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Sol Lewitt

1928

born in Hartford, Connecticut

died in 2007

1953

Studies at the School of Visual Arts, New York

 

1945-49

Studies at Syracuse University, New York 

2015

Sol LeWitt, Gladstone Gallery, New York

Sol LeWitt, Konrad Fischer Galerie, Berlin

Sol LeWitt, Konrad Fischer Galerie, Düsseldorf

Sol LeWitt. 17 Wall Drawings 1970-2015, Fundación Botín, Santander

Sol LeWitt. 40 Years with Annemarie Verna Gallery Part I, Annemarie Verna Galerie, Zurich

From The Collection – Sol LeWitt, SMAK, Gent

Sol LeWitt. Structures and Related Works on Paper, Barbara Krakow Gallery, Boston

 

2014

Redrawing Sol LeWitt Wall Drawing 731, Gallery Onetwentyeight, New York

Creating Place, Asheville Art Museum, Asheville, USA

Sol LeWitt. at that Line, Art Gallery of New South Wales, Sydney

Sol LeWitt. Prints, Pace Prints, New York

Sol LeWitt. Horizontal Progressions, Pace Gallery, New York

 

2013

The Music Collection, Aldrich Contemporary Art Museum, Ridgefield, USA

Sol LeWitt. Paula Cooper Gallery, New York

Sol LeWitt. Shaping Ideas, Jewish Community Center, New York

Sol LeWitt. Wall Drawings, Blondeau & Cie, Geneva

Sol LeWitt. Concrete Block Structure, Rhona Hoffman Gallery, Chicago

Sol LeWitt. Cut, Torn, Ripped, Folded, James Cohan Gallery, New York

 

2012

Sol LeWitt. The Artist and His Artists, Museo d’Arte Contemporanea Donnaregina, Naples 

Sol LeWitt, Alfonso Artiaco, Naples

Sol LeWitt. Pyramides, Galerie Marian Goodman, Paris

Sol LeWitt. The Well-Tempered Grid, Williams College Museum, Williamstown, USA

Sol LeWitt. Colors, M-Museum, Leuven, Belgium

Sol LeWitt’s Lines in Four Directions in Flowers, Philadelphia Museum of Art, Philadelphia

Sol LeWitt. Wall Drawings from 1968 to 2007, Centre Pompidou, Metz

Sol LeWitt, JGM Galerie, Paris

 

2011

Sol LeWitt. Structures, Works on Paper, Wall Drawings 1971–2005, L.A. Louver Gallery, Venice, USA

Sol LeWitt. Artist's Books, Art Laboratory, Berlin

Sol LeWitt.The Structures, Public Art Fund, City Hall Park, New York

Sol LeWitt. Photographic Works 1968 - 2004, Fraenkel Gallery, San Francisco

Sol LeWitt. Arcs and Lines, Paula Cooper Gallery, New York

Sol LeWitt. Structures and Drawings, Barbara Mathes Gallery, New York

Sol LeWitt. Four Towers Structure, Annemarie Verna Galerie, Zurich

 

2010

Sol LeWitt. Wall Drawings, Konrad Fischer Galerie, Berlin

Sol LeWitt. The Artist's Books, Site Gallery, Sheffield

Sol LeWitt, Gladstone Gallery, New York

Remix: Sol LeWitt, Albright-Knox Art Gallery, Buffalo

Sol LeWitt, Rhona Hoffman Gallery, Chicago

Sol LeWitt, Christophe Daviet-Therry, Paris

Sol LeWitt. 2D + 3D, Walker Art Center, Minneapolis

Sol LeWitt. Wall Drawings and Gouaches, Galería Juana de Aizpuru, Madrid

Sol LeWitt, Gladstone Gallery, Brussels

Sol LeWitt. A Mercer Union Legacy Project, Mercer Union, Toronto

Sol LeWitt. Hartford’s Native Son, Wadsworth Atheneum Museum of Art, Hartford, USA

Sol LeWitt. Scribble Wall Drawing, Albright-Knox Art Gallery, Buffalo

Sol LeWitt. Rhona Hoffman Gallery, Chicago

Sol LeWitt. Gouache on Paper, 1987–2005, L.A. Louver, Venice, USA

Sol LeWitt. Wall Drawings and Gouaches, Galeria Juana de Aizpuru, Madrid

 

2009

Sol LeWitt, Brooke Alexander, New York

Sol LeWitt. Seven Wall Drawings, Magasin 3, Stockholm Konsthall, Stockholm

Sol LeWitt, Pace Prints, New York

Sol LeWitt. Forms Derived from a Cube, PaceWildenstein, 32 East 57th Street, New York

Sol LeWitt. Locations, Barbara Krakow Gallery, Boston

Artist Rooms. Sol LeWitt, Tate Liverpool, Liverpool

Sol LeWitt. Works on Paper, Paula Cooper Gallery, New York

Sol LeWitt. Wall Drawing Scribble #15, 2007, Annemarie Verna Gallery, Zurich

Sol LeWitt. Works on Paper and Structures 1966–2005, Annemarie Verna Gallery, Zurich

Artist’s Books by Sol LeWitt, Galleria Civica d’Arte Moderna, Palazzo Collicola,

Spoleto, travelled to: Museo internazionale e biblioteca musica, Bologna, BAS, Instanbul, Christophe Daviet-Thery Bookstore, Paris; Site Gallery, Sheffield, Intonation Centre of Graphic Arts, Ljubljana 

Sol LeWitt. Emblemata, Florence Loewy, Paris

Sol LeWitt. Walldrawing 815, Exile, Berlin

Sol LeWitt. Wall Drawing, Galleria Continua, San Gimignano

Sol LeWitt. Sculptures and gouaches, Muller Gallery, Knokke-Heist

 

2008

Sol LeWitt. Works on Paper, Serge Sorokko Gallery, San Francisco

Sol LeWitt. Wall Drawing #139, Smith College Museum of Art, Northampton

The ABCD's of Sol LeWitt, Williams College Museum of Art, Williamstown

Sol LeWitt x 2, Cincinnati Contemporary Arts Center, Cincinnati

Sol LeWitt. Color and Line - Reproduced, Smart Museum of Art, Chicago

Sol LeWitt. Monumental Drawings, Galleria Nazionale d'Arte Moderna, Rome

Sol LeWitt, The Barbara Krakow Gallery, Boston

Sol LeWitt, Storm King Art Center, Mountainville

Sol LeWitt, Galerie Lelong, Paris

Focus: Sol LeWitt, Museum of Modern Art, New York

Sol LeWitt. Arbeiten auf Papier, Galerie Boisserée, Cologne

Sol LeWitt. Early Works, Björn Ressle Gallery, New York

Sol LeWitt, Annemarie Verna Gallery, Zurich

 

2007

Sol LeWitt. Selected Editions, Pace prints, New York

Sol LeWitt x 2, Weatherspoon Art Museum, Greensboro / Miami Art Museum

Sol LeWitt. A cube with scribble band in four directions, Paula Cooper Gallery, New York

Sol LeWitt. Gouaches, Muller Gallery, Knokke-Heist

Sol LeWitt. Works on paper 1990 - 2004, Serge Sorokko Gallery, San Francisco

Sol LeWitt. The Allen Memorial Art Museum, Oberlin, USA

Sol LeWitt. Scribble Wall Drawings, PaceWildenstein, New York

Sol LeWitt, Museo Serralves, Porto

Sol LeWitt. In Memoriam, Museum of Contemporary Art, Chicago

Sol LeWitt, Bonnefantenmuseum, Maastricht

Sol LeWitt, Metropol Kunstraum, Munich

 

2006

Sol LeWitt. Portfolios - Sets: 1971-1983, Barbara Krakow Gallery, Boston

Sol LeWitt. Drawing Series, Dia:Beacon

Sol LeWitt x 2, The Madison Museum of Contemporary Art, Madison

Sol LeWitt. Monoprints, Pace Prints, New York

New Acquisitions, Serge Sorokko Gallery, San Francisco

Sol LeWitt. Wall Drawings and Early Works, Le Case d’Arte, Milan

Sol LeWitt. Wall Drawings 1973, Lisson Gallery, London

Replication: The Books of Sol LeWitt, New York Art Book Fair, New York

Sol LeWitt. Table, Dorfman Projects, New York

Sol LeWitt. Monoprints, Pace Prints, New York

Sol LeWitt, Adam Gallery, London

Sol LeWitt, Al Galeria, Budapest

Sol LeWitt. Wall Drawings and Gouaches, Galleria Studio G7, Bologna

Sol LeWitt, Fondazione Merz, Torino

 

2005

Sol LeWitt. Splotches and Gouaches, Margo Leavin Gallery, Los Angeles

Sol LeWitt. Gouaches, Yvon Lambert, Paris

New Editions: Sol LeWitt, Pace Prints, New York

New Sol LeWitt Drawings, The Space Gallery, New York

Sol LeWitt. Complex Form No. 7, Everson Museum of Art, Syracuse

Sol LeWitt on the Roof: Splotches, Whirls and Twirls, The Metropolitan Museum of Art, New York

Sol LeWitt. Drawings for Projects, Donald Young Gallery, Chicago

Sol LeWitt. Wall Drawing #801: Spiral, Bonnefantenmuseum, Maastricht

Sol LeWitt, Galleria Massimo Minini, Brescia

Sol LeWitt. Works From 1961 to 1986, Galerie Piéce Unique, Paris

Sol LeWitt. Photographic works, Gemeentemuseum, The Hague

Sol LeWitt. Recent Work, Lyman Allyn Art Museum, New London

Sol LeWitt, Galleria Valentina Bonomo Arte Contemporanea, Rome

Sol LeWitt. Lost Voices, Synagoge Stommeln, Pulheim, Germany

Minimal LeWitt, Alva Gallery, New London

Sol LeWitt. 123, Dia Art Foundation, New York

Sol LeWitt. New Wall Drawings, Alfonso Artiaco, Napoli

Sol LeWitt. New Wall Drawings, Pace Wildenstein, New York

Sol LeWitt. Walldrawing for Josef Albers, Josef Albers Museum Quadrat Bottrop, Bottrop

Sol LeWitt. Gouaches, Paula Cooper Gallery, New York

Sol LeWitt. Graphic Work, Galeria Estiarte, Madrid

Sol LeWitt. New Works, Galerie Meert Rihoux, Brussels

Sol LeWitt,Madison Square Park, New York

 

2004

Sol LeWitt. Gouaches, Muller Gallery, Knokke-Heist

Sol LeWitt. The Zurich Project - Haus Konstruktiv, Stiftung für konstruktive und konkrete Kunst, Zurich

Sol LeWitt. New Works, Lisson Gallery, London

Sol LeWitt. New Wall Drawings, Fraenkel Gallery, San Francisco

Sol LeWitt. Weatherspoon Art Museum, Greensboro

Sol LeWitt. Wall Drawing #1123 - Planes with broken bands of color, The Aldrich Contemporary Art Museum, Ridgefield

Sol LeWitt. Recent Acquisitions, The RISD Museum, University of Rhode Island, Providence

Sol LeWitt. Structures 1962 - 2003, PaceWildenstein, New York

Sol LeWitt. Recent Work, Katonah Museum of Art, Katonah

Sol LeWitt. Indoor/Outdoor Exhibition, Laumeier Sculpture Park, Saint Louis

Sol LeWitt. Wall Drawing - Structure - Gouaches, Annemarie Verna Galerie, Zurich

Sol LeWitt. Photography, Camera Austria, Kunsthaus Graz

Sol LeWitt. Wall, Kunsthaus Graz

Sol LeWitt. Recent Works, Katonah Museum of Art, New York

Sol LeWitt. New Wall Drawing, Collection Lambert, Avignon

 

2003

Sol LeWitt. New Wall Drawings and Gouaches, Rhona Hoffman Gallery, Chicago

Sol LeWitt. Serge Sorokko Gallery, San Francisco

Sol LeWitt, Konrad Fischer Galerie, Düsseldorf

Sol LeWitt. Wall Drawing/Print/Works on Paper, Rosemarie Schwarzwälder, Vienna

Sol LeWitt. New Drawings, Margo Leavin Gallery, Los Angeles

Sol LeWitt. Brick and Block Outdoor Sculpture, Max Protetch Sculpture Beacon

Sol LeWitt. Fotografia, Museo Colecciones ICO, Madrid

Sol LeWitt. Models for Proposed Dome Structures and Recent Gouaches, The Barbara Krakow Gallery, Boston

Sol LeWitt. Wall Drawings, Kunstsammlung Chemnitz, Germany

Sol LeWitt. Wall Drawings, Gouaches, Galleria Allesandra Bonomo, Rome

Sol LeWitt. Paula Cooper Gallery, New York

Sol LeWitt. Walter Storms Galerie, Munich

LeWitt's LeWitt and Selections from the Collection of Sol and Carol LeWitt, New Britain Museum of American Art, New Britain

Sol LeWitt. Horizontal Brushstrokes, Livingston Gallery, The Hague

Sol LeWitt. Maquettes 1979-2003, Maiden Lane Exhibition Space, New York

 

2002

Sol LeWitt. Incomplete open cubes, Scottsdale Museum of Contemporary Art, Scottsdale

Sol LeWitt, Alfonso Artiaco, Naples

Sol LeWitt. Gouaches, Paula Cooper Gallery, New York

Project Space: Sol LeWitt, Center for Contemporary None Objective Art, Brussels

Sol LeWitt. New Wall Drawings, PaceWildenstein, New York

Sol LeWitt. Drawings, Prints and Books 1968 - 1988, National Gallery of Australia, Canberra

Sol LeWitt, The Nordic Watercolour Museum, Skärhamn, Sweden

Sol LeWitt. Recent Prints, Augen Gallery, Portland

Sol LeWitt. Wall Drawings – New Gouaches, Galerie Sfeir, Hamburg

Sol LeWitt. Wall Drawings, Phillip Alan Gallery, New York

Sol LeWitt, Juliana Gallery, Seoul

Sol LeWitt. Wall Drawings y Gouaches, Galerie Juana de Aizpuru, Madrid

Sol LeWitt, Fundación Pedro Barrié de la Maza, Coruña, Spain

 

2001

Sol LeWitt. Wall Drawings, Fundación PROA, Buenos Aires

Sol LeWitt. Incomplete Open Cubes, The Cleveland Museum of Art, Cleveland / The Wadsworth

Sol LeWitt, Atheneum Museum of Art, Hartford

Sol LeWitt, Regen Projects, Los Angeles

Sol LeWitt, Margo Leavin Gallery, Los Angeles

Sol LeWitt. Variations of Incomplete Open Cubes, Colby College Museum of Art, Waterville

Sol LeWitt, Galerie Greta Meert, Brussels

Sol LeWitt. New Wall Drawings, Irish Museum of Modern Art, Dublin

Sol LeWitt, Annemarie Verna Gallery, Zurich

Sol LeWitt. New Wall Drawings, Galerie Thomas Schulte, Berlin

Sol LeWitt. Emblemata, Dabbeni Studio d'arte contemporanea, Lugano

Sol LeWitt. Wall Drawings, Yvon Lambert, Paris

Sol LeWitt. Wall Drawings, Artspace New Haven, New Haven

Sol LeWitt, Atelier del Bosco di Villa Medici, Rome

Sol LeWitt. New Gouaches, Art and Public Gallery, Geneva

Sol LeWitt. Wall Drawings and Prints, Chestnut Hill Academy, Philadelphia Celebrating 75 Years: A Wall Drawing by Sol LeWitt, Williams Collage Museum of Art, Williamstown, USA

 

2000

Sol LeWitt. New Large Concrete Block Structures, Paula Cooper Gallery, New York

Sol LeWitt. A Retrospective, Whitney Museum of American Art, New York

Sol LeWitt. Structure / Wall Drawing / Gouaches, PaceWildenstein, New York

Sol LeWitt. Wall Work, Queens Museum of Art, New York

Sol LeWitt. Black Cubes, Konrad Fischer Galerie, Düsseldorf

Sol LeWitt. San Francisco Museum of Modern Art, San Francisco

Sol LeWitt. Works on Paper, Structures, Rhona Hoffman Gallery, Chicago

Sol LeWitt. Arcs and Bands in Colors, Edition Schellmann, Munich

Sol LeWitt. The University of Michigan Museum of Art, Michigan

Sol LeWitt. Galería Toni Tápies, Barcelona

Sol LeWitt. Sculptures and Gouaches, The Barbara Krakow Gallery, Boston

Wall to Wall: A Decade of Prints by Sol LeWitt, Alva Gallery, New London

Sol LeWitt, Juliana Gallery, Seoul

Sol LeWitt, Donald Young Gallery, Chicago

Sol LeWitt. New Structures, Galerie Tschudi, Clarus, Switzerland

Sol LeWitt, Palazzo del Esposizioni, Rome

Sol LeWitt, Alfonso Artiaco, Naples

 

1999

Sol LeWitt. Wall Drawings, Paula Cooper Gallery, New York

Sol LeWitt. Neue Gouachen, Galerie Daniel Blau, Munich

Sol LeWitt. New Work, Galerie Meert Rihoux, Brussels

Sol LeWitt. New Work (Black + Colors), Institute of Contemporary Art, University of Pennsylvania, Philadelphia 

Sol LeWitt. Irregular Forms, Galerie Franck + Schulte, Berlin

Sol LeWitt, Fondazione Volume!, Rome

Sol LeWitt. Circles Arcs and Bands, Rhona Hoffman Gallery, Chicago Sol LeWitt. Indoors: Drawings and Models - Outdoors: Concrete Block Structures, P.S.1, New York

Sol LeWitt. New Wall Drawings, Galerie Pietro Sparta, Chagny, France

 

1998

Sol LeWitt. New Wall Drawings, PaceWildenstein, New York

Sol LeWitt. Wall Drawings and Photographs, Fraenkel Gallery, San Francisco

Sol LeWitt, Liliana Tovar, Stockholm Sol LeWitt. Wall Pieces (Drawings and Maquettes for Large Scale Structures), Lisson Gallery, London 

Sol LeWitt. Flat and Glossy Colors, PaceWildenstein, Los Angeles

Sol LeWitt. Recent’ Gouaches, PaceWildenstein, Los Angeles

Sol LeWitt, Galleria d’Arte Moderna e Contemporanea Palazzo Forti, Verona

Sol LeWitt, Galleria Continua, San Gimignano, Italy Sol LeWitt. Works on Paper, San Jose Institute of Contemporary Art, San Jose 

Sol LeWitt. New Wall Paintings, Museum of Contemporary Art, Sydney

Sol LeWitt. New Wall Drawings, PaceWildenstein, New York

Sol LeWitt. Bands of Lines: A Wall Drawing, Birmingham Bloomfield Art Center, Birmingham, USA

Sol LeWitt. Wall Works, Alyce de Roulet Williamson Gallery, Art Center College of Design, Pasadena 

Sol LeWitt, Museum Moderner Kunst Landkreis Cuxhaven, Germany

 

1997

Sol LeWitt. Stars, Hiram Butler Gallery, Houston

Sol LeWitt. New Work, Rice University Art Gallery, Houston

Sol LeWitt. 100 Cubes, Kunsthaus Aarau, Switzerland

Sol LeWitt. New Works, Galerie Nächst St. Stephan, Vienna, Austria

Sol LeWitt. Drawings and Structures, Montserrat College of Art Gallery, Beverly

Sol LeWitt. Wall Drawing and Prints, Cummings Art Center, Connecticut College, New London New Work, Rhona Hoffman Gallery, Chicago Wall Paintings, Ace Gallery, New York Wall Drawings, Donald Young Gallery, Seattle Progressions. Works on Paper from the LeWitt Collection, Connecticut College, New London

Sol LeWitt, Paula Cooper Gallery, New York Sol LeWitt, Works of the 60s and 70s, Ubu Gallery, New York

Sol LeWitt. Sculpture & Works on Paper, Jan Weiner Gallery, Kansas City

Sol LeWitt. Recent Works, Annemarie Verna Galerie, Zürich

Sol LeWitt. Cinque Quadri, Ugo Ferranti, Rome

 

1996

United States Representative, 23rd International Bienal of São Paulo

Sol LeWitt. Prints: 1970 - 1995, The Museum of Modern Art, New York travelled to: Blaffer Gallery, University of Houston, The Cleveland Museum of Art, The Detroit Institute of Arts Sol LeWitt. Wall Drawing Installation and Styrofoam Installation, St Marks Position, New York

Retrospektiv II. Sol LeWitt - Richard Tuttle: Werke/Works 1965-1995, Annemarie Verna Galerie, Zürich, Switzerland

Sol LeWitt. Wall Drawings, Sala de las Alhajas, Caja de Madrid

Sol LeWitt. Drawings, Colby College Museum of Art, Waterville, USA Sol LeWitt. New Work, Skoto Gallery, New York, NY (with El Anatsui)

Sol LeWitt. New Wall Drawings, The Pier Arts Centre, Stromess Orkney, UK Sol LeWitt. Drawings and Sculptures, Barbara Krakow Gallery, Boston

Sol LeWitt. Stars, Betsy Senior Gallery, New York

Sol LeWitt. Gouaches, Dan Galeria, São Paulo, Brazil Sol LeWitt. Large Scale Monoprints, Pace Prints, New York

Sol LeWitt, Works On Paper, Philadelphia

Sol LeWitt, Galerie Konrad Fischer, Düsseldorf

Two works by Sol LeWitt, Stedelijk Van Abbemuseum, Eindhoven, The Netherlands

Walls, Galerie Franck + Schulte, Berlin

 

1995

Sol LeWitt, Lisson Gallery, London, England

Sol LeWitt. Working Drawings, John Weber Gallery, New York, NY, travelled to Rhona Hoffman Gallery, Chicago

Sol LeWitt. Wall Drawings 1970 - 1971, Lawrence Markey, New York

Sol LeWitt. Cinderblock Structures, Ace Gallery, New York

Sol LeWitt. Wall Drawings, Kukje Gallery, Seoul, Korea

Sol LeWitt. New Wall Works, Joseloff Gallery, West Hartford

Sol LeWitt : Styrofoam Wall Pieces, Kunstverein Ludwigsburg, Villa Franck, Ludwigsburg, Germany

Sol LeWitt. Wall Drawings, Ludwigsburger Schloßfestspiele, Ludwigsburg, Germany

Sol LeWitt. Structures, Galerie Pietro Spartà, Chagny, France

Sol LeWitt. Gouaches, Daniel Weinberg Gallery, San Francisco

Sol LeWitt. Very Large Gouaches, Gagosian Gallery, New York

Sol LeWitt. 25 Small Gouache Drawings, Gallery 128, New York

Sol LeWitt. 26 Gouaches, Chester Gallery, Chester

Sol LeWitt. New Gouaches, PaceWildenstein, Beverly Hills

 

1994

Sol LeWitt, John Weber Gallery, New York

Sol LeWitt. Wall Drawings, Pace Gallery, New York Sol LeWitt. Recent Works on Paper, Annemarie Verna Galerie, Zürich

Sol LeWitt. Wall Drawings, Art & Public, Geneva

Sol LeWitt. Wall Drawings, Zerynthia, Contrada Cervinara di Paliano, Paliano, Italy Sol LeWitt. Wall Work: White Styrofoam on Black & Related Works on Paper, Barbara Krakow Gallery, Boston 

Sol LeWitt. Working Drawings, Thomas Segal Gallery, Boston

Sol LeWitt. Dessins, 1958-1992, Centre Pompidou, Musée National d'art Moderne, Paris

Sol LeWitt. Wall Drawings 25 Years of Wall Drawings - 1969 – 1994, RENN Espace d’Art Contemporain, Paris, France

 

1993

Sol LeWitt: Twenty - Five Years of Wall Drawing: 1968 – 1993, Addison Gallery of American Art, Phillips Academy, Andover, USA

Sol LeWitt Structures 1962 - 1993 Museum of Modern Art, Oxford

Sol LeWitt, Galeria Tovar, Bogotá

Sol LeWitt: New Wall Pieces, Galerie Konrad Fischer, Düsseldorf

Sol LeWitt Structures 1962–1993, Museum of Modern Art, Oxford travelled to: Villa

Stuck, Munich, Henry Moore Sculpture Trust, Leeds City Art Gallery, Fruitmarket Gallery, Edinburgh, Neues Museum Weserburg, Bremen

Sol LeWitt. Styrofoam Wall Installation, Gallery Yvon Lambert, Paris

Sol LeWitt. Recent Work, New Britain Museum of American Art, Connecticut,

 

1993

Sol LeWitt: Wall Drawings from the Collection of Robert and Sana Risman, Francis Colburn Gallery, University of Vermont, Burlington


1992

Sol LeWitt. Una Struttura per Esterno, Massimo Minini, Brescia, Italy

Sol LeWitt, John Weber Gallery, New York

Sol LeWitt. Black Gouaches, Galerie Natkin Berta, Paris

Sol LeWitt. Complex Forms: Structures and Prints, Akus Gallery, Eastern Connecticut State University, Willimantic

Sol LeWitt. New Wall Drawings, Quint Krichman Projects, La Jolla and San Diego

Sol LeWitt. Drawings 1958–1992, Gemeentemuseum Den Haag. Travelled to Museum of Modern Art, Westfälisches Landesmuseum, Münster, Henry Moore Sculpture Trust, Leeds City Art Gallery, Kunstmuseum Winterthur, Centre Georges Pompidou, Paris, Musée de Picardie, Amiens, Fundació Tapiès, Barcelona, Museum of Fine Arts, Boston, Baltimore Museum of Art, Maryland Sol LeWitt. New Aquatints, Aldrich Museum, Ridgefield, USA

 

1991

Sol LeWitt, Donald Young Gallery, Chicago

Sol LeWitt, Konrad Fischer Galerie, Düsseldorf

Sol LeWitt. Black Gouaches, Julian Pretto Gallery, New York

Sol LeWitt. Structures, Thomas Segal Gallery, Boston

Sol LeWitt. New Structures, Donald Young Gallery, Seattle

Sol LeWitt. Wall Drawings and Gouaches, Galerie Ressle, Stockholm

Sol LeWitt. Wall Drawings # 44, 45, 46, 1970, Galerie Yvon Lambert, Paris

Sol LeWitt. Wall Drawings, Structures & Gouaches, John Stoller & Co., Minneapolis

Sol LeWitt. Œuvres de 1961 a 1986, Galerie 1900–2000, Paris

Sol LeWitt. Sculptures et gouaches, Galerie Patrick Roy, Lausanne

Sol LeWitt. Five Geometric Structures and their Combinations, Graeme Murray Gallery, Edinburgh.

Sol LeWitt. Wall Drawing, Bündner Kunstmuseum Chur, Switzerland

Sol LeWitt. Gallery Cellar, Nagoya, Japan

Sol LeWitt. Sculture e gouaches, Galleria Marilena Bonomo, Bari, Italy

Sol LeWitt. Complex Forms, Annemarie Verna, Zurich

Sol LeWitt. Wall Drawings, Barbara Krakow Gallery, Boston

Sol LeWitt, Galleria Allessandra Bonomo, Rome

Sol LeWitt: New Structures, Lisson Gallery, London

 

1990

Sol LeWitt, Galleria Alfonso Artiaco, Pozzuoli, Italy

Sol LeWitt, Spazio d'Arte, Naples

Sol LeWitt. Complex Forms 1990, Wall Drawings, Gerichtsgebäude E, Frankfurt Am Main

Sol LeWitt. New Structures and Gouaches, Galerie Pierre Huber, Geneva

Sol LeWitt. New Wall Drawings, John Weber Gallery, New York

Sol LeWitt. Prints, Susan Sheehan Gallery, New York

Sol LeWitt. Prints and Related Works, Tomoko Liguori Gallery, New York

Sol LeWitt. Recent Prints, Lawrence Oliver Editions, Philadelphia

Sol LeWitt. Structures, Galerie Vega, Liège, Belgium

Sol LeWitt. Structures & Prints, Galleria Juana de Aizpuru, Seville

Sol LeWitt. Wall Drawings, Galeria Benet Costa, Barcelona

Sol LeWitt. Wall Drawings, Galleria Persano, Turin

Sol LeWitt. Large Scale Concrete Block Sculpture, Max Protetch Gallery, New York

Sol LeWitt. Bücher/Books 1966–1990, Portikus, Frankfurt

 

1989

Sol LeWitt. Wall Drawings 1984 – 1989, Kunsthalle Bern

Sol LeWitt. Incomplete Open Cubes, Galerie Le Gall Peyroulet, Paris

Sol LeWitt. Sculpture and Drawings, Daniel Weinberg Gallery, Los Angeles

Sol LeWitt. Serigraphies et dessins, Gilbert Brownstone et Cie, Paris

Sol LeWitt. 3 recente zeefdrukken, Galerie de Expeditie, Amsterdam

Sol LeWitt. Wall Drawings, Galeria 57, Madrid

Sol LeWitt. Wall Drawings, Galleria Ugo Ferranti, Rome

Sol LeWitt. Wall Drawings, Texas Gallery, Houston

Sol LeWitt. Wall Drawings/Works on Paper, Thomas Segal Gallery, Boston

Sol LeWitt. Works on Paper, Shea & Beker, New York

Sol LeWitt. Wall Drawings, Samuel S.T. Chen Art Center, Central Connecticut State

Sol LeWitt. Sculture / Acquarelli, Studio G7, Ginevra Grigolo, Bologna

Sol LeWitt. Wall Drawings y Gouaches, Galeria Juana de Aizpuru, Madrid

Sol LeWitt. Prints and Related Works, Brooke Alexander Editions, New York

Sol LeWitt. A Wall Drawing Exhibition, Lisson Gallery, London

Sol LeWitt. Complex Form #8, Galleria Bonomo, Bari, Italy

Sol LeWitt, Alfonso Artiaco, Pozzuoli/Naples

Sol LeWitt. Wall Drawings, Galerie Tanit, Munich

 

1988

Sol LeWitt, Lawrence Oliver Gallery, Philadelphia

Sol LeWitt. New Structures, John Weber Gallery, New York

Sol LeWitt. Installation and Sculpture, B.R. Kornblatt, Washington

Sol LeWitt. New Structures, John Weber Gallery, New York

Sol LeWitt. Structures, Galerie Peter Pakesch, Vienna

Sol LeWitt. Structures, Galleria Massimo Minini, Brescia, Italy

Sol LeWitt. Wall Drawings, Annemarie Verna, Zürich

Sol LeWitt. Wall Drawings and Works on Paper, Donald Young Gallery, Chicago

Sol LeWitt. Wall Drawings, Des Moines Art Center, Iowa

Sol LeWitt. Wall Drawings, Le Case d'arte, Milan

Sol LeWitt. Wall Drawings, Kestner-Gesellschaft, Hannover

Sol LeWitt. Forme di Righe in Bianco e Nero, Salone dei Camuccini, Museo Di Capodimonte, Naples

Sol LeWitt. 12 Recent Works on Paper, Lisson Gallery, London

Sol LeWitt. Wall Drawings: Continuous Forms with Color and Gouache Superimposed, Wiener Secession, Vienna

 

1987

Sol LeWitt Structure: 3 x 3 x l, Doris C. Freedman Plaza, New York

Sol LeWitt. Wall Drawings, Galerie Ressle, Stockholm

Sol LeWitt. Wall Drawings, Graeme Murray Gallery, Edinburgh

Sol LeWitt. Wall Drawings, Konrad Fischer Gallery, Düsseldorf

Sol LeWitt. Gravures, Gouaches, Dessins, Galerie Vega, Liège

Works: Sol LeWitt, Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Drawing Now. Sol LeWitt, Baltimore Museum of Art

Sol LeWitt. Wall Drawings, Galerie Yvon Lambert, Paris

Sol LeWitt. Wall Drawings, Alessandra Bonomo, Rome

Sol LeWitt. Tilted Forms, Wall Drawings, Westfalischer Kunstverein, Munster, Germany

Sol LeWitt. Wall Drawings, Ugo Ferranti Gallery, Rome

Sol LeWitt. Wall Drawings, Cleveland Museum of Art, Cleveland

Sol LeWitt. Double Pyramids, John Weber Gallery, New York

Pick Up the Book, Turn the Page, and Enter the System: Books by Sol LeWitt, Minnesota Center for Book Arts, Minneapolis

Sol LeWitt. Open Structures, New Prints, Galleria Marilena Bonomo, Bari, Italy

Sol LeWitt. Wall Drawings, Musée d'Art Moderne de la Ville de Paris

 

1986

Sol LeWitt, Galerie Peter Pakesch, Vienna

Sol LeWitt, Galleria Mario Pieroni, Rome

Sol LeWitt, Marco Noire, Turin

Sol LeWitt. New Structures, Donald Young Gallery, Chicago

Sol LeWitt. Pyramides Aquarelles Sur Papier, Galerie Yvon Lambert, Paris

Sol LeWitt. Pyramids, John Weber Gallery, New York

Sol LeWitt. Structures: 1978–1986, Annemarie Verna, Zürich

Sol LeWitt. Wall Drawings, Institute for Contemporary Art, London

Sol LeWitt. Wall Drawings, Magasin, Centre National d'Art Contemporain de Grenoble

Sol LeWitt. Wall Drawings, Dessins, et Aquarelles, Galerie Vega, Liège

Sol LeWitt. Works on Paper from the RSM Collection, Contemporary Arts Center, Cincinnati

Sol LeWitt. Wall Drawings, Drawing Center, New York

Sol LeWitt. Prints 1970–1986, Tate Gallery, London,

Sol LeWitt. Acquarelle von 1982–1985, Galerie Schiessel, Munich

Sol LeWitt. New Wall Drawings, Rhona Hoffman Gallery, Chicago.

Sol LeWitt. Intervento Su Parete, Spazio immagine, Foligno, Italy

Sol LeWitt, Studio G7, Ginevra Grigolo, Bologna

 

1985

Sol LeWitt, Saatchi Collection, London

Sol LeWitt. Diciannove Poliedre in Legno, Fausto Scaramucci, Spoleto, Italy

Sol LeWitt. Wall Drawings and Structures, Daniel Weinberg Gallery, Los Angeles

Sol LeWitt, Galleria Mario Pieroni, Rome

New Works: Sol LeWitt, Harvard University Art Museums, Cambridge, Massachusetts

Pyramid: A Wall Drawing by Sol LeWitt, Brooklyn Museum of Art, New York,

Sol LeWitt, Light Gallery, New York

Sculture di Sol LeWitt a Tecnopolis, Marilena Bonomo, Bari, Italy

 

1984

Skulpturen von Sol LeWitt, Konrad Fischer Gallery, Düsseldorf

Sol LeWitt. Drawings, Galerie Yvon Lambert, Paris

Sol LeWitt. Wall Drawings, Gewad

Sol LeWitt. Wall Drawings and Drawings, Annemarie Verna, Zürich

Sol LeWitt. Wall Drawings and Works on Paper, Stedelijk Museum, Amsterdam

Sol LeWitt, Galleria Marilena Bonomo, Bari, Italy

Sol LeWitt. Wall Drawings, Lisson Gallery, London

Sol LeWitt. Sculptures: 1964–1974, Galerie Daniel Templon, Paris

Sol LeWitt. Wall Drawings, Au Fond de la Cour À Droite, Chagny, France

Sol LeWitt. Wall Drawings, Raum für Kunst, Hamburg

Sol LeWitt. Structures, Stedelijk Van Abbemuseum, Eindhoven

Sol LeWitt: Books 1968–1983, Gallery A, Amsterdam

 

1983

Sol LeWitt, Academia del Belle Arti, Perugia, Italy

Sol LeWitt. Three Portfolios, Brooke Alexander Gallery, New York

Sol LeWitt. Wall Drawings, Ugo Ferranti Gallery, Rome

Sol LeWitt. Wall Drawings, Aquatints, Woodcuts, Screenprints, Galleriet, Lund

Sol LeWitt. Piramide, Galleriea Mario Pieroni, Rome

Sol LeWitt, Davenport Art Gallery, Iowa

Sol LeWitt. Star Prints, Matrix Gallery, University Art Museum, Berkeley, California

Sol LeWitt. Drawings, Watercolors and Prints, Lisson Gallery, London

Sol LeWitt, Musée d'Art Contemporain de Bordeaux, Bordeaux

 

1982

Sol LeWitt, Banco Gallery, Brescia, Italy

Sol LeWitt, William Aronowitsch Gallery, Stockholm

Sol LeWitt,Young/Hoffman Gallery, Chicago

Sol LeWitt. Wall Drawings, Illinois Institute of Technology, Chicago

Sol LeWitt. Drawings, David Bellman Gallery, Toronto

Sol LeWitt. Structures, Ugo Ferranti Gallery, Rome

Sol LeWitt. Barbara Toll Fine Arts, New York

Sol LeWitt. Isometric Drawings, John Weber Gallery, New York

Wall Drawings. Sol LeWitt, Rudiger Schöttle Gallery, Munich

Sol LeWitt. Wall Drawings, Galleria Marilena Bonomo, Bari, Italy

 

1981

Sol LeWitt, Graphics l and 2, Boston

Sol LeWitt, Konrad Fischer Gallery, Düsseldorf

Sol LeWitt, Van Krimpen Gallery, Amsterdam

Sol LeWitt. New Structures. Works on Paper, David Bellman Gallery, Toronto

Sol LeWitt. Photogrids, Brick Wall, Autobiography, On the Walls of the Lower East Side,  University Art Gallery, New Mexico State University, Las Cruces, New Mexico

Sol LeWitt. Wall Drawings, Geometric Figures, Max Protetch Gallery, New York

Sol LeWitt. Six Geometric Figures, Real Art Ways, Hartford, Connecticut

Sol LeWitt. Wall Drawings and Drawings, Daniel Weinberg Gallery, San Francisco

Sol LeWitt. Wall Drawings and Drawings, Graeme Murray Gallery, Edinburgh

Sol LeWitt. Wall Drawings: 1968–1981, Wadsworth Atheneum, Hartford, Connecticut, travelled to Wesleyan University Art Gallery, Middletown, Connecticut

Sol LeWitt, Paula Cooper Gallery, New York

Sol LeWitt, Palace of Culture, Warsaw

Sol LeWitt. Strukturen 1978–80, Annemarie Verna, Zürich

Sol LeWitt, Mercer Union Art Gallery, Toronto

Sol LeWitt. Six geometric figures and all their double combinations, Galerie Yvon Lambert, Paris

 

1980

Sol LeWitt, Ugo Ferranti Gallery, Rome

Sol LeWitt. Grids & Color, Rüdiger Schottle, Munich, 1980.

Sol LeWitt. Photogrids, Protetch MacIntosh Gallery, Washington, D.C.

Sol LeWitt, Larry Gagosian Gallery, Los Angeles and Venice, California

Sol LeWitt. Structures and Wall Drawings, Texas Gallery, Houston

Sol LeWitt. Statues (A Melodrama), John Weber Gallery, New York

Sol LeWitt. New Structures, Wall Drawings, Drawings, Young/Hoffman Gallery, Chicago

Sol LeWitt. All Four-Part Combinations of Six Geometric Figures, Galerie Watari, Tokyo

Sol LeWitt. These are 20 drawings all 3 part combinations of six geometric figures, Galleria Marilena Bonomo, Bari, Italy

Sol LeWitt, John Weber Gallery, New York

 

1979

Sol LeWitt, Galerie Yvon Lambert, Paris

Sol LeWitt, Konrad Fischer Galerie, Düsseldorf

Sol LeWitt, Rosa Esman Gallery, New York

The Graphics of Sol LeWitt, New Britain Museum of American Art, Connecticut

Sol LeWitt. New Structures and Photogrids, Young/Hoffman Gallery, Chicago

Sol LeWitt. Photogrids, Margo Leavin Gallery, Los Angeles

Sol LeWitt. Geometric Structures, Lisson Gallery, London

 

1978

Sol LeWitt, Protetch MacIntosh Gallery, Washington, D.C.

Sol LeWitt. Drawings, Michael Berger Gallery, Pittsburgh

Sol LeWitt. Geometric Figures, Rolf Preisig Gallery, Basel

Sol LeWitt. Prints and Drawings, John Weber Gallery, New York

Sol LeWitt. Hallen für Internationale Neue Kunst, Zürich

Sol LeWitt. Galleria Marilena Bonomo, Bari, Italy

Sol LeWitt. Prints, Brooklyn Museum of Art, New York

Sol LeWitt. The Museum of Modern Art, New York, travelled to Museum of Contemporary Art, Montreal, Krannert Museum of Art, University of Illinois, Champaign, Museum of Contemporary Art, Chicago, La Jolla Museum of Contemporary Art, La Jolla, USA

 

1977

Sol LeWitt, Joslyn Art Museum, Omaha, Nebraska

Sol LeWitt, National Gallery of Victoria, Melbourne

Sol LeWitt, University of North Dakota Art Gallery, Grand Forks

Sol LeWitt. Geometric Figures, Galerie Konrad Fischer, Düsseldorf

Sol LeWitt. Incomplete Open Cubes, Prints, and Wall Drawings, University Gallery, University of Massachusetts, Amherst

Sol LeWitt, Art & Architecture Gallery, Yale School of Art, New Haven

Sol LeWitt. In una vecchia torre a Spoleto, Galleria Marilena Bonomo, Bari

Sol LeWitt. Saman Gallery, Genoa

Sol LeWitt. Incomplete Open Cubes, Museum of Modern Art, Oxford

Sol LeWitt. Art Gallery of New South Wales, Sydney

Sol LeWitt. Lisson Gallery, London

Sol LeWitt. Structures, John Weber Gallery, New York

Sol LeWitt. Geometric Figures within Geometric Figures, Utah Museum of Fine Arts, Salt Lake City

 

1976

Sol LeWitt, Galerie T.H. Keller, Kempfenhausen, Germany

Sol LeWitt. Geometric Figures, Galerie MTL, Brussels

Sol LeWitt. Modular Drawings, Centre d'art contemporain, Geneva

Sol LeWitt. Wall Drawings, Claire Copley Gallery, Los Angeles

Sol LeWitt, Wall Drawings, Structures, and Prints, Fine Arts Gallery, University of Colorado, Boulder

Sol LeWitt. Drawings, Prints, and Cubes, Kornblatt Gallery, Baltimore

Sol LeWitt, Gian Enzo Sperone, Rome

Sol LeWitt. Incomplete Open Cubes, Kölnischer Kunstverein, Cologne

Sol LeWitt. Five Structures, Dag Hammarskjöld Plaza Sculpture Garden, New York

Sol LeWitt, Visual Arts Museum, New York

 

1975

Sol LeWitt, Aronowitsch Gallery, Stockholm

Sol LeWitt, Galerie Konrad Fischer, Düsseldorf

Sol LeWitt, Lucio Amelio Modern Art Agency, Naples

Sol LeWitt, Saman Gallery, Genoa

Sol LeWitt. Incomplete Open Cubes and Wall Drawings, Scottish National Gallery of Modern Art, Edinburgh

Sol LeWitt. Lines and Color, Annemarie Verna, Zurich, travelled to Rolf Preisig Gallery, Basel

Sol LeWitt. Incomplete Open Cubes, Galleria Peccolo, Livorno

Sol LeWitt, Claire Copley Gallery, Los Angeles.

Sol LeWitt. Graphik, 1970–1975, Kunsthalle Basel

Sol LeWitt. Incomplete Open Cubes, Kunsthalle Basel

Sol LeWitt. Incomplete Open Cubes, Galleria Sperone, Turin

Sol LeWitt. Wall Drawings, Israel Museum, Jerusalem

Sol LeWitt. Incomplete Open Cubes, Stedelijk van Abbemuseum, Eindhoven

Sol LeWitt. Wall Drawings, Drawings, and Incomplete Open Cubes, Daniel Weinberg Gallery, San Francisco

Sol LeWitt. Incomplete Open Cubes, Art & Project, Amsterdam

 

1974

Sol LeWitt, Ace Gallery, Los Angeles

Sol LeWitt, Daniel Weinberg Gallery, San Francisco

Sol LeWitt, Galerie December, Munster

Sol LeWitt, Galerie Vega, Liege,

Sol LeWitt, Galleria Scipione, Macerata, Italy
Sol LeWitt, Rijksmuseum Kröller Muller, Otterlo, The Netherlands

Sol LeWitt, Gian Enzo Sperone, New York

Prints, Stedelijk Museum, Amsterdam

Wall Drawings and Structures: The Location of Six Geometric Figures: Variations of Incomplete Open Cubes, John Weber Gallery, New York

Sol LeWitt, Galleria Sperone, Turin

Sol LeWitt. Location of Three Geometric Figures, Palais des Beaux Arts, Brussels

Sol LeWitt, Lisson Gallery, London

The Location of Eight Points, Max Protetch Gallery, Washington, D.C.

Incomplete Open Cubes, Galerie Yvon Lambert, Paris

 

1973

Sol LeWitt, Galleria L'Attico, Rome

Sol LeWitt, Lisson Gallery, London

Sol LeWitt, Museum of Modern Art, Oxford, United Kingdom

Sol LeWitt. Six Wall Drawings, Cusack Gallery, Houston

Sol LeWitt. Wall Drawings, Portland Center for the Visual Arts, Oregon

Sol LeWitt, Galleria Marilena Bonomo, Bari, Italy

Sol LeWitt, Galleria Toselli, Milan

Sol LeWitt, Rosa Esman Gallery, New York

Sol LeWitt, John Weber Gallery, New York

Cercles & lignes. Sol LeWitt, Galerie Yvon Lambert, Paris

 

1972

Sol LeWitt, Dayton Art Institute, Ohio

Sol LeWitt, Galerie MTL, Brussels

Sol LeWitt, Harcus-Krakow Gallery, Boston

Arcs, from corners & sides, circles, & grids and all their combinations, Kunsthalle Bern

Sol LeWitt, Galerie Konrad Fischer, Düsseldorf

Sol LeWitt, Art & Project, Amsterdam

Sol LeWitt. Lithographs and Wall Drawings, Nova Scotia College of Art & Design, Halifax

Sol LeWitt, Gallery A-402, California Institute of the Arts, Valencia

Sol LeWitt. Wall Drawings, Sculpture, Hayden Gallery, Massachusetts Institute of Technology, Cambridge

 

1971

Sol LeWitt, Dunkelman Gallery, Toronto

Sol LeWitt, Galerie Stampa, Basel

Sol LeWitt, Galerie Ernst, Hannover

Sol LeWitt. Structures and Wall Drawings, John Weber Gallery, New York

Sol LeWitt, Art & Project, Amsterdam

Sol LeWitt, Galerie Konrad Fischer, Düsseldorf

Sol LeWitt, Informations-Raum 3, Basel

Sol LeWitt, Galleria Toselli, Milan

Sol LeWitt, Lisson Gallery, London

Sol LeWitt. Prints and Drawings, Dwan Gallery, New York

Sol LeWitt. Wall Drawings, Protetch-Rivkin Gallery, Washington, D.C.

Sol LeWitt, Art & Project, Amsterdam

 

1970

Sol LeWitt, Pasadena Art Museum, Pasadena

Sol LeWitt, Galerie Heiner Friederich, Munich

Sol LeWitt, Haags Gemeentemuseum, The Netherlands

Sol LeWitt, Lisson Gallery, London

Sol LeWitt. Wall Drawings, Galleria Sperone, Turin

Sol LeWitt, Galerie Yvon Lambert, Paris

Sol LeWitt, Wisconsin State University, River Falls, Wisconsin

Sol LeWitt, Art & Project, Amsterdam

 

1969

Sol LeWitt, Galerie Bischofberger, Zürich

Sol LeWitt, Galerie Ernst, Hannover

Sol LeWitt. Sculptures and Wall Drawings, Museum Haus Lange, Krefeld

Sol LeWitt. Wall Drawings, Dwan Gallery

Sol LeWitt, Galleria L'Attico, Rome

Sol LeWitt, Galerie Konrad Fischer, Düsseldorf

 

1968

Sol LeWitt, Ace Gallery, Los Angeles

Sol LeWitt, Galerie Heiner Friederich, Munich

Sol LeWitt, Galerie Bischofberger, Zürich

Sol LeWitt, Dwan Gallery, New York

Sol LeWitt, Galerie Konrad Fischer, Düsseldorf

 

1967

Sol LeWitt, Dwan Gallery, Los Angeles1966Sol LeWitt, Dwan Gallery, New York

 

1965

Sol LeWitt, John Daniels Gallery, New York

SELECTED GROUP EXHIBITIONS

2016

Wolke und Kristall - Die Sammlung Dorothee und Konrad Fischer, Kunstsammlung Nordrhein-Westfalen, Düsseldorf

WITH A TOUCH OF PINK - WITH A BIT OF VIOLET - WITH A HINT OF GREEN - Dorothee Fischer in memoriam, Konrad Fischer Galerie, Düsseldorf

 

2015

Mental Diary, Kunstverein Hannover

Ein Quadrat ist ein Quadrat ist ein Quadrat, Highlights aus der Sammlung Marli Hoppe-

Ritter, Museum Ritter, Waldenbuch, Germany

Summer Group Exhibition, Marian Goodman Gallery, New York Gray Would Be the

Color If I Had a Heart, Marc Straus, New York Black & White, Sammlung Maximillian and Agathe Weishaupt, Munich Showing Off: Recent Modern & Contemporary Acquisitions, Denver Art Museum, Denver, Selections from the Kramarsky Collection, David Zwirner, New York America is Hard to See, Whitney Museum of American Art, New York Signs/Words, Sperone Westwater, New York Carl Andre, Dan Flavin, Sol LeWitt, Paula Cooper Gallery, New York

 

2014

wizz eyelashes. Walter De Maria, Katharina Grosse, Sol LeWitt, Magasin III, Stockholm

#4/9 JKL, A-Z. Die Sammlung Marzona, Hamburger Bahnhof, Berlin

Intenzione manifesto. Il disegno in tutte le sue lingue e forme, Castello di Rivoli, Turin

One Million Years - System und Symptom, Kunstmuseum Basel – Museum für Gegenwartskunst, Basel

Melting Walls, works from the Igal Ahouvi Art Collection, curated by Sarit Shapira, the Genia Schreiber University Art Gallery, Tel Aviv By Proxy, James Cohan Gallery, New York Love Story – The Anne & Wolfgang Titze Collection, Winter Palace and 21er Haus, Vienna Mind and Matter, Fonds M-ARCO, Le Box, Marseille, France PLIAGE/FOLD, Gagosian Gallery, Paris, France Converging Lines: Eva Hesse and Sol LeWitt, Blanton

Museum of Art at the University of Texas, Austin

 

2013

Galleria Massimo Minini, Brescia, Italy

White, Dickinson Gallery, New York

System/Repetition, Russell Bowman Art Advisory, Chicago

Under Pressure: Contemporary Prints from the Collection of Jordan D. Schnitzer and his Family Foundation, Utah Museum of Fine Arts, Salt Lake City, travelled to Missoula Art Museum, Montana

Yes, No, Maybe: Artists Working at Crown Point Press, National Gallery of Art, Washington, D.C, travelled to McNay Art Museum, San Antonio

Image and Abstraction, Pace Gallery, New York

The Lunder Collection: A Gift of Art to Colby College, Colby College Museum of Art, Waterville. Irland

When Attitudes Become Form: Bern 1969/Venice 2013, Ca’ Corner della Regina, Fondazione Prada, Venice

Moving: Norman Foster on Art, Carré d'Art - Musée d'art Contemporain, Nîmes

Striped, Mitterand + Cramer, Geneva

Edge, Order, Rupture, Galerie Lelong, New York

Celebrating 20 Years of Neptunstrasse 42, Annemarie Verna Galerie, Zurich

Winter Group Show, Pace Gallery, New York

Geometric Abstraction, Pace Prints, New York

 

2012

Kabinettstücke - Vorhut aus dem Hinterland Teil 2, Weserburg, Bremen

How to Make - Ideen, Notationen, Materialisierungen, Kunsthaus Dresden

The Artists' Postcard Show, Spike Island, Bristol

Autobiographies, Espace Louis Vuitton, Paris

The Barbara Krakow Gallery, Boston

Barbara Mathes Gallery, New York

The Pace Gallery, New York

Margo Leavin Gallery, Los Angeles

Senior & Shopmaker Gallery, New York

Art=Text=Art: Works by Contemporary Artists From the Collection of Sally and Wynn Kramarsky, Jane Voorhees Zimmerli Art Museum, New Brunswick, Canada

Close Relations and A Few Black Sheep: Sculpture from the Permanent Collection, Weatherspoon Art Museum, Greensboro, North Carolina

Wood, Metal, Paint: Sculpture from the Fischer Collection, Cantor Arts Center at Stanford University, Stanford

Arte torna Arte, Galleria dell'Accademia, Florence

Art: The Language of Less, Castellani Art Museum, Lewiston

Look Now: Modern and Contemporary Art from Private Collections, Montclair Art Museum

Martin Visser: collector, designer, free spirit, Bonnefantenmuseum, Maastricht

 

2011

Light Years: Conceptual Art and the Photograph, 1964–1977, Art Institute, Chicago

NOMA 100: Gifts for the Second Century, New Orleans Museum of Art, New Orleans

Multiplicity, Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.

The Language of Less (Then), Museum of Contemporary Art, Chicago

From Picasso to Koons: The Artist as Jeweler, Museum of Arts and Design, New York, travelled to Benaki Museum, Athens; Bass Museum of Art, Miami

LeWitt, Mangold, Nauman, Serra: Extended Drawing, Bonnefantenmuseum, Maastricht
Surface Area, Barbara Krakow Gallery, Boston

Art=Text=Art, Joel and Lila Harnett Museum of Art, University of Richmond

21 Americans, Bernard Jacobson Gallery, New York

Locations, Paula Cooper Gallery, New York

Eva Hesse and Sol LeWitt, Craig F. Starr Gallery, New York

Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York

Elemental, Paula Cooper Gallery, New York

Human Nature: Contemporary Art from the Collection, Los Angeles County Museum of Art, Los Angeles

Contemporary Collecting: The Judith Neisser Collection, Art Institute of Chicago
Drawn / Taped / Burned: Abstraction on Paper, Katonah Museum of Art, New York

Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York

January White Sale, Loretta Howard Gallery, New York

Dance Your Life, Centre Pompidou, Musée National d'Art Moderne, Paris Museum of Contemporary Art, Chicago

Werke der Daimler Kunst Sammlung, Daimler Contemporary, Berlin

ATLAS. How to carry the world on Ones Back, Zentrum für Kunst und Medientechnologie, Karlsruhe

Architektona, Hamburger Bahnhof, Museum für Gegenwart, Berlin

The Shape of the Problem, Elizabeth Leach Gallery, Portland

 

2010

Image by Image: Film and Contemporary Art, Museum Ostwall im Dortmunder U, Dortmund

On-Line: Drawing through the Twentieth Century, The Museum of Modern Art, New York

Carl Andre, Dan Flavin, Sol LeWitt, Richard Long, Mario Merz, Gladstone Gallery, New York

Seriality: Sol LeWitt and Allan McCollum, Armand Bartos Fine Art, New York

50 Years at Pace, The Pace Gallery, New York

Post-War American Art: The Novak / O’ Doherty Collection, Irish Museum of Modern Art, Dublin

Calder to Warhol: Introducing the Fisher Collection, San Francisco Museum of Modern Art, San Francisco

Contemporary Collecting: Selections from the Donna and Howard Stone Collection, Art Institute, Chicago

Sol LeWitt and Marisa Merz, Galleria Alessandra Bonomo, Rome

Accrochage: Donald Judd, Louise Lawler, Sol LeWitt, and Robert Mangold, Galerie

Greta Meert, Brussels

Sol LeWitt and Adrian Piper: Selected Infinite Extensions Arbitrarily Constrained, Bowery Poetry Club, New York

With a Probability of Being Seen: Dorothee and Konrad Fischer—Archives of an Attitude, Museu d'Art Contemporani de Barcelona, travelled to Museum Kurhaus Kleve

Minimal—Conceptual—Art, Jason Rulnick, Inc., New York

The Shape of Abstraction, Boston University Art Gallery, Massachusetts

3 x 3: Minimal Sculpture and Painting, L.A. Louver, Venice, California

Andre, LeWitt, Shapiro, Perry Rubenstein Gallery, New York

Connecticut Group Exhibition,D’Amelio Terras, New York

Wall and Floor, Galerie Almine Rech, Paris

On the Square, Pace Wildenstein, New York

Group show, Paula Cooper Gallery, New York

 

2009

Just What Is It…, ZKM, Museum für Neue Kunst, Karlsruhe

Collection: MOCA’s First 30 Years, Museum of Contemporary Art, Los Angeles

Sol LeWitt, Keith Sonnier, Lawrence Weiner, Leo Castelli Gallery, New York

Sans-Titre #1: Peintures des années 1970–1980, Œuvres de la Collection Lambert, Collection Lambert, Avignon

Donald Judd and Sol LeWitt: Conceptual Color in Print, de Young Museum, San Francisco

Artists in Depth: Liam Gillick, Jenny Holzer, Donald Judd, Sol LeWitt. Museum of Contemporary Art, Chicago

Not For Sale, Galería Toni Tàpies, Barcelona

Beyond Black White and Gray, L & M Arts, New York

American Printmaking since 1960, Art Gallery Dubrovnik, Croatia

Spaces/Räume, Annemarie Verna Galerie, Zürich

In and Out of Amsterdam, The Museum of Modern Art, New York

Art at Colby: Celebrating the 50th Anniversary of the Colby College Museum of Art, Colby College Museum of Art, Waterville, Ireland

Sculpture, Margo Leavin Gallery, Los Angeles

Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Mangold, Robert Ryman, Andrea Rosen Gallery, New York

6 Works, 6 Rooms, David Zwirner, New York

Make It New: Abstract Art from the Collection—Robert Motherwell, Sol LeWitt, and others, Ulrich Museum of Art, Wichita, Kansas

40th Anniversary Show, Pace Prints, New York

The Minimalist Site, Barbara Mathes Gallery, New York

Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, The Museum of Modern Art, New York

The Endless Renaissance, Bass Museum of Art, Miami

Contemporary Art from the Barron Collection, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York

A Mancha Humana/ The Human Stain, Galician Centre for Contemporary Art, Santiago de Compostela

New York/New Drawings 1946–2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, Spain

Classic Contemporary: Lichtenstein, Warhol & Friends, Bellagio Gallery of Fine Art, Las Vegas

Innovations in the Third Dimension: Sculpture of Our Time, Bruce Museum, Greenwich

Sol LeWitt, Agnes Martin, Wes Mills: Drawings, Dickinson Agents and Dealers in Fine Art, New York

Geometry as Image, Russell Bowman Art Advisory, Chicago

Opening Lines, New ArtCenter, Newtonville, Massachusetts

 

2008

The Panza Collection, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

21: Selections of Contemporary Art at the Brooklyn Museum, Brooklyn Museum, New York

Begin Again Right Back Here, White Columns, New York

Abstract Mash-up, Crown Point Press, San Francisco

A Year of Drawing 2007–2008, Galerie Lelong, New York

The Hague Sculpture 2008: Freedom – American Sculpture, Haags Gemeentemuseum, The Hague

ONE More, In Memoriam: Sol LeWitt, Esbjerg Kunstmuseum, Denmark

Summer, Donald Young Gallery, Chicago

Selections from the Collection of Helga and Walther Lauffs, Zwirner & Wirth and David Zwirner, New York, travelled to: Hauser & Wirth, Zurich

Sculpture, Texas Gallery, Houston

To Infinity and Beyond: Mathematics in Contemporary Art, Heckscher Museum of Art, Huntington, West Virginia

Wonders of Numbers: Art about Mathematics, Heckscher Museum of Art, Huntington

Styrofoam, Museum of Art, Rhode Island School of Design, Providence

The Skat Prayers, Vilma Gold, London

Color Chart: Reinventing Color, 1950 to Today, The Museum of Modern Art, New York

Jedermann Collection, Fotomuseum Winterthur

Exact + Different: Art and Mathematics from Dürer to Sol LeWitt, Museum Moderner Kunst Stiftung Ludwig Wien, MuseumsQuartier, Vienna

Based on Paper: The Marzona Collection, Middlesbrough Institute of Modern Art, Middlesbrough

How Artist’s Draw: Toward the Menil Drawing Institute and Study Center,The Menil Collection, Houston

Secular Geometry, Worksonpaper.biz, Philadelphia

Collecting Collections: Highlights of the Permanent Collection, Museum of Contemporary Art, Los Angeles

Successive Approximation, Perry Rubenstein Gallery, New York

Carl Andre, Bernd & Hilla Becher, Sol LeWitt, Bridget Riley, Karsten Schubert, London

 

2007

Black and White and Red - All Over, Michele Mosko Fine Art, Denver

The Complexity of the Simple, L&M Arts, New York

La vida privada - Coleccion Josep Civit, Centro de Arte y Naturaleza - Fundacion Beulas, Huesca, Spain

Die aufregende Kunst des 20. Jahrhunderts, Neue Nationalgalerie, Berlin

Deconstructed Geometry, Vivian Horan Fine Art, New York

Repeat Performances: Seriality and Systems Art since 1960, The Allen Memorial Art Museum, Oberlin, Ohio

The Eclectic Eye - Pop and Illusion, Taylor Museum - Colorado Springs Fine Arts Center, Colorado Springs

Summer Show, James Cohan Gallery, New York

POP ART 1960's to 2000's, Hiroshima City Museum of Contemporary Art, Hiroshima

Everything, Dunn and Brown Contemporary, Dallas

Matthys-Colle Collection, Museum Dhondt-Dhaenens, Deurle

Guggenheim Collection: 1940s to Now, National Gallery of Victoria, Melbourne

Block Party II. Daniel Weinberg Gallery, Los Angeles

Light Time and Three Dimensions, The Pace Gallery, New York

Summer reflections 2007, Rosenbaum Contemporary, Boca Raton, Florida

7007 - Kunst der 70er Jahre, Galerie von der Milwe, Aachen

SITEings, SECCA Winston-Salem, Winston-Salem, NY

Ausgerechnet..., Museum im Kulturspeicher, Würzburg

O DEBUXO POR DIANTE, CGAC Santiago de Compostela, Santiago de Compostela

Il faut rendre - Cezanne, Collection Lambert, Avignon

What does the jellyfish want?, Museum Ludwig, Cologne

Die Kunst zu Sammeln, Museum Kunst Palast, Düsseldorf

Before and after Minimalism, Fundacion Juan March, Palma de Mallorca

Klio. Eine kurze Geschichte der Kunst in Euramerika nach 1945, ZKM Karlsruhe

Autopsie unseres Umgangs mit Toten, Deutsches Hygiene-Museum, Dresden

A TRIBUTE TO BRICE MARDEN - Arbeiten auf Papier, fruehsorge contemporary drawings, Berlin

The 52nd Venice Biennale, Venice

Commemorating 30 Years Part III: 1991-2007, Rhona Hoffman Gallery, Chicago

Conceptual Photograpy 1964-1989, Zwirner & Wirth, New York

The Happiness of Objects, Sculpture Center, New York

Commemorating 30 Years Part II: 1981-1990, Rhona Hoffman Gallery, Chicago

Paper thin, Institute of Visual Arts, Milwaukee, Wisconsin

Pure, Sean Kelly Gallery, New York

Das Schwarze Quadrat. Hommage an Malewitsch, Hamburger Kunsthalle

Based on Paper, Die Sammlung Marzona - Revolution der Kunst 1960-1975, Kupferstichkabinett, Berlin

Artisti, parole, immagini dal 1960 al 1968, Fondazione Sandretto Re Rebaudengo, Cirie, Italy

Return to Cézanne, Collection Lambert, Avignon

Commemorating 30 Years Part I: 1976-1980, Rhona Hoffman Gallery, Chicago

L'aura della serialitá, Centro de Arte Moderna e Contemporanea della Spezia, La Spezia, Italy

Mapping the City, Stedelijk Museum Amsterdam

American Master Prints, Alan Cristea Gallery, London

Group Show, Björn Ressle Gallery, New York

REALLIFE 1979-1990, Artists Space, New York

 

2006

Mario Merz - Sol Lewitt, Fondazione Merz, Torino

Strange I've Seen That Face Before - Objekt, Gestalt, Phantom, Museum Abteiberg, Mönchengladbach

Drawing through it, David Nolan Gallery, New York

busy going crazy, La Maison Rouge, Paris

Modulated Abstraction, Brooke Alexander Editions, New York

Elemental Form, L&M Arts, New York

Group Sculpture, Rosenbaum Contemporary, Boca Raton, Florida

Von Carl Andre bis Bruce Nauman, Hamburger Bahnhof, Museum für Gegenwart, Berlin 

Galerie mit Bleistift - Papierarbeiten aus den 60er und 70er Jahren, Konrad Fischer Galerie, Düsseldorf 

Artitudes, Palais des Beaux-Arts, Paleis voor Schone Kunsten, Brussels

Crown Point Press - The Art of Etching, The de Young Museum, San Francisco

Venezia 1948-1986 - La scena dell arte, Peggy Guggenheim Collection, Venice

Nomaden im Kunstsalon - Begegnungen mit der Moderne von Bayer bis Sol LeWitt, Lentos Kunstmuseum Linz

Line and Surface - Works on Paper, Peter Blum Gallery, New York

A Show of Prints, James Kelly Contemporary, Santa Fe

Winter Group Show, The Barbara Krakow Gallery, Boston

Multiples, Red Dot Contemporary, West Palm Beach

Gegen Kandinsky, Museum Villa Stuck, Münchens

Six Feet Under; Autopsie unseres Umgangs mit Toten, Kunstmuseum Bern

Modulated Abstraction, Brooke Alexander Editions, New York

Elemental Form, L&M Arts, New York

Group Sculpture, Rosenbaum Contemporary, Boca Raton

NEO MINIMALISM and some antecedents, John Buckley Gallery, Richmond

Perspectives VII, Borzo Modern & Contemporary, Amsterdam

Twice Drawn, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York

Minimalism: On and Off Paper, Vivian Horan Fine Art, New York

Was ist Plastik? 100 Jahre 100 Köpfe - Das Jahrhundert moderner Skulptur, Lehmbruck Museum, Duisburg

Review - 25 Jahre Österreichische Ludwig Stiftung, Museum Moderner Kunst Stiftung Ludwig, Vienna

SAMMELN UND ENTDECKEN, Galerie Schrade, Karlsruhe

Works on Paper, Thomas McCormick Gallery, Chicago,

Drawn into the World, Museum of Contemporary Art Chicago, Chicago

Nineteen Sixty-Eight, Thomas Solomon Gallery, Los Angeles

Inventur, Kunsthaus Graz

On the Wall, The Art Gallery at the Cleveland State University, Cleveland

 

2005

Galerie M + R Fricke, Berlin

Napoli presente. Posizioni e prospettive dell'arte contemporanea, Palazzo delle Arti di Napoli, Naples

Outdoor Sculpture, Zwirner & Wirth, New York

Looking at Words, Andrea Rosen Gallery, New York

Fast nichts - Minimalistische Werke aus der Friedrich Christian Flick Collection, Hamburger Bahnhof, Berlin

Künstler-Holzpostkarten aus der Sammlung Hussong, Museum Schloss Burgk

SQUARE, Die Sammlung Marli Hoppe-Ritter, Museum Ritter, Waldenbuch, Germany

Rainbow: A painting show, Galerie Sfeir-Semler, Beirut

Salon d'automne, Annemarie Verna Gallery, Zürich

PERFECT PAINTING, Langen Foundation, Neuss

Group Show, The Barbara Krakow Gallery, Boston

OpenSystems - Rethinking Art c.1970, Tate Modern, London

Swing Space: Wallworks, Art Gallery of Ontario, Toronto

Daumenkino, Kunsthalle Düsseldorf

Accrochage, Von Delaunay bis Lichtenstein, Galerie Proarta, Zürich

Elemental, Walker Art Center, Minneapolis

L'Art de Vivre, Lehmann Maupin, New York

Sol LeWitt and Robert Mangold - Drawing Into Print, Senior & Shopmaker Gallery, New York

Design Art: Functional Objects from Donald Judd to Rachel Whiteread, Aspen Art Museum, Aspen

The Last Picture Show - Artists using Photography 1960-1982, Miami Art Central, Miami

Verzamelen!, Bonnefantenmuseum, Maastricht

Sweet Temptations, Kunstmuseum St.Gallen, St. Gallen

Logical Conclusions: 40 Years of Rule-Based Art, The Pace Gallery, New York

Wahlverwandtschaften, Städel Museum, Frankfurt/Main

Major Prints, John Berggruen Gallery, San Francisco

Gegenwelten. Das 20. Jahrhundert in der Neuen Nationalgalerie, Neue Nationalgalerie, Berlin

STRIPES - LINES - COLORS - ARBEITEN IN VERSCHIEDENEN TECHNIKEN, Galerie Wolfgang Exner, Vienna

EXIT- Ausstieg aus dem Bild, Zentrum für Kunst und Medientechnologie, Karlsruhe

 

2004

15 year anniversary of Regen Projects, Regen Projects, Los Angeles

The Print Show, Exit Art, New York

Geometrical abstraction and op art, Museum of Contemporary Art, Skopje

Beyond Geometry - Experiments in Form 1940s-70s, Miami Art Museum, Miami

Small: The Object in Film, Video, and Slide Installation, Whitney Museum of American Art, New York

Contemporary Art: Floor to Ceiling - Wall to Wall, The Wadsworth Atheneum Museum of Art, Hartford, Conneticut

Sol LeWitt / Christian Marclay, Collection Lambert, Avignon

Visions of America, ESSL MUSEUM – Kunst der Gegenwart, Klosterneuburg, Austria

Contemporary Works on Paper from the Collection, New Mexico Museum Arts, Santa Fe

Sommerausstellung, Annemarie Verna Gallery, Zürich

Arbeiten auf Papier/ Grafiken Part II, Fahnemann Projects, Berlin

Summer 2004, The Pace Gallery, New York

Support: Die Neue Galerie als Sammlung 1950-heute, Neue Galerie Graz,

Universalmuseum Joanneum, Graz

Modern Means: Continuity and Change in Art from 1880 to the Present, Mori Art Museum, Tokyo

Symmetries, Senior & Shopmaker Gallery, New York

Singular Forms (Sometimes Repeated) - Art from 1951 to the Present, Solomon R. Guggenheim Museum, New York

Sol LeWitt and Chuck Close, Pace Prints, New York

Das MoMA in Berlin. Meisterwerke aus dem Museum of Modern Art New York, Neue Nationalgalerie, Berlin

Picasso to Thiebaud, Cantor Arts Center at Stanford University, Stanford

The Last Picture Show - Artists Using Photography, 1960-1982, Hammer Museum, Los Angeles, travelled to Walker Art Center, Minneapolis

 

2003

temporal values. Von Minimal zu Video, Zentrum für Kunst und Medientechnologie, Karlsruhe

Minimal to the Max - The Brownstone Collection, Norton Museum of Art, West Palm Beach

Fine Lines: Drawings from the Collection of Wynn Kramarsky, Santa Barbara

Contemporary Arts Forum, Santa Barbara

Das Recht des Bildes, Kunstmuseum Bochum

Wandarbeiten / Papierarbeiten, Fahnemann Projects, Berlin

In full view, Andrea Rosen Gallery, New York

The Stage of Drawing: Gesture & Act - Selected from the Tate Collection, Museum of Contemporary Art Sydney

Corso Terracciano 56, Alfonso Artiaco, Naples

Zona People 1974-1985, musée d'art moderne et contemporain, Geneva

Guest Art. Das Kunsthaus mit Leihgaben zu Gast, Haus Konstruktiv, Stiftung für konstruktive und konkrete Kunst, Zürich

Flavin Judd Lewitt Serra, Zwirner & Wirth, New York

Drawings, Donald Young Gallery, Chicago

Journey to Now, John Kaldor Art Projects & Collection, Art Gallery of South Australia, Adelaide

Elemental - Selections from the permanent collection, Walker Art Center, Minneapolis

Not Exactly Photographs, Fraenkel Gallery, San Francisco

Minimalism and After II, Daimler Contemporary, Berlin

Drawings, Drawings, Drawings, Margarete Roeder Gallery, New York

Contemporary Collectors XVIII, Museum of Contemporary Art San Diego, La Jolla, CA

Rendez-vous #4, Collection Lambert, Avignon

From Broodthaers to Horn, Stedelijk Van Abbemuseum, Eindhoven

 

2002

Crossing Cultures, Kunsthaus Muerz, Mürzzuschlag, Austria

Lucio Fontana. Metafore barocche - Palazzo Forti - Galleria d'Arte Moderna e

Contemporanea, Verona

Network, Annemarie Verna Gallery, Zürich

Drawings of Choice from a New York Collection, Krannert Art Museum, Champaign

Group Exhibition, Paula Cooper Gallery, New York

Representing Nature, Museum of Contemporary Art Chicago

Judd, LeWitt, Mangold, Martin and Shapiro, The Pace Gallery, New York

Jim, Jonathan, Kenny, Frances and Sol, Stedelijk Museum, Amsterdam

American Abstraction, Alan Cristea Gallery, London

Private / Corporate, Daimler Contemporary, Berlin

American Beauty, Annely Juda Fine Art, London

My Head is on Fire but my Heart is full of Love, Kunsthal Charlottenborg, Copenhagen

Gallery Artists, Donald Young Gallery, Chicago

From The Observatory, Paula Cooper Gallery, New York

Under Pressure, Prints from Two Palms Press, Amherst Fine Arts Center, University of Massachusetts 

Portfolios, Brooke Alexander Editions, New York

Minimal art and Mondriaan, Gemeentemuseum Den Haag

Portfolios, The Barbara Krakow Gallery, Boston

Hypothesis of the Stolen Painting, Slought Foundation, Philadelphia

 

2001

Celebrating a Decade, Irish Museum of Modern Art, Dublin

PAINTINGS/ABSTRACT, Konrad Fischer Galerie Düsseldorf

Conception - The Conceptual Document 1968-1972, The Morris and Helen Belkin Art Gallery, Vancouver

Szenenwechsel XX, Museum für Moderne Kunst, Frankfurt/Main

Monets Vermächtnis - Serie - Ordnung und Obsession, Hamburger Kunsthalle, Hamburg

Carl Andre, Sol LeWitt & Joel Shapiro, Paula Cooper Gallery, New York
8.Triennale Kleinplastik, Fellbach

Which ART do you like best?, Kamakura Gallery, Kanagawa

Two-Palms Press: Under Pressure, Schick Art Gallery, Skidmore College, Saratoga Springs, NY

Minimalismos. Un signo de los tiempos, Museo Nacional Centro de Arte Reina Sofia, Madrid

Die Cabinette des Dr. Czerny, Neue Galerie Graz, Universalmuseum Joanneum, Graz

La Percezione dello spazio - Palazzo Forti - Galleria d'Arte Moderna e Contemporanea, Verona

Works on Paper, Victoria Miro Gallery, London

Minimal Maximal, National Museum of Modern Art Kyoto, Kyoto

49th International Art Exhibition Venice Biennale

Ornament und Abstraktion, Fondation Beyeler, Riehen

Drawings, Regen Projects, Los Angeles

Die Sammlung Lauffs II, Museen Haus Lange / Haus Esters, Krefeld

Drawing is Another Kind of Language, The Contemporary Museum Honolulu

Vision, Toyota Municipal Museum of Art, Toyota Aichi

The 1970s: Suites and Portfolios From The Hallmark Collections, H&R Block Artspace at Kansas City Art Institute, Kansas City

Glossalgia, Frissiras Museum, Athens

Für Hanne, Galerie Crone, Berlin

A Room of Their Own From Arbus to Gober, The Geffen Contemporary at MOCA, Los Angeles

Contemporary Collectors XVI, Museum of Contemporary Art San Diego, La Jolla, CA
Weiss, Museum für Gegenwartskunst, Emanuel Hoffmann-Stiftung, Basel

 

2000

Ligne(s) de conduite, Espace de l'art concret, Mouans Sartoux

Many Colored Objects Placed Side By Side To Form A Row Of Many Colored Objects, Casino Luxembourg Forum d'art contemporain, Luxembourg

Global Conceptualism - Points of Origin 1950s-1980s, List Visual Arts Center, Cambridge

In Process, Curt Marcus Gallery, New York

Percepciones en transformacion: La Coleccion Panza del Museo Guggenheim Bilbao,

Museo Guggenheim de Arte Moderno y Contemporaneo, Bilbao

The Cities Collect, Walker Art Center, Minneapolis, MN

Drawing is Another kind of Language, Mary & Leigh Block Museum of Art, Evanston, IL
Campi di oscillazione, Centro Sperimentale per le Arti Contemporanee, Caraglio

Century of Innocence. The History of the White Monochrome, Rooseum Center for Contemporary Art, Malmö

Minimal Affect - Selections from the Permanent Collection, Museum of Contemporary Art, North Miami

Wall Works, Edition Schellmann, Munich

La Biennale de Lyon

Sol LeWitt + Sophie Calle, Donald Young Gallery, Chicago

Art at Work: Forty Years of the Chase Manhattan Collection, Queens Museum of Art, New York

Afterimage - Drawing Through Process, Contemporary Arts Museum Houston

Erwerbungen, Dauerleihgaben und Schenkungen der neunziger Jahre, Museum Wiesbaden

Destruction / Creation, Ubu Gallery, New York

 


1999

Sculpture and Sculptors' Drawings, Paula Cooper Gallery, New York

John Cage, Fischli & Weiss, Ellen Gallagher, Sol Lewitt, Richard Long, Tatsuo Mi, James Cohan Gallery, New York

Drawing is Another kind of language, Parrish Art Museum, Southampton, New York

Die Kunst der Linie - Möglichkeiten des Graphischen, Landesgalerie am Oberösterreichischen Landesmuseum, Linz

Alchemies of the Sixties. From the Rose Art Museum Permanent Collection, The Rose Art Museum, Waltham, Massachusetts

Independence Day, KW Institute for Contemporary Art, Berlin

Summer '99, Pace Wildenstein, New York

U.S. Classics, Galerie Tanit, Munich

Summer Group Show, The Barbara Krakow Gallery, Boston, MA

Jubiläumsausstellung, Annemarie Verna Gallery, Zurich

WÄNDE / WALLS, Konrad Fischer Galerie, Düsseldorf

Wall Works, Paula Cooper Gallery, New York

Minimal Maximal, Staatliche Kunsthalle Baden-Baden
Die Sammlung Paul Maenz, Neues Museum Weimar

Afterimage: Drawing Through Process, Museum of Contemporary Art Los Angeles, California

Contemporary Arts Museum, Houston, Texas

Primarily Structural: Minimalist and Post-minimalist Works on Paper, P.S.1/Institute for Art and Urban Resources, Long Island City, New York

Art at Work: Forty Years of the Chase Manhattan Collection, Museum of Fine Arts, Houston, Texas

Art in our Time: 1950 to the Present, Walker Art Center, Minneapolis, Minnesota

The American Century: Art and Culture, 1950-2000, Whitney Museum of American Art, New York

Modern Starts: People, Places, Things, The Museum of Modern Art, New York

 

1998

Paintings and Drawings, Rhona Hoffman Gallery, Chicago

Minimal-Maximal, Neues Museum Weserburg Bremen

Kunst ohne Unikat, Neue Galerie Graz, Universalmuseum Joanneum, Graz

A Choice from the Collection, Stedelijk Van Abbemuseum, Eindhoven

Then and now, Lisson Gallery, London

Jan Vercruysse - Thomas Houseago - Donald Judd - Gert Vermeiren - Louise

Bourgeois - Sol Lewitt, Xavier Hufkens, Brussels

Summer Group Show, The Pace Gallery, New York

The '60s in the Seventies, Ubu Gallery, New York

Sculpture, Rhona Hoffman Gallery, Chicago

Das Jahrhundert der Künstlerischen Freiheit, Wiener Secession, Vienna

Selections From the Collection of Marne and James DeSilva, Museum of

Contemporary Art San Diego, La Jolla

100 Years of Sculpture: From the Pedestal to the Pixel, Walker Art Center, Minneapolis, Minnesota

Waves Breaking on the Shore: Ad Dekkers in his Time, Stedlijk Museum, Amsterdam

Envisioning the Contemporary: Selections from the Permanent Collection, Museum of Contemporary Art Chicago

Commission Possible: Walker Art Center, 1980-1998, Walker Art Center, Minneapolis

Photography at Princeton: Celebrating 25 Years of Collecting and Teaching the History of Photography, Art Museum, Princeton University, New Jersey

Een keuze uit de eigen collectie: A Choice from the Collection, Stedelijk Van Abbemuseum, Eindhoven

 

1997

Group Exhibition of Gallery Artists, PaceWildenstein, Greene St. New York

A Lasting Legacy: Selections From The Lannan Foundation Gift, The Geffen

Contemporary at MOCA, Los Angeles

Seven by Six, University of Massachusetts, Amherst Fine Arts Center, Amherst

Etchings of the Twentieth Century, Margo Leavin Gallery, Los Angeles

One-Line Drawing, Ubu Gallery, New York

Summer Show '97, The Pace Gallery, New York

47th International Art Exhibition Venice Biennale

Thirty-five Years at Crown Point Press, The National Gallery of Art, Washington, DC

Tra post-minimal e concettuale, Museo Cantonale d'Arte, Lugano

Color and Paper, Rosemarie Schwarzwälder, Vienna

Without trembling, Galerie Fortlaan 17, Gent

Old friends inside and outside the museum, Stedelijk Van Abbemuseum, Eindhoven

Ne dites pas non!, musée d'art moderne et contemporain, Geneva

Skulptur Projekte Münster, Westfälisches Landesmuseum, Münster

In Visible Light: Photography and Classification in Art, Science, and the Everyday, Museum of Modern Art, Oxford

Lois Beurman Torf Print Collection, Fine Arts Center, University of Massachusetts, Amherst

Progressions: Works on Paper from the LeWitt Collection, Connecticut College, New London, Connecticut

Drawing is Another Kind of Language: Recent American Drawings from a New York

Private Collection, Harvard University Art Museums, Cambridge, Massachusetts

Kunstmuseum, Winterthur

Kunstmuseum, Ahlen

Akademie der Kunst, Berlin

Parrish Art Museum, Long Island, New York

Lyman Allyn Art Museum, New London, Connecticut

 

1996

Main Stations, Casino Luxembourg

Group Exhibition of Gallery Artists, PaceWildenstein, New York

23rd Bienal de Sao Paulo

Sammeln ist wie Tagebuchführen 1964 - 1996, Galerie Rainer Wehr, Stuttgart

Ars Saevi 2000, Centro per l'Arte Contemporanea Luigi Pecci, Prato

American Contemporary Prints, Wako Works of Art, Tokyo

Black Grey & White - Part II, Galerie Bugdahn und Kaimer, Düsseldorf

Black Grey & White - Part I, Galerie Bugdahn und Kaimer, Düsseldorf

 

1995

Sniper's Nest: Art That Has Lived with Lucy R. Lippard, Hessel Museum of Art & Center

for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, NY

Au rendez-vous des amis, coll. A. LH., musée dart moderne et contemporain, Geneva

Pop Art and Minimalism from the Louisiana and the Moderna Museet, Rooseum Center  for Contemporary Art, Malmö

25 Years: An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles

Abstand und Nähe ? Prospect '68 '69 '71 in Düsseldorf, Galerie Bugdahn und Kaimer, Düsseldorf

Album: The photographic collection of Museum Boijmans-van Beuningen Rotterdam, Museum Boijmans van Beuningen, Rotterdam

Sol Lewitt and Robert Mangold, Lisson Gallery, London

Drawn on the Museum, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut

Corpus Delicti, Museum van Hedendaagse Kunst, Ghent

Views from Abroad, Whitney Museum of American Art, New York

Accumalazioni: Jan Dibbets, Sol LeWitt, Mario Merz, Zerynthia, Contrada Cervinara, Paliano, Italy

Revolution in Contemporary Art: The Art of the Sixties, Museum of Contemporary Art, Tokyo, Japan

Being Human, Museum of Fine Arts, Boston, Massachusetts

 

1994

The Box: From Duchamp to Horn, Ubu Gallery, New York

Drawing Rooms: Jonathan Borofsky, Sol Lewitt, Richard Serra, The Modern Art

Museum of Fort Worth, Fort Worth, Texas

Installations, Margo Leavin Gallery, Los Angeles

From Minimal to Conceptual Art, The National Gallery of Art, Washingto

Die Erste Sammlung 1988 Bis 1994 - Positionen Aktueller Kunst, Akademie der bildenden Künste, Wien

Arte Contemporanea dalla Collezione della Federazione delle Cooperative Migros, Museo Cantonale d'Arte Lugano, Lugano

After Construction, Magasin 3, Stockholm Konsthall, Stockholm

European and American Drawings 1961-69 - David Nolan Gallery, New York

The Art of Memory: Holocaust Memorials in History, Jewish Museum, New York

Minimal Art: Andre, Flavin, Judd, LeWitt, Morris, Mangold, Ryman, Weiner: A New Condensed Exhibition. Presenting Early and New Works, Which Question the Common

Label Minimal Art, Hallen für Neue Kunst, Schaffhausen, Switzerland

Under Development, Museum of Contemporary Art, Chicago

Wall to Wall: Robert Barry, Daniel Buren, Sol LeWitt, Simon Patterson, Julie Roberts, Lily van der Stokker, Southampton City Art Gallery, Southampton

Traum vom Absoluten - Dream of the Absolute, Galerie Beyeler, Basel

Works on Paper: Selections from the Permanent Collection, Whitney Museum of American Art, New York

Prints of Darkness, Fogg Art Museum, Harvard University, Cambridge, Massachusetts

Mapping, The Museum of Modern Art, New York

 

1993

Oeuvres choisies dans la collection du FRAC Rhône-Alpes, centre d'art contemporain, Thiers

Minimal, Galerie Eugen Lendl, Graz

On the Road: Selections from the Permanent Collecton of the Museum of Contemporary Art, San Diego

Contemporary Arts Museum Houston

Out of sight out of mind, Lisson Gallery, London

Motion and Document/Sequence and Time: Eadweard Muybridge and Contemporary American Photography, Henry Art Gallery, Seattle, WA

The Geometric Tradition in American Art 1930-1990, Whitney Museum of American Art, New York

American Art in the 20th Century: Painting and Sculpture, Martin-Gropius-Bau, Berlin

Royal Academy, London, England

Multiple Images: Photographs Since 1965 from the Collection, The Museum of Modern Art, New York

De Verzameling/The Collection, Stedlijk Van Abbemuseum, Eindhoven

Rolywholyover: A Circus, Museum of Contemporary Art, Los Angeles

Menil Collection, Houston, Texas

Solomon R. Guggenheim Museum, New York / Art Tower, Mito, Japan / Philadelphia Museum of Art

Das Einfache ist das Schwierige, Kunsthaus Zug, Switzerland

 

1992

Drawings, Galerie Thomas Schulte, Berlin

Sans og samling, Museet for Samtidskunst / Museum of Contemporary Art, Roskilde

Collezione Panza di Biumo - Gli anni Ottanta e Novanta, Museo Cantonale d'Arte Lugano, Lugano

An Exploration of Minimalism, Greenfield Sacks Gallery, Santa Monica,

I Love Art II, Watari Museum of Contemporary Art, Tokyo

Arte Americana 1930-1970, Lingoto, Turin

Allegories of Modernism: Contemporary Drawing, The Museum of Modern Art, New York

Pop to Now: Selections from the Permanent Collection and Extended Loans, Williams College Museum of Art, Williamstown, Massachusetts

Sammlung Lafrenz, Neues Museum Weserburg, Bremen

Transform: BildObjektSkulptur im 20. Jahrhundert, Kunsthalle Basel

5eme collection: Objets d'artistes, Musée National d'Art Moderne, Centre Georges Pompidou, Paris

Series and Sequences: Contemporary Drawings and Prints from the Permanent

Collection, National Gallery of Art, Washington, D.C.

Selections from the Collection, The Museum of Modern Art, New York

 

1991

The Presence of Absence: New Installations, Ben Maltz Gallery at Otis College of Art and Design, Los Angeles

Act-Up Benefit Exhibition, Paula Cooper Gallery, New York

Zeichnungen des 20. Jahrhunderts. Karl August Burckhardt-Koechlin-Fonds 1991, Kunstmuseum Basel

Three Rooms, Galerie Thomas Schulte, Berlin

Immaterial Objects: Works from the Permanent Collection of the Whitney Museum of American Art, Henry Art Gallery, Seattle, WA

Word As Image: American Art 1960 - 1990, Contemporary Arts Museum Houston
Geometry and Minimalism, Greg Kucera Gallery, Seattle

Sculpture: Andre / Judd / LeWitt, Margo Leavin Gallery, Los Angeles

Gallery Selections, Barbara Mathes Gallery, New York

Masterworks of Contemporary Sculpture, Painting, and Drawing: The 1930s to the 1990s; Small Sculpture in an Inner Space, Bellas Artes, Santa Fe, New Mexico

3rd Monte Carlo Sculpture Biennial, Monaco, Monte Carlo

Metamemphis, Museum Kunstlerkolonie, Darmstadt

Salon de los 16, Palacio Velazquez, Madrid

Immaterial Objects: Works for the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art at Federal Plaza, New York

Recent Acquisitions: Works on Paper, National Gallery of American Art, Washington

 

1990

Zeichnungen und Skulpturen, Galerie Hubert Winter, Vienna

American Masters of the 60's, Tony Shafrazi Gallery, New York
Floorworks, Museum of Contemporary Art, Los Angeles, California

Wittgenstein: The Play of the Unsayable, Palais des Beaux-Arts, Brussels / Wiener Secession, Vienna

The New Classicism, Gallery of the New York School of Interior Design, New York

Radikal auf Papier, Aargauer Kunsthaus, Aarau, Switzerland

Affinities and Intuitions: Selections from the Gerald S. Elliot Collection of Contemporary Art, Art Institute of Chicago

20th Century Sculptures from Arp to Zadkine, Galerie Academia, Salzburg, Austria

The Future of the Object: A Selection of American Art, Minimalism and After, Gallery Ronny Van De Velde, Antwerp, Belgium

Musée d`Art Contemporain de Bordeaux,

Un Choix d'art minimal dans la collection Panza, Musée d'Art Moderne de la Ville de Paris

Minimalist Vision: Buren, LeWitt, Mangold, Cleveland Center for Contemporary Art, Cleveland, Ohio

New Works for New Spaces: Into the Nineties, Wexner Center for the Visual Arts, Columbus, Ohio

Arte & Arte, Castello di Rivoli Museo d'Arte Contemporanea, Turin

 

1989

Abstractions, The Museum of Modern Art, New York

Tate Gallery, Liverpool

Capita Selecta, Stedelijk Van Abbemuseum, Eindhoven

The Presence of Absence: New Installations, Gallery 400, University of Illionis, Chicago

Bilderstreit, Messehallen, Cologne

1 Triennal de dibuix Joan Miro, Fundació Juan Miro, Barcelona

2nd International Istanbul Biennial, Istanbul

Einleuchten: Will, Vorstel und Simul in HH, Deichtorhallen, Hamburg

Ville nouvelles, nouveaux projets, Musée National d'Art Moderne Centre Georges Pompidou, Paris

The Mindful Page, Contemporary Arts Museum Houston

Aus dem Würfelmuseum, Karl-Ernst-Osthaus-Museum, Hagen

 

1988

Porkkana - kokoelma: nykytaiteen museon puolesta, Kiasma Museum of Contemporary  Art, Helsinki

Ensembles de Centre Pompidou, Musée National d'Art Moderne, Paris

USA - Back and Now, Galerie Eugen Lendl, Graz

Zeichnung, Galerie M + R Fricke, Düsseldorf

La Biennale di Venezia, Venice, Italy

Rot, Gelb, Blau, Kunstmuseum St. Gallen, St. Gallen
Museum Fridericianum, Kassel

Het Meubel Verbeeld - Furniture as Art, Museum van Beuningen, Rotterdam

1988: The World of Art Today, Milwaukee Art Museum, Milwaukee

Zeitlos, Hamburger Bahnhof, Berlin

Collage, The Museum of Modern Art, New York

Works 88, Hirshhorn Museum and Sculpture Garden, Washington D.C.

 

1987

Selections from the John Weber Gallery, New York, Fay Gold Gallery, Atlanta, GA

Homage to Beuys, Fruitmarket Gallery, Edinburgh

Lincoln Center/List Prints, Greg Kucera Gallery, Seattle

20th anniversary exhibition, Lisson Gallery, London

Sculpture of the Sixties, Margo Leavin Gallery, Los Angeles

Skulptur. Projekte in Münster 1987, Skulptur Projekte Münster

Werkgruppen. Arbeiten auf Papier, Rosemarie Schwarzwälder, Vienna

Andre, Flavin, Judd, LeWitt, Nauman, Serra, Galerie Daniel Templon, Paris

Mathematik in der Kunst der letzten dreißig Jahre, Wilhelm Hack Museum, Ludwigshafen

Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Mangold, Heath Gallery, Atlanta

1967: At the Crossroads, Institute of Contemporary Art, Philadelphia

Drawings from the Collection of Dorothy and Herbert Vogel, Pensylvania State

University, Museum of Art, University Park, Pensylvania

Skulptur Projekte in Münster

1987 Biennal Exhibition, Whitney Museum of American Art, New York

Daniel Buren / Sol LeWitt; Centre National d?Art Contemporain, Grenoble, France

 

1986

Chambres d'amis, SMAK Stedelijk Museum voor Actuele Kunst, Gent / Museum van Heddandaagse Kunst, Ghent

Arte Contemporanea, Galleria La Fenice, Sassari

Lisson Gallery Dan Graham & Sol LeWitt, Lisson Gallery, London

Point, ligne, plan, Musée d'art contemporain de Montréal, Montreal

Forty Years of Modern Art: 1945-1985, Tate Gallery, London

Political Geometries: Daniel Buren, Peter Halley, Sherrie Levine, Sol LeWitt. Blinky Palermo, Robert Ryman, Hunter College Art Gallery, New York

Hommage ? Beuys, Städtische Galerie im Lenbachhaus, München

Collection Souvenir, Nouveau Musée. Lyon

Eye Level: Ooghoogte, Stedelijk Van Abbemuseum, Eindhoven

 

1985

Estructuras Repetitivas, Fundacion Juan March, Madrid

Ouverture, Castello di Rivoli, Turin

Art Minimal I, Musée d'art contemporain, Bordeaux

Contrast of Form: Geometric Abstract Art 1910-1980, The Museum of Modern Art, New York

Experiment Haus Lange - 30 Years Across the Art, Museum Haus Esters, Krefeld

Vom Zeichnen: Aspekte der Zeichnung 1960-1985, Frankfurter Kunstverein, Frankfurt
Carnegie International, Museum of art, Carnegie Institute, Pittsburgh

 

1984

American Sculpture, Margo Leavin Gallery, Los Angeles

Flyktpunkter, Moderna Museet, Stockholm

Artists Call, Paula Cooper Gallery, New York

Geometric Art of the Twentieth Century, Kunstmuseum Bern

Hallen für Neu Kunst, Schaffhausen, Switzerland

Skulptur im 20. Jahrhundert, Merian Park, Basel

Legendes, Musée d'art contemporain, Bordeaux

Olympian Gestures, Los Angeles County Museum of Art, Los Angeles

Citywide Contemporary Sculpture Exhibition, Toledo, Ohio

Prefiguration d'une collection d'art contemporain / Nimes, Galeries des Areves, Musée des beaux arts de Nimes, Nimes

La Grande Parade: Highlights in Painting after 1940, Stedelijk Museum, Amsterdam

 

1983

Ars `83, Art Museum of the Ateneum, Helsinki

17th Biennale of Sculpture, Antwerp, Belgium

Nuclear Weapons Freeze Benefit Exhibition, Margo Leavin Gallery, Los Angeles

Group Exhibition, Rhona Hoffman Gallery, Chicago

The first show: Painting and sculpture form eight collections, 1940-1980, Museum of Contemporary, Los Angeles

 

1982

documenta 7, Kassel

American Painting and Sculpture 74th Annual, The Art Institute of Chicago

Yvon Lambert présente 24 Artistes de sa Galerie Chez Jeanne Laffitte, Yvon Lambert, Paris

A Century of Modern Drawing, The Museum of Modern Art, New York

The British Museum, London

Summer Group Show, Konrad Fischer Galerie, Düsseldorf

Zeitgenössische Kunst aus der Sammlung Crex, Kunsthalle Basel

 

1981
Murs, Centre Pompidou Musée National d'Art Moderne, Paris

Carl Andre, Donald Judd, Sol LeWitt, Paula Cooper Gallery, New York City

Sammlung Crex, Kunstverein in Hamburg

Minimal Art, Fundacion Juan March, Madrid

Viewpoint `81: Installations, Cranbook Academy of Art, Bloomfield Hills, Michigan

Recent Acquisitions: Drawings, The Museum of Modern Art, New York

 

1980

The Decade in Review Selections from the 1970s from the Permanent Collection, Whitney Museum of American Art, New York

Daniel Buren, Sol LeWitt, Richard Long, Fred Sandback, Lisson Gallery, London

Objects and Logotypes - Relationships Between Minimal Art and Corporate Design, The Renaissance Society at The University of Chicago

Contemporary Drawings and Watercolors, Memorial Art Gallery, University of Rochester, New YorkPrinted Matter, The Museum of Modern Art, New YorkPier + Ocean: Construction in the Art of the Seventies, Hayward Gallery, London, England / Rijksmuseum Kröller-Müller, Otterlo International Sculpture Exhibition, BaselThe 39th Biennale di Venezia, Venice

 

1979

Through the summer, Lisson Gallery, LondonA Great Big Drawing Show, Institute for art and urban resources, P.S. 1, Queens, New YorkWhitney Biennale 1979, Whitney Museum of American Art, New YorkThe Reductive Object: A Survey of the minimal Aesthetic in the 1960s, Institute of Contemporary Art, BostonRecent Acquisitions: American Prints, The Museum of Modern Art, New YorkNew York Now, Phoenix Art Museum, ArizonaThe Decade of Review, Whitney Museum of American Art, New York

 

1978

GRIDS Format and Image in 20th Century Art, The Pace Gallery, New York Artistes americains contemporains, Musee d'art contemporain de Montreal, Montreal

Summer Show, Lisson Gallery, London

La Biennale di Venezia

Works on Paper, Margo Leavin Gallery, Los AngelesThe Poetry of Systems, Baxter Art Gallery, California Institute of Technology, Pasadena

Aspekte der 60er Jahre - Aus der Sammlung Reinhard Onnasch, Neue Nationalgalerie, Berlin

Numerals 1924 - 1977, Leo Castelli Gallery, New York 

 

1977

documenta 6, Kassel

Sculpture Paintings Drawings, Rhona Hoffman Gallery, Chicago

Ideas in Sculpture 1965-1977, The Renaissance Society at The University of Chicago

Early Work, Sperone Westwater Fischer, New York

Drawing Now, Museum of Modern Art, Tel Aviv, Israel

A view of a decade, Museum of Contemporary Art, Chicago

New York: The State of Art, New York State Museum, Albany

 

1976

Druckgrafik von Künstlern der USA nach 1945, Kunsthalle zu Kiel

New York in Europa, Neue Nationalgalerie, Berlin

Ideas on Paper 1970-1976, The Renaissance Society at The University of Chicago

Drawing Now, The Museum of Modern Art, New York

(SELECTION)

by LeWitt:

LeWitt, Sol: Chicago. Axminster : Axminster Printing Company, 2002
Bands of color, Chicago 1999
Sol LeWitt - complex forms 1990, Frankfurt am Main 1990
Lines & formes. Paris 1989
Pyramiden, Wien 1986
From Monteluco to Spoleto. Eindhoven 1984
Sol LeWitt. Chagny, 1984
Autobiography. New York 1980
Sunrise & sunset at Praiano. New York 1980
Cock fight dance. New York 1980
All four part combinations of six geometric figures. Tokyo 1980
Geometric figures & color. New York 1979
Five geometric structures and their combinations. London 1979
Five cubes placed on twenty-five squares with either corners or sides touching. Bari 1978
Photo grids. New York 1978
Brick wall. New York 1977
Colour grids. New York 1977
Arcs from two corners, arcs from four sides, staight, not straight & broken lines in four directions. Sydney 1977
Squares with sides and corners torn off. New York 1977
The location of eight points. New York 1977
Circles, squares, triangles, rectangles, trapezoids and parallelograms within circles, squares, triangles, rectangles, trapezoids and parallelograms & all their combinations. Boulder University of Colorado 1976
The location of straight, not-straight & broken lines and all their combinations. New York 1976
Modular drawings. Genéve 1976
Modular drawings. Genéve 1976.
Five structures. New York 1976.
Grids using all combinations of straight, not-straight and broken lines. Bruxelles 1975
Lines & color. Zürich 1975
red, blue and yellow lines from sides, corners and the center of the page to points on a grid. Jerusalem 1975
Graphik 1970 - 1975. Basel 1975
the location of eight points. Washington, D.C. 1974
diciassette quadrati con sedici linee ed un arco. Milano 1974.
squares with sides and corners torn off. Brussels 1974.
Drawing series I, II, III, IIII A & B. Torino / Sperone / Düsseldorf - Konrad Fischer 1974
The location of lines. London 1974
incomplete open cubes. New York 1974
All combinations of arcs from four corners, arcs from four sides, straight lines, not straight lines, and broken lines. Lausanne 1974
location of three geometric figures. Hamburg 1974
La posizione di tre figure geometriche. Torino 1974
Cercles & lignes. Paris 1973
Arcs, from corners & sides, circles, & grids and all their combinations. Bern 1972
Four basic colours and their combinations. London 1971
Four basic kinds of lines & colour. London / New York 1971
Four basic kinds of straight lines. London 1969
49 three-part variations using three different kinds of cubes. Zurich 1969
Serial project # 1. New York 1967

SELECTES BOOKS AND CATALOGUES


2014
Beckwith, Naomi. William J. O’Brien (exhibition catalogue). Chicago: Museum of Contemporary Art Chicago, 2014: 22, illustrated
Formes Simples (exhibition catalogue). Metz and Paris: Éditions du Centre Pompidou-Metz; Fondation d’entreprise Hermès, 2014: 33, illustrated
George, Herbert. The Elements of Sculpture: A Viewer’s Guide. London and New York: Phaidon, 2014: 134, illustrated
Love Story – The Anne & Wolfgang Titze Collection(exhibition catalogue). Vienna: Verlag für modern Kunst Nürnberg, 2014: 30, 31, 172–7, illustrated
Newman, Amy. Challenging Art: Artforum 1962–1974. New York: Soho Press, 2014
Roberts, Veronica, ed. Converging Lines: Eva Hesse and Sol LeWitt (exhibition catalogue). Texts by Lucy R. Lippard, Veronica Roberts and Kirsten Swenson. Austin; New Haven: Blanton Museum of Art and Yale University Press, 2014
Sol LeWitt: Horizontal Progressions (exhibition catalogue). New York: Pace Gallery, 2014.
Stout, Katharine.
Contemporary Drawing: From the 1960s to Now. London: Tate Publishing, 2014: 19, illustrated
Usher, Shaun. Letters of Note: An Eclectic Collection of Correspondence Deserving of a Wilder Audience. San Francisco: Chronicle Books, 2014

2013
Blunt, Hannah W. and Fronia Simpson, ed. The Lunder Collection: A Gift of Art to Colby College (exhibition catalogue). Waterville, Maine: Colby College Museum of Art, 2013: 335, 352, 354, 357, illustrated
Celant, Germano, Thomas Demand, Rem Koolhaas and Harald Szeemann. When Attitudes Become Form: Bern 1969/Venice 2013 (exhibition catalogue). Milan: Ca’ Corner della Regina and Fondazione Prada, 2013: 161–162, illustrated
Collecting Ideas: Modern and Contemporary Works from the Polly and Mark Addison Collection. Denver: Denver Art Museum, 2013: 72–73, illustrated
The Contemporary Art Masters. Japan: Bijutsu Shuppan-Sha, 2013: 150–151, illustrated.
Delong, Lea Rosson, ed. Des Moines Art Center Collects. Des Moines, Iowa: Des Moines Art Center, 2013: 8, 194, 195, illustrated
Moving: Norman Foster on Art (exhibition catalogue). Texts by Norman Foster and Jean-Marc Prevost. London: Ivorypress Architecture: 180, 181, 390, 410, illustrated
Princeton University Art Museum: Handbook of the Collections. Princeton, New Jersey: The Princeton University Art Museum, 2013: 265, 294, 401, illustrated
Rosoff, Patricia. Innocent Eye. North Adams, Massachusetts: Tupelo Press, 2013: illustrated
Uidhir, Christy Mag. Art and Art Attempts.Oxford: Oxford University Press, 2013: 64, illustrated
Yes, No, Maybe: Artists Working at Crown Point Press (exhibition catalogue). Texts by Judith Brodie and Adam Greenhalgh. Washington, D.C.: Board of Trustees, National Gallery of Art, Washington, D.C, 2013: 108–109, illustrated

2012
Arcadia in celle: l’art pour la nature, la nature pour l’art (exhibition catalogue). Saint-Paul de Vence, France: Fondation Maeght, 2012: 85, illustrated
Beard, Lee, Adam Butler, Claire Van Cleave, Diane Fortenberry and Susan Stirling. The Art Book. London: Phaidon Press Limited, 2012: 323, illustrated
Bird, Michael. 100 Ideas That Changed Art. London: Laurence King Publishing Ltd., 2012: 16, illustrated
Decade: Contemporary Collecting 2002–2012 (exhibition catalogue). Texts by David Pagel and Heather Pesanti. Buffalo, New York: The Buffalo Fine Arts Academy, 2012: illustrated.
Extreme Abstraction: Revisited. Buffalo, New York: The Buffalo Fine Arts Academy, 2012, illustrated
Garten. Munich: Galerie Thomas, 2012: 40–43, illustrated
Groos, Ulrike and Simone Schimpf. Tracing the Grid: The Grid in Art after 1945 (exhibition catalogue). Cologne: Wienand Verlag, 2012: illustrated
Hollein, Max and Martin Engler, eds. Gegenwarts-Kunst 1945–Heute im Städel Museum. Ostfildern: Hatje Cantz Verlag, 2012: 198–199, illustrated
Powell, Amy Knight. Depositions: Scenes from the Late Medieval Church and the Modern Museum. New York: Zone Books, 2012: illustrated
Sol LeWitt (exhibition catalogue). Edited by Béatrice Gross. Metz, France: Éditions du Centre Pompidou-Metz, 2012
Sol LeWitt: The Well-Tempered Grid (exhibition catalogue). Texts by Charles W. Haxthausen, Christianna Bonin, and Erica DiBenedetto. Williamstown, Massachusetts: Williams College Museum, 2012.
Zevi, Adachiara, ed. L’Italia nei Wall Drawings di Sol LeWitt (exhibition catalogue). Milan: Electa, 2012

2011
Dander, Patrizia and Ulrich Wilmes, eds. A Bit of Matter and a Little Bit More: Daled Collection. Verlag der Buchhandlung Walther Konig, Cologne, Germany, 2011, p. 224-229.
Davidson, Margaret. Contemporary Drawing: Key Concepts and Techniques. Watson-Guptill Publications, New York, NY, 2011, p. 62-63
Extended Drawing: Sol LeWitt, Robert Mangold, Bruce Nauman, Richard Serra, exhibition brochure, Bonnefantenmuseum, Maastricht, The Netherlands, p. 2-19
Weatherspoon Art Museum: 70 Years of Collecting, Weatherspoon Art Museum, Greensboro, 2011, p. 150
Witkovsky, Matthew, ed. Light Years: Conceptual Art and Photograph, 1964-1977, Art Institute of Chicago and Yale University Press, p. 28-29, 246-248
Modern Art, 1870-2000, Taschen, 2011, p. 517-528, 532-533

2010
Furthermore, Fraenkel Gallery, San Francisco, CA, 2010, p. 16
Getlein, Mark. Living with Art, Ninth Edition, McGraw-Hill Companies, Inc., 2010, p. 154
Corwin, Sharon, Elizabeth Finch, and Lauren Lessing. Art at Colby: Celebrating the Fiftieth Anniversary of the Colby College Museum of Art, Colby College Museum of Art, Waterville, ME, 2009, p. 330-333
Arnason, H.H., and Elizabeth C. Mansfield. History of Modern Art, Sixth Edition, Pearson Education, Inc., Prentice Hall, Upper Saddle River, NJ, 2010, p. 548

2009
Schellmann, Jörg. Forty Are Better Than One: Edition Schellmann 1969-2009, Schellmann Art Production, Munich and New York, 2009, p. 212-219, 374, 379, 389, 398-399, 403, 413, 427, 433-435
Thomas, Elizabeth. Matrix: Berkeley A Changing Exhibition of Contemporary Art, University of California, Berkeley Art Museum and Pacific Film Archive, 2009, p. 131
Yale University Art Gallery Bulletin 2009, State of the Art: Contemporary Sculpture, Yale University Art Gallery, New Haven, CT, 2009, p. 204
Lodermeyer, Peter, Karlyn de Jongh and Sarah Gold. Personal Structures: Time, Space, Existence, DuMont Buchverlag Gmbh & Co. KG, Cologne, Germany, 2009, p. 426-427
Bonham-Carter, Charlotte and David Hodge. The Contemporary Art Book, Goodman, 2009, p. 139
Rattemeyer, Christian. The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné, The Museum of Modern Art, New York, 2009, p. 175-176
Cross, Susan, Denise Markonish. Sol LeWitt 100 Views, MASS MoCA, North Adams, 2009
Cherix, Christophe. In & Out of Amsterdam: Travels in Conceptual Art. 1960-1976, The Museum of Modern Art, New York, NY, 2009, p. 99-106.
Archer, Michael. It?s Like This, Hiroshima City Museum of Contemporary Art, Japan, 2009, p. 42
Kellein, Thomas. 1968. Die Grobe Unschuld, Kunsthalle Bielefeld, Germany, DuMont Buchverlag, 2009
Maffei, Giorgio, Emanuele De Donno. Sol LeWitt Artist’s Books, Edizioni Viaindustriae, CMF Moduli, Foligno, Italy 2009

2008
Cohen, Jean-Louis. New York. Paris: Citadelles & Mazenod, 2008. p. 419, 421.
The Castle, The Collection. Castello di Rivoli Museum of Contemporary Art, Skira Editore, Milan, Italy 2008, p. 331-332
Order. Desire. Light. Contemporary Drawing. Irish Museum of Modern Art, Dublin, Ireland, 2008, p. 96
Glenstone: The Inaugural Exhibition. Glenstone Foundation, Potomac, MD, 2008, p.156
This Is Not To Be Looked At: Highlights from the Permanent Collection of The Museum of Contemporary Art, Los Angeles, The Museum of Contemporary Art, Los Angeles, CA, 2008, p. 172-173
Heartney, Eleanor. Art & Today, Phaidon Press, New York, NY, 2008, p. 84, 86, 88, 298.
Eshoo, Amy, ed. 560 Broadway: A New York Drawing Collection at Work, 1991-2006. Yale University Press, New Haven

2007
Treasures of the DIA: Detroit Institute of Arts, Detroit Institute of Arts, Detroit, 2007, p. 428.
Art Works: The Progressive Collection, Distributed Art Publishers, New York, NY, 2007, p.104
Dreishpoon, Douglas, and David Bonetti. The Panza Collection: An Experience of Color and Light, The Buffalo Fine Arts Academy, Buffalo, New York, 2007
Contemporary + Cutting Edge: Pleasures of Collecting, Part III, Bruce Museum, Greenwich, CT, 2007
Kotz, Liz. Words to Be Looked At: Language in 1960?s Art, The MIT Press, London, England, 2007
Design contre Design, Galeries Nationales du Grand Palais, Paris, France, 2007.
Wallworks: Contemporary Artists and Place, Art Gallery Ontario, Toronto, Ontario, 2007, p. 39-43
Bickers, Patricia and Andrew Wilson, eds. Talking Art: Inteviews with Artists Since 1976. London: Art Monthly and Ridinghouse, 2007
Sol LeWitt: Scribble Wall Drawings, Pace Wildenstein, New York, NY, 2007
De Corral, Maria and John Lane. Fast Forward; Contemporary Collections for the Dallas Museum of Art, Dallas Museum of Art and Yale University Press, New Haven and London, CT, 2007, p .34, 51, 137

2006
Art Metropole: The Top 100. National Gallery of Canada, Ottowa, Canada, 2006, p. 59, 73.
Six Feet Under: Autopsy of Our Relation to the Dead, Kunstmuseum Bern, 2006, p. 92, 113, 154, 212, 217
van Voolen, Edward. My Grandparents, My Parents and I: Jewish Art and Culture, Munich: Prestel Verlag, 2006, p. 154-155
Nothing and Everything, Fraenkel Gallery, San Francisco, and Peter Freeman, Inc., New York, 2006, p. 12
Swanson, Dean, Stephen Fleischman and Martin Friedman. LeWitt x 2: Structure and Line and Selections from the LeWitt Collection, Madison: Madison
Museum of Contemporary Art, 2006
Liesbrock, Heinz. Sol LeWitt: Seven Basic Colors and All their Combinations in a Square Within a Square, Dänischenhagen: Richter Verlag, 2006
Coen, Ester and Giovanni Maria Accame. Sol LeWitt, Galleria Studio G7, Bologna, Italy: Damiani, 2006
Ideal City – Invisible Cities, European Art Projects, Berlin, Germany, 2006, p. 216-221

2005
Stedelijk Museum Amsterdam 2003/2004, Beeldrecht, Amsterdam, 2005, p. 9
Guglielmino, Giorgio. Ladies & Gentelmen, Torino, 2005, p. 70
Sol LeWitt, Madison Square Park Conservancy, New York

2004
Pakesch, Peter. Sol LeWitt: Wall, Kunthaus Graz am Landesmuseum Johanneum, Köln: Verlag der Buchhandlung Walther König, 2004
Design ? Art: Functional Objects from Donald Judd to Rachel Whiteread, Cooper-Hewitt, National Design Museum, New York, 2004
Goldstein, Ann. A Minimal Future? Art As Object 1958-1968, The Museum of Contemporary Art, Los Angeles, CA, 2004, p. 266-269
Ozaki, Shinichiro, ed. Traces: Body and Idea in Contemporary Art, The National Museum of Modern Art, Kyoto, Japan, 2004, p. 262-263
Singular Forms (Sometimes Repeated): Art from 1951 to the Present, The Solomon R. Guggenheim Foundation, New York, 2004

2003
Buskirk, Martha. The Contingent of Contemporary Art, The MIT Press, Massachusetts, 2003, p. 39-40, 45-46, 48, 52,198, 215, 217
Ross, James, ed. The Farm, Keystone Conservancy Limited, Kaipara, New Zealand, 2003
Work Ethic, The Pennsylvania State University Press, PA, 2003, p. 158-159

2002
Works From the DaimlerChrysler Collection and from the Paul Maenz Collection: A Dialogue. Berlin, 2002

2001
LeWitt, Sol, Adachiara Zevi. Sol Lewitt Wall Drawings, Proa Fundacion, Buenos Aires, Argentina, December 2001
Kellein, Thomas, ed. Art Works: The Marzona Collection Art around 1968, Hatje Cantz Verlag, Germany, 2001, p. 110 - 115
LeWitt, Sol and Sachiko Cho. Equivalent, Kusnacht: Inktree Eds, 2001
Marzona Villa Manin: a private collection. Hatje Cantz, Germany, 2001, p. 46-47, 113, 180-181
Potts, Alex. The Sculptural Imagination, Yale University Press, New Haven and London 2001, p. 256, 289, 340
Alberro, Alexander, and Patricia Norvell. Recording Conceptual Art, Berkeley: University of California Press, 2001, p. 112-23
Rorimer, Anne. New Art in the 60s and 70s Redefining Reality, Thames & Hudson Ltd., London, 2001, p. 22, 23, 154-160, 230-233

2000
Garrels, Gary, ed. Sol LeWitt: A Retrospective, The San Francisco Museum of Modern Art, New Haven: Yale University Press, 2000
Nacking, Asa, and Bo Nilsson, eds. Century Of Innocence: The History of the White Monochrome, Rooseum Center for Contemporary Art, Malmo Sweden, and Liljevalchs Konsthall, Stockholm, Sweden

1999
Emerson, Stephanie. Afterimage: Drawing Through Process, The Museum of Contemporary Art, Los Angeles, CA, The MIT Press, Cambridge, MA and London, England
The American Century: Art & Culture 1950 - 2000, The Whitney Museum of American Art, New York, New York, 1999
Princenthal, Nancy. Sol LeWitt Wall Drawings, Paula Cooper Gallery. New York, 1999
Schick, Ulrike. Sol LeWitt Wall Drawing, Museum Moderner Kunst Landkreis Cuxhaven, Otterndorf, Germany

1998
Causey, Andrew. Sculpture Since 1945, Oxford University Press
Borthe, Rolf. Die Sammlung Paul Maenz, Neues Museum Weimar, Cantz Verlag
Sauer, Christel. Minimal Art: Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Morris, Bank Brussels Lambert, 1998
Cora, Bruno. Sol LeWitt in Italia, Centro Espositivo della Rocca Paolina, Perugia, Italy

1997
Davies, Hugh. Blurring the Boundaries: Installation Art 1969-1996, Museum of Contemporary Art, San Diego, CA
Iles, Chrissie, and Russell Roberts, eds. In Visible Light: Photography and Classification in Art, Science and the Everyday, Museum of Modern Art, Oxford, England
Stringer, John. Material Perfection: Minimal Art & Its Aftermath: Selected from the Kerry Stokes Collection, Lawrence Wilson Art Gallery, University of Western Australia, Perth, Australia
Fine, Ruth E., Karin Breuer, and Steven A. Nash. Thirty Five Years at Crown Point Press: Making Prints, Doing Art, University of California Press, Berkeley and Los Angeles, 1997

1996
Drucker, Johanna, ed. Art at the End of the 20th Century: Selections from the Whitney Museum of American Art, 1996
De Corral, Lorena M., ed. Sol LeWitt: Dibujos Murales, Wall Drawings, Sala de las Alhajas, Caja de Madrid. Museum of Modern Art, 1978
Fraenkel, David, ed. Sniper?s Nest: Art that has lived with Lucy Lippard, Center for Curatorial Studies and Art in Contemporary Culture, Bard College, Annandale-on-Hudson, NY
Baume, Nicholas. From Christo and Jeanne-Claude to Jeff Koons: John Kaldor Art Projects and Collection, Museum of Contemporary Art, Sydney, Australia.

1995
Auping Michael, ed. Drawing Rooms: Jonathan Borofsky, Sol LeWitt, Richard Serra, Modern Art Museum of Fort Worth, Fort Worth, TX, 1995
Wayson, Anne. Essence and Persuasion: The Power of Black and White, Anderson Gallery, Buffalo, NY, 1995
Mickenberg, David. Printmaking in America: Collaborative Prints and Presses 1960-1990, Harry N. Abrams, New York, NY, 1995
Goldstein, Ann, Anne Rorimer, Lucy Lippard. Reconsidering the Object of Art: 1965-1975, Museum of Contemporary Art, Los Angeles, CA, 1995
Singer, Susanna, ed. Sol LeWitt Working Drawings, John Weber Gallery, New York, NY & Rhona Hoffman Gallery, Chicago
Hindry, Ann. Sol LeWitt, Centre National des Arts Plastiques, Editions du Regard, Paris.
Zevi, Adachiara, ed. Sol LeWitt Critical Texts, AEIUO, Incontri Internazionali D?Arte, Rome, Italy, 1995

1994
Schraenen, Guy. Sol LeWitt?s Systeme in Buchform, Neues Museum Weserburg, Bremen Germany, 1994.
Traum vom Absoluten - Dream of the Absolute, Galerie Beyeler, Basel, Switzerland, 1994
Gill, Brendan, Barry Rosenberg. 30 years - Art in the Present Tense: The Aldrich?s Curatorial History 1964-1994, The Aldrich Museum of Contemporary Art, Ridgefield CT, 1994
From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, DC, 1994

1993
Scanlan, Joseph, ed. A History of the Renaissance Society at the University of Chicago: The First Seventy-Five Years, The Renaissance Society, Chicago, 1993, p. 81
Sol LeWitt: Twenty-Five Years of Wall Drawings, 1968-93, Addison Gallery of American Art, Phillips Academy, Andover, MA, 1993
Batchelor, David, David Elliott, Chrissie Iles, and Rosalind Krauss. Sol LeWitt Structures 1962 - 1993, Museum of Modern Art, Oxford, England, 1993

1992
Kaiser, Franz W., Rudi Fuchs. Sol LeWitt Drawings 1958-1992, The Haags Gemeentemuseum, The Hague, Netherlands, 1992
Loock, Ulrich. Sol LeWitt Wall Drawings 1984-92, updated 1989 catalogue raisonné from the Kunsthalle Bern, Switzerland, 1992

1990
Sol LeWitt Books. 1966-90, Portikus, Frankfurt, 1990
Sol LeWitt: A CUBE, Walther König, Cologne, 1990

1986
Sol LeWitt Prints 1970-86, Tate Gallery, London, 1986

1984
Debbaut, Jan, Alexander van Grevenstein and Andrea Miller-Keller. Sol LeWitt Wall Drawings, the Stedelijk Museum, Amsterdam; Stedelijk Abbemuseum, Eindhoven, and the Wadsworth Atheneum, Hartford, CT, 1984

1980

Sol LeWitt: All Four Part Combinations of Six Geometric Figures, Galerie Watari, Tokyo, Japan, 1980

1978
Lippard, Lucy, Bernice Rose and Robert Rosenblum. Sol LeWitt, Museum of Modern Art, New York, 1978

1977

Harvey, Michael. Notes on the Wall Drawings of Sol LeWitt. Geneva, Switzerland: Adelina von Furstenberg, 1977
LeWitt, Sol. Brick Wall (artist’s book).New York: Tanglewood Press, 1977
LeWitt, Sol. Color Grids (artist’s book).New York: Multiples, 1977
LeWitt, Sol. Five Cubes on Twenty-Five Squares.Bari, Italy: Galleria Marilena Bonomo, 1977
LeWitt, Sol. Four Basic Kinds of Lines & Colour (artist’s book).London and New York: Lisson Gallery and Studio International; Paul David Press, 1977
LeWitt, Sol. Irish (artist’s book). Edinburgh: Morning Star Publications, 1977
LeWitt, Sol. PhotoGrids (artist’s book).New York: Paul David Press, 1977
LeWitt, Sol. Wall Drawings in Australia (artist’s book). Melbounre: John Kaldor, 1977

1976
Drawing Now (exhibition catalogue).Text by Bernice Rose. New York: The Museum of Modern Art, 1976
LeWitt, Sol. Five Structures.New York: HammarskjoldPlazaSculptureGarden and John Weber Gallery, 1976
LeWitt, Sol. Geometric Figures Within Geometric Figures (artist’s book).Boulder: Department of Fine Arts, University of Colorado, 1976
LeWitt, Sol. The Location of Six Geometric Figures. Double Page (artist’s book). Zurich: Annemarie Verna, 1976
LeWitt, Sol. The Location of Straight, Not-Straight & Broken Lines and All Their Combinations (artist’s book).New York: John Weber Gallery, 1976
LeWitt, Sol. Modular Drawings (artist’s book).Geneva: Adelina von Furstenberg, 1976
Lippard, Lucy R. Eva Hesse.New York: New York University Press, 1976
Minimal Art Druckgraphik (exhibition catalogue), Text by: Norbert Lynton, Kathan Brown, Nancy Tousley, Donald B. Kuspit. Hanover: Kestner Gesellschaft, 1976
Seventy-second American Exhibition (exhibition catalogue). Text by Anne Rorimer. Chicago: Art Institute of Chicago, 1976
Today/Tomorrow (exhibition catalogue). Text by Paul Thompson. Miami: Art Museum, University of Miami, 1976
200 Years of American Sculpture (exhibition catalogue). Text by Barbara Haskell. New York: WhitneyMuseum of American Art, 1976

1975
Alloway, Lawrence. Topics in American Art Since 1945. New York: W.W. Norton & Co., 1975
Kostelanetz, Richard, ed. Essaying Essays: Alternative Forms of Exposition. New York: Out of London Press, 1975
Legg, Alicia, ed. American Art Since 1945: From the Collection of the Museum of Modern Art (exhibition catalogue).New York: The Museum of Modern Art, 1975.
LeWitt, Sol. Grids (artist’s book).Brussels, Belgium: Pour Ecrire La Liberté, 1975.
LeWitt, Sol. Grids, Using Straight, Not-Straight and Broken Lines in Yellow, Red & Blue And All Their Combinations.Oakland, California and New York: Crown Point Press and Parasol Press Ltd., 1975.
LeWitt, Sol. Lines and Color (artist’s book).Zurich, Basel, and Bari, Italy: Annemarie Verna; Rolf Preisig; Galleria Marilena Bonomo, 1975.
LeWitt, Sol. Red, Blue, and Yellow Lines from Sides, Corners, and the Center of the Page to Points on a Grid (artist’s book).Jerusalem: Israel Museum, 1975
LeWitt, Sol. Stone Walls.Oakland, California: Crown Point Press, 1975
Sol LeWitt: Graphik, 1970–1975 (exhibition catalogue).Bern, Switzerland: Kunsthalle Basel and Verlag Kornfeld und Cie, 1975

1974
America on Paper (exhibition catalogue). Basel: Galerie Beyeler, 1974
Art Now 74: A Celebration of the American Arts (exhibition catalogue).Washington, D.C.: Artrend Foundation, 1974
de Vries, Gerd, ed. Über Kunst – On Art: Artists' Writings on the Changed Notion of Art After 1965 (exhibition catalogue). Cologne: DuMont Schauberg, 1974
Kelley, James. The Sculptural Idea. Minneapolis: Burgess Publishing, 1974
LeWitt. Sol. Arcs and Lines (artist’s book).Lausanne, Switzerland and Paris: Editions des Massons; Galerie Yvon Lambert, 1974
LeWitt, Sol. Diciassette Quadrati con Sedici Linee ed un Arco (artist’s book). Milan: Galleria Toselli and Università di Bari, 1974
LeWitt. Sol. Drawing Series I, II. III. IIII A & B (artist’s book).Turin and Düsseldorf: Galleria Sperone; Galerie Konrad Fischer, 1974
LeWitt, Sol. Incomplete Open Cubes (artist’s book).New York: John Weber Gallery, 1974
LeWitt, Sol. The Location of Eight Points (artist’s book).Washington, D.C.: Max Protetch Gallery, 1974
LeWitt, Sol. The Location of Lines (artist’s book).London: Lisson Publications, 1974
LeWitt, Sol. Locations of Three Geometric Figures (artist’s book). Brussels: Société des Expositions and Palais des Beaux Arts, 1974
LeWitt, Sol. La Posizione di tre figure geometriche. Tre disegni su parete / The Location of Three Geometric Figures. Three Wall Drawings (artist’s book).Turin, Italy: Galleria Serpone, 1974
LeWitt, Sol. Squares with Sides and Corners Torn Off (artist’s book).Brussels: Galerie MTL, 1974
Line as Language: Six Artists Draw (exhibition catalogue).Text by Rosalind Kraus. Princeton, New Jersey: The Art Museum, Princeton University, 1974
Multiples (exhibition catalogue). Berlin: Neuen Berliner Kunstverein, 1974

1973
Artists Books (exhibition catalogue). Texts by Dianne Perry Vanderlip, Lynn Lester Hershman, and John Perreault. Philadelphia: MooreCollege of Art, 197.
Contemporanea (exhibition catalogue). Florence: Achille Bonito Oliva, 1973
LeWitt, Sol. Cercles & Lignes (artist’s book). Paris: Galerie Yvon Lambert, 1973
LeWitt, Sol. Grids Using Straight Lines, Not-Straight Line & Broken Lines in All Their Possible Combinations. Oakland, California and New York: Crown Point Press; Parasol Press, 1973
LeWitt, Sol. Six Wall Drawings. Arcs with Straight Lines, Not-straight Lines and Broken Lines (artist’s book). Houston: Cusack Gallery, 1973
LeWitt, Sol. Sol LeWitt (artist’s book). Bari, Italy, Marilena Bonomo, 1973
LeWitt, Sol. Vier Muurtekeningen/Quatre Dessins Muraux.Amsterdam: Art & Project, 1973
LeWitt, Sol. Wall Drawings. Seventeen Squares of Eight Feet with Sixteen Lines and One Arc (artist’s book).Portland, Oregon: Portland Center for the Visual Arts, 1973
Lippard, Lucy R, ed. Six Years: The Dematerialization of the Art Object. New York: Praeger Publishers, Inc., 1973
Some Recent American Art (exhibition catalogue). Introduction by Jennifer Licht. New York: The Museum of Modern Art, 1973
Young American Artists: Drawings, and Graphics (exhibition catalogue). Copenhagen: Steingrim Laursen, 1973

1972
Actualite d’un bilan. Paris: Yvon Lambert, 1972
LeWitt, Sol. Arcs Circles & Grids (artist’s book). Bern and Paris: Kunsthalle Bern; Paul Bianchini, 1972
LeWitt, Sol. Lithographs and Wall Drawing.Halifax: Nova ScotiaCollege of Art & Design, 1972
LeWitt, Sol. Wall Drawings & Structures: The Location of Six Geometric Figure/ Variations of Incomplete Open Cubes.New York: John Weber Gallery, 1974
Müller, Gregoire and Gianfranco Gorgoni. The New Avant Garde: Issues for the Art of the Seventies.New York: Praeger Publishers, Inc., 1972
Pluchart, François. Pop Art & Cie, 1960–1970.Paris: Editions Martin-Malburet, 1972
Sol LeWitt (exhibition catalogue). Bern: Kunsthalle Bern, 1972

1971
LeWitt, Sol. Four Basic Colours and Their Combinations (artist’s book). London: Lisson Publications, 1971
Lippard, Lucy R. “Sol LeWitt: Nonvisual Structures.” In Changing: Essays in Art Criticism. New York: E.P. Dutton & Co., 1971: 154–166, illustrated
Situation Concepts (exhibition catalogue). Innsbruck: Galerie im Taxispalais, 1971

1970
Artists & Photographs (artists’ book). New York: Multiples, Inc. in association with Colorcraft, Inc., 1970
Information (exhibition catalogue).New York: The Museum of Modern Art, 1970
Sol LeWitt (exhibition catalogue). Texts by John N. Chandler, Enno Develing, Dan Graham et al. The Netherlands: Haags Gemeentemuseum, 1970

1969

Art by Telephone (exhibition catalogue). Chicago: Museum of Contemporary Art, 1969
LeWitt, Sol. 49 Three-Part Variations Using Three Different Kinds of Cubes / 1967–68 (artist’s book). Zurich: Bruno Bischofberger, 1969
LeWitt, Sol. Four Basic Kinds of Straight Lines (artist’s book). London: Studio International, 1969
Lippard, Lucy. 557,087 / 955,000 (exhibition catalogue)Seattle, Washington and Vancouver: Seattle Art Museum; Vancouver Art Gallery, 1969
Siegelaub, Seth. [One Month}. New York: Seth Siegelaub, 1969
Sol LeWitt: Sculptures and Wall Drawings (exhibition catalogue). Text by Paul Wember. Krefeld, Germany: Museum Haus Lange, 1969
Szeemann, Harald. Live in Your Head: When Attitudes Become Form (exhibition catalogue). Bern: Kunsthalle Bern, 1969: 53, illustrated.

1968
Art of the Real (exhibition catalogue). Text by E.C. Goosen.New York: The Museum of Modern Art, 1968: 48
Battcock, Gregory. Minimal Art: A Critical Anthology. New York: E. P. Dutton & Co., 1968.
Burnham, Jack. Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of This Century. New York: George Braziller, 1968
Cool Art: 1967 (exhibition catalogue). Ridgefield, Connecticut: Aldrich Museum of Contemporary Art, 1968: no. 20, illustrated.
Hightlights of the 1967–68 Art Season (exhibition catalogue). Ridgefield, Connecticut: Aldrich Museum of Contemporary Art, 1968: illustrated.
Kulterman, Udo. The New Sculpture: Environments and Assemblages. Translated by Stanley Baron. New York: Frederick A. Praeger, 1968
LeWitt, Sol. Set IIA/1–24 (artist’s book). Los Angeles: Ace gallery, 1968
Siegelaub, Seth and John W. Wendler, eds. Carl Andre, Robert Barry, Jan Dibbets, Douglas Heubler, Joseph Kosuth, Sol LeWitt, Richard Long, N.E. Thing Co. Ltd., Robert Smithson, Lawrence Weiner (artists’ book). New York: Seth Siegelaub, 1968

taz, 17.04.2008
Naoko Kleinschmidt
Mathe trifft Kunst in Wien. Magische Quadrate
"Genau+anders" im Museum Moderner Kunst, Stiftung Ludwig, Wien

www.taz.de/1/leben/kuenste/artikel/1/magische-quadrate/

Mathe trifft Kunst in Wien
Magische Quadrate

Wie mathematische Fragestellungen die Avantgarden des 20. Jahrhunderts beeinflusst haben: "Genau+anders" im Museum Moderner Kunst, Stiftung Ludwig, Wien VON NAOKO KALTSCHMIDT

Während in Deutschland das Wissenschaftsjahr der Mathematik ausgerufen wurde, gibt im südlichen Nachbarland diese Königsdisziplin Anlass für eine groß angelegte Kunstausstellung im Museum Moderner Kunst in Wien. Weniger die Relevanz ästhetischer Prinzipien oder kreativer Vorgehensweisen für die mathematische Forschung als vielmehr die umgekehrte Beeinflussung der bildenden Kunst durch die Wissenschaft stehen im Vordergrund der Schau, wobei die im Titel anklingende Chronologie jedoch eher in die Irre führt, beschränkt sich die Bestandsaufnahme doch primär auf einige, freilich bedeutende Kunstströmungen des 20. Jahrhunderts.

Am Beginn des Parcours allerdings besinnt man sich recht eingehend auf den berühmten Stich "Melencolia I" (1514) von Albrecht Dürer, in dem der Künstler als Universalgelehrter auch als der paradigmatische Vertreter der ohne Übertreibung als revolutionär zu bezeichnenden neuzeitlichen Erforschung der Zentralperspektive auftritt. Und so steht eingangs also jene grübelnde, in introvertierter Haltung sitzende Figur mit den für ihren mächtigen Körper unproportional kleinen Flügeln, die von allerlei wundersamem Werkzeug flankiert ist. Sie stimmt ein, in jene Form der Vertiefung, die ganz vom gedanklichen Experiment getragen wird, kaum aber von unmittelbaren Sinneseindrücken. Just dieser Umstand garantiert nun den Reiz dieser Schau, handelt es sich bei der Zusammenführung von Mathematik und Kunst doch um eine durchaus kontrastreiche Gegenüberstellung. Erfreulicherweise wurde es vermieden, die Artefakte auf eine bloße Illustration rechnerischer Phänomene zu reduzieren. Manche Zusammenstellung oder auch die Hängung wirken allerdings mitunter etwas unscharf. So erscheinen die Kinobilder von Hiroshi Sugimoto oder eine übereck gestellte Spiegelkonstruktion von Michelangelo Pistoletto als Beiträge zum Thema Unendlichkeit doch arg platt. Anregender ist da schon die manische Seite der Beschäftigung mit Zahlen: Die (Lebens-)Werke von Hanne Darboven, On Kawara und Roman Opalka legen in ihrer ungeheuerlichen Rigorosität Zeugnis ab für ein geradezu existenzielles Bedürfnis nach Ordnung und Systematik, die, wenn auch hermetisch, mit ihrer Intensität beeindrucken.

Der Großteil der über 300 gezeigten Arbeiten aber lässt sich auf eine Auseinandersetzung mit einem geometrischen Formenvokabular zurückführen. Natürlich bildet das Quadrat hierbei einen Schwerpunkt, innerhalb dessen von Kasimir Malewitsch über Bruce Nauman bis hin zu Peter Weibel implizit eine Art Genealogie vorgeschlagen wird. Ebenso unverzichtbar wie kaum überraschend ist die Minimal Art mit ihren raumgreifenden, jede Abbildungsfunktion negierenden und dafür völlig in der Objekthaftigkeit verbleibenden Werken von Carl Andre, Donald Judd oder Sol LeWitt vertreten. Spannend wird die Ausstellung dort, wo dem nach wie vor weniger bekannten Oeuvre von Ruth Vollmer auffallend viel Raum gewidmet wird. Ihr künstlerischer Ansatz speist sich aus einer profunden Auseinandersetzung etwa mit der Riemannschen Vermutung, einem der bedeutendsten ungelösten Probleme der Mathematik, oder auch vormodernen mathematischen Vorstellungen. Ein weiteres Beispiel für einen tatsächlich interdisziplinären Diskurs liefern die nicht minder eindrucksvollen, farbenprächtigen Rasterbilder von Vertretern der Konkreten Kunst wie Theo van Doesburg, Johannes Itten oder Richard Paul Lohse, die sich der Malerei mathematisch, nämlich "mit den Mitteln des Denkens" nähern.

Ein kleiner kuratorischer Coup gelingt dieser Schau mit einem Rekurs auf eine surrealistische Ausstellung von 1936, bei der "Objets Mathématiques", modellhafte Übersetzungen von Formeln ins Dreidimensionale, gezeigt wurden, die Man Ray und Max Ernst im Pariser Institut Poincaré entdeckt hatten. In Wien nun werden ähnlich große Plastiken von Vollmer, Kurt Schwitters oder Max Bill in egalitärer Weise mit Objekten aus den Beständen naturwissenschaftlicher Institute in einer Vitrine arrangiert und so in Dialog gesetzt. Anhand der in unmittelbarer Nachbarschaft aufgestellten konstruktivistischen Arbeiten der Brüder Naum Gabo und Antoine Pevsner (etwa "Konstruktion für einen Flughafen", 1934) lässt sich darüber hinaus das bis in utopische Sphären reichende Potenzial solcher vom Abstrakten ausgehenden Formexperimente vorstellen, so wie Robert Musil den Mathematiker dachte als "eine Analogie für den geistigen Menschen, der kommen wird". Angesichts der gebotenen Fülle an heterogenen Positionen bleibt letztlich die Einsicht, dass nicht nur der künstlerische Umgang mit mathematischen Fragestellungen von einer mitunter geradezu kryptischen Sinnlichkeit ist, sondern selbst für diese ungemein exakte Wissenschaft fernab der Empirie Gleiches gelten kann.


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New York Times, 09.04.2007
Michael Kimmelmann
Sol LeWitt, Master of Conceptualism, Dies at 78

www.nytimes.com/2007/04/09/arts/design/09lewitt.html

Sol LeWitt, Master of Conceptualism, Dies at 78
By MICHAEL KIMMELMAN

Published: April 9, 2007

Sol LeWitt, whose deceptively simple geometric sculptures and drawings and ecstatically colored and jazzy wall paintings established him as a lodestar of modern American art, died yesterday in New York. He was 78 and lived mostly in Chester, Conn. The cause was complications from cancer, said Susanna Singer, a longtime associate.

Mr. LeWitt helped establish Conceptualism and Minimalism as dominant movements of the postwar era. A patron and friend of colleagues young and old, he was the opposite of the artist as celebrity. He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper.

Typically, a 1980 work called “Autobiography” consisted of more than 1,000 photographs he took of every nook and cranny of his Manhattan loft, down to the plumbing fixtures, wall sockets and empty marmalade jars, and documented everything that had happened to him in the course of taking the pictures. But he appeared in only one photograph, which was so small and out of focus that it is nearly impossible to make him out. His work — sculptures of white cubes, or drawings of geometric patterns, or splashes of paint like Rorschach patterns — tested a viewer’s psychological and visual flexibility. See a line. See that it can be straight, thin, broken, curved, soft, angled or thick. Enjoy the differences. The test was not hard to pass if your eyes and mind were open, which was the message of Mr. LeWitt’s art.

He reduced art to a few of the most basic shapes (quadrilaterals, spheres, triangles), colors (red, yellow, blue, black) and types of lines, and organized them by guidelines he felt in the end free to bend. Much of what he devised came down to specific ideas or instructions: a thought you were meant to contemplate, or plans for drawings or actions that could be carried out by you, or not.

Sometimes these plans derived from a logical system, like a game; sometimes they defied logic so that the results could not be foreseen, with instructions intentionally vague to allow for interpretation. Characteristically, he would then credit assistants or others with the results. With his wall drawing, mural-sized works that sometimes took teams of people weeks to execute, he might decide whether a line for which he had given the instruction “not straight” was sufficiently irregular without becoming wavy (and like many more traditional artists, he became more concerned in later years that his works look just the way he wished). But he always gave his team wiggle room, believing that the input of others — their joy, boredom, frustration or whatever — remained part of the art.

In so doing, Mr. LeWitt gently reminded everybody that architects are called artists — good architects, anyway — even though they don’t lay their own bricks, just as composers write music that other people play but are still musical artists. Mr. LeWitt, by his methods, permitted other people to participate in the creative process, to become artists themselves.

A Dry Humor

To grasp his work could require a little effort. His early sculptures were chaste white cubes and gray cement blocks. For years people associated him with them, and they seemed to encapsulate a remark he once made: that what art looks like “isn’t too important.” This was never exactly his point. But his early drawings on paper could resemble mathematical diagrams or chemical charts. What passed for humor in his art tended to be dry. “Buried Cube Containing an Object of Importance but Little Value” (1968), an object he buried in the garden of Dutch collectors, was his deadpan gag about waving goodbye to Minimalism. He documented it in photographs, in one of which he stands at attention beside the cube. A second picture shows the shovel; a third, him digging the hole.

Naturally, he was regularly savaged by conservative critics. By the 1980s, however, he moved from Manhattan to Spoleto, Italy, seeking to get away from the maelstrom of the New York art world. (He had had a retrospective at the Museum of Modern Art in 1978.) His art underwent a transformation. Partly it grew out of what he saw in Italy. But it was all the more remarkable for also proceeding logically from the earlier work.

Eye-candy opulence emerged from the same seemingly prosaic instructions he had come up with years before. A retrospective in 2000, organized by the San Francisco Museum of Modern Art, which traveled to the Whitney Museum of American Art in New York and the Museum of Contemporary Art in Chicago, concluded with some of these newly colorful wall drawings. (Mr. LeWitt always called them drawings, even when the medium became acrylic paint.)

His description for a wall drawing, No. 766 — “Twenty-one isometric cubes of varying sizes each with color ink washes superimposed” — sounded dry as could be: but then you saw it and there were playful geometries in dusky colors nodding toward Renaissance fresco painting. “Loopy Doopy (Red and Purple),” a vinyl abstraction 49 feet long, was like a psychedelic Matisse cutout, but on the scale of a drive-in movie. Other drawings consisted of gossamer lines, barely visible, as subtle as faintly etched glass.

Some people who had presumed that Mr. LeWitt’s Conceptualism was arcane and inert were taken aback. He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year’s Eve, often as enormous decorations for buildings around the world. It was as if he had devised a latter-day kind of Abstract Expressionism, to which, looking back, his early Conceptualism had in fact been his response.

Sol LeWitt was born in Hartford, on Sept. 9 1928, the son of immigrants from Russia. His father, a doctor, died when he was 6, after which he moved with his mother, a nurse, to live with an aunt in New Britain, Conn. His mother took him to art classes at the Wadsworth Atheneum in Hartford. He would draw on wrapping paper from his aunt’s supply store.

Finding His Way

At Syracuse University, he studied art before he was drafted for the Korean War in 1951, during which he made posters for the Special Services. After his service he moved to New York to study illustration and cartooning. For a while he did paste-ups, mechanicals and photostats for Seventeen magazine. He spent a year as a graphic designer in the office of a young architect named I. M. Pei.

Meanwhile, he painted, or tried to. For a while, he hired a model to draw from life and copied old masters. He felt lost. An aspiring artist in New York during the waning days of Abstract Expressionism, an art squarely about individual touch, he thought he had no particular touch of his own and therefore nothing to add.

But then he took a job at the book counter at the Museum of Modern Art, where he met other young artists with odd jobs there, including Dan Flavin, Robert Ryman and Robert Mangold. He noticed the nascent works of Flavin and also absorbed early art by Jasper Johns and Frank Stella. Minimalism, a yet-unnamed movement, seemed like a fresh start. Mr. LeWitt was meanwhile intrigued by Russian Constructivism, with its engineering aesthetic, and by Eadweard Muybridge’s photographs, sequential pictures of people and animals in motion, which he came across one day in a book that somebody had left in his apartment. From all this he saw a way forward. It was to go backward.

He decided to reduce art to its essentials, “to recreate art, to start from square one,” he said, beginning literally with squares and cubes. But unlike some strict Minimalists, Mr. LeWitt was not interested in industrial materials. He was focused on systems and concepts — volume, transparency, sequences, variations, stasis, irregularity and so on — which he expressed in words that might or might not be translated into actual sculptures or photographs or drawings. To him, ideas were what counted.

At the time, linguistic theorists were talking about words and mental concepts as signs and signifiers. Mr. LeWitt was devising what you might call his own grammar and syntax of cubes and spheres, a personal theory of visual signs. It was theoretical, but not strictly mathematical. Partly it was poetic. He began with propositions for images, which became something else if they were translated into physical form by him or other people.

He also liked the inherent impermanence of Conceptual art, maybe because it dovetailed with his lack of pretense: having started to make wall drawings for exhibitions in the 1960s, he embraced the fact that these could be painted over after the shows. (Walls, unlike canvases or pieces of paper, kept the drawings two-dimensional, he also thought.) He wasn’t making precious one-of-a-kind objects for posterity, he said. Objects are perishable. But ideas need not be.

“Conceptual art is not necessarily logical,” he wrote in an article in Artforum magazine in 1967. “The ideas need not be complex. Most ideas that are successful are ludicrously simple. Successful ideas generally have the appearance of simplicity because they seem inevitable.”

Relishing Collaboration

To the extent that Mr. LeWitt’s work existed in another person’s mind, he regarded it as collaborative. Along these lines he became especially well known in art circles for his generosity, often showing with young artists in small galleries to give them a boost; helping to found Printed Matter, the artists’ organization that produces artists’ books; and trading works with other, often needier artists, whose art he also bought. Some years back he placed part of what had become, willy-nilly through this process, one of the great private collections of contemporary art in the country on long-term loan to the Wadsworth Atheneum, his childhood museum and the one that again was in his neighborhood after he moved, in the mid-’80s, from Spoleto to Chester. He lived there with his wife, Carol, who survives him, along with their two daughters, Sofia, who lives in New York and works at the Paula Cooper Gallery, and Eva, a senior at Bard College.

It was said that Mr. LeWitt didn’t like vacations. His pleasure was being in his studio. He explained that he had worked out his life as he wanted it to be, so why take a vacation from it?

To the sculptor Eva Hesse, he once wrote a letter while she was living in Germany and at a point when her work was at an impasse. “Stop it and just DO,” he advised her. “Try and tickle something inside you, your ‘weird humor.’ You belong in the most secret part of you. Don’t worry about cool, make your own uncool.” He added: “You are not responsible for the world — you are only responsible for your work, so do it. And don’t think that your work has to conform to any idea or flavor. It can be anything you want it to be.”

Gary Garrels, a curator who organized Mr. LeWitt’s retrospective for San Francisco in 2000, said: “He didn’t dictate. He accepted contradiction and paradox, the inconclusiveness of logic.” He took an idea as far as he thought it could go, then tried to find a way to proceed, so that he was never satisfied with a particular result but saw each work as a proposition opening onto a fresh question. Asked about the switch he made in the 1980’s — adding ink washes, which permitted him new colors, along with curves and free forms — Mr. LeWitt responded, “Why not?” He added, “A life in art is an unimaginable and unpredictable experience.”

2014
Summer Show
Carl Andre, Daniel Buren, Alan Charlton, Sol LeWitt, Lawrence Weiner

Konrad Fischer Galerie, Berlin
27 June – 13 September 2014


2010
Aber Schwarz Ist Doch Gar Keine Farbe !
Carl Andre, Tony Cragg, Harald Klingelhöller, Jannis Kounellis, Wolfgang Laib, Sol LeWitt, Richard Long, Rita McBride, John McCracken, Mario Merz, Dennis Oppenheim, Giuseppe Penone, Thomas Ruff,
Gregor Schneider, Thomas Schütte, Juergen Staack, Paloma Varga Weisz, Lawrence Weiner

Konrad Fischer Galerie, Düsseldorf
19 March – 30 April 2010

Sol LeWitt - Wall Drawings
Konrad Fischer Galerie, Berlin 
26 February – 24 April 2010



2006
Galerie mit Bleistift Fischer -
Papierarbeiten aus den 60er und 70er Jahren
Andre Bladen Brouwn Charlton Darboven Dibbets Flavin Joseph
Kaltenbach Law LeWitt Merz Nauman Rückriem Ruthenbeck

Konrad Fischer Galerie, Düsseldorf
06 May – 17 June 2006



2003
Sol LeWitt
Konrad Fischer Galerie, Düsseldorf
08 November 2003 – 07 February 2004


2001
Konrad Fischer Galerie, Düsseldorf
07 December 2001 – 26 January 2002

Konrad Fischer Galerie, Düsseldorf
31 March – 05 May 2001



2000
Sol LeWitt
Konrad Fischer Galerie, Düsseldorf
13 may – 24 June 2000


1999
Konrad Fischer Galerie, Düsseldorf
08 May – 19 June 2000


1993
Sol LeWitt - New Wall Pieces
Konrad Fischer Galerie, Düsseldorf
16 September – 16 October 1993 


A Group Show in Progress
Carl Andre, Daniel Buren, Alan Charlton. Hanne Daboven, Martin Gewers, Gilbert & George
Martina Klein. Harald Klingelhöller, Jannis Kounellis, Wolfgang Laib, Sol LeWitt, Richard Long, 
Robert Mangold, Mario Merz, Jürgen Meyer, Juan Muñoz, Helga Natz, Bruce Nauman, Robert Ryman, Thomas Schütte

Konrad Fischer Galerie, Düsseldorf
23 April – 15 August 1993

1991
Sol LeWitt
Konrad Fischer Galerie, Düsseldorf
02 August – 27 September 1991


1977
Sol LeWitt: Geometric Figures
Galerie Konrad Fischer, Düsseldorf

BERLIN

04. Sep 2015 - 31. Oct 2015

exhibition


DÜSSELDORF

03. Sep 2015 - 31. Oct 2015

exhibition


BERLIN

26. Feb 2010 - 24. Apr 2010

exhibition


DÜSSELDORF

08. Nov 2003 - 07. Feb 2004

exhibition