Gilbert & George
Since 1968, Gilbert Proesch (* 1943 in the Italian Dolomites)
and George Passmore (* 1942 in Totnes, England) have
appeared under the name Gilbert & George as 'living
They live and work in London.
Lifetime Achievement Award, New Museum, New York
South Bank Award, London
Lorenzo il Magnifico Award, Florence
Gilbert & George, British Pavilion at Venice Biennale, 51st International Art Exhibition, Venice
Special International Award, Los Angeles
Turner Prize, United Kingdom
Short listed for Turner Prize
Regione Lazio Award, Torino
NSU Art Museum Fort Lauderdale, Nova Southeastern University, Fort Lauderdale, FL
Gilbert & George: The Early Years, MOMA - Museum of Modern Art, New York
The Art Exhibition, Museum of Old and New Art, Tasmania, Australia
26 New Utopian Pictures, Arndt, Gillman Barracks, Singapore
Gilbert & George: Scapegoat, Pictures for Paris, Galerie Thaddaeus Ropac
Gilbert & George: Scapegoating, Pictures for London, White Cube, London
Gilbert & George: Video Sculptures 1972-1981, Lehman Maupin, New York
Gilbert & George Art Exhibition, Nuveau Musée National Monaco, Villa Paloma, Monaco
Gilbert & George: Artist Rooms, Royal Albert Memorial Museum & Art Gallery Exeter, Devon
London Pictures, Casal Solleric, Palma
London Pictures, Museum Küppersmühle, Duisburg, Germany
Laznia Centre for Contemporary Art, Danzig
London Pictures, Thaddeus Ropac, Salzburg
London Pictures, Bernier Eliades, Athens
London Pictures, White Cube all sites, London and Hong Kong
London Pictures, Lehmann Maupin, New York
London Pictures, Sonnabend Gallery, New York
London Pictures, Galerie Thaddeus Ropac, Paris
London Pictures, Arndt, Berlin
London Pictures, Alfonso Artiaco, Naples
The Urethra Postcard Art of Gilbert & George, Pinacoteca Agnelli, Turin
Jack Freak Pictures, Deichtorhallen, Hamburg traveled to: Kunstmuseum Linz, Linz; Centre for Contemporary Art, Laznia, Gdansk
Urethra Postcard Pictures, White Cube, London; Galerie Thaddaeus Ropac, Paris; Alfonso Artiaco, Naples; Ivory Press, Madrid; Arndt, Berlin
“Jack Freak Pictures”, touring exhibition to: CAC Malaga, Spain; Museum of Contemporary Art, Zagreb, Croatia; Palais des Beaux Arts, Brussels, Belgium; Deichtorhallen, Hamburg, Germany; Lentos Kunstmuseum, Linz, Austria; Laznia Centre for Contemporary Art, Gdansk, Poland
Jack Freak Pictures, Galerie Thaddaeus Ropac, Paris
Jack Freak Pictures, Galerie Thaddaeus Ropac, Salzburg
Gilbert & George, Milwaukee Art Museum
Gilbert & George, Philadelphia Museum of Art
Gilbert & George: Major Exhibition, Tate Modern, London; Haus der Kunst, Munich; Castello di Rivoli, Turin
Gilbert & George : works from the collection, Magasin 3 Stockholm Konsthall, Stockholm
Gilbert & George. Selected works from the 80s, Faggionato Fine Art, London
Gilbert & George, Haus der Kunst, M?nchen
SONOFAGOD Pictures Was Jesus Heterosexual?, Bonnefantenmuseum, Maastricht; White Cube, London
Gilbert & George, British Pavilion, 51st International Art Exhibition, Venice Biennale, Venice
20 London E1 Pictures, Kestner Gesellschaft, Hannover
The Perversive Pictures, Sonnabend Gallery and Lehmann Maupin Gallery, NY
Thirteen Hooligan Pictures, Bernier/Eliades, Athens
20 London E1 Pictures, Galerie Thaddaeus Ropac, Paris; Modern Art Museum, St Etienne
Cologne, Museum Ludwig, Gilbert & George - Zeichnung als Skulptur: The Shrubberies
Gilbert and George, Brooklyn Museum of Art, Brooklyn, NY
Gilbert & George, Kröller-Müller Museum, Otterlo
The Dirty Words Pictures, Serpentine Gallery, London
Nine Dark Pictures, Portikus, Frankfurt
The Art of Gilbert & George, Fundacio Centro Cultural de Bel?m, Lisbon, Portugal
Gilbert & George: A Retrospective, Kunsthaus Bregenz, Bregenz; School of Fine Art, Athens
New Horny Pictures, White Cube2, London
Gilbert & George, Chateau d'Arenthon Fondation pour l'Art Contemporain, Alex (Annency)
Nineteen Ninety Nine, Museum of Contemporary Art, Chicago; Museum Moderner Kunst, Vienna
Gilbert & George. Bernier/Eliades Gallery, Athens
The Art of Gilbert and George, The Factory, Athens School of Art
Gilbert and George - The Tuileries, an eight-part charcoal on paper sculpture, Rijksmuseum Twenthe Museum voor oude en moderne kunst, Enschede
Frankfurt, Museum für Moderne Kunst
Los Angeles, Gagosian Gallery
Gilbert & George, Parkhaus, Düsseldorf
Zig-Zag Pictures 2000, FIAC, Galerie Thaddaeus Ropac, Paris
MM 2000; Biennale de Lyon, Halle Tony Garnier
Gilbert & George 1991 to 1997, Ormeau Baths Gallery, Belfast
Gilbert & George 1970-1988, Astrup Fearnley Museet for Moderne Kunst, Oslo
Gilbert & George 1986-1997, Drassanes, Valencia
The Rudimentary Pictures, Milton Keynes Gallery, Milton Keynes (inaugural exhibition); Gagosian Gallery, Los Angeles
Nineteen Ninety Nine, 1999, Kunstmuseum, Bonn
New York, David Zwirner
New Testamental Pictures, Museo di Capodimonte, Naples; Galerie Thaddaeus Ropac, Paris; Galerie Thaddaeus Ropac, Salzburg
Black White and Red 1971 to 1980, James Cohan Gallery, New YorkSelected Works from The Fundamental Pictures, Massimo Martino Fine Arts & Projects, Switzerland
The Fundamental Pictures, Sonnabend Gallery and Lehmann Maupin Gallery, New York, NY
Gilbert & George, Musee d?Art Moderne de la Ville de Paris, Paris, France
Gilbert & George: Art for All 1971 ? 1992, Sezon Museum of Art, Tokyo, Japan
Gilbert & George Art, Magasin 3, Stockholm, Sweden
Gilbert & George Retrsospective, Galleria d'Arte Moderna, Bologna, Italy
The Naked Shit Pictures, Stedelijk Museum, Amsterdam
The Singing Sculpture, CAPC Musee d'Art Contemporain, Bordeaux, France
The Naked Shit Pictures, South London Art Gallery, London, England
Gilbert & George, Galerie Nikolas Sonne, Berlin, Germany
Gilbert & George, Robert Miller Gallery, NY
Gilbert & George, Museo d'Arte Moderna, Lugano, Switzerland
The Naked Shit Pictures, Galerie Jablonka, Cologne, Germany
Shitty Naked Human World, Kunstmuseum Wolfsburg, Wolfsburg, Germany
China Exhibition 1993, National Art Gallery, Peking; The Art Museum, Shanghai, China
The Cosmological Pictures, Tate Gallery, Liverpool; Württembergischer Kunstverein, Stuttgart
The Cosmological Pictures, Kunsthalle, Zurich; Wiener Secession, Vienna; Ernst
Muzeum, Budapest; Haags Gemeenstemuseum, The Hague; Irish Museum of Modern Art, Dublin; Fundacio Joan Miro, Barcelona
New Democratic Pictures, Anthony d'Offay Gallery, London; Aarhus Kunstmuseum, Arhus, Denmark
Gilbert & George, Gramo Fine Arts, Antwerp, Belgium
The Cosmological Pictures, Palac Sztuki, Krakow; Palazzo delle Esposizioni, Rome;
The Singing Sculpture & The General Jungle, Sonnabend Gallery
Gilbert & George Pictures 1983-1988, Moscow Exhibition, New Tretyakov Gallery, Moscow
Twenty-Five Worlds By Gilbert & George, Robert Miller Gallery, New York
Gilbert & George Post-Card Sculptures and Ephemera 1969-1981, Hirschl & Adler Modern, NY
The New Cosmological Pictures, Sonnabend Gallery, New York
Galerie Langer Fain, Paris
Gilbert & George: Worlds & Windows, Anthony d'Offay Gallery, London
Gilbert & George, Sonnabend Gallery, New York
Eleven Worlds by Gilbert & George and Antique Clocks, Desire Feuerle Gallery, Cologne
For Aids Exhibition, Anthony D'offay Gallery, London
Gilbert & George: Postcard Sculptures, Paul Kasmin Gallery, New York
The 1988 Pictures, Christian Stein Gallery, Milan
The 1988 Pictures, Ascan Crone Gallery, Hamburg, West Germany
Gilbert & George, The Complete Pictures 1971-1985, Palacio de Valazquez, Parque del Reitrio,
Madrid, Stadtische Galerie im Lenbachhaus, Munich, Hayward Gallery, London
Sonnabend Gallery, New York
Gilbert & George New Pictures, Anthony D'Offay Gallery, London
Gilbert & George Pictures, The Aldrich museum, Ridgefield, Connecticut
Gilbert & George, The Complete Pictures 1971 - 1985, CAPC Musee d'Art Contemporain de Bordeaux, Kunsthalle, Basel, Palais des Beaux Arts, Brussels
Charcoal on Paper Sculptures 1970 to 1974, CAPC Bordeaux
The Paintings 1971, The Fruitmarket Gallery, Edinburgh
Gilbert & George, Milwaukee Art Museum; The Solomon R. Guggenheim Museum, New York
New Moral Works, Sonnabend Gallery, New York
New York, Salomon R. Guggenheim Museum
New Photo-Pieces, Anthony D'Offay Gallery, London
Gilbert & George, The Baltimore Museum of Art; Contemporary Art Museum, Houston;
The Norton Gallery of Art, West Palm Beach, Florida
The Believing World, Anthony D'Offay Gallery, London
Hands Up, Schelman & Kluser Gallery, Munich "Live's", Pieroni Gallery, Rome
Modern Faith, Sonnabend Gallery, New York
Photo-Pieces 1980-82, David Bellman Gallery, Toronto
New Works, Crousel-Hussenot Gallery, Paris
New Photo-Pieces, Gewad Ghent
Crusade, Anthony D'Offay Gallery, London
Sao Paulo, Biennale Sao Paulo
Photo-Pieces 1971-80, (Retrospective) Kunsthalle, Dusseldorf; Kunsthalle, Bern
Centre National d'Art et de culture Georges Pompidou, Paris; Whitechapel Art Gallery, London
Photo-Pieces 1980-81, Chantal Crousel Gallery, Paris
Post-Card Sculptures, Art & Project Gallery, Amsterdam; Konrad Fischer Gallery, Dusseldorf
New Photo-Pieces, Karen & Jean Bernier Gallery, Athens; Sonnabend Gallery, New York
Modern Fears, Anthony D'Offay Gallery, London
Photo-Pieces 1971-80, Stedelijk van Abbemuseum, Eindhoven
Photo-Pieces, Dartington Hall Gallery, Dartington Hall
New Photo-Pieces," Sonnabend Gallery, New York; Art Agency, Tokyo
New Photo-Pieces, Art & Project Gallery, Amsterdam; Konrad Fischer Gallery, Dusseldorf
Dirty Words Pictures, Art & Project, Amsterdam; Konrad Fischer Gallery, D?sseldorf
Red Morning, Sperone Fischer Gallery, Basel
The General Jungle, Albright-Knox Gallery, Buffalo
Dead Boards, Sonnabend Gallery, New York
Mental, Robert Self Gallery, London; Robert Self Gallery, Newcastle
Bloody Life, Sonnabend Gallery, Paris; Sonnabend Gallery, Geneva; Lucio Amelio Gallery, Naples
Post-Card Sculptures, Sperone Westwater Fischer Gallery, New York
Dusty Corners, Art Agency, Tokyo
Drinking Sculptures, Art & Project,MTL, Antwerp
Humane Bondage, Konrad Fischer Gallery, Dusseldorf
Dark Shadow, Art & Project Gallery, Amsterdam; Nigel Greenwood Gallery, London
Cherry Blossom, Sperone Gallery, Rome
The Shrubberies & Singing Sculpture," National Gallery of New South Wales; John
Kaldor Project, Sydney; National Gallery of Victoria; John Kaldor Project, Melbourne
Modern Rubbish, Sonnabend Gallery, New York
Any Port in a Storm, Sonnabend Gallery, Paris
New Decorative Works, Sperone Gallery, Turin
Reclining Drunk, Nigel Greenwood Gallery, London
New Photo-Pieces, Konrad Fischer Gallery, Dusseldorf
Three Sculptures on Video Tape, Gerry Schum Video Gallery, Dusseldorf
The Bar, Anthony D'Offay Gallery, London; Nigel Greenwood Gallery, London
The Evening Before the Morning After, Nigel Greenwood Gallery, London
It Takes A Boy To Understand A Boy's Point Of View, Situation Gallery, London
A New Sculpture, Sperone Gallery, Rome
The Paintings, Koninklijk Museum voor Schone Kunsten, Antwerp
There Were Two Young Men, Sperone Gallery, Turin
The General Jungle, Sonnabend Gallery, New York
The Paintings, Whitechapel Art Gallery, London; Stedelijk Museum, Amsterdam; Kunstverein Dusseldorf
The Ten Speeches, Nigel Greenwood Gallery, London
New Photo-Pieces, Art & Project Gallery, Amsterdam
George by Gilbert & Gilbert by George, Fournier Street, London
The Pencil on Paper, Descriptive Works, Konrad Fischer Gallery, Dusseldorf; Folker Skulima Gallery, Berlin
Art Notes and Thoughts," Art & Project Gallery, Amsterdam
Frozen Into the Nature for You Art," Francoise Lambert Gallery, Milan; Heiner Friedrich Gallery, Cologne
To Be with Art is all We Ask, Nigel Greenwood Gallery, London
Anniversary, Frank's Sandwich Bar, London
Shit and Cunt, Robert Fraser Gallery, London
Three Works - Three Works, Frank's Sandwich Bar, London
Snow Show, St. Martin's School of Art, London
Bacon 32, Allied Servies, London
Christmas Show, Robert Fraser Gallery, London
SELECTED GROUP EXHIBITIONS
Wolke und Kristall - Die Sammlung Dorothee und Konrad Fischer, Kunstsammlung Nordrhein-Westfalen, Düsseldorf
WITH A TOUCH OF PINK - WITH A BIT OF VIOLET - WITH A HINT OF GREEN - Dorothee Fischer in memoriam, Konrad Fischer Galerie, Düsseldorf
Don’t Shoot the Painter: Paintings from the UBS Art Collection, Galleria d´Arte Moderna, Milan
Per_forming a collection #4, Madre, Naples
Icon(s), Maison Particulière, Brussels
Accelerazione, 9 works by 8 artists of the Herbert Foundation, Herbert Foundation, Gent
Echos. Common Grounds, Common Goods, ING Cultural Centre, Brussels
do it (adelaide), Samstag Museum, Adelaide
English Summer, Elizabeth Dee, New York
Future Seasons Past, Lehmann Maupin, 536 West 22nd Street, New York
my private world, Sammlung Verbund - Vertikale Galerie, Vienna
The Illusion of Light, Palazzo Grassi, Venice
Bad Thoughts - Collection Martijn and Jeannette Sanders, Stedelijk Museum, Amsterdam
Look at Me: Portraiture from Manet to the Present, Leila Heller Gallery, New York
Intenzione manifesto. Il disegno in tutte le sue lingue e forme Castello di Rivoli, Turin
Lens-Based Sculpture: The Transformation of Sculpture through Photography, Kunstmuseum Liechtenstein, Liechtenstein
Tea with Nefertiti, Staatliches Museum Ägyptischer Kunst, Munich
Somewhat Abstract: Selection from the Arts Council Collection, Nottingham Contemporary
69/96, Alte Fabrik, Rapperswil-Jona
Palindrome, ARNDT, Berlin
Art at the Core: The Intersection of Visual Art, Performance and Technology, Hudson Valley
Center for Contemporary Art, Peekskill, NY
A Journey Through London Subculture: 1980s to Now, ICA London
(con)TEXT, Sharon Art Center, Peterborough
As if it Could, ouverture, Works and Documents from the Herbert Foundation, Herbert Foundation, Ghent
Glam! The Performance of Style, Tate, Liverpool - traveled to: Schirn Kunsthalle Frankfurt, Frankfurt
Tea with Nefertiti, Institut du Monde Arabe, Paris
Glam! The Performance of Style, Tate, Liverpool, United Kingdom; Schirn Kunsthalle
Regarding Warhol: Sixty Artists, Fifty Years, Metropolitan Museum of Art, New York
Tea with Nefertiti, Mathaf: Arab Museum of Modern Art, Doha
Muntean/Roseblum, Team Gallery, New York
To Be With Art Is All We Ask, Astrup Fearnley Museum, Oslo
CARA DOMANI, MAMbo, Bologna
I Wish This Was A Song: Music in Contemporary Art, The Museum of Contemporary Art, Oslo
the insides are on the outside, Glass House, São Paulo
ARTandPRESS, Martin–Gropius-Bau, Berlin
United Enemies: The Problem of Sculpture in Britain in the 1960s and 1970s, Henry Moore Institute, Leeds
Iles jamais trouvées, Musée d’Art Moderne de Saint-Etienne Métropole
Things are Queer: Highlights of Unicredit Art Collection, Marta Herford, Herford
The Original Copy: Photography of Sculpture 1839 to today, Kunsthaus, Zurich
Made in Britain: Contemporary Art from the British Council Collection, Hong Kong
Heritage Museum, Hong Kong; Suzhou Museum, Suzhou
Staging Action: Performance in Photography since 1960, Museum of Modern Art, New York
Moving Portraits, De La Warr Pavillion, Bexhill on Seaä
Je crois aux miracles: 10 Years of the Lambert Collectio, Collection Lambert, Avignon
Circa 1986, Hudson Valley Center for Contemporary Art, Peekskill
Party!, New Art Gallery, Walsall
Love, Sorcha Dallas Gallery, Glasgow.
Brave New World, MUDAM, Luxembourg
53. Biennale Venedig 2009, Venedig
Gegen den Strich! 15 Jahre Sammlung des Kunstmuseum Wolfsburg, Kunstmuseum Wolfsburg
T-Tris, B.P.S. Space for Contemporary Art, Charleroi, Belgium
BP British Art Displays 1500- 2009, Tate Britain, London
Passports: Great Early Buys from the British Council Collection, Whitechapel Gallery,
The Fallen Angels - Watari-Um, Watari Museum of Contemporary Art, Tokyo
Barock, Museo d’Art Contemporanea Donna Regina, Naples
Unbuilt Roads, e-flux, New York
Esposizione Universale - l'arte alla prova del tempo, Galleria d'Arte Moderna, Bergamo
Collected Visions, Bronx Museum of the Arts, New York
Based on Paper, MIMA, Middlesbrough
The Sum of Its Parts, Cheim & Read, New York
History in the Making, A Retrospective of the Turner Prize, Mori Art Museum, Tokyo,
Holy Inspiration, religion and spirituality in modern art. Stedelijk museum in De Nieuwe Kerk, De Nieuwe Kerk, Amsterdam
Manifesto Marathon, Serpentine Gallery, London
ROCK MY RELIGION, Domus Artium 2002, Salamanca
Held Together with Water, Istanbul Modern
Parkhaus, Kunsthalle Düsseldorf
Sünde, Residenzgalerie Salzburg
Depot VBVR: Cragg, Flanagan, Gilbert & George, Long, Lord, Pope, Rijksmuseum Twenthe, Enschede
What Does the Jellyfish Want?, Museum Ludwig, Cologne
Multiplex: Directions in Art, 1970 to Now, Museum of Modern Art, New York
Panic Attack! Art in the Punk Years, Barbican Art Gallery, London
The Secret Public: The Last Days of the British Underground 1978-1988, Institute of
Contemporary Art, London, United Kingdom
INTO ME / OUT OF ME, Kunst-Werke Berlin e.V. - KW Institute for Contemporary Art, Berlin
GILBERT AND GEORGE - MAJOR EXHIBITION, Castello di Rivoli, Rivoli (Torino)
SWITCHER SEX, Slought Foundation, Philadelphia
Multiplex: Directions in Art, 1970 to Now Museum of Modern Art, New York
Gilbert & George, Castello di Rivoli, Turin
Turner Prize: A Retrospective, Tate Britain, London
Il Futuro del Futurismo, Galleria d'Arte Moderna, Bergamo
Video Lounge, Kunsthaus, Zürich
FOTOKUNST Zeitgenössische Fotografie aus der Sammlung Essl, Sammlung Essl, Klosterneuburg
Guggenheim Collection, National Gallery of Victoria, Melbourne
The Naked Portrait, National Galleries of Scotland, Edinburgh
INTO ME / OUT OF ME, MACRO Rom
e-flux VIDEO RENTAL, Centre culturel suisse, Paris
Renegades, Exit Art, New York
Interventions, Thomas Solomon Gallery, Los Angeles
How To Improve The World, Hayward Gallery, London
Where a Pawn becomes a Queen, Museum Ludwig, Cologne
Sixty Years of Sculpture in the Arts Council Collection, Longside Gallery, Yorkshire Sculpture Park, Yorkshire
Handsome, Analix Forever, Geneva
Eye on Europe - Prints, Books & Multiples, 1960 to Now, The Museum of Modern Art, New York
Internazionale XII Biennale di Scultura di Carrara, Biennale di Sculture di Carrara, Carrara,
INTO ME / OUT OF ME, P.S.1 Contemporary Art Center, Long Island City, NY
Where a Pawn becomes a Queen, Museum Ludwig, Cologne
Inventory: Works form the Herbert Collection, Kunsthaus Graz, Graz
LACMA at 40: Gifts in Honor of the Museum's Anniversary, Los Angeles County Museum of Art - LACMA, Los Angeles
E-Flux Video Rental, Arthouse at the Jones Center - Contemporary Art for Texas, Austin
Creativity, Kunsthalle Fridericianum, Kassel
'Bock mit Inhalt' - Summer Exhibition, Stedelijk Museum, Amsterdam
Superstars - from Warhol to Madonna, Kunsthalle Wien (Halle 1, Halle 2 im MQ), Vienna
The Theatre of Art - Masterpieces from the Collection of the Ludwig Museum, Colo Villa Manin. Centro Darte Contemporanea, Codroipo (UD)
Open Systems - Rethinking Art c.1970, Tate Modern, London (England)
Eye of the Storm: The IMMA Collection, Irish Museum of Modern Art - IMMA, Dublin
The giving person, PAN - Palazzo delle Arti di Napoli, Naples
The Last Picture Show - Artists using Photography 1960-1982, Miami Art Central, Miami, FL
Faltering Flame, Shefffield Galleries & Museums Trust, Sheffield
Puzzle, Galleria Il Ponte, Florence
The Last Picture Show, Fotomuseum Winterthur, Winterthur
From a Collection - For a Collection, Galerie Bugdahn und Kaimer, Duesseldorf; Stedelijk Museum
Monument to Now. Deste Foundation, Centre for Contemporary Art, Athens
Video et Cogito, Ludwig Forum f?r Internationale Kunst, Aachen
Hidden Histories, The New Art Gallery Walsall, Walsall, West Midlands
Head to Head, Tate Modern, London
Secrets of the 90s, Museum voor Moderne Kunst Arnhem, Arnhem
Turning Points - 20th Century British Sculpture, Tehran Museum of Contemporary Art, Tehran
The Last Picture Show - Artists Using Photography, 1960-1982, UCLA Hammer Museum, Los Angeles
Treasure Island: 10 Jahre Sammlung Kunstmuseum, Kunstmuseum Wolfsburg, Wolfsburg
I hate you The Falckenberg Collection, Louisiana Museum of Modern Art, Humlebæk
Fernsehgalerie Gerry Schum/videogalerie schum, Kunsthalle Düsseldorf, Duesseldorf
Narcissus - New Visions on Self-Representation, Crac Alsace, Altkirch
Happiness - A Survival Guide for Art and Life, Mori Art Museum, Tokyo
The Last Picture Show - Artists Using Photography - 1960-1982, Walker Art Center, Minneapolis, MN
Gelijk het leven is, S.M.A.K. - Stedelijk Museum voor Actuele Kunst, Gent
Social Strategies - Redefining social realism, Illinois State University, Normal, Il
Dreams and Conflicts:The Dictatorship of the Viewer, La Biennale di Venezia, Venice
Journey to Now - John Kaldor Art Projects & Collection, Art Gallery of South Australia,
PROJECTION, Konrad Fischer Galerie GmbH, Düsseldorf
Photo - Kunst - 1852 ? 2002, Staatsgalerie Stuttgart, Stuttgart
Het kunstenaarsboek als wetenschappelijke bron, Centraal Museum, Utrecht
Not Exactly Photographs, Fraenkel Gallery, San Francisco, CA
Group Show, Bernier/Eliades Gallery, Athens
From Broodthaers to Horn. Van Abbemuseum, Eindhoven
From Pop to Now: Selections from the Sonnabend Collection, The Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, New York
RETROSPECTACLE: 25 Years of Collecting Modern and Contemporary, Denver Art Museum, Denver, CO
Real Life, Tate St. Ives, St. Ives, Cornwall
Warhol to Koons: International Contemporary Art from a Private Collection, Scottish National Gallery of Modern Art, Edinburgh (Scotland); Weston Link, Edinburgh (Scotland)
Public Affairs, Kunsthaus Zürich, Zürich
On General Release, Norwich Gallery, Norwich (England)
Shortcuts, Deste Foundation, Centre for Contemporary Art, Athens
Nothing in the Main Hall, Rooseum Center for Contemporary Art, Malmö
Conception - The Conceptual Document 1968-1972, The Morris and Helen Belkin Art Gallery, Vancouver, British Columbia
Reisen in Ich - Künstler / Selbst / Bild. Sammlung Essl - Kunsthaus, Klosterneuburg
Nothing, Contemporary Art Center Vilnius (CAC), Vilnius
The First 10 Years: Selected Works from the Collection, Irish Museum of Modern Art - IMMA, Dublin
Imago Mundi, capc Mus?e dart contemporain, Bordeaux
Hypermental - Wahnhafte Wirklichkeit 1950 - 2000 - Von Salvador Dali bis Jeff Koons,
Hamburger Kunsthalle, Hamburg
Echoes of the Scream, ARKEN Museum for Moderne Kunst, Copenhagen
Inner Eye: Contemporary Art from the Marc and Livia Straus Collection, Neuberger Museum of Art
Out There, White Cube 2, Hoxton Square, London
The Rudimentary Pictures, Gagosian Gallery, Los Angeles
Enclosed and Enchanted, Museum of Modern Art, Oxford
Man ? Body in Art from 1950 to 2000, Arken Museum for Moderne Kunst, Skovvej, Denmark
Dream Machines, Dundee Contemporary Arts - DCA, Dundee (Scotland)
Inaugural Exhibition Making Time - Considering Time As a Material in Contemporary, The Palm Beach Institute of Contemporary Art (PBICA), Lake Worth, FL
5e Biennale de Lyon - Partage dexotismes, La biennale dart contemporain de Lyon, Lyon
Seeing Time, ZKM | Museum f?r Neue Kunst & Medienmuseum, Karlsruhe
Many Colored Objects Placed Side By Side To Form A Row Of Many Colored Objects, Casino Luxembourg - Forum dart contemporain, Luxembourg
Zeitwenden - Rückblick und Ausblick, Kunstmuseum Bonn, Bonn
Permanent Collection, The Modern Art Museum of Fort Worth, Fort Worth, TX
The First View, Sammlung Essl - Kunsthaus, Klosterneuburg
Ego Alter Ego - Das Selbstportrait in der Fotografie der Gegenwart, Nassauischer Kunstverein, Wiesbaden
Gesammelte Werke 1; Zeitgenössische Kunst seit 1968, Kunstmuseum Wolfsburg, Wolfsburg
Veronicas Revenge - Photographies De La Collection Lac-Suisse, Casino Luxembourg - Forum dart Contemporain, Luxembourg
Insite 98 - Mysterious Voyages: Exploring the Subject of Photography, Contemporary Museum, Baltimore, MD
Linhas de Sombra Centro de Arte Moderna Jos? de Azeredo Perdigio - Fundacio Calouste Gulbenkian, Lisbon
Out of Actions: Between Performance and the Object, 1949-1979, Museum of Contemporary Art, Los Angeles, CA
Photoplay, George Eastman House, Rochester, NY
A Choice from the Collection, Van Abbemuseum, Eindhoven
Conceptual Photography from the 60s and 70s, David Zwirner, Inc., New York, NY
Exhibition of the Century, Wellington City Gallery, Wellington
Treasure Island, Gulbenkian Foundation, Lisbon, Portugal
Das Zwanzigste Jahrhundert, Zeitgeist-Gesellschaft, Berlin, Germany
1997 Kwangju Biennale Unmapping the Earth, Kwangju, Korea
Galerie Thaddeaus Ropac, Salzburg, Austria
La Vie Moderne en Europe 1870-1996, Museum of Contemporary Art, Tokyo, Japan
Endurance: The Information, Exit Art, New York, NY
Take Me (I'm Yours), Serpentine Gallery, London, Great Britain
Attitudes/Sculptures, 1963-1972, CAPC, Musee d'art Contemporain, Bordeaux, France
20/20, In Khan, NY
Human/Nature Benefit Exhibition, The New Museum, New York, NY
1969, Galerie Jablonka, Cologne
Recent Work, Anthony d'Offay Gallery, London
Sarah Staton: Supastore boutique, Laure Genillard Gallery, London, Great Britain
Contemporary Self-Portraits "Here's Looking at Me'", elac, Centre d'Echanges de Perrache, Lyon, France
Out of Sight, Out of Mind, Lisson Gallery, London
Europe Sans Frontieres, Galerie Isy Brachot, Paris
Image Makers, The Nassau County Museum of Art, Roslyn Harbor, New York
Konstruktion Zitat: Kollektive Bilder in der Fotografie, Sprengel Museum, Hannover, Germany
Photoplay, Works from the Chase Manhattan Collection, NY, Center for the Fine Arts, Miami, FL; Museo Amparo, Puebla, Mexico; Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico; Centro Cultural Consolidado, Caracas, Venezuela; MASP/ Museu de Arte de Sao Paulo, Sao Paulo, Brasil; Museo Nacional de Bellas Artes; Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile
Dark Decor, DePree Art Center, Hope College, Holland, MI; San Jose Museum of Art, San Jose
Jose, CA; Florida Gulf Coast Art Center, Belleair, FL
More Than One Photograph, The Museum of Modern Art, New York
20th Century Collage, Margo Leavin Gallery, LA, CA
Metropolis, International Art Exhibition 1991, Martin-Gropius-Bau, Berlin
Photography: 1980-1990, Ginny Williams Gallery, Denver, CO
Consorts, Pence Gallery, Santa Monica, CA
Cruciformed: Images of the Cross Since 1980, Cleveland Center for Contemporary Art, Cleveland; Museum of Contemporary Art Wright State University, Dayton, OH; Western Gallery, Western Washington University, Bellingham, WA; Macdonald Stewart Art Center, Guelph, Ontario, Canada
A Passion for Art: Watercolors and Works on Paper, Tony Shafrazi Gallery, New York
Assembled, The University Art Galleries, Wright State University, Dayton, OH
Team Spirit, Neuberger Museum, SUNY at Purchase; Cleveland Center for Contemporary Art, Cleveland, OH; Vancouver, British Columbia, Canada; The Art Museum at Florida International University, Miami; Spirit Square Center for the Arts, Charlotte, NC; Davenport Art Museum, Davenport, IO; Laumeier Sculpture Park, St. Louis, MI
Art That Happens to be Photography, Texas Gallery, TX
Exposed, Vivian Horan Fine Art, New York
Repetition, Hirschl & Adler Modern, New York, NY
Bilderstreit: Contradiction, Unity and Fragmentation in Art Since 1960, Ludwig Museum in the Rheinhallen, Cologne, West Germany
Prospect 89, Kunstverein Frankfurt, Schirn Kunst-Halle, Frankfurt, West Germany
Lost and Found: The Object Transformed, Barbara Mathes Gallery, New York, NY
New Works by Gallery Artists, Sonnabend Gallery, New York, NY
Words, Tony Shafrazi Gallery, New York
Under Construction; New Photomontage, Cranbrook Academy of Art Museum, Bloomfield, MI
Collection Sonnabend, Centro de Arte Reina Sofia, Madrid, Capc, Musee d'Art Contemporain, Bordeaux; Art Cologne, Germany; Hamburger Bahnhof, Berlin, West Germany, Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporary, Trent, Italy; Sezon Museum of Art, Tokyo; The Miyagi Museum of Art, Sendai, Japan; The Fukuyama Museum of Art, Hiroshima, Japan; The National Museum of Modern Art, Kyoto
A "Drawing" Show, Cable Gallery, New York, NY
Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago
This is Not a Photograph: Twenty Years of Large-Scale Photography, 1966-1986, The John and Mable Ringling Museum of Art, Sarasota, FL
Perverted By Languag", Hillwood Art Gallery, Long Island University, C.W. Post Campus, Greenvale, New York
Romance, Curated by Ronald Jones, Knight Gallery, Charlotte, North Carolina
Selections from X1, organized by Saul Ostrow, Damon Brandt Gallery, New York
Uit het oude Europa, Stedelijk Museum, Amsterdam, Holland
Falls The Shadow, Hayward Gallery, London
Fourty Years of Modern Art, The Tate Gallery, London
Mater Dulcissima, Chiesa Dei Cavaliere di Malta, Siracusa
Correspondances 'New York Art Now'", Laforet Museum Harajuku and Tochigi Perfectural
Museum of Fine Arts, Utsunomiya, (February 8 - March 23)
Gilbert & George; Gareth Fisher, The Fruitmarket Gallery, Edinburgh (May 31 - July 5)
Memento Mori, Centro Cultural/Arte Contemporaneo, Mexico
Biennale of Paris, Grand Halle of La Villette, Paris
The 1985 Carnegie International, Pittsburg, Pennsylvania
Overture , Casttello di Rivoli, Torino
One City a Patron, Scottish Arts Council, Touring
A Journey Through Contemporary Art, The Hayward Gallery, London
The Critical Eye, Yale Center for British Art, New Haven
Artistic Collaboration in the 20th Century, Hirshhorn Museum and Sculpture Garden, Washington D.C.
The Poetry of Vision-Rose, The Guinness Hop Store, Dublin 8
Dialog, The Moderna Museet, Stockholm
Turner Prize Exhibition, The Tate Gallery, London
The British Art Show, Arts Council Touring, G.B; Queensland Art Gallery, Australia; Art Galley of New South Wales, Australia; Art Gallery of Western Australia, Australia
Private Symbol: Social Metaphor. 5th Biennale, Art Gallery of New South Wales, Sydney
Collection Annick and Anton Herbert, Van Abbemuseum, Eindhoven.
Photography in Contemporary Art, The National Museums of Art, Tokyo and Kyoto
Gilbert & George / Richard Long, The Museum of Art, North Carolina
Via New York, Musee D?Art Contemporain, Montreal
Content, Hirshhorn Museum, Washington
Collectie Becht, Stedelijk Museum, Amsterdam
Histoires De Sculpture, Espace Graslin-Manufacture Des Tabacs, Nantes-Loire-Atlantique; Musee D'Art Modern De Villeneuve, D'Ascq-Nord; Chateau Des Ducs D'Eperon, Cadillac-Gironde
Photography in Contemporary Art, National Museum of Modern Art, Tokyo
Acquisition Priorities, The Solomon R. Guggenheim Museum, New York
Trends in Post War American and European Art, The Solomon R. Guggenheim Museum, NY
New Art, The Tate Gallery, London
Urban Pulsers: The Artist and the City, Plan for Art, Pittsburg
Aspects of British Art Today, Metropolitan Art Museum, Tokyo
Documenta (7), Kassel
Attitudes, Concepts, Images 60/80, Stedelijk Museum, Amsterdam
Artist and Camera, Arts Council, GB Tour
16 Bienal De Sao Paulo, Sao Paulo
British Sculpture In The Twentieth Century, Whitechapel Art Gallery, London
Project 6: Art Into The 80's, Walker Art Gallery, Liverpool
No Title, Wesleyan University, GB Tour
Point de Vue, Images, Maison de la Culture, Chalon-sur-Saone
Gerry Schum, Museum Boymans-Van Beuningen, Rotterdam; Kunstverein, Cologne;
The Art Gallery, Vancouver; A Space, Toronto
Kunst In Europa Na '68, Museum voor Hedendaagse Kunst, Ghent
Explorations In The 70's, Pittsburg Plan for Art, Pittsburg, Pennsylvania
Process and Sequence: A Photographic Exhibition, Roosevelt, New York
Photography as Art/Art as Photography, Tiroler Landesmuseum Ferdinandeum, Innsbruck
Europe In The 70's, Contemporary Art Center, Cincinnati
On Walks and Travels, Bonnefantenmuseum, Maastricht
Un Certain Art Anglais, A.R.C./Musee d'Art Moderne de la ville Paris
Wahrnehmungen, Aufzeichnungen, Mitteilungen, Museum Haus Lange, Krefeld
Hayward Annual, Hayward Gallery, London
Gerry Schum, Stedelijck Museum, Amsterdam
Europe In The 70's, Hirshhorn Museum and Sculpture Garden, Washington D.C.; San Francisco Museum of Modern Art; Fort Worth Art Museum, Texas
Made By Sculptors, Stedelijk Museum, Amsterdam
Documenta (6), Kassel
38th Biennale, Venice
Door Beeldhouwers Gemaakt, Stedelijk Museum, Amsterdam
Photography as an Art Form, John and Marble Ringling Museum of Art, Saratoga, Florida
Documenta (6), Kassel
Europe In The 70's, The Art Institute of Chicago
Arte Inglese Oggi, Palazzo Reale, Milan
Group Show, Fruit Market Gallery, Edinburgh
The Artist and The Photograph," Israel Museum, Jerusalem
Bodyworks, Museum of Contemporary Art, Chicago "Narrative in Contemporary Art," University of Guelph, Ontario, Canada
Word Works, Mt .San Antonio College, Walnut, California
Medium Photography, Kunstverein, Hamburg; Kunstverein, Münster
Kunst Bleibt Kunst, Kunsthalle, Cologne
Prospect, Kunsthalle, Düsseldorf
Group Show, Palais des Beaux Arts, Brussels "Sculpture Now," Royal College of Art, London
Critics Choice, Tooth Gallery, London
Art as Photography," Kunstverein, Hannover; The Museum Gallery, Paris
From Henry Moore to Gilbert & George, Palais des Beaux Arts, Brussels
11 English Drawers, Kunsthalle, Baden-Baden; Kunsthalle, Bremen
Contemporanea, Villa Borghese, Rome
Documenta (5), Kassel
The New Art, Hayward Gallery, London
Concept Kunst, Kunstmuseum, Basel
The Paintings, Koninkijk Museum voor Schone Kunsten, Antwerp
Prospect 71 Projection, Kunsthalle, Düsseldorf
The British Avant-Garde, Cultural Centre, New York
The Paintings, Whitchapel Art Gallery, London; Stedelijk Museum, Amsterdam; Kunstverein, Düsseldorf
Information, The Museum of Modern Art, New York
18 Paris IV, 66 Rue Mouffetard, Paris
Conceptual Art, Arte Povera, Land Art, Civic Gallery of Modern Art, Turin
Untitled, C.A.Y.C., Buenos Aires
Plans and Projects, Kunsthalle, Bern
Conception, Stadtisches Museum, Leverkusen
SELECTED BOOKS AND CATALOGUES
“Gilbert & George, London Pictures,” Hurtwood Press, Surrey, United Kingdom.
“The Complete Postcard Art of Gilbert & George,” Prestel, London, United Kingdom.
“Gilbert & George, Jack Freak Pictures,” Hatje Cantz Verlag, Germany.
“Gilbert & George, The Complete Pictures,” Aperture Foundation, New York, NY.
“The Complete Pictures Gilbert & George,” (Vol 1,2) Tate Publishing, London.
“Gilbert & George,” Skira Rizzoli Publishing, New York.
Bracewell, Michael. “Gilbert & George Sonofagod Pictures, Was Jesus a heterosexual?”, White Cube, London.
“Gilbert & George: The Gingko Pictures,” The British Council, Venice Biennale.
“Gilbert & George: The Perversive Pictures,” Lehmann Maupin and Sonnabend Gallery, New York, NY.
Jonquet, Francois.“Gilbert & George: Intimate Conversations with Francois Jonquet”, Phaidon Press, London.
“Gilbert & George: Twenty London East One Pictures,” Galerie Thaddaeus Ropac, Paris.
Bonito Oliva, Achille, Tecce, Angela and Codognato, Mario.“Gilbert & George: New Testamental Pictures,” Charta Focus, Milan, Italy and New York, New York.
“The Words Of Gilbert & George,” Violette Editions, USA and Canada.
“Gilbert & George: Konst,” Magasin 3, Stockholm.
“The Fundamental Pictures,”Alexander Roussos/Cyber.Art.Publications.UK.Ltd, London.
Buser, Thomas. “Experiencing Art Around Us,” West Publishing Company, St. Paul, MI.
Fineberg, Jonathan. “Art Since 1940 - Strategies of Being,” Prentice Hall, NJ
Jahn, Wolf. “Gilbert & George,” Museo d'Arte Moderna, Citta' di Lugano.
“Photoplay, Works from The Chase Mahattan Collection,” Center for the Fine Arts, Miami.
Kold, Anders. “Gilbert & George: New Democratic Pictures,” Aarhus Kunstmuseum, Arhus.
Janh, Wolf. “Monarchy as Democracy.”
Farson, Daniel. “With Gilbert & George in Moscow,” Bloomsbury, London.
Fuchs, Rudi. “The Cosmological Pictures,” The Maszachuba Foundation, Krakow.
Wheeler, Daniel. “Art Since Mid-Century:1945 to the Present,” The Vendome Press, New York.
Klokov, Sergei. “The Moscow Catalogue,” Anthony d'Offay, London.
Rosenblum, Robert. “Twenty-Five Worlds by Gilbert & George,” Robert Miller Gallery, New York.
Rosenblum, Robert. “Worlds and Windows,” Robert Miller, New York.
Guidieri, Remo. “Eleven Worlds by Gilbert & George and Antique Clocks,” Desire Feuerle, Cologne.
“Gilbert & George Postcard Sculptures and Ephemera, 1969-1981,” Hirschl & Adler Modern, New York.
Wolf, Jahn. “The Art of Gilbert & George,” Thames and Hudson, London.
“Gilbert & George. For Aids Exhibition,” Anthony d'Offay, London.
Buttner, Werner, et al. “Gilbert & George,” Ascan Crone, Hamburg.
“Gilbert & George, The Complete Pictures 1971-1985,” CAPC, Musee d'Art Contemporain de Bordeaux.
“The Charcoal on Paper Sculptures 1970-1974,” CAPC, Musee d'Art Contemporain de Bordeaux.
Jahn, Wolf. “The Paintings 1971,” The Fruitmarket Gallery, Edinburgh.
Nickas, Robert. "Perverted By Language," Hillwood Art Gallery, Long Island University, C.W.Post Campus, Greenvale.
Fuchs, Rudi. “Death Hope Life Fear,” Castello di Rivoli, Turin.
Richardson, Brenda. “Gilbert & George,” The Baltimore Museum of Art, Baltimore.
1980 Ratcliff, Carter. “Gilbert & George 1968 to 1980,” The Van Abbemuseum, Eindhoven.
"Gilbert & George 1968 to 1980", Van Abbemuseum, Eindhoven.
“Explorations in the 70's", Pittsburgh Plan for Art, Pittsburgh.
“Gilbert & George,” Taxispalais Gallery, Innsbruck.
Greenwood, Nigel. “Dark Shadow,” Nigel Greenwood, London.
“Catalogue For Their Australian Visit,” John Kaldor, Sydney.
“The Grand Old Duke Of York,” Kunstmuseum, Lucerne.
"The Now Art", Hayward Galleries/Arts Council, London.
Seymour, Anne. "An Interview." The New Art, Hayward Gallery/Arts Council, London, p. 92-95.
“The Paintings,” Kunstverein Düsseldorf.
“Side by Side,” König Bros., Düsseldorf.
“A Day in the Life of Gilbert and George,” Gilbert & George, London.
“The Pencil on Paper Descriptive Works,” Gilbert & George, London
“Art Notes And Thoughts,” Gilbert & George, London.
“To Be With Art Is All We Ask,” Gilbert & George, London.
“A Guide To The Singing Sculpture,” Gilbert & George, London.
Johnson, Ken. “Review: Gilbert & George in the Early Days, Sending Up a Religion Called Art,” The New York Times, 3 September.
Rinebold, Mary. “Gilbert & George,” Artforum, 1 August.
Voon, Claire. “Gilbert & George’s Sculptural Life on Film,” Hyperallergic , 30 July.
“Gilbert and George,” Wertical Magazine , 30 November.
Boatright, Kristen. “High Line Art Emerges,” ArtInfo Newspaper , 12-30 September, p. 2.
Vogel, Carol. “That Playful Duo Returns,” The New York Times , 18 July.
Miller, Michael H. “Gilbert & George Will Design the Next High Line Billboard,” The New York Observer , 18 July.
“Video: Gilbert & George Interview,” Fad , 20 May.
Mogutin, Slava. “Gilbert and George,” Whitewall , Winter, p. 78 – 91.
Morse, Trent. “Gilbert & George: Lehmann Maupin and Sonnabend,” ARTnews , October, p.105.
Yuan, Jada. “Gilbert & George: A greasy spoon breakfast with the ‘living sulpture’ duo,” New York Magazine, 14 May, p. 16.
Lala, Kisa. “’Read-All-About-It!’ Gilbert And George: The Double-headed Beast Is Back,” The Huffington Post , 8 May.
Walsh, Brienne. “Poster Boys: Q+A with Gilbert & George,” Art in America , 1 May.
Duray, Dan. “Double Truck,” The New York Observer , 30 April.
Crow, Kelly. “Stealing Headlines for Art’s Sake,” The Wall Street Journal , 28-29 April. p. C14.
Martinez, Alanna. “’We’re Living in a Better World Than It’s Ever Been’: Gilbert & George on Their Lurid ‘London Pictures,’” ArtInfo , 27 April.
Hor-Chung Lau, Joyce. “Gilbert & George Take Britain to Asia,” The New York Times , 7 March.
Wroe, Nicholas. “Gilbert & George: Lives in art,” The Guardian , 2 March.
Blake, Linda. “Gilbert & George Steal the Show,” The Wall Street Journal , 2 March.
“London, darling,” The Economist , 1 March.
“The Armory Show: Lehmann Maupin,” Curatedmag , 10 March.
Duhon, Peter and Alexandra Peers. “The Bare Essentials of Armory Art Week,” Observer , 8 March.
Hruska, Jordan. “The Armory Show,” Vogue.it , 4 March.
Picard, Gregory. “Taking the Piss Out of Art: A Q&A Gilbert & George on Their Urethra Pictures,” ArtInfo , 3 March.
“Artists Gilbert & George discuss eccentricity in public life,” BBC News , 7 February.
Cadwalladr, Carole. “We didn’want our mothers to be shamed of us,” The Guardian , 30 January.
O’Keeffe, Alice. “The Urethra Postcard Art of Gilbert & George,” New Statesman , 27 January.
Hamilton, Adrian. “Gilbert & George: The wild cards strike again,” The Independent, 17 January.
Alberge, Dalya. “Gilbert & George collect sex workers’ cards for latest works: Artist’s exhibition revisits ‘postcard art’ of their early careers,” The Guardian, 2 January.
Jeffries, Stuart. “Gilbert and George: the odd couple,” The Guardian , 24 June.
Laster, Paul. “Gilbert & George’s Jack Freak Pictures,” The Daily Beast.Com, 18 June.
“Gilbert and George’s Jack Freak Pictures Arrive in Berlin for First Solo Exhibition in 14 Years,” Artdaily.org , 14 June.
“Art History/30 Years of Art Journalism in Pictures/Art Cologne 2009,” Vernissage, 23 April.
Aletti, Vince. "Double Take," The New Yorker , 20 October.
Bischoff, Dan. "'Singing Sculpture' art duo still mocking the Brits," The Star-Ledger , 11 October.
Cotter, Holland. "Provocative Duo, Naked and Natty," The New York Times , 2 October, p. E31, E34.
Del Signore, John. "Gilbert & George Retro at Brooklyn Museum Begins," Gothamist, 2 October.
Duncan, Michael. "The human theater of Gilbert & George," Art in America , October, p. 171 – 178.
Durbin, Jonathan. "It takes two to make a thing go right," Men.Style , 2 October.
"Fall Preview," The New Yorker , 1 October.
Laster, Paul. "Interview," Artkrush , 15 October.
Bors, Chris. “Fall Museum Shows in New York,” ARTINFO , 4 September.
Lewandowski, Ashley. "Milwaukee gets ‘shitted’ on by Gilbert & George," The Leader , 4 September.
McGinley, Megan. "The Artist's Gays," NYPress , October, p. 20.
Michaud, Chris. "Life, change through the window of Gilbert & George," Reuters , 3 October.
Pak, Eudie. "VANITY FAIR," Village Voice, 26 September.
"Thirty Shows You Cannot Miss," New York Magazine , 24 August.
Aletti, Vince. “Gods and Monsters,” Modern Painters , May, p. 40 – 42.
“News & Around,” tema celeste , p. 105.
Gilligan, Melanie, “Previews,” Artforum , January, p. 114.
“Power 100,” ArtReview , December, p. 104.
Vogel, Carol. “Still Naughty After All These Years,” The New York Times , 4 August, p. E1, E6.
Dannatt, Adrian. “Self-styled ‘living sculptures,’ the iconic British artists Gilbert & George are
inseparable from their irreverent, often shocking art,” July, p. 22 – 28.
Gayford, Martin. “We Will Do Our Worst,” Modern Painters , June, p. 67 – 73.
Avigkos, Jan, “Gilbert & George,” Artforum , March, p. 238.
Ayers, Robert, “Gilbert & George,” ArtNews , February, p.133.
Heartney, Eleanor, “Gilbert & George,” Art in America , February, p. 123.
Cotter, Holland, “Gilbert & George,” New York Times , 3 December, p. E41.
Smith, Roberta, “Chelsea Enters Its High Baroque Period,” The New York Times , 28
Bracewell, Michael, “ Eastern Bloc,” ArtReview , June, p. 55 – 61.
Muchnic, Suzanne. “Collaboration at Rare and Rarefied Levels”, Los Angeles Times ,
Knight, Christopher. “Art Review: Conceptual art of ‘Gilbert & George: The
Rudimentatry Pictures’ is full of wit, pathos, sweet provocation and oddity,” Los Angeles
Times , February.
Dyson, Dominic. “Gilbert & George.” Index , September/October, p. 44 - 52.
Heartney, Eleanor. “Gilbert & George at Sonnabend and Lehmann Maupin,” Art in America, October.
Kramer, Hilton. “Odious Gilbert & George, Now Stinking Up Soho,” The New York Observer, May.
Scott, Whitney. “Twin Peeks, In the Gallery,” The New York Post , May, p .26 - 27.
Smith, Roberta. “Gilbert & George,” The New York Times , May, p. C24.
Thiel, Wolf-Gunter. "Gilbert & George: Jablonka," Flash Art International , January/February, p. 99 - 100.
Bickers, Patricia. "La Sculpture britannique: generations et tradition," Artpress , May, p. 31 -39.
Dannatt, Adrian. "Gilbert & George: We Do Pictures," Flash Art , October, p. 63 - 67.
Gimelson, Deborah. "It's a Wonderful Life," ArtNews , Summer, p. 170 - 172.
Codognato, Mario. "Collection: Attilio Codognato," Galeries , Spring, p. 90 - 97.
Macritchie, Lynn. "Report from Beijing: Precarious Paths on the Mainland," Art in America, March,p. 51 – 57.
MacRitchie, Lynn. "Odd couple comes home," The Financial Times , 31 January, p. XVII.
Corris, Michael. "Gilbert & George: Anthony d'Offay," Artforum , February, p. 111 - 112.
Jones, Gareth. "Gilbert & George: The Cosmological Pictures," Frieze Magazine , May, p. 51.
"How to Hold A Conversation With Living Sculptures," The New York Times , 18 July, p. 27.
"Gilbert & George in China," Flash Art News , October, p. 49.
Goldberg, RoseLee. "Gilbert & George: Sonnabend Gallery," Artforum , January, p. 103 - 104.
Adams, Brooks. "Gilbert & George at Sonnabend," Art in America , February. p. 110 - 111.
Pincus-Witten, Robert. "Timothy Greenfield-Sanders." Tema Celeste , January/March. p. 62 -65.
Jordan, Betty Ann. "After its..." Canadian Art , Spring, p. 22.
Doswald, Christoph. "Gilbert & George," Kunstforum International , p. 388 - 389.
Hagen, Charles. "2 Goals in One Show: Diversity and Unity," The New York Times , 29 May, p. C28.
Cullinan, Helen. "Partnering for artsy mimickry," The Plain Dealer , 23 February.
Cora, Bruno. "Christian Stein," Galeries Magazine , April/May, p. 112 - 119.
Messler, Norbert. "Berlin: 'Metropolis'," Artforum , Summer, p. 101 - 103.
Taylor, Paul. "Soho's Avant-Guardian," Connoisseur , September.
Pedersen, Victoria. "Gallery go 'round," Paper Magazine, September. p. 25.
Kohen, Helen, L. "Team Work showcases the art of collaboration," The Miami Herald , 15 September.
Smith, Roberta. "Gilbert and George 20 Years Later," The New York Times , 27 September, p. C28.
Larson, Kay. "The Twilight Zone," New York Magazine , 14 October, p. 71- 72.
Hagen, Charles. "Bolstering Narrative Qualities with Whimsy," The New York Times , 16 October, p. C32.
Coen, Ester. "Gilbert & George, un milione di foto," La Repubblica , 20 October.
Mahoney, Robert. "Gilbert & George at Sonnabend," Arts Magazine , December. pp.76+77.
Cottingham, Laura. "Gilbert & George, Sonnabend," Flash Art , November/December, p.129.
"Guilt and George," Artscribe International . November/December. p. 11.
MacAdam, Barbara, A. "The Singing Sculpture," Artnews , December. p. 17.
Greig, Geordie. "Opening a window on Western art," The Sunday Times , 11 March.
Wilson, Andrew. "We always say it is what we 'say' that is important," Art Monthly , April. p. 6 - 13.
Murdin, Lynda. "The Art of Being Gilbert and George," Airport , p. 22 - 23.
Farson, Daniel. "Making an exhibition of themselves," The Telegraph , 29 April.
B.G. "No love for the Black Shirt Marxists," The Daily Telegraph , 30 April.
Wechsler, Max. "Gilbert & George," Kunstforum , April/May. p. 150 - 155.
Miller, John. "The Weather is here: Wish You Were Beautiful," Artforum , May, p.152 - 159.
Ratcliff, Carter. "Artful Poses," Elle , June, p. 125.
Smith, Roberta. "From Humble Postcard To the Cosmological," The New York Times ,1 June, p. C22.
Coleman, A.D. "Soho Gets New Installment of British Buddy Photos”, The New York Observer , 18 June.
Sewell, Brian. "Postcard posers," Evening Standard , 1 November, p. 25.
Raynor, Vivian. "A Provocative Look at Collaborations," The New York Times , 25 November.
Kramer, Miriam. "More Aid for Aids," Art & Auction , May, p. 86, 88.
MacMinn, Aleene. "Art," The Los Angeles Times , 27 October.
Rosenblum, Robert. "Gilbert & George: The Aids Pictures," Art in America , November, p.153-156.
Scruton, Roger. "Deastly Bad Taste," Modern Painters , Spring.
Davvetas, Demosthenes. "Gilbert & George," Vogue Decoration , May.
Whitaker, Andrea. "Gilbert & George, Die Zwillinge Im Geiste," Pan Magazine , May.
"Gilbert & George," Six , by Comme des Garcons, August.
Vogel, Sabine, B. "Kunstler-filme," Wolkenkratzer Art Journal , July/August, p. 9.
Russell, John. "Art: The Huge Images of Gilbert & George," The New York Times , 5 June, p. C24.
Levin, Kim. "Review of Sonnabend Show," The Village Voice , 9 June, p. 84.
Hughes-Hallett, Lucy. "Studies in still life," The London Evening Standard , 2 July, p. 26.
Feaver, William. "Art: Gilbert & George; Documenta 8," Vogue , July.
Dialogue with Gilbert & George, "The Odd Couple," Observer , 28 Jun, p. 33 - 37.
Roberts, John. "Gilbert & George: Beyound the Arches," Artscribe , November/December, p. 34 - 35.
Kent, Sarah. "Missionary Position," Time Out , 8-15 July, p. 4, 16 - 17.
Tyler, Betty. "Gilbert & George in Rigdefield," The Sunday Post , 8 November. p. Dl, D6.
Zimmer, William. "In Ridgefield, a Collection of the New and the Notorious," The New York Times , 15 November, p. 40.
Allthorpe-Guton, Marjorie. "Spotlight: Gilbert & George," Flash Art , November. p. 98.
Bevant, Roger. "The Literature of Gilbert & George," Apollo , November.
Thomas, Denis. "Double Top for Gilbert & George," EEC-Europe , November.
Davvatas, Demosthenes (intro.). The Charcoal on Paper Sculptures 1970-1974, CAPC, Bordeaux 1986.
Jahn, Wolf (intro.). The Paintings 1971,The Fruitmarket Gallery, Edinburgh 1986.
Wallace & Donahue, "The Fear of Gilbert & George," Art & Text , February-April.
Wechsler, Max. Artforum , Kunsthalle, Basel, December, p. 127, 128.
Salerno, Giovanni, Battista. "Gilbert, George, Samuel Beckett," Flash Art , March.
Breson, Michael. "Art: Gilbert and George, Duo who Work as Solo," The New York Times , 26 April.
McGill, Douglas, C. "Art View: Two Artists who Probe the Meaning of Life," The New York Times, 5 May.
Lamoree, Jhim. "Kunst: Het Seksuele Mysterie Als Heilige Mis," Haage Post , 11 May.
Larson, Kay. (Review - The Guggenheim Museum), New York Magazine , 20 May.
Indiana, Gary. "The Dark Side of Gilbert and George," Village Voice , 4 June.
Heartney, Eleanor. "Gilbert and George," Artnews , October, p. 127
Scarupa, Henry. "Gilbert and George Merge Creativity to Produce Singular Art," The Baltimore Sun , 19 February.
Dorsey, John. "Gilbert and George: Two Artists of a Single Mind," Sun Magazine: The Baltimore Sun , 19 February, p. 8.
Russel, John. "Art View: London Viewed as a Landscape of Loss," The New York Times , 4 March.
Macritchie, Lynn. "The Believing World of Gilbert and George," Performance Magazine, April/May.
"English Art Team Drawn into All-American Scene," Houston Chronicle , 28 June, p. 4.
Wilson, Mike. "Exhibit Sure to Elicit Emotions of Love, Hate, Art Director Says," The Miami Herald , 2 September.
Schwan, Gary. "Norton to Host Major Art Exhibition," The Post , 9 September.
Wilson, Mike. "Gallery 'Gutted' for Photo Murals by British Artists," The Miami Herald , 19 September.
"Gilbert and George Photo Exhibition to Open at Norton," Entertainment Condo News , 26 September.
"Exhibition Features Gilbert and George," The Lake Worth Herald , 20 September.
"A Major Exhibition at Norton Gallery: Gilbert and George," The Palm Beacher , 26 September.
"Hauntingly Untraditional' Describes Norton Exhibit," Palm Beach Daily News , 26 September.
Calhoun, Charles. "An Artistic Obsession with Narrative Tradition," The Palm Beach Daily News ,
Wright, Carol. "'Gilbert and George' Duo Wants Their Artwork to Change Society," The Palm Beach Daily News , 29 September.
White, Jackie. "Cookie Monster Visits Museum," News/Sun Sentinel , 29 September.
Schwan, Gary. "Gilbert and George," The Post , 30 September.
Donnelly, Shannon. "Art Leaves Impact Everyone's Talking about Gilbert and George," The Palm Beach Daily News , 1 October.
Csonka, Ariane. "Gilbert and George They'll Give You Something to Talk About." The Evening Times, 1 October.
"Gilbert and George at the Norton Gallery of Art," The Palm Beacher , 3 October.
Tuby, Heidi, S. "Contemporary Artists offer Stimulating Work," The News , 4 October.
Kohen, Helen, L. "Two People, One Artist," The Miami Herald , 7 October.
Kurtis, Arlene. "Gilbert and George: Their Art Provokes Reflection," Palm Beach Jewish World, 12-18 October.
"Norton Reception Previews Gilbert and George Exhibition," Palm Beach Chronicle , 12-18 October.
"A Major Exhibition at Norton Gallery: Gilbert and George," Travel Host , 21 October.
Schwan, Gary. "Curator Overwhelmed by Art Duo from England," The Post , 27 October.
Schwan, Gary. "Exhibit Mending Art Gap," The New York Post , 25 November.
"Hunger & Thirst issue," Zien Magazine , Winter.
Cooper, Emanuel. "Gilbert and George, Authoritarian Fascists or Missionaries of Our Time?" Gay News , 17 February.
Frey, Patrick. "Gilbert & George in der Fremdheit ihrer Welt," Jahresbericht des Basler
Kunstvereins , February.
Smith, Roberta. "Gilbert & George's Modern Faith," Village Voice , 17 May.
Becker, Robert. "Art: London's living sculpture, Gilbert & George," August.
Cornand, Brigitte. "Portrait:Gilbert & Georges, Allegories en chrome," Beaux Arts, September.
Vespa. "Gilbert & George." Gai-Pied , 1 October.
1982 Moravia, Alberto. "Ma che belle statuine," L'Espresso , 1 January.
McEwen, John. "Facades." Spectator , 30 January.
Kent, Sarah. "Blood hard slaves of beauty," Time Out , 9-15 April.
Hyde, Phil. "The World of Gilbert & George," Performance Magazine , March.
McEwen, John. "Life and Times: Gilbert & George," Art in America , May, p. 128 - 135.
Tsuzuki, Kyoichi. "Introduction to the World of Gilbert and George," Brutus, Architectural
Stylebook , 1 June.
Van Pelt, Hilde. "Gilbert & George," Gewad , December.
“Gilbert & George in Gewad," De Standaard , 12 December.
Walker, Stephen. "Living with Fear and Gilbert and George," Blitz .
Wilson, Simon. "Modern Fears," Burlington Magazine , February.
Blume, Mary. "Gilbert & George, From Living Sculpture to Modern Fears," International Herald Tribune , 31 January – 1 February.
Roberts, John. "Gilbert & George at Anthony D'Offay," Artscribe , February.
Martin Pouret, "Art and Purity," ZG .
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