Max Neuhaus
ACTIVE SOUNDWORKS
since 1990 Three 'Similar' Rooms, Galleria Giorgio Persano, Turin
since 1992 Three to One, AOK Building, Kassel
since 1993 (untitled), Collection CAPC Musée d'Art Moderne, Bordeaux
since 1996 (untitled), Collection Castello di Rivoli, Museo d'Arte Contemporanea, Turin
since 1999 (untitled), Collection Swisscom, Worblaufen-Bern
since 1999 Suspended Sound Line, Collection Kunst im öffentlichen Raum, Bern
since 2002 Times Square, Collection: Dia Art Foundation, New York
since 2002 La Barma, Collection: Pierre Huber, Saint Luc, Switzerland
since 2002 Promenade du Pin, Collection: Fonds Contonal d'Art Contemporian, Geneva
since 2003 Time Piece Graz, Kunsthaus Graz am Landesmuseum Joanneum
since 2006 Time Piece Beacon, Dia:Beacon, Beacon, Collection: Dia Art Foundation, New York
since 2007 Eybesfeld, 2007 Collection: Conrad-Eybesfeld
since 2007 Time Piece Stommeln, 2007 Collection: City of Pulheim, Germany
since 2008 Sound Figure, 2007 Collection: The Menil Collection, Houston
SELECTED SOLO EXHIBITIONS
2015
Max Neuhaus, AlfonsoArtiaco, Napoli, Italien
2014
Konrad Fischer Galerie, Berlin
2013
Konrad Fischer Galerie, Düsseldorf
2008
Max Neuhaus: Circumscription Drawings, The Menil Collection, Houston
2004
Treble, The Sculpture Center, New York
2002
Max Neuhaus: Three to One, Drawings from the sound work, Lawrence Markey, New York
2001
Max Neuhaus: An Exhibition of Works on Paper, La Napoule Art Foundation, Mandelieu-La Napoule
2000
Max Neuhaus: Images from eight vectors 1953-2000, Christine Burgin Gallery, New York
Max Neuhaus: Drawings, P.S.1 Contemporary Art Center, New York
Max Neuhaus: Selected Drawings from the Sound Works, 1967-2000, Lisson Gallery, London
1997
Moment / Stund, Second Floor, Reykjavik
The Drawings from Three to One, Encore...Bruxelles and Fondation pour l'Architecture, Brussels
1995
Evoking the Aural: Drawings and their studies from the Place works, Villa Arson, Nice
Evocare l'udible, Castello di Rivoli, Museo d'Arte Contemporanea, Turin
Max Neuhaus: Sound Work Zeichnungen, Kunstverein, Kassel
1994
Max Neuhaus: Zeichnungen, Kunstverein, Heilbronn
1988
Max Neuhaus: Sound Line Magazin - Centre National d'Art Contemporain de Grenoble
1983
Max Neuhaus: Sound Installation, Kunsthalle Basel
1982
Max Neuhaus: Drawings, Max Hutchinson Gallery, New York
1981
Soundings, Neuberger Museum, Purchase, NY
WRITINGS AND RECORDINGS BY THE ARTIST
Zyklus for One Percussionist. Wergo WER 60010 (LP), 1963. Electronics and Percussion: Five Realizations by Max Neuhaus. Columbia Masterworks MS 7139 (LP), 1968. Liner notes by Max Neuhaus.
Cycle for One Percussionist (In Two Different Versions). Heliodor 2549 016, 1970. Featuring Christoph Caskel, Max
Neuhaus, Frederic Rzewski, Karlheinz Stockhausen. Liner notes by Hanspeter Krellman.
“BANG, BOOooom, ThumP, EEEK, tinkle.” New York Times, December 6, 1974, p. 39.
Program Notes. Toronto: York University, 1974. Excerpted in Max Neuhaus: Sound Works, vol. 1, Inscription.
“Situation Esthetics: Impermanent Art and the Seventies Audience: Max Neuhaus.” Artforum 18, no. 5 (January
1980), pp. 27–29. Reprinted as “Modus Operandi,” in Max Neuhaus: Sound Works, vol. 1, Inscription, 1994.
“Lecture at Seibu Museum Tokyo,” 1982. In Max Neuhaus: Sound Works, vol. 1, Inscription. Full text at
www.max-neuhaus.info/bibliography/Tokyo.htm.
“Lecture at University of Miami,” 1984. In Max Neuhaus: Sound Works, vol. 1, Inscription. Full text at
www.max-neuhaus.info/bibliography/Miami.htm.
“Audium, Projekt für eine Welt als Hör-Raum.” In Vom Verschwinden der Ferne: Telekommunikation und Kunst.
Cologne: DuMont, 1990, pp. 119–28.
“Listen.” In Max Neuhaus: Elusive Sources and “Like” Spaces. Turin: Galleria Giorgio Persano, 1990.
“Notes on Place and Moment,” 1992. In Max Neuhaus: Sound Works, vol. 1, Inscription. Full text at www.maxneuhaus.
info/soundworks/vectors/moment/notes/.
“Siren—Aural Design.” Kunst & Museumjournaal 4, no. 6 (1993), pp. 12–18.
“The Broadcast Works and Audium.” In Zeitgleich: The Symposium, the Seminar, the Exhibition. Vienna: Triton,
1994.
“The Institutional Beast,” 1994. In Max Neuhaus: Sound Works, vol. 1, Inscription. Full text at www.maxneuhaus.
info/bibliography/InstitutionalBeast.htm.
“Sound Design.” In Zeitgleich: the Symposium, the Seminar, the Exhibition. Vienna: Triton, 1994.
“Sound Art?” Liner notes for Volume: Bed of Sound. P.S. 1 Contemporary Art Center, New York, July 2000. Audio
CD.
Fontana Mix–Feed: Six Realizations of John Cag 1965/1968.
Alga Marghen, Milan, plana-P 18NMN.044, 2003. Liner notes by Donald J. Henahan, Max Neuhaus, and Theodore
Strongin.
The New York School: Nine Realizations of Cage, Feldman, Brown. Alga Marghen, Milan, plana-N 22NMN.052, 2004.
Liner notes by Malcolm Goldstein, Max Neuhaus, John Rockwell, and Theodore Strongin.
Zyklus: Stockhausen, Neuhaus. Alga Marghen, Milan, plana- P 23NMN.054, 2004. Liner notes by Max Neuhaus and
John Rockwell.
“Netzwerke.” Neue Zeitschrift für Musik, no. 5 (September–October 2004).
“Vortrag Neuhaus.” In End of Art—Endings in Art. Ed. Gerhard Seel. Basel: Schwabe Verlag, 2006. Online at
www.max-neuhaus.info/bibliography/IAPA.htm.
Max Neuhaus: Sound Installation. Basel: Kunsthalle Basel, 1983. Texts by Jean-Christophe Ammann, Max Neuhaus,and Carter Ratcliff. Ammann and Ratcliff texts reprinted in Max Neuhaus: Sound Works, vol. 1, Inscription.
Max Neuhaus: Sound Installation. Providence, R.I.: Bell Gallery, Brown University, 1983. Max Neuhaus: La Collezione, The Collection. Milan: Charta, in association with Castello di Rivoli, Museo d’Arte
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ARTICLES AND REVIEWS |
Strongin, Theodore. “Concert Is Given By Percussionist.” New York Times, June 3, 1964, p. 36. |