer, Berlin

A House of Leaves. First Movement, The David Roberts Art Foundation, London

Les chefs-doeuvre de la donation Yvon Lambert, Collection Lambert, Avignon

These socks are not white, Stedelijk Van Abbemuseum, Eindhoven

How to make - Ideen, Notationen, Materialisierungen, Kunsthaus Dresden

The poster show, Galerie Carlier, Berlin

Grid, Leo Catelli Gallery, New York

Affordable Bananas or Whatever II, Jürgen Becker Galerie, Hamburg

A Field Guide to Plane Text, Art Basel Miami Beach


Homage to Bas Jan Ader, Dvir Gallery, Tel Aviv

Von Carl Andre bis Gregor Schneider. Dorothee und Konrad Fischer: Archiv einer Haltung, Museum Kurhaus Kleve

A syntax of dependency, Museum van Hedendaagse Kunst Antwerpen, Antwep

Made in Italy, Gagosian Gallery, Rome

Clap. Hessel Museum of Art, CCS Bard College, Annadale-on-Hudson (NY)

La chateau, CAPC Musée d'Art Contemporain de Bordeaux

Matergraphik des 20. Jh, Brigitte March Stuttgart

Let's party for a piece of Art, Pinakothek des Moderne, München

Text, Kuckei + Kuckei, Berlin

Arte Povera International, Castello di Rivoli museo d?Arte contemporanea, Turin

I hate Paul Klee (Papierarbeiten und Künstlerbücher aus der Sammlung Speck), Leopold Hoesch Museum, Düren

An Autography of Our Collection, Vancouver Art Collection

#40 Ideal Home, Chelsea Space, Chelsea College of Art and Design, London

Farbe im Fluss, Weserburg, Museum für Moderne Kunst, Bremen

Melanchotopia, Witte de With Center for Contemporary Art, Rotterdam

Distant Star, Regen Projects, Los Angeles

Plot: Plan: process, Leslie Tonkonow Artworks + Projects, New York

Vold If removed, Cocrete Erudition 4, FRAC, Ille de France Le Plateau, Paris

Érudition concrète 4, FRAC, Ile de France Le Plateau, Paris

Jeff Wall - The Crooked Path, BOZAR, Palais de Beaux Arts, Paleis voor Sschone Kunsten, Brussels

Made in Italy, Gagosian Gallery, Rome

The End of Money, Witte de With Center for Contemporary Art, Rotterdam

As Long as it lasts, Arratia, Beer, Berlin

A painting show, Autocenter, Berlin

Historias de la Vida Material / Stories of Material Life, Centro de Artes Visuales Helga de Alvear, Cacares

Poisson d'avril, Vous Etes Ici, Amsterdam

Compass, Drawings from the Museum of Modern Art, Martin Groupis Bau, Berlin

After Hours, Murals on the Bowery, New Museum of Contemporary Art, New York

Sculpture in so many words, Text Pieces 1960 ? 75, ZieherSmith, New York City


Die Natur der Kunst, Kunstmuseum Winterthur


curated by_vienna 2010: Albert Oehlen, Galerie Mezzanin, Wien

Weniger ist mehr - Sammlung Herman und Nicole Daled, Haus der Kunst, München

Forms of Contingency: New York and Turin, 1960s-1970s, Philadelphia Museum of Art

Funktionen der Zeichnung, MMK Frankfurt

Gipfeltreffen der Moderne - Das Kunstmuseum Winterthur, Museum der Moderne Salzburg

Radical Conceptual, MMK Frankfurt

Contemplating the Void - Interventions, Guggenheim Museum, New York

Compilation, Galerie Bernhard Knaus, Frankfurt

What happens next is a secret, Irish Museum of Modern Art, Dublin

Personal Structures TIME SPACE EXISTENCE, Künstlerhaus Palais Thurn & Taxis, Bregenz

FEEDBACKSTAGE, Galerie Thomas Schulte, Berlin

Lawrence Weiner // Carey Young, The Power Plant, Toronto

Spring Exhibitions, Series 1, CCS Bard Hessel Museum, Annandale-on-Hudson

The First Stop on the Super Highway, Nam June Paik Art Center, Yongin-Si

Collected Visions, Bronx Museum of the Arts, New York

The Porn Identity, Kunsthalle Wien?desire acquire, Galerie Bob van Orsouw, Zürich

THE WINTER SHOW, i8 Gallery, Reykjavik

Rencontres Internationales Paris/Berlin/Madrid in Paris, roARaTorio Paris

Made in Munich, Haus der Kunst, München

Love, Love, Love, MARTOS GALLERY New York

Kult des Künstlers: Ich kann mir nicht jeden Tag ein Ohr abschneiden, Hamburger Bahnhof, Berlin

Mischa Kuball und Lawrence Weiner, Lichtinstallation der Klärbecken & Catch as catch can, Emscher Kunst 2010


Perhaps the heart - Francis Alys, Juliao Saramento, Lawrence Weiner, Dvir Galler, Tel Aviv

LEARN TO READ ART: A History of Printed Matter (1976-2009), Badischer Kunstverein, Karlsruhe

Sol LeWitt, Keith Sonnier, Lawrence Weiner, Leo Castelly Gallery, New York

1969: MOMA PS1, New York

Fri Porto, Den Frie Centre of Contemporary Art, Copenhagen

time, Konrad Fischer Galerie, Düsseldorf

Tate St Ives, Summer Season 2009, Tate St Ives

Time as Matter. MACBA Collection. New Acquisitions, MACBA Barcelona


Take the Money and Run, De Appel, Amsterdam

Discover US!, UFERHALLEN, Berlin

Espèces d'Espaces, Yvon Lambert, New York

International Collection of Contemporary Art. 5th Edition, Centre for Contemporary Art, Warschau

1968. Die Grosse Unschuld, Kunsthalle Bielefeld

The End - The Andy Warhol Museum, Pittsburgh


Text/Messages: Books by Artists, Walker Art Center, Minneapolis

The Panza Collection and ways of Seeing: Giuseppe and Giovanna Panya, Hirshorn

Museum and Sculpture Garden, Washington

Wall Rockets: Contemporary Artists and Ed Ruscha, Flag Art Foundation, New York

German Angst, Neuer Berlin Kunstverein

7th Shanghai Biennale

Text. Drawings, Leo Castelli Gallery

NOLEFTOVERS, Kunsthalle Bern

That was then, This is now, Moma Ps1, New York

16th Biennale of Sydney

once upon a time, Yvon Lambert, Paris

A Room of One's Own, Castello di Rivoli, Museo D'arte contemporanea, Turin

Book/Shelf, Museum of Modern Art, New York

25 Jahre Galerie Crone, Berlin

2007-27 Bienal de Sao Paulo, Fundacio Bienal de Sao Paulo, Sao Paulo, Brazil

Group Show, Meyer Riegger Galerie, Karlsruhe

busy going crazy, La Maison Rouge, Paris, France

Swing Space: Wallworks, Art Gallery of Ontario, Toronto, Ontario, Canada

Good Riddance, MOT, London, UK

The Fit, Nans, Düsseldorf

Not For Sale, MoMA, New York, USA

Modelle für Morgen: Köln, European Kunsthalle, Köln

Il faut rendre - Cézanne / Return to Cézanne, Collection Lambert, Avignon, France

e-flux VIDEO RENTAL, Centre culturel suisse de Paris, Paris, France

INTO ME / OUT OF ME, P.S.1 Moma, Long Island, USA / KW Berlin, Germany / MACRO Rome, Italy

Romantischer Konzeptionalismus, Kunsthalle Nürnberg, Nürnberg

MARTa schweigt, Marta Herford Museum für zeitgenössische Kunst, Herford

52. Biennale Venedig 2007, Venedig, Italy

Andreas Stalzer - 20 Jahre Werkstatt für Kunstsiebdruck, N DOK für zeitgenössische Kunst, St. Pölten

Im Fluss, Neues Museum Weserburg, Bremen

Lange nicht gesehen, MUSA, Wien

Lonnie van Brummelen & Siebren de Haan, argos, Brüssel, Belgium

On fait le mur..., Espace de l'Art Concret, Mouans-Sartoux, France

Grey Water, Institute of Modern Art, Brisbane, Australia

BODYPOLITICX, Witte de With, Rotterdam, NL

Romantischer Konzeptionalismus, Bawag Foundation, Wien

25 Jahre GALERIE CRONE - Jubiläumsausstellung, Galerie Crone, Berlin

PERFORMA New York, biennial of new visual art performance, New York

J'EMBRASSE PAS, Collection Lambert, Avignon, France


In the Stream of Life, Betonsalon Paris, Paris, France

OUT OF TIME, Neues Museum Weserburg, Bremen

Im Wort, Kunsthalle Göppingen, Göppingen


ONESTAR STOP, Galerie Erna Hecey, Brussels, Belgium

Espai Public / Dues Audiéncies. Obres i documents de la Col.lecció  Herbert, Museu d'Art Contemporani de Barcelona, Barcelona, Spain

Collection 2000+23, Moderna Galerija - Ljubljana, Ljubljana, Slovenia

Printemps de Septembre, Toulouse Ideal City - Invisible Cities - Brandenburgischer Kunstverein Potsdam, Potsdam

Les Fils de Marcel, CRAC - Centre Régional d'Art Contemporain de Séte, Séte

Moving on - Motion, Galerie Thomas Schulte, Berlin

The Known and the Unknown, Galleri Nicolai Wallner, Kopenhagen, Danmark

Monuments with a horizon line, Buchmann Galerie, Berlin

Into me / Out of me, P.S.1 Contemporary Art Center, New York

Group Show, Galerie Mezzanin, Wien - ANDREAS STALZER - 20 Jahre Werkstatt und Edition, Galerie Wolfgang Exner, Wien

I, an exhibition in three acts, Futura, Prague - Access for All, Museum Jan Cunen, Oss

Camere / Chambers, Sound art museum, Rom, Italy - Thank You For The Music (London Beat), Sprüth Magers Lee, London

Daniel Buren - Laurence Weiner, Musée de Sérignan, Sérignan, France


Künstlerische Konzepte als Drucksache Katalog Künstlerbuch Objektbuch Postkarte Plakat, Galerie M + R Fricke, Berlin

Looking at words, Andrea Rosen Gallery, New York

Des deux cotes du rhin - movement, Museum Ludwig, Köln

Dall'occhio elettronico, Castello di Rivoli, Museo d'arte contemporanea, Turin


Infinite Possibilities, Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts

Intra-Muros, Musee d'Art Moderne et D'Art Contemporain, Nice, France

Richter, Weiner, Whiteread, Guggenheim Bilbao, Bilboa, Spain

Reflecting the Mirror, Marian Goodman Gallery, New York

The Snow Show, Finland

Behind the Facts (Interfunktionen 1968-75), Fundacio Joan Miro, Barcelona, Spain

A Minimal Future: Art as Object 1958-1968, The Museum of Contemporary Art, Los Angeles


De Verbeelding, Zeewolde, the Netherlands

100 Artists See God, sponsored by Independent Curators International, traveling to Naples Museum of Art, Naples Florida / The Jewish Museum, San Francisco, California / Memorial Art Gallery, University of Rochester, Rochester, New York

Utopia Station Poster Project, Haus der Kunst, Munich

Family Likenesses, Institute of Visual Culture, Cambridge, England

Incommunicado, Sainsbury Centre for Visual Arts, Norwich, England / City Art Centre, Edinburgh, Scotland

Partners, Haus der Kunst, Munich

A Sculpture Show, Marian Goodman Gallery, New York

2nd Biennale d'Art Contemporain de Lyon: Et tous ils changent le monde, Lyon, France


Lmits de La Percepci, Fundacio Joan Miro, Barcelona, Spain

Taipiei Biennal

Stars and brights, Brigitte March, Stuttgart

Building structures, Moma PS1

Les Enfants du Paradis, Yvon Lambert

From the Observatory, Paula Cooper Gallery, New York


A Minimal Future - Art as Object 1958-, Museum of Contemporary Art, Los Angeles, California

Rolling Stones Adored with Starlight, Wien, Austria

Rendez-vous # 3, Collection Lambert, Avignon

Minimal Maximal, National Museum of Modern Art, Kyoto

Recent Works on Paper, Leo Castelli Gallery, New York

Drawings, Regen Projects, Los Angeles


Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Works from the Collection of Annick and Anton Herbert, Casino Luxembourg-Forum d'art contemporain, Luxembourg

Cildo Miereles (The Southern Cross) and Lawrence Weiner (As Far as the Eye Can See), Kölnischer Kunstverein, Cologne

Get Together-Kunst als Teamwork, Kunsthalle Wien, Vienna, Austria

Teatro Botanico, Museo Civico di Catania, Catania, Italy

The Work Shown in this Space is a Response to the Existing Conditions and/or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin

La Frontiére, Recit d'Exériences (one of several exhibitions collectively entitled "Ruseau Galleries/ Multilangages de l'Art"), Institut d'Art Contemporain-Fonds Régional d'Art Contemporain Rhone-Alps, Villeurbanne, France / Collège de Prévessin-Mo?ns (Ain), Academie de Lyon, France

TransAct - Platform for Transitional Activities in the Cultural Field (A cycle of artworks, performances and published public announcements protesting political events in Austria. Lawrence Weiner's contribution: advertisement in Der Standard's Kultur section, February 19), Museum in Progress in cooperation with Art Pool, Vienna, Austria

Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, Sweden / Living Art Museum (as part of "Kyikar Myndir" show), Reykjavik, Iceland

Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York

Copyright/Copywrong, École Régionale des Beaux-Arts de Nantes, France

Two by Two for Aids and Art (benefit auction for Dallas Museum of Art/American Foundation for AIDS Research), Dallas Museum of Art, Dallas, Texas

Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, Belgium

Die Natur der Dinge, NRW-Forum Kultur und Wirtschaft, Düsseldorf

Pure (one of several simultaneous exhibitions around U.K., collectively entitled "On the Frac Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC) Nord-Pas de Calais"), Maidstone Library Gallery, Maidstone, England

Under the Apple Tree, Galleria Massimo de Carlo, Milan, Italy A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, England From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart

Multiple Configurations: Displaying the Contemporary Portfolio, Busch-Reisinger Museum, Harvard University, Cambridge, Massachusetts, In the Mirror of Space and Time, Listasafns AS, Reykjavik, Iceland

?r?tta, Listasafn K?pavogur, Reykjavik, Iceland

Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain de Bordeaux, Bordeaux, France

l'Oeuvre Collective, les Abattoirs, Toulouse, France

Arteast 2000+ The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, Slovenia

E Cosí Via)(And So On): 99 Artisti Della Collezione Marzona," Galleria Comunale d'Arte Moderna e Contemporanea, Rome, Italy

Collection Lambert en Avignon: Rendez-vous #1," Hotel de Caumont, Avignon, France

Wallpapers" (NSCAD benefit), Art Gallery of Nova Scotia and Nova Scotia College of Art and Design, Halifax, Nova Scotia

Orbis Terrarum: Ways of Worldmaking, Museum Plantin-Moretus, Antwerp, Belgium

Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters,

Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced from 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD)," Library and Archives, National Gallery of Canada, Ottawa, Ontario

Stanze, Museo d'Arte Moderna, Bolzano, Italy

Tempus Fugit, Nelson-Atkins Museum of Art, Kansas City, Missouri

L'exotisme sans partage, Musee d'Art Contemporain, Lyon, France


Global Conceptualism: Point of Origin 1950?s-1980?s, Queens Museum, Queens, New York / Walker Art Center, Minneapolis, Minnesota / Miami Art Center, Miami, Florida / List Visual Art Center, Massachusetts Institute of Technology, Cambridge,

Massachusetts / Vancouver Art Gallery, Vancouver, British Columbia

Barry Leva, Kirsten Ortwed and Lawrence Weiner, Malmö Kunsthall, Malmö, Sweden

Chronos & Kairos, Museum Fridericianum, Kassel

The American Century: Art and Culture (1950-2000), Whitney Museum of American Art, New York

Tatsächlich, Neues Museum Weserburg, Bremen

Tel Aviv Museum of Art (installation for inauguration of new wing), Tel Aviv, Israel

Unconvention, Centre for Visual Arts, Cardiff, Wales

Millennium Messages, Heckscher Museum of Art, Long Island, New York

Minimal-Maximal, Santiago de Compostela, Spain

Circa 1968, The Serralves Museum of Contemporary Art, Oporto, Portugal


Breaking Ground, Marian Goodman Gallery, New York

Dessins lécole, École Nationale des Beaux-Arts, Dijon, France

P.S.1/Institute for Art and Urban Resources, Long Island City, New York

Rendez-vous: Masterpieces from the Centre Georges Pompidou and the Guggenheim Museum, Solomon R. Guggenheim Museum, New York

Wat Van Waarde Is, The Loevestein Castle and the Gorcums Museum, Gorinchem, The Netherlands

MINIMAL-MAXIMAL, Kunsthalle Baden-Baden, Baden-Baden

Jardin d'artiste: de mémoire d'arbre, Musée Zadkine, Paris, France, Le cercle, le ring, Maison Levanneur, Chatou, France

Poemes a petite vitesse, Musee d'Art Contemporain, Lyon, France


Skulptur Projekte Münster, Westfälisches Landesmuseum, Münster

Der Rode Loper/The Red Carpet (with Matt Mullican), Van Abbemuseum, Eindhoven, The Netherlands

Kunst in Kontorhaus Mitte, Kontorhaus Mitte, Berlin


Biennial 4, Istanbul Foundation for Culture and Arts, Istanbul, Turkey

Sniper's Nest: Art that has lived with Lucy Lippard, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York

Vancouver 1965-75: Context and Influences, Vancouver Art Gallery and Anna Leonowens Gallery, Halifax, Nova Scotia

Art Metropole, Toronto, Ontario

Revolution in Contemporary Art, The Art of the Sixties, Museum of Contemporary Art, Tokyo, Japan

CAPC/Musée d'Art Contemporain de Bordeaux, Bordeaux, France

Trust, Tramway, Glasgow, Scotland

Degrees of Abstraction: From Morris Louis to Robert Mapplethorpe, Museum of Fine Arts, Boston, Massachusettes

Duck Not On A Pond, Rochdale Canal, Manchester, England

Whitney Biennial, Whitney Museum of American Art, New York

Kopfbahnhof/Terminal, Deutsche Bundesbahn, Hauptbahnhof, Leipzig

ARS 95 Helsinki, Museum of Contemporary Art/Finnish National Gallery, Helsinki, Finland

Emblem Exhibition, Yale University, New Haven, Connecticut

Museum Boymans van Beuningen, Rotterdam, The Netherlands

Museum of Modern Art, Melbourne, Australia

The 30th Anniversary of the Israel Museum, Marian Goodman Gallery, New York


Marian Goodman Gallery, New York

Rosebud, Städtische Galerie im Lenbachhaus, Munich

Dialogues, Museum of Hasselt, Hasselt, Belgium

The NSCAD Connection 1967-73, Anna Leonowens Gallery, Halifax, Nova Scotia

Wide White Space, Palais des Beaux-Arts, Antwerp/Brussels, Belgium

Installations: Selections from the Permanent Collection, Museum of Contemporary Art, Los Angeles, California

International Print Society, Krakow, Poland


As Long as It Lasts, Witte de With, Rotterdam, The Netherlands

New Works on Paper, Anthony d'Offay Gallery, London, England


Platzverführung-klassische Beispiele, Kulture-Region Stuttgart, Ditzingen


Wanderlieder, Stedelijk Museum, Amsterdam, The Netherlands

Stuart Regen Gallery, Los Angeles, California

This Land..., Marian Goodman Gallery, New York

Art Conceptuel des Annes 70 a Aujourd d'hui, Galerie Rüdiger Schöttle, Paris, France


Marian Goodman Gallery, New York

Histoires de Sculpture, Espace Lyonnais d'Art Contemporain


Marian Goodman Gallery, New York

Art Metropole, Toronto, Ontario

CAPC/Musée d'Art Contemporain de Bordeaux, Bordeaux, France


Marian Goodman Gallery, New York

Museo d'Arte Contemporanea, Turin, Italy

Grand Palais, Paris, France

Robert Barry, Lawrence Weiner, Christian Stein Gallery, Turin, Italy

Dialog: Parables & Paradigms, Nordjyllands Kunstmuseum, Aalborg, Denmark


P.S.1/Institute for Art and Urban Resources, Long Island City, New York

Van Abbemuseum, Eindhoven, The Netherlands

Spectrum, Corcoran Museum, Washington, D.C.


National Library, Musée Nationale d'Art Moderne, Centre Georges Pompidou, Paris, France 

Stedelijk Museum, Amsterdam, The Netherlands


Van Abbemuseum/Stadschouwburg, Eindhoven, The Netherlands

Kunstverein Hamburg, Hamburg

Marian Goodman Gallery, New York

Venice Biennial, Venice, Italy

Hirshhorn Museum and Sculpture Garden, Washington, D.C.


Museum of Contemporary Art, Los Angeles, California

Arts Council of Great Britain, London, England


Dokumenta 7, Kassel

Stedelijk Museum, Amsterdam, The Netherlands

Tate Gallery, London, England

Palais des Beaux-Arts, Brussels, Belgium

ARC/Musée d'Art Moderne de la Ville de Paris, Paris, France

The New Museum, New York, New York


Stedelijk Museum, Amsterdam, The Netherlands


Museum of Contemporary Art, Chicago, Illinois

The Museum of Modern Art, New York, New York

Van Abbemuseum, Eindhoven, The Netherlands

Whitney Museum of American Art, New York, New York

Musée Nationale d'Art Moderne, Centre Georges Pompidou, Paris, France

Stedelijk Museum, Amsterdam, The Netherlands


Museum of Modern Art, New York, New York

Art Institute of Chicago, Chicago, Illinois

National Gallery, Berlin


The Museum of Contemporary Art, Chicago, Illinois

The Museum of Modern Art, New York

Los Angeles County Museum, Los Angeles, California

Whitney Museum of American Art, New York

Documenta 6, Kassel


Van Abbemuseum, Eindhoven, The Netherlands

The Museum of Modern Art, New York


Art Institute of Chicago, Chicago

Projekt 74, Cologne


Goup Film Exihibition, Leo Castelli Gallery, New York

Lenbachhaus, Munich

Prospect 74, Kunsthalle Düsseldorf


Venice Biennial, Venice, Italy

Dokumenta 5, Kassel

Louisiana Museum, Humlebaek, Denmark

Stedelijk Museum, Amsterdam, The Netherlands


Solomon R. Guggenheim Museum, New York

The Museum of Modern Art, New York

Sonsbeek 71. International Sculpture Exhibition, Arnhem, The Netherlands

Prospect 71, Kunsthalle Düsseldorf

Experimenta 4, Frankfurt Art Union, Frakfurt


Jewish Museum, New York

The Museum of Modern Art, New York


Stedelijk Museum, Amsterdam, The Netherlands

Folkwang Museum, Essen 



Baker, George, Ann Goldstein, Michael Maltzan, and Shaun Caley Regen, Regen Projects 25, published by Prestel, New York, NY, 2015

Moure, Gloria, ed., On The Road, published by Xunta de Galicia, Santiago de Compostela, Spain, 2014
Hyde, James, Steven Henry Madoff, Kim Rosenfeld, Barry Schwabsky, and Jessica Stockholder, The Jewel Thief, published by The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY, 2014

Holton, Johan and Friedrich Meschede. Auf Zeit. Was hinter dem Putz steckt, published by Verlag Der Buchhandlung Walther Konig, Cologne, Germany, 2013 [ill.]
Guiot, Nathalie, Artists and Collectors, published by blackjack éditions, France, 2013, pp. 107 – 127 [ill.]
Alice Zimmerman, ed., Lawrence Weiner: Written on the Wind, published by Verlag der Buchhandlung Walther König, Cologne, Germany, 2013

Catalogue, Only Parts of Us Will Ever Touch Parts of Others, edited by Timothée Chaillou, published by Galerie Thaddaeus Ropac, Paris/Salzburg, 2012
Lawrence Weiner: Nach Bildende Kunst / After Fine Art, Works in the German-Speaking World, text by Gabriele Wix, published by Hatje Cantz, Stuttgart, 2012

Catalogue, Target Practice: Painting Under Attack 1949 – 78, published by The Seattle Art Museum, Seattle, Wahington, 2009, pp. 78-79, ills

Catalogue, "AS FAR AS THE EYE CAN SEE 1960-2007," published by Whitney Museum of American Art, New York, NY, The Museum of Contemporary Art, Los Angeles, CA
Heiser, Jörg, All of a Sudden: Things that Matter in Contemporary Art, published by Sternberg Press, Berlin, Germany, 2008, pp. 45, 238, 239

Gielen, Denis, "Atlas of Contemporary Art for Use by Everyone," published by Musée des Arts Contemporains au Grand-Hornu, Tournai, Belgium, August 2007, pp. 201, 218, 219, 299, 385
Catalogue, "Collection Art Contemporain," published by Centre Pompidou, Paris, France, 2007, p. 487, ill.
Catalogue, "Fast Forward: Contemporary Collections for the Dallas Museum of Art," published by the Dallas Museum of Art, Dallas, Texas, 2007, p. 50, ill.

Catalogue, Maigritte and Contemporary Art: the Treachery of Images, edited by Stephanie Barron and Michel Draguet, published by Los Angeles County Museum of Art, Los Angeles, California, 2006, p. 229, ill.
"No. 1: First Works by 362 Artists," edited by Grancesca Richer and Matthew Rosenzweig, published by D.A.P., 2006, p. 399, ill.
Ellipse Foundation: Contemporary Art Collection, published by Ellipse Foundation Contemporary Art Collection, Cascais, Portugal, Oct 2006, ill.
Fast nichts: Minimalistiche Werke aus der Friedrich Christian Flick Collection im Hamburger Bahnhof, published by SM and B DuMont, Berlin, Germany, pp. 250-3, ills.
"material time work time life time," co-published by Eidar Art Centre and Revolver, 2006, pp.
186-191, ills.
'"X Y & Z," published by Bawag Foundation, Vienna, Austria, 2006
Catalogue, Esquiador en el fondo de un pozo, published by La Colección Jumex, Hong Kong, 2006, pp. 38-40 (ill)

pressPLAY: contemporary artists in conversation, published by Phaidon Press, New York, 2005, pp. 658-75, ill.
Screenplay & Movie, published by Regen Projects, Los Angeles, CA, 2005

New Modern for a New Millennium: Abstraction and Surrealism are Reinvented in the Internet Age, published by The Logan Collection Vail, 2004, p. 67, ills.
Covered By Clouds-Cubierto Por Nubes, Text by Lynne Cooke, published by Olga y Rufino Tamayo, Museo / Tamayo Arte Contemporaneo, June 17 – August 15, 2004, Mexico
Joyce in Art, Lilliput Press: Dublin, pp. 150, 168 – 169, 202 – 203, 261, 299 – 301, 330, 381, ills.
Language in Art, published by Lindinger + Schmid Press, 2004, pp. 30 – 45, ills.
100 Artists See God, curated by John Baldessari and Meg Cranston, published by Independent Curators International, New York, NY, p. 128, ill.
A Minimal Future? Art As Object 1958 – 1968, published by the Museum of Contemporary Art, Los Angeles, 2004, pp. 362-367, ills.
Fietzek, Gerti, and Gregor Stemmrich, eds., Having Been Said: Writings and Interviews of Lawrence Weiner 1968-2003, published by Hatje Cantz Verlag, Ostfildern-Ruit, Germany, October 2004
Singular Forms (Sometimes Repeated): Art from 1951 to the Present, Published by Solomon R. Guggenheim Museum, 2004, pp. 134-135, ills.

Lawrence Weiner/Frank Perrin, artist book, published by Almine Rech Editions and Editions Images Modernes, 2002

Lawrence Weiner: Blue Moon Over, artist comic book, published by Moved Pictures, 2001

Lawrence Weiner: NACH ALLES/AFTER ALL, artist book, published by The Solomon R.
Guggenheim Foundation, in conjunction with an exhibition at the Deutsched Guggenheim Berlin, 2000

Lawrence Weiner: Apples & Eggs/ Salt & Pepper. CCA Kitakyushu. 1999
Tatsachlich. NeusMuseum Weserburg. 1999
Close-Ups: Contemeporary Art and Carl Th. Dreyer. Copenhagen Contemporary Art Center. 1999
The Metaphor Problem Again. Ink Tree Kusnacht. 1999. Lawrence Weiner with John Baldessari
The American Art Book. Phaidon Press 1999. Edited by Jay Tobler.

Lawrence Weiner. Phaidon Press 1998. Texts by Alexander Alberro and Alice Zimmerman, David Batchelor, and interview with Benjamin H.D. Buchloh.

Lawrence Weiner. In the Stream. Valencia: IVAM Center Julio Gonzales, 1995. Texts by Bartemou
Mari, A. Zimmerman, L. Weiner. In Spanish and English.

Specific & General Works. Lawrence Weiner. Villeurbanne: Le Nouveau Musée, Institut d'Art Contemporain, 1993.

Offentlich/Public Freehold. Documentation and exchanges regarding the installation of public sculpture of Ulrich Ruckreim and Lawrence Weiner at Singlefingen, Germany. Edited by Ingrid Burgbacher Krupka. In German. Stuttgart: Edition Cantz, 1992.
Show (&) Tell. The Films and Videos of Lawrence Weiner. A Catalogue Raisonné. Preface by R.H.
Fuchs. Essays by Dieter Schwarz, Lawrence Weiner. Postface and interview by Bartomeu Mari. Film and video synopses by Alice Weiner. Reproductions of articles, reviews, film and video stills. In English, French, German. Gent: Imshcoot/Uitgevers, 1992.
Chains Wrapped Around One Thing & Another Broken One by One with the Passage of Time.
Essay by John Caldwell. New Work: San Francisco Museum of Modern Art, 20 February - 19 April 1992.

In the Still of the Night. Im Frieden der Nacht. Weiner Festwochen, 26 September-11 November 1991. Essays by Anne Rorimer, Ferdinand Schmatz, Dieter Schwarz, Dr. Ursula Pasterk. In English, German. Wien: Wiener Festwochen, 1991.
You Can Tell a Book by Its Cover. In conjunction with the exhibition LIVRES & BOEKEN, Palais des Beaux-Arts, Bruxelles, 1 June-20 July 1991. Supplement to the Catalogue Raisonné‚ of Books. Uitgever: De Vereniging voor Tentoonstellingen van het Paleis voor Schone Kunsten, Brussels, 1991.
Displacement. Chronicle of the work and installation from its inception with essays, drawings, and installation photos. Essay by Gary Garrels. New York: Dia Center for the Arts, 1991.
Lawrence Weiner: Spheres of Influence. Institute of Contemporary Art, London, 25 January-3 March 1991. Essay by Emma Dexter. London: Institute of Contemporary Art, 1991.
Flags Folded Out of Sight of the Barricade. 1779-1989. Fahnen Ausser Sicht der Barrikaden
Gefastet. Brigitte March Galerie, Stuttgart, 14 April-30 May 1989. In English, German.
Stuttgart: Brigitte March Galerie, 1991.

Lawrence Weiner. Works. With the Passage of Time. Hirshhorn Museum and Sculpture Garden,
28 November 1990 - 3 March 1991. Essay and interview by Phyllis Rosenzweig. Washington D.C.: Hirshhorn Museum and Sculpture Garden, 1990.
Licht=(Licht). Ale Yevonim Hobn Eyn Ponim. Joods Historisch Museum, Chanoeka, 1990. Essay by Renee Waale. In English, Dutch. Amsterdam: Joods Historisch Museum, 1990.

STONES+STONES/2+2=4. Ecole d'art de Dunkerque, January-February 1990. In English, French. Dunkerque: Editions A Bruit Secret, 1990.

Posters Hanging in European Collections. Lawrence Weiner. 16 November-20 December 1989.
Ecole superieure d'art visuel, Geneve. Documents exhibition and seminar. Includes transcript of discussion, and student essays. Christian Robert-Tisso, Catherine pier Favre, Anne Marie Fell-Kohler, Nicolas Fernandez, Ellen Versluis. In French. Geneve: Ecole superieure d'art visuel, 1990.
Lawrence Weiner. Books 1968-89. Catalogue Raisonné. In conjunction with "Austellung
Nr.17/Bucher Lawrence Weiner," Portikus, Frankfurt, 30 September-29 October 1989. Essay by Dieter Schwarz. In English, French, German. Cologne and Villeurbanne: Verlag der Buchhandlung Walther König and Le Nouveau Musée, 1989.

Lawrence Weiner. What is Set Upon the Table Sits Upon the Table. Stedelijk Museum, Amsterdam,
19 November 1988-1 January 1989. Essays by Wim Beeren, Anne Rorimer, Lawrence Weiner, Marja Bloem, Edward Leffingwell, R.H. Fuchs. Includes bibl., film, and videography. In English, Dutch.
Altered to Suit. Passend Gemacht. Museum Haus Esters Krefeld, 25 September-6 November 1988. Essays by Julian Heynen and Lawrence Weiner. Krefeld: Krefelder Kunstmuseum, 1988.
On Top of the Trees. Mai 36 Galerie, 24 May-25 June 1988. Essay by Dieter Schwarz. In English, German. Lucerne: Mai 36 Galerie, 1988.

5 Figures of Structure. The Arts Club of Chicago, 11 November-31 December 1987. Essays by Anne
Rorimer. Chicago, The Arts Club, 1987.
Somewhere Over the Rainbow. Delfryd Celf Essays, No.2, 1987. Edited by David Bellman. Essay
and drawings by Lawrence Weiner. Caernarfon: Delfryd Celf, 1987.

Posters. November 1965-April 1986. Lawrence Weiner. Essays by B.H.D. Buchloh and Lawrence Weiner. Edited by Benjamin H.D. Buchloh. Published by The Press of the Nova Scotia
College of Art & Design and Art Metropole. Contents of the Lawrence Weiner Poster Archive of the Nova Scotia College of Art & Design. The Nova Scotia Series, Vol. XVII, 1986. pp. 177
Nach Themyscira. A Project of Carol Quartucci and Carla Tato within a context of Lawrence Weiner. Contains libretto from performance based on Penthesilea by Heinrich v. Kleist. Vienna: Wiener Festwochen, 1986.

Paradigms Suitable for Daily Use. Published with concurrent exhibition, "Works from the Lawrence
Weiner Poster Archive of the Nova Scotia College of Art & Design, 1965-86." 23 April-18 May 1986. London: Air Gallery, 1986.
Above Beyond Below. Pier Arts Centre, Stromness, Orkney, 12 April-3 May 1986. The Fruitmarket Gallery, Edinburgh, Scotland, 19 April-17 May 1986. Essays by Erlend Brown and Mark Francis. Edinburgh: The Fruitmarket Gallery, 1986.

Sculpture. Lawrence Weiner. Arc-Musée d'Art moderne de la Ville de Paris, 27 June-22 September 1985. Interview by Suzanne Pagé. Paris: Paris-Musées, 1985.

Mounds+Smooth Cairns. Ohio State University, Columbus, Ohio, 14 January-18 February 1984.
Text by Edward Leffingwell. Columbus: Ohio State University, 1984.
Factors in the Scope of Difference. A Structure of Lawrence Weiner. Antwerp, Belgium, Galerie
Anny de Decker, Add, 1984.

Works & Reconstructions: Kunsthalle Bern. 19 August-16 October 1983. Essays by Jean-Hubert Martin and Lawrence Weiner. In English, German. Bern: Die Kunsthalle, 1983.
Albert Mertz/Lawrence Weiner-Red/As Well as Green/As well as Yellow/As Well as Blue.
Nordjyllands Kunstmuseum, Aalborg, Denmark, 5-27 February 1983. Text and images by Albert Mertz and Lawrence Weiner. Aalborg: Nordjyllands Kunstmuseum, 1983.

Lawrence Weiner. Options 3. Museum of Contemporary Art, Chicago, 12 March-22 May 1980. Essay by Pauline A. Siliga.

Art & Project. Bulletin 113. 11 December 1979-12 January 1980. In English, Dutch. Amsterdam: Art & Project, 1979.

In Relation to Probable Use...: The Renaissance Society at the University of Chicago, 29 January-4 March 1978.
Lawrence Weiner, Kunsthalle, Basel. 28 August-3 Oktober 1976. Text by R. Fuchs. In English, German. Basel: Kunstverein, 1978.

A Work of Lawrence Weiner Presented at Laguna Gloria Art Museum. 26 March-24 April 1977.
Essay by Laurence Miller. In English, Spanish. Austin, Texas, Laguna Gloria Art Museum, 1977.

New Urban Landscapes #6. Lawrence Weiner. New York: Institute for Art and Urban Resources, 1976.
Lawrence Weiner. Van Abbemuseum Eindhoven, 12 March-26 April 1976. Text by R.H. Fuchs. In English, Dutch. Eindhoven: The Van Abbemuseum, 1976.

Lawrence Weiner. 8-30 Juni 1974. Gentofte Kommunes Kunstbibliotek, Hellerup, Denmark. Essay by Jane Pedersen. Interview by Willoughby Sharp. Text by Lawrence Weiner. Hellerup: Gentofte Kunstbibliothek, 1974.

Arbeiten von Lawrence Weiner. 4 October-4 November 1973. Boxed catalogue. Text by Johannes Cladders. Monchengladbach: Stadtisches Museum, 1973.
Art & Project. Bulletin 72. Lawrence Weiner. 11-21 December 1972 and 2-11 January 1973. Amsterdam: Art & Project, 1973.
Lawrence Weiner. Jahresgabe 1972. Westfälischer Kunstverein, Munster, Germany, 9 September-14 October 1972. Text by Klaus Honnef. bio,bib. In English, German. Munster: Westfälischer Kunstverein, 1973.
Lipppard, Lucy. Six Years: The Dematerialization of the Art Object from 1966 to 1972...Occurring now in the Americas, Europe, England, Australia, and Asia. London: Studio Vista, 1973.

Art & Project. Bulletin 54. Lawrence Weiner. 22 April-12 May 1972. Amsterdam: Art & Project, 1972. In English, Dutch.
Art & Project. Bulletin 53. Lawrence Weiner. 22 April-12 May 1972. In English, Dutch. Amsterdam: Art & Project, 1972.

Bowles/Russel, editors. This Book is a Movie. New York: Dell Publications, 1971.

Lawrence Weiner. An Exhibition/Eine Austellung. Gegenverkehr, Aachen, Germany, May 1970.
Essay by Klaus Honnef. In English, German. Aachen: Gegenverkehr e.V., Zentrum fur Aktuelle Kunst, 1970.

Art & Project. Bulletin 10. Lawrence Weiner. 1 September 1969. English/Dutch. Amsterdam: Art & Project, 1969.

Weiner. Seth Siegelaub. Contemporary Art. Volume 1, No.3, 10 November-7 December 1964. Seth Siegelaub Contemporary Art, 1964.


Baker, Elizabeth C. "Inside the Art Bars." Art in America, December 2013 [ill.].

Simek, Peter, "Interview: Artist Lawrence Weiner, on Communication, the Market, and the Artist's Role in Society," Dmagazine, November 28, 2012
Buck, Louisa, "Artist Interview: Lawrence Weiner," The Art Newspaper, Issue 240, November , p. 66, 67
Tylevich, Katya "Meetings: Lawrence Weiner" Elephant No. 10 Spring 2012 p. 108-117
Holman, Martin, "Thought Follows Words," The Florentine, March 1, 2012
Friedman, Julia "Lawrence Weiner,", June 8, 2012

David, Elliott, "Simon Rodia by Lawrence Weiner," V Magazine, Issue 73, Fall 2011, p. 158
Herbert, Martin, "Liam Gillick & Lawrence Weiner," Art Review, Issue 52, September 2011, p. 177
Ulrichs, David, "Lawrence Weiner & Liam Gillick," Modern Painters, May 2011, p. 75

West, Kevin, "Dallas," W, July 2010, pp.54-63 (ill.)
Manaugh, Geoff, "Village People," Dwell, April 2010, pp. 51-58, ill
MacMillan, Kyle, "Embrace! Denver Art Museum," Artforum, February 2010, p. 208-209 (ill)

Knight, Christopher, "Art Review: Lawrence Weiner at Regen Projects II," The Los Angeles Times, August 7, 2009, pp. D16-D17
Jones, Ronald, "Are You Experienced? How designers are adopting the strategies of Conceptual art,"
frieze, January-February 2009, pp. 30-31 (ill.)

Markle, Leslie, "Lawrence Weiner," ArtUS, Fall/ Winter 2008, p. 16
McBride, Rita, "Lawrence Weiner," ArtForum, December 2008, XLVII, No. 4, pp. 99-110 (ill.)
Holte, Michael Ned, "Lawrence Weiner, ArtForum, December 2008, XLVII, No. 4, p.279 (ill.)
Buchloh, Benjamin, "Lawrence Weiner," ArtForum, December 2008, XLVII, No. 4, p. 256-257 (ill.)
Poledna, Mathias, "Lawrence Weiner: As Far As the Eye Can See," in "Best of 2008: The Artists'
Artists," Artforum, December 2008, p. 99
Storr, Robert, "Art and Text, Two Vindications of Conceptualism and its Offshooots," Frieze, Issue 116, June July August 2008, p. 19 (ill.).
Smith, Roberta, "The Well-Shaped Phrase as Art," The New York Times, November 16, p. B29-33.
Scene: Social Canvas," Angeleno, June, p. 124.
Lehrer-Graiwer, Sarah, "Skim Flick," Artforum, July 1, 2008,
Frank, Peter, "Talk and Awe," Angeleno, June, p. 76.
Weiner, Lawrence, Lawrence Weiner on the Watts Towers, Art Review, May 2008, ill
Hirsch, Faye, "Where Words Go," Art in America, April 2008, pp. 140-7, 178, cover, ills.
Stern, Steven, "Lawrence Weiner," Frieze, March 2008, pp. 176-7, ills.

Colman, David, "The Discreet Charm of the Gauloisie," The New York Times, December 2, 2007, ill.
Kröner, Magdalena, "Ich Kann Nicht Mal Richtig Schreiben," Monopol, November 2007, pp. 6, 54 58, ills.
Kennedy, Randy, "Language as Sculpture, Words as Clay," The New York Times, October 21, 2007, p. AR 31, ills.
Antin, David, "Previews: Lawrence Weiner: As Far as the Eye Can See," Artforum, September 2007, p. 157, ill.
Ginsberg, Allen, curated by Allen Ruppersberg, "First Thought Best Thought," Artforum, March 2007, p. 296 ill.

Ayers, Robert, interview, "Lawrence Weiner," state of art, September – October 2006, p. 5, ills.

Leffingwell, Edward, "Lawrence Weiner at Marian Goodman," Art in America, September 2005, p. 153, ill.
Frank, Peter, "John Baldessari and Lawrence Weiner," LA Weekly, May 6 – 12, 2005, vol 27, no. 24, p. 53
Knight, Christopher, "A treatise on time, in stencil," Los Angeles Times, April 15, 2005, p. E24, ill.
Glueck, Grace, "Lawrence Weiner: 'En Route'," The New York Times, March 18, 2005, p. B38.

Weiner, Lawrence, "Electoral Collage: A Portfolio," Artforum, September 2004, p. 229, ill.
Brugerolle, Marie de, "John Baldessari, Juliao Sarmento and Lawrence Weiner," Flash Art, May/June 2004, pp. 148 – 149, ill.
Prince, Mark, "Pop/Art," Art Monthly, May 2004, pp. 6 – 9, ills.
Rose, Matthew, "Best Sellers – Avant Garde Artist Books," Art & Antiques, March 2004, p. 40, ill.
Knight, Christopher, "Max Minimal," Los Angeles Times, March 16, 2004, pp. E1 & E8
Farquharson, Alex, "In the Midst of Things," Frieze, December, pp. 96-97, ill.

Hainley, Bruce, "Lawrence Weiner-Regen Projects," Artforum, October, 1999, pp. 151-152, ill.
Pagel, David. "Free Associating," Los Angeles Times, July 16, 1999, Calendar F30

Weiner, Lawrence The International Review of Graphic Design, #9 Vol. 8, (Autumn 1998)

Drolet, Owen. Review, "Lawrence Weiner," Flash Art, 183 (Summer 1995).
Cotter, Holland. Review, "Conceptually, and Literally, a New York Figure," The New York Times, March 31, 1995.
Schwabsky, Barry. "'A Meaning Exists That The Outside Is Not Privy To,' Lawrence Weiner as a Culture," The Print Collector's Newsletter (March-April 1995)

Adams, Brook. "Weiner's Werkstätte," Parkett 42 (Winter 1994).
Richard, Frances. "Providing Metaphor Needs: Lawrence Weiner's Specific & General Works," Parkett 42 (Winter 1994): 38-40.
Schwarz, Dieter. "Public Freehold," Parkett 42 (Winter 1994): 48-51.
Salvioni, Daniela. "The Meaning that Comes Away from the Work of Art," Parkett 42 (Winter 1994), pp. 52- 55.
"SMASHED TO PIECES (IN THE STILL OF THE NIGHT), The Public Reacts," Parkett 42 (Winter 1994), pp. 62-63.
Relyea, Lane. "But Can She Bake a Cherry Pie?," Parkett 42 (Winter 1994): 64-65.
Leffingwell, Edward. "& Vers Les Etoiles," Parkett 42 (Winter 1994): 68-70.
"Lawrence Weiner," Grand Street 48 (Spring 1994): 225.

Wilson, Andrew. Review, "Out of Sight, Out of Mind, Lawrence Weiner," Art Monthly (April 1993).
Bass, Ruth. Review, "Lawrence Weiner-Marian Goodman," Artnews (April 1993).
Myers, Terry R. Review, "Lawrence Weiner," Galeries Magazine (February/March 1993).
Denizot, Ren, Holmes, Brian, and Nouvel, Jean. Interview, "Lawrence Weiner," Galeries Magazine (October/November 1993).

Wilson, Andrew. Review, "Lawrence Weiner, The ICA, London," Forum International (March/April 1991).
Weiner, Lawrence. "Carl Th. Dreyer. A Fable of Women & Water." Halle, Howard.
Decter, Joshua. Review, "Lawrence Weiner, DIA Center for the Arts," Flash Art (October 1991).
Leigh, Christian. Interview, "Lawrence Weiner, A Place in the Sun," Flash Art (1991).
Stals, Jos‚ Lebrero. Review, "Lawrence Weiner, Jablonka," Flash Art (January/February 1991).

Cyphers, Peggy. Review, "Lawrence Weiner, Marian Goodman," Arts Magazine 54 (Summer 1990): 97.
Decter, Joshua. Review, "Marian Goodman," Flash Art 150 (January/February 1990): 121.
Evans, Steven, and Jenkins, Michael. Review, "John Miller, Gary Mirabelle, Lawrence Weiner at American Fine Arts, Co.," Artscribe International (January/February 1990).
Faust, Gretchen. Review, "Lawrence Weiner, Marian Goodman," Arts Magazine 64 (January 1990): 99-100.
Gardner, Colin. Review, "Lawrence Weiner, Stuart Regen Gallery," Artforum 28 (February 1990).
"The Space between Words: Lawrence Weiner," Artforum 29 (November 1990): 156-60.
Hapgood, Susan. Review, "Lawrence Weiner, Marian Goodman," Art in America 78 (February 1990): 175-76.
Hoffberg, Judith. "Ulises Carrion and Lawrence Weiner," High Performance 13 (Spring 1990): 80.
Mahoney, Robert. "Lawrence Weiner, Marian Goodman," Contemporanea (January 1990): 97.
Pagel, David. "Compromised Positions," Artweek 21, January 18, 1990, p.12-13.
"Prints and photographs published, Lawrence Weiner," Print Collectors Newsletter (March-April 1990): 26.
Vogel, Sabine. Review, "Lawrence Weiner, Portikus, Frankfurt," Contemporanea (March 1990).

Baker, E., etc. Interview, "The Peripatetic Artist: 14 Statements ... Lawrence Weiner," Art in America 77 (July 1989): 134-35.
Batchelor, David. Interview, "I Am Not Content, Lawrence Weiner interviewed," Artscribe
International (March/April 1989): 50-58.
Carpenter, Merlin. Review, "Lawrence Weiner, Anthony D'Offay," Artscribe International (May 1989): 73-74.
Donohue, Marlena. Review, "La Cienega Area," Los Angeles Times, December 29, 1989.
Grout, Catherine. "Lawrence Weiner, The realization that what a work of art is, is more important than how a work of art is (1)," Arte Factum 29 (1989): 18-21.
Interview, "Lawrence Weiner," Arts Magazine (February 1989): 23.
Morgan, Robert C. "The Situation of conceptual art: the January Show and after (with interviews reprinted from Arts Magazine, 1969, and 4 more interviews 20 years later," Arts Magazine 63 (February 1989): 40-50.
Review, Arts Magazine (1989).

Banz, Stefan. "Lawrence Weiner, Mai 36 Galerie, Luzern," Noema 18-19 (1988): 95.
"Figures of Structure, Arts Club of Chicago," The Print Collectors Newsletter 19/1 (March-April 1988): 21.
"Lawrence Weiner, Luzern, Galerie Mai 36," Arte Factum (September/October 1988): 46-47.
Oehen, Berta. "Lawrence Weiner--Evokation der Dreidimensionalität," Luzerner Tagblatt, May 28, 1988.
Schenker, Christopher. Review, "Lawrence Weiner, Galerie Mai 36, Lucerne," Flash Art 143 (November/December 1988): 127.
Segard, Michel. Review, "Arts Club of Chicago," New Art Examiner 15 (March 1988): 48-49.
Simon, Joan. Interview, "Gordon Matta-Clark: reconstructions (interviews with 4 artists)," Arts Magazine 52 (Summer 1988): 84-87.
Zingg, Max. "Die Existenz des Inexistenten," Luzerner Neuste Nachrichten, May 25, 1988.

Gauthier, Michel. "Lawrence Weiner--Les mobiles du concept," Art Press 116 (Juillet/Août 1987): 8-9.
"Les apories du concept," Consequénces (1987): 76.
Rorimer, Anne. "Sculpture: Figures of Structure. The Work of Lawrence Weiner," The Arts Club of Chicago (November/December 1987).

Denizot, Ren‚. "De l'art du pouvoir, de l'image, de l'histoire et de deux artistes--Lawrence Weiner--
Le consortium, Dyon, avril-may 1985," Plus 2 (janvier 1986): 21-23.
Francis, Mark. "A Passage to and From the North," Alba 1 (Summer 1986).
Groot, Paul. "Chambres d'amis," Wolkenkratzer 13/3 (June/July/August 1986): 75-80.
Kessler, Pamela. "In Other Words: Spectrum," The Washington Post, May 16, 1986.
Leirner, Sheila. "TV Perigosa sedu," Caderno 2 [Sao Paulo], November 29, 1986.
Watson, G. Review, "Anthony d'Offay Gallery," Burlington Magazine 128/621 (August 1986).
Wijers, Louwrien. "Beeldende kunstenaars en film: de tijd als dimensie," Finaci le Dagblad, February 18, 1986.

Cournot, Michel. "Decouverte--Sculpture de Minceur, Peinture de Sant‚," Le Monde, July 4, 1985.
Dagen, Philippe. "Salade de sculptures," Le Quotidien de Paris, July 4, 1985.
Garrel, Betty van. "Lawrence Weiner," NRC Handelsblad, March 1, 1985.
Gauthier, Michel. "Matières grises," Consequénces 5 (hiver-printemps 1985): 21-40.
McEvilley, T. "I Think Therefore I Art," Artforum 23/10 (Summer 1985): 74.

Leffingwell, Edward. "Lawrence Weiner at the Tangeman," Dialogue (September/October 1984): 72-73.
"Ohio State University Galleries: Lawrence Weiner," Dialogue (January/February 1984): 62.
Smith, Paul. "Election Issues: A Timely Artistic Response," Arts Magazine 59/3 (November 1984): 126.
Wechsler, Max. "Lawrence Weiner. Werke & Rekonstruktionen, Kunsthalle Bern," Arte Factum (December 1983-January 1984): 92-94.

Aebli, Hans H. "Kopfkunst oder 'Sprache' für den Kopf," Schaffhauser Nachrichten, October 5, 1983.
BCB. "Kunsthalle Bern: Rekonstruktionen ideeler Kunstwerke," Der Bund, August 23, 1983.
Fassert, Sigmar. "Lawrence Weiner in der Kunsthalle Bern. Kunst ist Kunst im Denken," Basler Zeitung, August 24, 1983.
Groot, Els de. "Lawrence Weiner," Modern Denken 5 (Juli 1983): 20-3.
Hollen Stein, Roman. "Eine Tasse Meerwasser auf den Boden gegossen. Lawrence Weiner in der Kunsthalle Bern," Neue Züricher Zeitung, September 6, 1983.
Morgan, Robert C. "A conversation with Lawrence Weiner," Real Life Magazine 11/12 (Winter 1983): 36.
Ottevanger, Alied. "Een heel afschuwelijke tekst. Het enige wat me ervan bijblijft zijn de citaten van Picabia (Een gesprek over Buchloh's boude stellingen)," Museumsjournaal 28/4 (1983): 224.
Wechsler, Max. "Der tiefe Graben zwischen Idee und Realisation der Amerikaner Lawrence Weiner in der Kunsthalle Bern," Vaterland, September 3, 1983.

Acker, Kathy. "Kosuth, Joseph, Weiner, Lawrence. Portraits: Necrophilia Mon Amour," Artforum 20/9 (May 1982): 58-65.
Bos, Saskia. "Plowmans Lunch," De Appel 4 (1982): 34-37.
Gibbs, Michael. "Lawrence Weiner's Plowmans Lunch," Artzien 28 (November 1982): 5-9.
Groot, Paul. "Lawrence Weiner," NRC Handelsblad, August 6, 1982.
Kosuth, J., Weiner, L., and Acker, K. "Portraits: Necrophilia Mon Amour," Artforum 20/9 (May 1982): 58-65.
Phillpot, Clive. "Words and Word Works," Art Journal 42/2 (Summer 1982): 95-143.
Weiner, Lawrence. "Installation & presentation. Within a context of intention," Artistes-Revue d'Art contemporain (Juillet 1982): 40-44.

Cavaliere, Barbara. "Edward Ruscha and Lawrence Weiner at Leo Castelli," Arts Magazine 55/9 (May 1981): 32-33.
Einreinhofer, Nancy. "Language in the Visual Arts," Artery 8th National Forum for College Art 4/3 (Spring 1981): 10-11,
Fischer, Jean. "Lawrence Weiner," Art Monthly 46 (December 1980-January 1981): 12.
Millet, Catherine. "L`Art de la fin de l'art.. 10 ans après," Art Press International 54 (December 1981): 6-9.
Oille, Jennifer. "A Question of Place 2," Vanguard 10/9 (November 1981): 12-13.
Review, "Lawrence Weiner and David Jones, Anthony d'Offay Gallery, London," Art International 24/5-6 (January-February 1981): 70-113.
Stodder, John F. "Subjectivity and Self Obsession," Art Week, May 31, 1981, pp.15-16.
Weiner, Lawrence. "Notes from the California lectures," Museumsjournaal 26/7 (1981): 312-314.
"Aufforderung zum Hürdensprung--Lawrence Weiner, in der Galerie Schöttle," München Kulturberichte, January 4, 1980.

Ellmann, Lucy. "David Jones and Lawrence Weiner," The Arts Review, November 21, 1980: 539.
Furlong, William. Interview, "A Conversation with William Furlong concerning 20 works by Lawrence Weiner presented in London," Marginalia 5 (1980).
Lucie-Smith, Edward. Art in the Seventies. Ithaca, Cornell University Press, 1980. A Phaidon Book.
Morschel, JÅrgen. "Lawrence Weiner (Galerie Sch"ttle, MÅnchen)," Das Kunstwerk 33/2 (1980): 87.
Puliafito, Isabella. "Lawrence Weiner," Artforum 18/6 (February 1980): 107-108.
Review, "Lawrence Weiner at Saman Gallery, Genova," Artforum 18 (February 1980): 107-108.
Saliga, Pauline A. Lawrence Weiner [pamphlet], Museum of Contemporary Art, Chicago. March 12-May 22, 1980.
Weiner, Lawrence. "Concerning Twenty Works," Audio Arts [supplement] (London 1980-81).
Wright, B. "David Jones and Lawrence Weiner at Anthony d'Offay Gallery, London," Arts Review 32/23 (November 21, 1980): 539.

Gibbs, Michael. "Lawrence Weiner," Artzien 2/3 (December 1979-Januari 1980).
Giesler, D. "Different Purposes, Different Rewards: Encounter Cinema, Los Angeles; Performance," Artweek 11/12, March 29, 1980.
Grayson, Cewzan. "Lawrence Weiner, There But For Mudd Club," Live Performance Art 3 (1980): 45-46.
Ehrlich, R. Review, "Lawrence Weiner at Leo Castelli Gallery," Arts Magazine 54/1 (September 1979): 34-35.
Frank, Peter. "Mechanisms of Meaning," The Village Voice, April 23, 1979.
Garrel, Betty van. "Het belang van de registratie," NRC Handelsblad, December 29, 1979.
Groot, Paul. "Taal is het materiaal van Lawrence Weiner," NRC Handelsblad, December 29, 1979.
Hoberman, J. "Declarations of Independance," The Village Voice [New York], September 24, 1979.
Stimson, P. "Between the Signs," Art in America 67/6 (October 1979): 6.
Weiner, Lawrence. "2 lavori di Lawrence Weiner," Domus 591 (February 1979): 49.

Lister, A. "Edge Junction: Words in Art," Criteria 4/1 (Spring 1978): 22-23.
Wierk, Hans-Peter. "Lawrence Weiner: mit einem Hauch von Rosa," Nordsee-Zeitung, September 7, 1978.
Wilson, Martha. "Artists' Books as Alternative Space," The New Arts Space. The Los Angeles Institute of Contemporary Art, 1978. 35-37.

Burnside, Madeleine. "Raw Material," The Soho Weekly News, March 24, 1977.
Perrone, Jeff. "Words: When Art takes a Rest," Artforum 15/12 (Summer 1977): 34-37.

Barracks, B. Review, "Lawrence Weiner, The Kitchen," Artforum 15/4 (December 1976): 67-70.
Beks, Maarten. "Lawrence Weiner in Van Abbe," Eindhovens Dagblad, March 26, 1976.
Blok, Cor. "Lawrence Weiner gepresenteerd door het van Abbemuseum: geen daden maar woorden," De Groene Amsterdammer, April 7, 1976.
Brandt Corstius, Liesbeth, "Tentoonstellingen: Lawrence Weiner in het Stedelijk en Van Abbemuseum in Eindhoven," Avenue (Maart 1976): 11.
Brown, Gordon. "Lawrence Weiner, Donald Judd, Dan Flavin," Arts Magazine 51/1 (September 1976): 37.
Burnside, Madeleine. "A Question of Values, A bit of manner and little bit more--Lawrence Weiner, The Kitchen," The SoHo Weekly News, December 30, 1976.
"Expositie Weiner," Hollands Diep, April 10, 1976.
Fuchs, Rudi. "Lawrence Weiner, 'A Second Quarter,'" Museumsjournaal 21/1 (1976): 22-23.
"De taaie traditie: een boekje over Lawrence Weiner," Nieuwe journalistiek, Art & Project (Amsterdam 1976).
Ginneken, Lily van. "Galerij der galerijen--Lawrence Weiner," Volkskrant, March 27, 1976.
Graevenitz, Antje von. "Man sieht mehr, als man sieht Lawrence Weiner Sprachkunstwerke im Van Abbemuseum, Eindhoven," Suddeutsche Zeitung, April 8, 1976.
Hazzledine, Mike. "Lawrence Weiner at ICA New Gallery," Studio International 192/982 (July/August 1976): 90-91.
"Lawrence Weiner," Basler Nachrichten, April 21, 1976.
"Lawrence Weiner," De Nieuwe Gazet, April 21, 1976.
Marioni, T. "New York City," Vision 3 (November 1976): 5-90.
Morris, Linda. "Today Together: A joint Show of Contemporary Galleries at the Collage Art Fair," Studio International 191/979 (January/February 1976): 55-75.
"Notaties in taal: Beeldende Kunst buiten klassieke kaders. Werk Lawrence Weiner in het Van Abbemuseum," Het Eindhovens Dagblad, March 12, 1976.
Redeker, Hans. "Lucassen en Weiner: twee richtingen in de schilderkunst," NRC Handelsblad, April 15, 1976.
Reise, Barbara. "Who, what is Sigmar Polke (and where can he be found?)," Studio International 192/982 (July/August 1976): 84.
Salle, D. Review, "Lawrence Weiner at The Kitchen," Arts Magazine 51/4 (December 1976): 39-40.
Sargent-Wooster, Anne. "The interplay of touch. Do you believe in Water? Lawrence Weiner at the Kitchen," The Soho Weekly News, September 30, 1976.
Stutzer, Bee. "Amerikanische Künstler stossen in Neuland vor," Basler Volksblatt, August 4, 1976.
Vries Robbë Londe. "Kunst is even gespecialiseerd als theoretische natuurkunde. De teksten van Lawrence Weiner in het Van Abbemuseum," Vrij Nederland, April 17, 1976.

"Berliner Künstlerprogramm: Ein Zweites Viertel," Kulturinformation aus Berlin 2 (1975): 23-4.
Frank, Pete. Review, "Lawrence Weiner at Castelli," Artnews 96 (April 1975): 96.
Heinemann, Susan. "Lawrence Weiner: Given the Context," Artforum 13/7 (March 1975): 36-37.
Monteil, Annemarie. "Preisig: Lawrence Weiner-Basler Galerien," National Zeitung Basel, December 18, 1975.
Sargent-Wooster, Anne. Review, "Lawrence Weiner," Art in America 63/2 (March/April 1975): 93.

Cameron, Eric. "Lawrence Weiner: The Books," Studio International 187 (January 1974): 2-8.
Fuchs, Rudi. "De taaie traditie--Een boekje over Lawrence Weiner," NRC Handelsblad, February 15, 1974.
"Over Lawrence Weiner," De Gids 5 (1974): 385-388.
Catalogue, Hunter, Sam and Jacobus J. American Art of the 20th Century: Art as Action and Idea (New York: Abrams, 1974).
Moser, Charlotte. "The Concept as the Art in World--or More," Houston Chronicle, December 29, 1974: 11.
Tuyl, Gijs van. "Met betrekking tot de vorige twee bladzijden: vult u maar in, maar het hoeft niet," Museumsjournaal 19/3 (1974): 122-123.
Weiner, Lawrence. "With an advance declined," Interfunktionen 11 (1974): 54-58.
"Within a reasonable doubt," Flash Art (January 1974--special issue).
"Having a relation," Museumsjournaal 19/3 (Juni 1974): 120-121.

Gruterich, M. "Lawrence Weiner: Kunst zum konzeptuellen Gebrauch," Heute Kunst 4-5 (Dezember 1973-Februar 1974): 30-31.
Ahorn, Hannelore. Kleine weisse Bücher bis 14 Februar: Lawrence Weiner [exhibition catalogue]. Kabinett für Aktuelle Kunst, Bremerhaven, January 29, 1973.
Grassi, Gino. "L'arte il linguaggio di Weiner," Roma, anno 112/26 (January 27, 1973).
Sargent-Wooster, Anne. "First Quarter. Lawrence Weiner's first film," Arts Magazine 47/7 (May 1973): 32.
Tisdall, Caroline. "Weiner," The Guardian, October 8, 1973.

Ashton, D. "New York Commentary: Abracadabrizing Art," Studio International 183 (January 1972): 39.
Celant, Germano. "Le Livre comme travail artistique 1960-70," VH 101 no.9 (Automne 1972): 5-28.
Cork, R. "UK Commentary," Studio 183/942 (March 1972): 116-117.
Sharp, Willoughby. Interview, "Lawrence Weiner at Amsterdam," Avalanche 4 (Spring 1972): 64-74.

Borgeaud, B. "Book Entitled 10 Works," Arts Magazine 45 (April 1971): 72.
Interview, "avec Michel Claura," VH 101 no.5 (Printemps 1971): 64-66.
Lovell, A. "Lawrence Weiner," Studio International 181/931 (March 1971): 126-127.

Battcock, Gregory. "Documentation in Conceptual Art," Arts Magazine 44/6 (April 1970): 42-45.
Borgeaud, B. "Exhibition in Paris," Arts Magazine 44/7 (May 1970).
Burnham, J. "Alice's Head: Reflections on Coceptual Art," Artforum 8 (February 1970): 38.
Celant, Germano. "Conceptual Art," Casabella 347 (April 1970): 42-49.
Karshan, D.C. "The Seventies: Post object art," Studio International 180/925 (September 1970): 69- 70.
Lippard, Lucy. "Groups," Studio International 179/94 (March 1970): 48.
"Art within the Arctic Circle," Changing [New York] (1970): 286 ev. ep.
"Art within the Arctic Circle," The Hudson Review (February 1970): 665-674.
48-page exhibition. Studio International 180/94 (March 1970).
Ohff, Heinz. "Die Idee der reinen Kunst--Lawrence Weiner in Berlin," Der Tagesspiegel, December 23, 1970.
Ratcliff, Carter. "New York: Conceptual Art and Conceptual Aspects, New York Cultural Center," Art International 14/6 (Summer 1970): 133-34.
Weiner, Lawrence. "The artist and politics: A symposium," Artforum 9/1 (1970): 39.
"Lawrence Weiner," VH 101 3 (automne 1970): 37.
"Some notes upon the sculpture itself of Sol Lewitt," Sol LeWitt. Haags Gemeentemuseum, 1970.

Amman, Jean-Christophe. "Schweizer Brief," Art International 13/5 (May 1969): 47-50.
"Art & Project, Bulletin 10 van Art & Project is uit," De Tijd, September 5, 1969.
Battcock, Gregory. "Painting is Obsolete," New York Free Press Critique, January 23, 1969: 7.
Claura, Michel. "Extrémisme et rupture (1) Mouvement de l'art contemporain autor d'un concept,"
Lettres francaises, September 24, 1969: 26-27.
Constable, Rosalind "The New Art (Big ideas for sale)," New York Magazine, March 10, 1969: 46-49.
"Entrémisme et rupture (2)," Lettres francaises (October 1969).
Frenken, Ton. "Kunstenaars zoeken nieuwe mededelingsvormen voor de huidige sensibiliteit,"
Brabants Dagblad, March 22, 1969.
Garrel, Betty van. "De afwenzige kunst van de nieuwe avantgarde," Haagse Post, March 22, 1969.
Glueck, Grace. "Art Notes: Venice, anyone?" The New York Times, March 16, 1969.
Higgins, Dick and Vostell, Wolf. Pop architektur, Concept Art. Dusseldorf: Droste Verlag, 1969.
Junker, Howard. "Idea as Art," Newsweek, August 11, 1969: 81.
Kosuth, Joseph. "Art after Philosophy," Studio International 178/916 (November 1969): 160.
Pierce, Gretchen. "Art Critic Becoming Absolete--Art Critic," The Mail-Star, November 29, 1969.
Pierce, Gretchen. "Hot Dog! Weiner plus Roll Must Equal Art," The Mail-Star, April 24, 1969.
Perrault, John. "Art Disturbances," The Village Voice [New York], January 23, 1969.
Rose, Arthur R. "Four interviews with Barry, Huebler, Kosuth, Weiner," Arts Magazine 43/4 (February 1969): 22-23. Reprinted in Idea Art, edited by G. Battock (New York: E.P.Dutton, 1973).
Shirey, David L. "Idea as Art," Newsweek, April 11, 1969: 81.
Strelow, Hans. "Regungen einer neuen Romantik (Kunst am Ende des mechanischen Zeitalters- Ausstellung in Bern)," Frankfurter Allgemeine Zeitung, April 9, 1969.
Weiner, Lawrence. "Statements--Lawrence Weiner 1968," Art & Language 1/1 (1969): 17-18.

Junker, Howard. "The New Sculpture," The Saturday Evening Post, November 2, 1968.

Bannitz, Jacqueline. "In the galleries: Lawrence Weiner," Arts Magazine 40/3 (January 1966): 64.
Benedict, Michael. "New York Letter," Art International 10/1 (January 1966): 97.

Judd, Donald. "In the galleries," Arts Magazine 39/4 (January 1965): 64.
"Reviews and Previews," ArtNews 64/8 (December 1965): 18.
Welsh, Marjorie, "Lawrence Weiner" Bomb. Winter 1995

Levin, K. "Reviews and Previews: New Names this Month," ArtNews 63/7 (November 1964): 20-22.


LAWRENCE WEINER. Artist monograph. 160 pages. Edition of 5,000. Interview: Benjamin H.D. Buchloh. Writings: Alexander Alberro, Alice Zimmerman, David Batchelor, W.B. Yeats, Kenneth
Patchen, Lawrence Weiner. Photos by Rudolph Burckhardt et. Al London: Phaidon Press Limited, 1998

Exhibition catalogue: Lenbachhaus/Kunstforum, München. November 20, 1992 – January 9, 1993. 12 pages. 550 copies. Text: Ulrich Wilmes.
Photographs: Simone Gänsheimer. Design: L. Weiner [English/German. Translation: Brigitte
Kalthoff]. München: Städtische Galerie im Lenbachhaus, 1993
LAWRENCE WEINER/GALLERY 360°. Folded exhibition catalogue: Tokyo. February 1993. 8 pages. Edition unknown. Includes essay and photos. Select exhibitions,bio., lists of permanent installations/public projects, and institutions having work in permanent collections.
[English/Japanese]. Tokyo: Gallery 360°, 1993
STEEL PENNIES. In conjunction with the exhibition: "Steel Pennies Don't Come From Or Go To Heaven". A work for Dean Clough, The Henry Moore Studio, Halifax, England. February 19-May 23, 1993. 48 pages. 1000 copies. Chronicle of the work and installation with essays, drawings, and installation photographs. Essay: Iwona Blazwick. Photographs: Susan Crowe and Jerry Hardman- Jones. Design: L. Weiner with Peter McGrath. [English]. Halifax, England: The Henry Moore Sculpture Trust.
TO BUILD A WORK. Exhibition catalogue with Lucas L'Hermitte and Niele Toroni. Galerie Arnaud Lefebvre, Paris. April 1993. 8 pages + a sticker. 300 numbered copies. [English/French]. Paris: Galerie Arnaud Lefebvre, 1993
ZWEI BLÖCKE/TWO BLOCKS… Exhibition catalogue: Städtische Galerie Nordhorn. May 8-June 27, 1993. 44 pages. 300 copies. Essay: Sabine Dylla. Photos: Werner Westdörp and Kunsthalle Bern. Design: L. Weiner Sel.bib., sel bio. Nordhorn: Städtische Galerie Nordhorn, 1993

ALL FALL DOWN. Produced concurrent with the exhibition "Heinz Gappmayr, Maurizio Nannucci, Lawrence Weiner. Denkraume/Spazi del Pensiero" (April/June 1992). Bozen and Bolzano: Museum fur Moderne Kunst and Museo d'Arte Moderna, 1992. In English, German, Italian.
OFFENTLICH/PUBLIC FREEHOLD. Documentation and exchanges regarding the installation of public sculpture of Ulrich Ruckreim and L. Weiner at Singlefingen, Germany. 96 plates. Unlimited edition. Edited: Ingrid Burgbacher Krupka [German] Stuttgart: Edition Cantz, 1992
OFFENTLICH/PUBLIC FREEHOLD. Special edition of book and enamel plaque: 100. Stuttgart: Edition Cantz, 1992

IN THE CRACK OF THE DAWN. Comic book collaboration with Matt Mullican. Lucerne and Brussels: Mai 36 Galerie and Yves Gavaert, 1991.
ART & PROJECT/LAWRENCE WEINER. THROWN SOMEPLACE/ERGENS NEERGEGOOID. Produced concurrent with the exhibition (July 1991). Amsterdam: Art & Project, 1991. In English, Dutch.

TA SAMA WODA/THE SAME WATER. Includes essay. Related to the exhibition ON ONE SIDE OF THE SAME WATER (October 1990). Warsaw: Biblioteka Galerij Foksal, 1990. In English, Polish.
LA MARELLE/PIE IN THE SKY. Essay and drawings related to the public sculpture (Inauguration: June 21, 1990). Villeurbanne: Le Nouveau Musée, 1990. In French.

JUST ANOTHER THING TAKEN & CHANGED (A WOOD)(A STONE). Travel diary containing work, drawings, and an essay on New Guinea. Antwerp and Brussels: Galerie Micheline Szwajcer and Yves Gevaert, 1989.
PLOWMANS LUNCH COMIX. Photo-roman for the film PLOWMANS LUNCH. Rotterdam: Uitgeverij/Publishing House Bebert, 1989.
CALENDAR 1989. London: Anthony d'Offay Gallery, 1988.

TOWARDS A THEATRICAL ENGAGEMENT/DUCKS ON A POND. Includes an essay and stills from the film PASSAGE TO THE NORTH. Ghent: Imschoot, Uitgevers, 1988.

Paradigmatic comic book. Antwerp: ADD, 1984.

PASSAGE TO THE NORTH. Includes an essay and stills from the film PASSAGE TO THE NORTH.
Photographs: Louise Lawler, cropped by Lawrence Weiner. Great River, New York: Tongue Press, 1981.

Z PRAWDOPODOBIENSTWEM, ZE KTOS ZOBACZY/WITH A PROBABILITY OF BEING SEEN. Related to the exhib. in September, 1979. Warsaw: Biblioteka Galerij Foksal PSP, 1979. In English, Polish.

THE LEVEL OF WATER. Includes essay. Ghent: Vereniging voor het Museum van Hedendaagse Kunst, 1978. In English, Flemish.
HARD LIGHT. Collaboration with Edward Ruscha. Los Angeles and New York: Heavy Industrial Publications and Moved Pictures, 1978.
WITH A TOUCH OF PINK. Includes essay. Bremerhaven: Kabinett fur Aktuelle Kunst, 1978. In English, German.
REGARDING INSCRIPTIONS (OF A SORT). Basel: Rolf Preisig Gallery, 1978. In English, German.

WORKS. Complete works 1968-77. Hamburg: Anatol AV und Filmproduktion, 1977.
PERTAINING TO A STRUCTURE. Includes essay. Photographs by Daniel Buren from a videotape, DO YOU BELIEVE IN WATER? London: Robert Self Publications, 1977.
COMING AND GOING. Work and essay presented in the context of a game. Produced concurrent with the exhibition (September 20, 1977). Geneva: Centre d'art contemporain/Ecart Publications, 1977.

ON THE ROCKS. Includes essay. (See also videotape A BIT OF MATTER AND A LITTLE BIT MORE.) Lund: Edition Sellem-Archive of Experimental and Marginal Art, 1976. In English, Swedish.
ART & PROJECT/LAWRENCE WEINER. (Combined edition of ART & PROJECT/LAWRENCE WEINER and HAVING TIME TO TIME A RELATION TO:) Amsterdam: Art & Project, 1976. In English, Dutch.
VARIOUS MANNERS WITH VARIOUS THINGS. Essay by Barry Barker (on dustjacket). Produced concurrent with exhibition. London: ICA New Gallery, 1976.

RELATIVE TO HANGING. Ringkobing: Edition After Hand, 1975. In English, Dutch, Icelandic, Swedish, Finnish, Norwegian.
TOWARDS A REASONABLE END. Includes stills from the film DONE TO and essay. Produced concurrent with the exhibition (March-April). Bremerhaven: Kabinett fur Aktuelle Kunst, 1975. In German, English.

HAVING FROM TIME TO TIME A RELATION TO:. [English/Dutch]. Produced concurrent with the exhibition. Amsterdam: Art & Project, 1973.
ONCE UPON A TIME. Includes an essay. (Used in the film A SECOND QUARTER.) Milano: Franco Toselli Gallery, 1973. In English, Italian.
WITHIN A REASONABLE DOUBT. Milano: Flash Art Special Issue, 1973. In English, Italian, French, German.
WITHIN FORWARD MOTION. Produced concurrent with exhib. (Jan-Feb). Bremerhaven: Kabinett fur Aktuelle Kunst, 1973. In English, German.

GREEN AS WELL AS BLUE AS WELL AS RED. Produced concurrent with the exhib. (See videotape GREEN AS WELL AS BLUE AS WELL AS RED.) London: Jack Wendler Gallery, 1972.
A PRIMER. Produced as participation in the exhibition. Kassel: DOCUMENTA 5, 1972. In English, German.
HAVING BEEN DONE AT/having been done to. Produced concurrent with the exhib. Torino: Editions Sperone, 1972. In English, Italian.

L. WEINER 10 OBRAS/10 WORKS. (Pirate edition of 10 works.) Buenos Aires: CAYC, 1971. In English, Spanish.
L. WEINER. Pirate edition of ART & PROJECT/LAWRENCE WEINER). Buenos Aires: Centro de Arte y Communicacion, 1971.
CAUSALITY: AFFECTED AND/OR EFFECTED. Produced concurrent with the exhibition. New York: Leo Castelli Gallery, 1971.
FLOWED. Halifax: Nova Scotia College of Art & Design, 1971. In English, Italian, French, Danish, Spanish, German, Dutch.
10 WORKS. Paris: Yvon Lambert Gallery, 1971. In English, French.
ART & PROJECT/LAWRENCE WEINER. Produced concurrent with the exhibition (January). Amsterdam: Art & Project, 1971. In English, Dutch.

TRACCE=TRACES/LAWRENCE WEINER. Torino: Sperone editore, 1970. In English, Italian.

STATEMENTS. New York: Seth Siegelaub/The Louis Kellner Foundation, 1968.


READING LIPS [collaboration with Steen Moller Rasmussens], 1997 [16mm, color, 11 min., sound]
Produced by Moved Pictures NYC and PLAGIAT film. Directed by Lawrence Weiner and Steen Moller Rasmussens. Cinematography: Steen Moller Rasmussens. Music: Lawrence Weiner and Ned Sublette. Editiors: Rasmussens and Weiner.
First Screening: Arken, Denmark, 13 November, 1997
PLOWMANS LUNCH, 1982. [16mm Kodacolor, 28 mins., sound] Produced by Stichting de Appel, Amsterdam (Wies Smals).
Cinematography: Jules van den Steenhoven. Music: Peter Gordon. Editor: Eva Reisel.
First Screening: The Film House, Den Haag/Kriterion Theatre, Amsterdam, October 13, 1982. First American screening: Bleecker Street Cinema, New York, April 9, 1983.
DONE TO, 1974

Niets Aan Verloren/Nothing to Lose, 1984
Trailer for Plowmans Lunch, 1982
There But For, 1980
For Example Decorated, 1977
A Bit of Matter and a Little Bit More, 1976
Do You Believe in Water?, 1976
Various Manners with Various Things, 1976
Green as Well as Blue as Well as Red, 1975/76
Affected and/or Effected, 1974
Shifted from Side to Side, 1972
To and Fro/Fro and To/And To and Fro/And Fro and To, 1972
Broken Off, 1971
Beached, 1970
To the Sea/On the Sea/From the Sea/At the Sea/Bordering the Sea, 1970


Having Been Built on Sand with Another Base (Basis) In Fact, A structure of Lawrence Weiner, music by Richard Landry. Voices, Britta Le Va, Tina Girouard, Lawrence Weiner, Richard Landry. Mix, Landry/Weiner, Remix, Kurt Munkacai. Produced by Moved Pictures NYC. Munich: Rudiger Schottle, 1978.
Nothing to Lose/Niets Aan Verloren, Voices Coosje van Bruggen, Lawrence Weiner. Translation, Ger Van Caspel, Coosje van Bruggen. Eindhoven: Van Abbemuseum, 1976.
7, Spoken text by Lawrence Weiner and Beatrice Conrad-Eybesfeld, Flute by Pierre-Yves Artaud. Translated by Beatrice Conrad-Eybesfeld. Paris: Yvon Lambert, 1972.
Having Been Done at/Having Been Done to, Essendo Stato Fatto A, Voices spoken by Lawrence Weiner and Marina Girotte. Piano, Marina Girotte, Translation, Cesare Scaglia. Rome: Sporone Gian Enze and Fischer Konrad, May, 1973
Monsters From the Deep, Ned Sublette and Lawrence Weiner, 1997


Lawrence Weiner/The Preformance Tapes, Preformance soundtracks, 1976-1981. New York City: Moved Pictures, 1984.

Lawrence Wiener/Twenty Works, A conversation with William Furlong Concerning 20 Works by Lawrence Weiner presented in London 1980. London: Audio Arts, 1980.

Need to Know/A Structure of Lawrence Weiner, Radio play aired on WBAI, 29 January 1978. New York City: Moved Pictures & J. Umland, 1978.

50 Years of Konrad Fischer Galerie 1967-2017

08. Sep 2017 - 17. Nov 2017



03. Jun 2016 - 23. Jul 2016


Lawrence Weiner

05. Sep 2008 - 11. Oct 2008

Lawrence Weiner

11. Mar 2006 - 29. Apr 2006

various artists projection

29. Mar 2003 - 21. Jun 2003

Lawrence Weiner

23. Mar 2002 - 27. Apr 2002