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Gilbert & George

Since 1968, Gilbert Proesch (* 1943 in the Italian Dolomites)
and George Passmore (* 1942 in Totnes, England) have
appeared under the name Gilbert & George as 'living
sculptures'.

They live and work in London.

2011

Lifetime Achievement Award, New Museum, New York

2007

South Bank Award, London

Lorenzo il Magnifico Award, Florence

2005

Gilbert & George, British Pavilion at Venice Biennale, 51st International Art Exhibition, Venice

1989

Special International Award, Los Angeles

1986

Turner Prize, United Kingdom

1984

Short listed for Turner Prize

1981

Regione Lazio Award, Torino

 

 

 

 

 

 

2016

NSU Art Museum Fort Lauderdale, Nova Southeastern University, Fort Lauderdale, FL

 

2015

Gilbert & George: The Early Years, MOMA - Museum of Modern Art, New York

The Art Exhibition, Museum of Old and New Art, Tasmania, Australia

26 New Utopian Pictures, Arndt, Gillman Barracks, Singapore

 

2014

Gilbert & George: Scapegoat, Pictures for Paris, Galerie Thaddaeus Ropac

Gilbert & George: Scapegoating, Pictures for London, White Cube, London

Gilbert & George: Video Sculptures 1972-1981, Lehman Maupin, New York

Gilbert & George Art Exhibition, Nuveau Musée National Monaco, Villa Paloma, Monaco

Gilbert & George: Artist Rooms, Royal Albert Memorial Museum & Art Gallery Exeter, Devon

 

2013

London Pictures, Casal Solleric, Palma

London Pictures, Museum Küppersmühle, Duisburg, Germany

 

2012

Laznia Centre for Contemporary Art, Danzig

London Pictures, Thaddeus Ropac, Salzburg

London Pictures, Bernier Eliades, Athens

London Pictures, White Cube all sites, London and Hong Kong

London Pictures, Lehmann Maupin, New York

London Pictures, Sonnabend Gallery, New York

London Pictures, Galerie Thaddeus Ropac, Paris

London Pictures, Arndt, Berlin

London Pictures, Alfonso Artiaco, Naples

 

2011

The Urethra Postcard Art of Gilbert & George, Pinacoteca Agnelli, Turin

Jack Freak Pictures, Deichtorhallen, Hamburg traveled to: Kunstmuseum Linz, Linz; Centre for Contemporary Art, Laznia, Gdansk

Urethra Postcard Pictures, White Cube, London; Galerie Thaddaeus Ropac, Paris; Alfonso Artiaco, Naples; Ivory Press, Madrid; Arndt, Berlin

 

2010

“Jack Freak Pictures”, touring exhibition to: CAC Malaga, Spain; Museum of Contemporary Art, Zagreb, Croatia; Palais des Beaux Arts, Brussels, Belgium; Deichtorhallen, Hamburg, Germany; Lentos Kunstmuseum, Linz, Austria; Laznia Centre for Contemporary Art, Gdansk, Poland

 

2009

Jack Freak Pictures, Galerie Thaddaeus Ropac, Paris

Jack Freak Pictures, Galerie Thaddaeus Ropac, Salzburg

 

2008

Gilbert & George, Milwaukee Art Museum

Gilbert & George, Philadelphia Museum of Art

 

2007

Gilbert & George: Major Exhibition, Tate Modern, London; Haus der Kunst, Munich; Castello di Rivoli, Turin

Gilbert & George : works from the collection, Magasin 3 Stockholm Konsthall, Stockholm

Gilbert & George. Selected works from the 80s, Faggionato Fine Art, London

Gilbert & George, Haus der Kunst, M?nchen

 

2006

SONOFAGOD Pictures Was Jesus Heterosexual?, Bonnefantenmuseum, Maastricht; White Cube, London


2005

Gilbert & George, British Pavilion, 51st International Art Exhibition, Venice Biennale, Venice

20 London E1 Pictures, Kestner Gesellschaft, Hannover

 

2004

The Perversive Pictures, Sonnabend Gallery and Lehmann Maupin Gallery, NY

Thirteen Hooligan Pictures, Bernier/Eliades, Athens

20 London E1 Pictures, Galerie Thaddaeus Ropac, Paris; Modern Art Museum, St Etienne

Cologne, Museum Ludwig, Gilbert & George - Zeichnung als Skulptur: The Shrubberies

 

2003

Gilbert and George, Brooklyn Museum of Art, Brooklyn, NY

Gilbert & George, Kröller-Müller Museum, Otterlo

 

2002

Zurich, Kunsthaus

The Dirty Words Pictures, Serpentine Gallery, London

Nine Dark Pictures, Portikus, Frankfurt

The Art of Gilbert & George, Fundacio Centro Cultural de Bel?m, Lisbon, Portugal

Gilbert & George: A Retrospective, Kunsthaus Bregenz, Bregenz; School of Fine Art, Athens

 

2001

New Horny Pictures, White Cube2, London

Gilbert & George, Chateau d'Arenthon Fondation pour l'Art Contemporain, Alex (Annency)

Nineteen Ninety Nine, Museum of Contemporary Art, Chicago; Museum Moderner Kunst, Vienna

Gilbert & George. Bernier/Eliades Gallery, Athens

The Art of Gilbert and George, The Factory, Athens School of Art

Gilbert and George - The Tuileries, an eight-part charcoal on paper sculpture, Rijksmuseum Twenthe Museum voor oude en moderne kunst, Enschede

 

2000

Frankfurt, Museum für Moderne Kunst

Los Angeles, Gagosian Gallery

Gilbert & George, Parkhaus, Düsseldorf

Zig-Zag Pictures 2000, FIAC, Galerie Thaddaeus Ropac, Paris

MM 2000; Biennale de Lyon, Halle Tony Garnier

Gilbert & George 1991 to 1997, Ormeau Baths Gallery, Belfast

 

1999

Gilbert & George 1970-1988, Astrup Fearnley Museet for Moderne Kunst, Oslo

Gilbert & George 1986-1997, Drassanes, Valencia

The Rudimentary Pictures, Milton Keynes Gallery, Milton Keynes (inaugural exhibition); Gagosian Gallery, Los Angeles

Nineteen Ninety Nine, 1999, Kunstmuseum, Bonn

 

1998

New York, David Zwirner

New Testamental Pictures, Museo di Capodimonte, Naples; Galerie Thaddaeus Ropac, Paris; Galerie Thaddaeus Ropac, Salzburg

Black White and Red 1971 to 1980, James Cohan Gallery, New YorkSelected Works from The Fundamental Pictures, Massimo Martino Fine Arts & Projects, Switzerland

 

1997

The Fundamental Pictures, Sonnabend Gallery and Lehmann Maupin Gallery, New York, NY

Gilbert & George, Musee d?Art Moderne de la Ville de Paris, Paris, France

Gilbert & George: Art for All 1971 ? 1992, Sezon Museum of Art, Tokyo, Japan

Gilbert & George Art, Magasin 3, Stockholm, Sweden

 

1996

Gilbert & George Retrsospective, Galleria d'Arte Moderna, Bologna, Italy

The Naked Shit Pictures, Stedelijk Museum, Amsterdam

 

1995

The Singing Sculpture, CAPC Musee d'Art Contemporain, Bordeaux, France

The Naked Shit Pictures, South London Art Gallery, London, England

Gilbert & George, Galerie Nikolas Sonne, Berlin, Germany

 

1994

Gilbert & George, Robert Miller Gallery, NY

Gilbert & George, Museo d'Arte Moderna, Lugano, Switzerland

The Naked Shit Pictures, Galerie Jablonka, Cologne, Germany

Shitty Naked Human World, Kunstmuseum Wolfsburg, Wolfsburg, Germany

 

1993

China Exhibition 1993, National Art Gallery, Peking; The Art Museum, Shanghai, China

The Cosmological Pictures, Tate Gallery, Liverpool; Württembergischer Kunstverein, Stuttgart

 

1992

The Cosmological Pictures, Kunsthalle, Zurich; Wiener Secession, Vienna; Ernst

Muzeum, Budapest; Haags Gemeenstemuseum, The Hague; Irish Museum of Modern Art, Dublin; Fundacio Joan Miro, Barcelona

New Democratic Pictures, Anthony d'Offay Gallery, London; Aarhus Kunstmuseum, Arhus, Denmark

 

1991

Gilbert & George, Gramo Fine Arts, Antwerp, Belgium

The Cosmological Pictures, Palac Sztuki, Krakow; Palazzo delle Esposizioni, Rome;

The Singing Sculpture & The General Jungle, Sonnabend Gallery

 

1990

Gilbert & George Pictures 1983-1988, Moscow Exhibition, New Tretyakov Gallery, Moscow

Twenty-Five Worlds By Gilbert & George, Robert Miller Gallery, New York

Gilbert & George Post-Card Sculptures and Ephemera 1969-1981, Hirschl & Adler Modern, NY

The New Cosmological Pictures, Sonnabend Gallery, New York

Galerie Langer Fain, Paris

Gilbert & George: Worlds & Windows, Anthony d'Offay Gallery, London

Gilbert & George, Sonnabend Gallery, New York

Eleven Worlds by Gilbert & George and Antique Clocks, Desire Feuerle Gallery, Cologne 

 

1989

For Aids Exhibition, Anthony D'offay Gallery, London

Gilbert & George: Postcard Sculptures, Paul Kasmin Gallery, New York

The 1988 Pictures, Christian Stein Gallery, Milan

 

1988

The 1988 Pictures, Ascan Crone Gallery, Hamburg, West Germany

 

1987

Gilbert & George, The Complete Pictures 1971-1985, Palacio de Valazquez, Parque del Reitrio, 

Madrid, Stadtische Galerie im Lenbachhaus, Munich, Hayward Gallery, London

Sonnabend Gallery, New York

Gilbert & George New Pictures, Anthony D'Offay Gallery, London

Gilbert & George Pictures, The Aldrich museum, Ridgefield, Connecticut

 

1986

Gilbert & George, The Complete Pictures 1971 - 1985, CAPC Musee d'Art Contemporain de Bordeaux, Kunsthalle, Basel, Palais des Beaux Arts, Brussels

Charcoal on Paper Sculptures 1970 to 1974, CAPC Bordeaux

The Paintings 1971, The Fruitmarket Gallery, Edinburgh

 

1985

Gilbert & George, Milwaukee Art Museum; The Solomon R. Guggenheim Museum, New York

New Moral Works, Sonnabend Gallery, New York

 

1984

New York, Salomon R. Guggenheim Museum

New Photo-Pieces, Anthony D'Offay Gallery, London

Gilbert & George, The Baltimore Museum of Art; Contemporary Art Museum, Houston;

The Norton Gallery of Art, West Palm Beach, Florida

The Believing World, Anthony D'Offay Gallery, London

Hands Up, Schelman & Kluser Gallery, Munich "Live's", Pieroni Gallery, Rome

 

1983

Modern Faith, Sonnabend Gallery, New York

Photo-Pieces 1980-82, David Bellman Gallery, Toronto

New Works, Crousel-Hussenot Gallery, Paris

 

1982

New Photo-Pieces, Gewad Ghent

Crusade, Anthony D'Offay Gallery, London

 

1981

Sao Paulo, Biennale Sao Paulo

Photo-Pieces 1971-80, (Retrospective) Kunsthalle, Dusseldorf; Kunsthalle, Bern

Centre National d'Art et de culture Georges Pompidou, Paris; Whitechapel Art Gallery, London

 

1980/81

Photo-Pieces 1980-81, Chantal Crousel Gallery, Paris

 

1980

Post-Card Sculptures, Art & Project Gallery, Amsterdam; Konrad Fischer Gallery, Dusseldorf

New Photo-Pieces, Karen & Jean Bernier Gallery, Athens; Sonnabend Gallery, New York 

Modern Fears, Anthony D'Offay Gallery, London

Photo-Pieces 1971-80, Stedelijk van Abbemuseum, Eindhoven

 

1978

Photo-Pieces, Dartington Hall Gallery, Dartington Hall

New Photo-Pieces," Sonnabend Gallery, New York; Art Agency, Tokyo

 

1977

New Photo-Pieces, Art & Project Gallery, Amsterdam; Konrad Fischer Gallery, Dusseldorf

Dirty Words Pictures, Art & Project, Amsterdam; Konrad Fischer Gallery, D?sseldorf

 

1976

Red Morning, Sperone Fischer Gallery, Basel

The General Jungle, Albright-Knox Gallery, Buffalo

Dead Boards, Sonnabend Gallery, New York

Mental, Robert Self Gallery, London; Robert Self Gallery, Newcastle

 

1975

Bloody Life, Sonnabend Gallery, Paris; Sonnabend Gallery, Geneva; Lucio Amelio Gallery, Naples

Post-Card Sculptures, Sperone Westwater Fischer Gallery, New York

Dusty Corners, Art Agency, Tokyo

 

1974

Drinking Sculptures, Art & Project,MTL, Antwerp

Humane Bondage, Konrad Fischer Gallery, Dusseldorf

Dark Shadow, Art & Project Gallery, Amsterdam; Nigel Greenwood Gallery, London

Cherry Blossom, Sperone Gallery, Rome

 

1973

The Shrubberies & Singing Sculpture," National Gallery of New South Wales; John

Kaldor Project, Sydney; National Gallery of Victoria; John Kaldor Project, Melbourne

Modern Rubbish, Sonnabend Gallery, New York

Any Port in a Storm, Sonnabend Gallery, Paris

New Decorative Works, Sperone Gallery, Turin

Reclining Drunk, Nigel Greenwood Gallery, London

 

1972

New Photo-Pieces, Konrad Fischer Gallery, Dusseldorf

Three Sculptures on Video Tape, Gerry Schum Video Gallery, Dusseldorf

The Bar, Anthony D'Offay Gallery, London; Nigel Greenwood Gallery, London

The Evening Before the Morning After, Nigel Greenwood Gallery, London

It Takes A Boy To Understand A Boy's Point Of View, Situation Gallery, London

A New Sculpture, Sperone Gallery, Rome

The Paintings, Koninklijk Museum voor Schone Kunsten, Antwerp

 

1971

There Were Two Young Men, Sperone Gallery, Turin

The General Jungle, Sonnabend Gallery, New York

The Paintings, Whitechapel Art Gallery, London; Stedelijk Museum, Amsterdam; Kunstverein Dusseldorf

The Ten Speeches, Nigel Greenwood Gallery, London

New Photo-Pieces, Art & Project Gallery, Amsterdam

 

1970

George by Gilbert & Gilbert by George, Fournier Street, London

The Pencil on Paper, Descriptive Works, Konrad Fischer Gallery, Dusseldorf; Folker Skulima Gallery, Berlin 

Art Notes and Thoughts," Art & Project Gallery, Amsterdam

Frozen Into the Nature for You Art," Francoise Lambert Gallery, Milan; Heiner Friedrich Gallery, Cologne

To Be with Art is all We Ask, Nigel Greenwood Gallery, London

 

1969

Anniversary, Frank's Sandwich Bar, London

Shit and Cunt, Robert Fraser Gallery, London

 

1968

Three Works - Three Works, Frank's Sandwich Bar, London

Snow Show, St. Martin's School of Art, London

Bacon 32, Allied Servies, London

Christmas Show, Robert Fraser Gallery, London

SELECTED GROUP EXHIBITIONS

2016

Wolke und Kristall - Die Sammlung Dorothee und Konrad Fischer, Kunstsammlung Nordrhein-Westfalen, Düsseldorf

WITH A TOUCH OF PINK - WITH A BIT OF VIOLET - WITH A HINT OF GREEN - Dorothee Fischer in memoriam, Konrad Fischer Galerie, Düsseldorf

 

2015

Don’t Shoot the Painter: Paintings from the UBS Art Collection, Galleria d´Arte Moderna, Milan

Per_forming a collection #4, Madre, Naples

Icon(s), Maison Particulière, Brussels

Accelerazione, 9 works by 8 artists of the Herbert Foundation, Herbert Foundation, Gent

Echos. Common Grounds, Common Goods, ING Cultural Centre, Brussels

do it (adelaide), Samstag Museum, Adelaide

English Summer, Elizabeth Dee, New York

Future Seasons Past, Lehmann Maupin, 536 West 22nd Street, New York

 

2014

my private world, Sammlung Verbund - Vertikale Galerie, Vienna

The Illusion of Light, Palazzo Grassi, Venice

Bad Thoughts - Collection Martijn and Jeannette Sanders, Stedelijk Museum, Amsterdam

Look at Me: Portraiture from Manet to the Present, Leila Heller Gallery, New York

Intenzione manifesto. Il disegno in tutte le sue lingue e forme Castello di Rivoli, Turin

Lens-Based Sculpture: The Transformation of Sculpture through Photography, Kunstmuseum Liechtenstein, Liechtenstein

Tea with Nefertiti, Staatliches Museum Ägyptischer Kunst, Munich

Somewhat Abstract: Selection from the Arts Council Collection, Nottingham Contemporary

69/96, Alte Fabrik, Rapperswil-Jona

 

2013

Palindrome, ARNDT, Berlin

 

Art at the Core: The Intersection of Visual Art, Performance and Technology, Hudson Valley

Center for Contemporary Art, Peekskill, NY

 

A Journey Through London Subculture: 1980s to Now, ICA London

(con)TEXT, Sharon Art Center, Peterborough

As if it Could, ouverture, Works and Documents from the Herbert Foundation, Herbert Foundation, Ghent

Glam! The Performance of Style, Tate, Liverpool - traveled to: Schirn Kunsthalle Frankfurt, Frankfurt

Tea with Nefertiti, Institut du Monde Arabe, Paris

Glam! The Performance of Style, Tate, Liverpool, United Kingdom; Schirn Kunsthalle
Frankfurt, Germany

 

2012

Regarding Warhol: Sixty Artists, Fifty Years, Metropolitan Museum of Art, New York

Tea with Nefertiti, Mathaf: Arab Museum of Modern Art, Doha

Muntean/Roseblum, Team Gallery, New York

To Be With Art Is All We Ask, Astrup Fearnley Museum, Oslo

CARA DOMANI, MAMbo, Bologna

I Wish This Was A Song: Music in Contemporary Art, The Museum of Contemporary Art, Oslo

the insides are on the outside, Glass House, São Paulo

ARTandPRESS, Martin–Gropius-Bau, Berlin

 

2011

United Enemies: The Problem of Sculpture in Britain in the 1960s and 1970s, Henry Moore Institute, Leeds

Iles jamais trouvées, Musée d’Art Moderne de Saint-Etienne Métropole

Things are Queer: Highlights of Unicredit Art Collection, Marta Herford, Herford

The Original Copy: Photography of Sculpture 1839 to today, Kunsthaus, Zurich

Made in Britain: Contemporary Art from the British Council Collection, Hong Kong

Heritage Museum, Hong Kong; Suzhou Museum, Suzhou

Staging Action: Performance in Photography since 1960, Museum of Modern Art, New York

Moving Portraits, De La Warr Pavillion, Bexhill on Seaä

Je crois aux miracles: 10 Years of the Lambert Collectio, Collection Lambert, Avignon

Circa 1986, Hudson Valley Center for Contemporary Art, Peekskill

 

2010
Party!, New Art Gallery, Walsall

Love, Sorcha Dallas Gallery, Glasgow.

Brave New World, MUDAM, Luxembourg

 

2009

53. Biennale Venedig 2009, Venedig

Gegen den Strich! 15 Jahre Sammlung des Kunstmuseum Wolfsburg, Kunstmuseum Wolfsburg

T-Tris, B.P.S. Space for Contemporary Art, Charleroi, Belgium

BP British Art Displays 1500- 2009, Tate Britain, London

Passports: Great Early Buys from the British Council Collection, Whitechapel Gallery,
London

The Fallen Angels - Watari-Um, Watari Museum of Contemporary Art, Tokyo

Barock, Museo d’Art Contemporanea Donna Regina, Naples

Unbuilt Roads, e-flux, New York

Esposizione Universale - l'arte alla prova del tempo, Galleria d'Arte Moderna, Bergamo

Collected Visions, Bronx Museum of the Arts, New York

 

2008

Based on Paper, MIMA, Middlesbrough

The Sum of Its Parts, Cheim & Read, New York

History in the Making, A Retrospective of the Turner Prize, Mori Art Museum, Tokyo,

Holy Inspiration, religion and spirituality in modern art. Stedelijk museum in De Nieuwe Kerk, De Nieuwe Kerk, Amsterdam

Manifesto Marathon, Serpentine Gallery, London

ROCK MY RELIGION, Domus Artium 2002, Salamanca

Held Together with Water, Istanbul Modern

Parkhaus, Kunsthalle Düsseldorf

Sünde, Residenzgalerie Salzburg

Depot VBVR: Cragg, Flanagan, Gilbert & George, Long, Lord, Pope, Rijksmuseum Twenthe, Enschede

 

2007

What Does the Jellyfish Want?, Museum Ludwig, Cologne

Multiplex: Directions in Art, 1970 to Now, Museum of Modern Art, New York

Panic Attack! Art in the Punk Years, Barbican Art Gallery, London

The Secret Public: The Last Days of the British Underground 1978-1988, Institute of
Contemporary Art, London, United Kingdom

INTO ME / OUT OF ME, Kunst-Werke Berlin e.V. - KW Institute for Contemporary Art, Berlin

GILBERT AND GEORGE - MAJOR EXHIBITION, Castello di Rivoli, Rivoli (Torino)

SWITCHER SEX, Slought Foundation, Philadelphia

Multiplex: Directions in Art, 1970 to Now Museum of Modern Art, New York

Gilbert & George, Castello di Rivoli, Turin

Turner Prize: A Retrospective, Tate Britain, London

Il Futuro del Futurismo, Galleria d'Arte Moderna, Bergamo

Video Lounge, Kunsthaus, Zürich

FOTOKUNST Zeitgenössische Fotografie aus der Sammlung Essl, Sammlung Essl, Klosterneuburg

Guggenheim Collection, National Gallery of Victoria, Melbourne

The Naked Portrait, National Galleries of Scotland, Edinburgh

INTO ME / OUT OF ME, MACRO Rom

e-flux VIDEO RENTAL, Centre culturel suisse, Paris

 

2006

Renegades, Exit Art, New York

Interventions, Thomas Solomon Gallery, Los Angeles

How To Improve The World, Hayward Gallery, London

Where a Pawn becomes a Queen, Museum Ludwig, Cologne

Sixty Years of Sculpture in the Arts Council Collection, Longside Gallery, Yorkshire Sculpture Park, Yorkshire

Handsome, Analix Forever, Geneva

Eye on Europe - Prints, Books & Multiples, 1960 to Now, The Museum of Modern Art, New York

Internazionale XII Biennale di Scultura di Carrara, Biennale di Sculture di Carrara, Carrara,

INTO ME / OUT OF ME, P.S.1 Contemporary Art Center, Long Island City, NY

Where a Pawn becomes a Queen, Museum Ludwig, Cologne

Inventory: Works form the Herbert Collection, Kunsthaus Graz, Graz

LACMA at 40: Gifts in Honor of the Museum's Anniversary, Los Angeles County Museum of Art - LACMA, Los Angeles

E-Flux Video Rental, Arthouse at the Jones Center - Contemporary Art for Texas, Austin

 

2005

Creativity, Kunsthalle Fridericianum, Kassel

'Bock mit Inhalt' - Summer Exhibition, Stedelijk Museum, Amsterdam

Superstars - from Warhol to Madonna, Kunsthalle Wien (Halle 1, Halle 2 im MQ), Vienna

The Theatre of Art - Masterpieces from the Collection of the Ludwig Museum, Colo Villa Manin. Centro Darte Contemporanea, Codroipo (UD)

Open Systems - Rethinking Art c.1970, Tate Modern, London (England)

Eye of the Storm: The IMMA Collection, Irish Museum of Modern Art - IMMA, Dublin

The giving person, PAN - Palazzo delle Arti di Napoli, Naples

The Last Picture Show - Artists using Photography 1960-1982, Miami Art Central, Miami, FL

Faltering Flame, Shefffield Galleries & Museums Trust, Sheffield

 

2004

Puzzle, Galleria Il Ponte, Florence

The Last Picture Show, Fotomuseum Winterthur, Winterthur

From a Collection - For a Collection, Galerie Bugdahn und Kaimer, Duesseldorf; Stedelijk Museum

Monument to Now. Deste Foundation, Centre for Contemporary Art, Athens

Video et Cogito, Ludwig Forum f?r Internationale Kunst, Aachen

Hidden Histories, The New Art Gallery Walsall, Walsall, West Midlands

Head to Head, Tate Modern, London

Secrets of the 90s, Museum voor Moderne Kunst Arnhem, Arnhem

Turning Points - 20th Century British Sculpture, Tehran Museum of Contemporary Art, Tehran

The Last Picture Show - Artists Using Photography, 1960-1982, UCLA Hammer Museum, Los Angeles

Treasure Island: 10 Jahre Sammlung Kunstmuseum, Kunstmuseum Wolfsburg, Wolfsburg

I hate you The Falckenberg Collection, Louisiana Museum of Modern Art, Humlebæk

 

2003

Fernsehgalerie Gerry Schum/videogalerie schum, Kunsthalle Düsseldorf, Duesseldorf

Narcissus - New Visions on Self-Representation, Crac Alsace, Altkirch

Happiness - A Survival Guide for Art and Life, Mori Art Museum, Tokyo

The Last Picture Show - Artists Using Photography - 1960-1982, Walker Art Center, Minneapolis, MN

Gelijk het leven is, S.M.A.K. - Stedelijk Museum voor Actuele Kunst, Gent

Social Strategies - Redefining social realism, Illinois State University, Normal, Il

Dreams and Conflicts:The Dictatorship of the Viewer, La Biennale di Venezia, Venice

Journey to Now - John Kaldor Art Projects & Collection, Art Gallery of South Australia,

Adelaide, SA

PROJECTION, Konrad Fischer Galerie GmbH, Düsseldorf

Photo - Kunst - 1852 ? 2002, Staatsgalerie Stuttgart, Stuttgart

Het kunstenaarsboek als wetenschappelijke bron, Centraal Museum, Utrecht

Not Exactly Photographs, Fraenkel Gallery, San Francisco, CA

Group Show, Bernier/Eliades Gallery, Athens

From Broodthaers to Horn. Van Abbemuseum, Eindhoven

 

2002

From Pop to Now: Selections from the Sonnabend Collection, The Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, New York

RETROSPECTACLE: 25 Years of Collecting Modern and Contemporary, Denver Art Museum, Denver, CO

Real Life, Tate St. Ives, St. Ives, Cornwall
Warhol to Koons: International Contemporary Art from a Private Collection, Scottish National Gallery of Modern Art, Edinburgh (Scotland); Weston Link, Edinburgh (Scotland)

Public Affairs, Kunsthaus Zürich, Zürich

On General Release, Norwich Gallery, Norwich (England)

 

2001

Shortcuts, Deste Foundation, Centre for Contemporary Art, Athens

Nothing in the Main Hall, Rooseum Center for Contemporary Art, Malmö 

Conception - The Conceptual Document 1968-1972, The Morris and Helen Belkin Art Gallery, Vancouver, British Columbia

Reisen in Ich - Künstler / Selbst / Bild. Sammlung Essl - Kunsthaus, Klosterneuburg

Nothing, Contemporary Art Center Vilnius (CAC), Vilnius

The First 10 Years: Selected Works from the Collection, Irish Museum of Modern Art - IMMA, Dublin

Imago Mundi, capc Mus?e dart contemporain, Bordeaux

Hypermental - Wahnhafte Wirklichkeit 1950 - 2000 - Von Salvador Dali bis Jeff Koons,

Hamburger Kunsthalle, Hamburg

Echoes of the Scream, ARKEN Museum for Moderne Kunst, Copenhagen

 

2000

Inner Eye: Contemporary Art from the Marc and Livia Straus Collection, Neuberger Museum of Art

Out There, White Cube 2, Hoxton Square, London

The Rudimentary Pictures, Gagosian Gallery, Los Angeles

Enclosed and Enchanted, Museum of Modern Art, Oxford

Man ? Body in Art from 1950 to 2000, Arken Museum for Moderne Kunst, Skovvej, Denmark

Dream Machines, Dundee Contemporary Arts - DCA, Dundee (Scotland)

Inaugural Exhibition Making Time - Considering Time As a Material in Contemporary, The Palm Beach Institute of Contemporary Art (PBICA), Lake Worth, FL

5e Biennale de Lyon - Partage dexotismes, La biennale dart contemporain de Lyon, Lyon

Seeing Time, ZKM | Museum f?r Neue Kunst & Medienmuseum, Karlsruhe

Many Colored Objects Placed Side By Side To Form A Row Of Many Colored Objects, Casino Luxembourg - Forum dart contemporain, Luxembourg 

 

1999

Zeitwenden - Rückblick und Ausblick, Kunstmuseum Bonn, Bonn

Permanent Collection, The Modern Art Museum of Fort Worth, Fort Worth, TX
The First View, Sammlung Essl - Kunsthaus, Klosterneuburg

Ego Alter Ego - Das Selbstportrait in der Fotografie der Gegenwart, Nassauischer Kunstverein, Wiesbaden

Gesammelte Werke 1; Zeitgenössische Kunst seit 1968, Kunstmuseum Wolfsburg, Wolfsburg

Veronicas Revenge - Photographies De La Collection Lac-Suisse, Casino Luxembourg - Forum dart Contemporain, Luxembourg

Insite 98 - Mysterious Voyages: Exploring the Subject of Photography, Contemporary Museum, Baltimore, MD

Linhas de Sombra Centro de Arte Moderna Jos? de Azeredo Perdigio - Fundacio Calouste Gulbenkian, Lisbon

 

1998

Out of Actions: Between Performance and the Object, 1949-1979, Museum of Contemporary Art, Los Angeles, CA

Photoplay, George Eastman House, Rochester, NY

A Choice from the Collection, Van Abbemuseum, Eindhoven

Conceptual Photography from the 60s and 70s, David Zwirner, Inc., New York, NY

Exhibition of the Century, Wellington City Gallery, Wellington

 

1997

Treasure Island, Gulbenkian Foundation, Lisbon, Portugal

Das Zwanzigste Jahrhundert, Zeitgeist-Gesellschaft, Berlin, Germany

1997 Kwangju Biennale Unmapping the Earth, Kwangju, Korea

Galerie Thaddeaus Ropac, Salzburg, Austria

 

1996

La Vie Moderne en Europe 1870-1996, Museum of Contemporary Art, Tokyo, Japan

 

1995

Endurance: The Information, Exit Art, New York, NY

Take Me (I'm Yours), Serpentine Gallery, London, Great Britain

Attitudes/Sculptures, 1963-1972, CAPC, Musee d'art Contemporain, Bordeaux, France

20/20, In Khan, NY

Human/Nature Benefit Exhibition, The New Museum, New York, NY

 

1994

1969, Galerie Jablonka, Cologne

Recent Work, Anthony d'Offay Gallery, London

Sarah Staton: Supastore boutique, Laure Genillard Gallery, London, Great Britain

 

1993

Contemporary Self-Portraits "Here's Looking at Me'", elac, Centre d'Echanges de Perrache, Lyon, France

Out of Sight, Out of Mind, Lisson Gallery, London

 

1993

Europe Sans Frontieres, Galerie Isy Brachot, Paris

Image Makers, The Nassau County Museum of Art, Roslyn Harbor, New York

Konstruktion Zitat: Kollektive Bilder in der Fotografie, Sprengel Museum, Hannover, Germany 

Photoplay, Works from the Chase Manhattan Collection, NY, Center for the Fine Arts, Miami, FL; Museo Amparo, Puebla, Mexico; Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico; Centro Cultural Consolidado, Caracas, Venezuela; MASP/ Museu de Arte de Sao Paulo, Sao Paulo, Brasil; Museo Nacional de Bellas Artes; Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile

 

1992

Dark Decor, DePree Art Center, Hope College, Holland, MI; San Jose Museum of Art, San Jose 

Jose, CA; Florida Gulf Coast Art Center, Belleair, FL

More Than One Photograph, The Museum of Modern Art, New York

 

1991

20th Century Collage, Margo Leavin Gallery, LA, CA

Metropolis, International Art Exhibition 1991, Martin-Gropius-Bau, Berlin

Photography: 1980-1990, Ginny Williams Gallery, Denver, CO

Consorts, Pence Gallery, Santa Monica, CA

Cruciformed: Images of the Cross Since 1980, Cleveland Center for Contemporary Art, Cleveland; Museum of Contemporary Art Wright State University, Dayton, OH; Western Gallery, Western Washington University, Bellingham, WA; Macdonald Stewart Art Center, Guelph, Ontario, Canada

A Passion for Art: Watercolors and Works on Paper, Tony Shafrazi Gallery, New York

 

1990

Assembled, The University Art Galleries, Wright State University, Dayton, OH

Team Spirit, Neuberger Museum, SUNY at Purchase; Cleveland Center for Contemporary Art, Cleveland, OH; Vancouver, British Columbia, Canada; The Art Museum at Florida International University, Miami; Spirit Square Center for the Arts, Charlotte, NC; Davenport Art Museum, Davenport, IO; Laumeier Sculpture Park, St. Louis, MI

Art That Happens to be Photography, Texas Gallery, TX

Exposed, Vivian Horan Fine Art, New York

 

1989

Repetition, Hirschl & Adler Modern, New York, NY

Bilderstreit: Contradiction, Unity and Fragmentation in Art Since 1960, Ludwig Museum in the Rheinhallen, Cologne, West Germany

Prospect 89, Kunstverein Frankfurt, Schirn Kunst-Halle, Frankfurt, West Germany

Lost and Found: The Object Transformed, Barbara Mathes Gallery, New York, NY

New Works by Gallery Artists, Sonnabend Gallery, New York, NY

Words, Tony Shafrazi Gallery, New York

 

1988

Under Construction; New Photomontage, Cranbrook Academy of Art Museum, Bloomfield, MI

Collection Sonnabend, Centro de Arte Reina Sofia, Madrid, Capc, Musee d'Art Contemporain, Bordeaux; Art Cologne, Germany; Hamburger Bahnhof, Berlin, West Germany, Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporary, Trent, Italy; Sezon Museum of Art, Tokyo; The Miyagi Museum of Art, Sendai, Japan; The Fukuyama Museum of Art, Hiroshima, Japan; The National Museum of Modern Art, Kyoto

A "Drawing" Show, Cable Gallery, New York, NY

Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago

 

1987

This is Not a Photograph: Twenty Years of Large-Scale Photography, 1966-1986, The John and Mable Ringling Museum of Art, Sarasota, FL

Perverted By Languag", Hillwood Art Gallery, Long Island University, C.W. Post Campus, Greenvale, New York

Romance, Curated by Ronald Jones, Knight Gallery, Charlotte, North Carolina

Selections from X1, organized by Saul Ostrow, Damon Brandt Gallery, New York

Uit het oude Europa, Stedelijk Museum, Amsterdam, Holland

 

1986

Falls The Shadow, Hayward Gallery, London

Fourty Years of Modern Art, The Tate Gallery, London

Mater Dulcissima, Chiesa Dei Cavaliere di Malta, Siracusa

 

1985

Correspondances 'New York Art Now'", Laforet Museum Harajuku and Tochigi Perfectural

Museum of Fine Arts, Utsunomiya, (February 8 - March 23)

Gilbert & George; Gareth Fisher, The Fruitmarket Gallery, Edinburgh (May 31 - July 5)
Memento Mori, Centro Cultural/Arte Contemporaneo, Mexico

Biennale of Paris, Grand Halle of La Villette, Paris

The 1985 Carnegie International, Pittsburg, Pennsylvania

Overture , Casttello di Rivoli, Torino

One City a Patron, Scottish Arts Council, Touring

A Journey Through Contemporary Art, The Hayward Gallery, London

 

1984

The Critical Eye, Yale Center for British Art, New Haven

Artistic Collaboration in the 20th Century, Hirshhorn Museum and Sculpture Garden, Washington D.C. 

The Poetry of Vision-Rose, The Guinness Hop Store, Dublin 8

Dialog, The Moderna Museet, Stockholm

Turner Prize Exhibition, The Tate Gallery, London

The British Art Show, Arts Council Touring, G.B; Queensland Art Gallery, Australia; Art Galley of New South Wales, Australia; Art Gallery of Western Australia, Australia

Private Symbol: Social Metaphor. 5th Biennale, Art Gallery of New South Wales, Sydney

Collection Annick and Anton Herbert, Van Abbemuseum, Eindhoven.

Photography in Contemporary Art, The National Museums of Art, Tokyo and Kyoto

Gilbert & George / Richard Long, The Museum of Art, North Carolina

Via New York, Musee D?Art Contemporain, Montreal

Content, Hirshhorn Museum, Washington

Collectie Becht, Stedelijk Museum, Amsterdam

Histoires De Sculpture, Espace Graslin-Manufacture Des Tabacs, Nantes-Loire-Atlantique; Musee D'Art Modern De Villeneuve, D'Ascq-Nord; Chateau Des Ducs D'Eperon, Cadillac-Gironde

 

1983

Photography in Contemporary Art, National Museum of Modern Art, Tokyo

Acquisition Priorities, The Solomon R. Guggenheim Museum, New York

Trends in Post War American and European Art, The Solomon R. Guggenheim Museum, NY

New Art, The Tate Gallery, London

Urban Pulsers: The Artist and the City, Plan for Art, Pittsburg

 

1982

Aspects of British Art Today, Metropolitan Art Museum, Tokyo

Documenta (7), Kassel

Zeitgeist, Berlin

 

1981

Attitudes, Concepts, Images 60/80, Stedelijk Museum, Amsterdam

Westkunst, Cologne

Artist and Camera, Arts Council, GB Tour

16 Bienal De Sao Paulo, Sao Paulo

British Sculpture In The Twentieth Century, Whitechapel Art Gallery, London

Project 6: Art Into The 80's, Walker Art Gallery, Liverpool

No Title, Wesleyan University, GB Tour

Point de Vue, Images, Maison de la Culture, Chalon-sur-Saone

 

1980

Gerry Schum, Museum Boymans-Van Beuningen, Rotterdam; Kunstverein, Cologne;

The Art Gallery, Vancouver; A Space, Toronto

Kunst In Europa Na '68, Museum voor Hedendaagse Kunst, Ghent

Explorations In The 70's, Pittsburg Plan for Art, Pittsburg, Pennsylvania

 

1979

Process and Sequence: A Photographic Exhibition, Roosevelt, New York

Photography as Art/Art as Photography, Tiroler Landesmuseum Ferdinandeum, Innsbruck 

Europe In The 70's, Contemporary Art Center, Cincinnati

On Walks and Travels, Bonnefantenmuseum, Maastricht

Un Certain Art Anglais, A.R.C./Musee d'Art Moderne de la ville Paris

Wahrnehmungen, Aufzeichnungen, Mitteilungen, Museum Haus Lange, Krefeld

Hayward Annual, Hayward Gallery, London

Gerry Schum, Stedelijck Museum, Amsterdam

 

1977

Europe In The 70's, Hirshhorn Museum and Sculpture Garden, Washington D.C.; San Francisco Museum of Modern Art; Fort Worth Art Museum, Texas

Made By Sculptors, Stedelijk Museum, Amsterdam

Documenta (6), Kassel

38th Biennale, Venice

Door Beeldhouwers Gemaakt, Stedelijk Museum, Amsterdam

 

1978

Photography as an Art Form, John and Marble Ringling Museum of Art, Saratoga, Florida

Documenta (6), Kassel

Europe In The 70's, The Art Institute of Chicago

 

1976

Arte Inglese Oggi, Palazzo Reale, Milan

Group Show, Fruit Market Gallery, Edinburgh

The Artist and The Photograph," Israel Museum, Jerusalem

 

1975

Bodyworks, Museum of Contemporary Art, Chicago "Narrative in Contemporary Art," University of Guelph, Ontario, Canada 

 

1974

Word Works, Mt .San Antonio College, Walnut, California

Medium Photography, Kunstverein, Hamburg; Kunstverein, Münster

Kunst Bleibt Kunst, Kunsthalle, Cologne

Prospect, Kunsthalle, Düsseldorf

Group Show, Palais des Beaux Arts, Brussels "Sculpture Now," Royal College of Art, London

 

1973

Critics Choice, Tooth Gallery, London

Art as Photography," Kunstverein, Hannover; The Museum Gallery, Paris

From Henry Moore to Gilbert & George, Palais des Beaux Arts, Brussels

11 English Drawers, Kunsthalle, Baden-Baden; Kunsthalle, Bremen

Contemporanea, Villa Borghese, Rome

 

1972

Documenta (5), Kassel

The New Art, Hayward Gallery, London

Concept Kunst, Kunstmuseum, Basel

The Paintings, Koninkijk Museum voor Schone Kunsten, Antwerp

 

1971

Prospect 71 Projection, Kunsthalle, Düsseldorf

The British Avant-Garde, Cultural Centre, New York

Situation/Concept, Innsbruck

The Paintings, Whitchapel Art Gallery, London; Stedelijk Museum, Amsterdam; Kunstverein, Düsseldorf

 

1970

Information, The Museum of Modern Art, New York

18 Paris IV, 66 Rue Mouffetard, Paris

Conceptual Art, Arte Povera, Land Art, Civic Gallery of Modern Art, Turin

Untitled, C.A.Y.C., Buenos Aires

Plans and Projects, Kunsthalle, Bern

 

1969

Conception, Stadtisches Museum, Leverkusen 

SELECTED BOOKS AND CATALOGUES

 

2012

“Gilbert & George, London Pictures,” Hurtwood Press, Surrey, United Kingdom.


2011

“The Complete Postcard Art of Gilbert & George,” Prestel, London, United Kingdom.


2009

“Gilbert & George, Jack Freak Pictures,” Hatje Cantz Verlag, Germany.


2007

“Gilbert & George, The Complete Pictures,” Aperture Foundation, New York, NY.

“The Complete Pictures Gilbert & George,” (Vol 1,2) Tate Publishing, London.

“Gilbert & George,” Skira Rizzoli Publishing, New York.


2006

Bracewell, Michael. “Gilbert & George Sonofagod Pictures, Was Jesus a heterosexual?”, White Cube, London.


2005

“Gilbert & George: The Gingko Pictures,” The British Council, Venice Biennale.


2004

“Gilbert & George: The Perversive Pictures,” Lehmann Maupin and Sonnabend Gallery, New York, NY.

Jonquet, Francois.“Gilbert & George: Intimate Conversations with Francois Jonquet”, Phaidon Press, London.

“Gilbert & George: Twenty London East One Pictures,” Galerie Thaddaeus Ropac, Paris.


1999

Bonito Oliva, Achille, Tecce, Angela and Codognato, Mario.“Gilbert & George: New Testamental Pictures,” Charta Focus, Milan, Italy and New York, New York.


1997

“The Words Of Gilbert & George,” Violette Editions, USA and Canada.

“Gilbert & George: Konst,” Magasin 3, Stockholm.


1996

“The Fundamental Pictures,”Alexander Roussos/Cyber.Art.Publications.UK.Ltd, London.


1995

Buser, Thomas. “Experiencing Art Around Us,” West Publishing Company, St. Paul, MI.

Fineberg, Jonathan. “Art Since 1940 - Strategies of Being,” Prentice Hall, NJ


1994

Jahn, Wolf. “Gilbert & George,” Museo d'Arte Moderna, Citta' di Lugano.


1993

“Photoplay, Works from The Chase Mahattan Collection,” Center for the Fine Arts, Miami.


1992

Kold, Anders. “Gilbert & George: New Democratic Pictures,” Aarhus Kunstmuseum, Arhus.


1991

Janh, Wolf. “Monarchy as Democracy.”

Farson, Daniel. “With Gilbert & George in Moscow,” Bloomsbury, London.

Fuchs, Rudi. “The Cosmological Pictures,” The Maszachuba Foundation, Krakow.

Wheeler, Daniel. “Art Since Mid-Century:1945 to the Present,” The Vendome Press, New York.


1990

Klokov, Sergei. “The Moscow Catalogue,” Anthony d'Offay, London.

Rosenblum, Robert. “Twenty-Five Worlds by Gilbert & George,” Robert Miller Gallery, New York.

Rosenblum, Robert. “Worlds and Windows,” Robert Miller, New York.

Guidieri, Remo. “Eleven Worlds by Gilbert & George and Antique Clocks,” Desire Feuerle, Cologne.

“Gilbert & George Postcard Sculptures and Ephemera, 1969-1981,” Hirschl & Adler Modern, New York.


1989

Wolf, Jahn. “The Art of Gilbert & George,” Thames and Hudson, London.

“Gilbert & George. For Aids Exhibition,” Anthony d'Offay, London.


1988

Buttner, Werner, et al. “Gilbert & George,” Ascan Crone, Hamburg.


1986

“Gilbert & George, The Complete Pictures 1971-1985,” CAPC, Musee d'Art Contemporain de Bordeaux.

“The Charcoal on Paper Sculptures 1970-1974,” CAPC, Musee d'Art Contemporain de Bordeaux.

Jahn, Wolf. “The Paintings 1971,” The Fruitmarket Gallery, Edinburgh.

Nickas, Robert. "Perverted By Language," Hillwood Art Gallery, Long Island University, C.W.Post Campus, Greenvale.


1985

Fuchs, Rudi. “Death Hope Life Fear,” Castello di Rivoli, Turin.


1984

Richardson, Brenda. “Gilbert & George,” The Baltimore Museum of Art, Baltimore.


1980 Ratcliff, Carter. “Gilbert & George 1968 to 1980,” The Van Abbemuseum, Eindhoven.

"Gilbert & George 1968 to 1980", Van Abbemuseum, Eindhoven.

“Explorations in the 70's", Pittsburgh Plan for Art, Pittsburgh.


1977

“Gilbert & George,” Taxispalais Gallery, Innsbruck.


1976

Greenwood, Nigel. “Dark Shadow,” Nigel Greenwood, London.


1973

“Catalogue For Their Australian Visit,” John Kaldor, Sydney.


1972

“The Grand Old Duke Of York,” Kunstmuseum, Lucerne.

"The Now Art", Hayward Galleries/Arts Council, London.

Seymour, Anne. "An Interview." The New Art, Hayward Gallery/Arts Council, London, p. 92-95.


1971

“The Paintings,” Kunstverein Düsseldorf.

“Side by Side,” König Bros., Düsseldorf.

“A Day in the Life of Gilbert and George,” Gilbert & George, London.


1970

“The Pencil on Paper Descriptive Works,” Gilbert & George, London

“Art Notes And Thoughts,” Gilbert & George, London.

“To Be With Art Is All We Ask,” Gilbert & George, London.

“A Guide To The Singing Sculpture,” Gilbert & George, London.



SELECTED ARTICLES

2015

Johnson, Ken. “Review: Gilbert & George in the Early Days, Sending Up a Religion Called Art,” The New York Times, 3 September.


2014

Rinebold, Mary. “Gilbert & George,” Artforum, 1 August.

Voon, Claire. “Gilbert & George’s Sculptural Life on Film,” Hyperallergic , 30 July.


2013

“Gilbert and George,” Wertical Magazine , 30 November.

Boatright, Kristen. “High Line Art Emerges,” ArtInfo Newspaper , 12-30 September, p. 2.

Vogel, Carol. “That Playful Duo Returns,” The New York Times , 18 July.

Miller, Michael H. “Gilbert & George Will Design the Next High Line Billboard,” The New York Observer , 18 July.

“Video: Gilbert & George Interview,” Fad , 20 May.

Mogutin, Slava. “Gilbert and George,” Whitewall , Winter, p. 78 – 91.


2012

Morse, Trent. “Gilbert & George: Lehmann Maupin and Sonnabend,” ARTnews , October, p.105.

Yuan, Jada. “Gilbert & George: A greasy spoon breakfast with the ‘living sulpture’ duo,” New York Magazine, 14 May, p. 16.

Lala, Kisa. “’Read-All-About-It!’ Gilbert And George: The Double-headed Beast Is Back,” The Huffington Post , 8 May.

Walsh, Brienne. “Poster Boys: Q+A with Gilbert & George,” Art in America , 1 May.

Duray, Dan. “Double Truck,” The New York Observer , 30 April.

Crow, Kelly. “Stealing Headlines for Art’s Sake,” The Wall Street Journal , 28-29 April. p. C14.

Martinez, Alanna. “’We’re Living in a Better World Than It’s Ever Been’: Gilbert & George on Their Lurid ‘London Pictures,’” ArtInfo , 27 April.

Hor-Chung Lau, Joyce. “Gilbert & George Take Britain to Asia,” The New York Times , 7 March.

Wroe, Nicholas. “Gilbert & George: Lives in art,” The Guardian , 2 March.

Blake, Linda. “Gilbert & George Steal the Show,” The Wall Street Journal , 2 March.

“London, darling,” The Economist , 1 March.


2011

“The Armory Show: Lehmann Maupin,” Curatedmag , 10 March.

Duhon, Peter and Alexandra Peers. “The Bare Essentials of Armory Art Week,” Observer , 8 March.

Hruska, Jordan. “The Armory Show,” Vogue.it , 4 March.

Picard, Gregory. “Taking the Piss Out of Art: A Q&A Gilbert & George on Their Urethra Pictures,” ArtInfo , 3 March.

“Artists Gilbert & George discuss eccentricity in public life,” BBC News , 7 February.

Cadwalladr, Carole. “We didn’want our mothers to be shamed of us,” The Guardian , 30 January.

O’Keeffe, Alice. “The Urethra Postcard Art of Gilbert & George,” New Statesman , 27 January.

Hamilton, Adrian. “Gilbert & George: The wild cards strike again,” The Independent, 17 January.

Alberge, Dalya. “Gilbert & George collect sex workers’ cards for latest works: Artist’s exhibition revisits ‘postcard art’ of their early careers,” The Guardian, 2 January.


2009

Jeffries, Stuart. “Gilbert and George: the odd couple,” The Guardian , 24 June.

Laster, Paul. “Gilbert & George’s Jack Freak Pictures,” The Daily Beast.Com, 18 June.

“Gilbert and George’s Jack Freak Pictures Arrive in Berlin for First Solo Exhibition in 14 Years,” Artdaily.org , 14 June.

“Art History/30 Years of Art Journalism in Pictures/Art Cologne 2009,” Vernissage, 23 April.


2008

Aletti, Vince. "Double Take," The New Yorker , 20 October.

Bischoff, Dan. "'Singing Sculpture' art duo still mocking the Brits," The Star-Ledger , 11 October.

Cotter, Holland. "Provocative Duo, Naked and Natty," The New York Times , 2 October, p. E31, E34.

Del Signore, John. "Gilbert & George Retro at Brooklyn Museum Begins," Gothamist, 2 October.

Duncan, Michael. "The human theater of Gilbert & George," Art in America , October, p. 171 – 178.

Durbin, Jonathan. "It takes two to make a thing go right," Men.Style , 2 October.

"Fall Preview," The New Yorker , 1 October.

Laster, Paul. "Interview," Artkrush , 15 October.

Bors, Chris. “Fall Museum Shows in New York,” ARTINFO , 4 September.

Lewandowski, Ashley. "Milwaukee gets ‘shitted’ on by Gilbert & George," The Leader , 4 September.

McGinley, Megan. "The Artist's Gays," NYPress , October, p. 20.

Michaud, Chris. "Life, change through the window of Gilbert & George," Reuters , 3 October.

Pak, Eudie. "VANITY FAIR," Village Voice, 26 September.

"Thirty Shows You Cannot Miss," New York Magazine , 24 August.


2007

Aletti, Vince. “Gods and Monsters,” Modern Painters , May, p. 40 – 42.

“News & Around,” tema celeste , p. 105.

Gilligan, Melanie, “Previews,” Artforum , January, p. 114.


2006

“Power 100,” ArtReview , December, p. 104.


2005

Vogel, Carol. “Still Naughty After All These Years,” The New York Times , 4 August, p. E1, E6.

Dannatt, Adrian. “Self-styled ‘living sculptures,’ the iconic British artists Gilbert & George are

inseparable from their irreverent, often shocking art,” July, p. 22 – 28.

Gayford, Martin. “We Will Do Our Worst,” Modern Painters , June, p. 67 – 73.

Avigkos, Jan, “Gilbert & George,” Artforum , March, p. 238.

Ayers, Robert, “Gilbert & George,” ArtNews , February, p.133.

Heartney, Eleanor, “Gilbert & George,” Art in America , February, p. 123.


2004

Cotter, Holland, “Gilbert & George,” New York Times , 3 December, p. E41.

Smith, Roberta, “Chelsea Enters Its High Baroque Period,” The New York Times , 28

November.

Bracewell, Michael, “ Eastern Bloc,” ArtReview , June, p. 55 – 61.


2000

Muchnic, Suzanne. “Collaboration at Rare and Rarefied Levels”, Los Angeles Times ,

February.

Knight, Christopher. “Art Review: Conceptual art of ‘Gilbert & George: The

Rudimentatry Pictures’ is full of wit, pathos, sweet provocation and oddity,” Los Angeles

Times , February.


1997

Dyson, Dominic. “Gilbert & George.” Index , September/October, p. 44 - 52.

Heartney, Eleanor. “Gilbert & George at Sonnabend and Lehmann Maupin,” Art in America, October.

Kramer, Hilton. “Odious Gilbert & George, Now Stinking Up Soho,” The New York Observer, May.

Scott, Whitney. “Twin Peeks, In the Gallery,” The New York Post , May, p .26 - 27.

Smith, Roberta. “Gilbert & George,” The New York Times , May, p. C24.


1995

Thiel, Wolf-Gunter. "Gilbert & George: Jablonka," Flash Art International , January/February, p. 99 - 100.

Bickers, Patricia. "La Sculpture britannique: generations et tradition," Artpress , May, p. 31 -39.


1994

Dannatt, Adrian. "Gilbert & George: We Do Pictures," Flash Art , October, p. 63 - 67.

Gimelson, Deborah. "It's a Wonderful Life," ArtNews , Summer, p. 170 - 172.

Codognato, Mario. "Collection: Attilio Codognato," Galeries , Spring, p. 90 - 97.

Macritchie, Lynn. "Report from Beijing: Precarious Paths on the Mainland," Art in America, March,p. 51 – 57.


1993

MacRitchie, Lynn. "Odd couple comes home," The Financial Times , 31 January, p. XVII.

Corris, Michael. "Gilbert & George: Anthony d'Offay," Artforum , February, p. 111 - 112.

Jones, Gareth. "Gilbert & George: The Cosmological Pictures," Frieze Magazine , May, p. 51.

"How to Hold A Conversation With Living Sculptures," The New York Times , 18 July, p. 27.

"Gilbert & George in China," Flash Art News , October, p. 49.


1992

Goldberg, RoseLee. "Gilbert & George: Sonnabend Gallery," Artforum , January, p. 103 - 104.

Adams, Brooks. "Gilbert & George at Sonnabend," Art in America , February. p. 110 - 111.

Pincus-Witten, Robert. "Timothy Greenfield-Sanders." Tema Celeste , January/March. p. 62 -65.

Jordan, Betty Ann. "After its..." Canadian Art , Spring, p. 22.

Doswald, Christoph. "Gilbert & George," Kunstforum International , p. 388 - 389.

Hagen, Charles. "2 Goals in One Show: Diversity and Unity," The New York Times , 29 May, p. C28.


1991

Cullinan, Helen. "Partnering for artsy mimickry," The Plain Dealer , 23 February.

Cora, Bruno. "Christian Stein," Galeries Magazine , April/May, p. 112 - 119.

Messler, Norbert. "Berlin: 'Metropolis'," Artforum , Summer, p. 101 - 103.

Taylor, Paul. "Soho's Avant-Guardian," Connoisseur , September.

Pedersen, Victoria. "Gallery go 'round," Paper Magazine, September. p. 25.

Kohen, Helen, L. "Team Work showcases the art of collaboration," The Miami Herald , 15 September.

Smith, Roberta. "Gilbert and George 20 Years Later," The New York Times , 27 September, p. C28.

Larson, Kay. "The Twilight Zone," New York Magazine , 14 October, p. 71- 72.

Hagen, Charles. "Bolstering Narrative Qualities with Whimsy," The New York Times , 16 October, p. C32.

Coen, Ester. "Gilbert & George, un milione di foto," La Repubblica , 20 October.

Mahoney, Robert. "Gilbert & George at Sonnabend," Arts Magazine , December. pp.76+77.

Cottingham, Laura. "Gilbert & George, Sonnabend," Flash Art , November/December, p.129.

"Guilt and George," Artscribe International . November/December. p. 11.

MacAdam, Barbara, A. "The Singing Sculpture," Artnews , December. p. 17.


1990

Greig, Geordie. "Opening a window on Western art," The Sunday Times , 11 March.

Wilson, Andrew. "We always say it is what we 'say' that is important," Art Monthly , April. p. 6 - 13.

Murdin, Lynda. "The Art of Being Gilbert and George," Airport , p. 22 - 23.

Farson, Daniel. "Making an exhibition of themselves," The Telegraph , 29 April.

B.G. "No love for the Black Shirt Marxists," The Daily Telegraph , 30 April.

Wechsler, Max. "Gilbert & George," Kunstforum , April/May. p. 150 - 155.

Miller, John. "The Weather is here: Wish You Were Beautiful," Artforum , May, p.152 - 159.

Ratcliff, Carter. "Artful Poses," Elle , June, p. 125.

Smith, Roberta. "From Humble Postcard To the Cosmological," The New York Times ,1 June, p. C22.

Coleman, A.D. "Soho Gets New Installment of British Buddy Photos”, The New York Observer , 18 June.

Sewell, Brian. "Postcard posers," Evening Standard , 1 November, p. 25.

Raynor, Vivian. "A Provocative Look at Collaborations," The New York Times , 25 November.


1989

Kramer, Miriam. "More Aid for Aids," Art & Auction , May, p. 86, 88.

MacMinn, Aleene. "Art," The Los Angeles Times , 27 October.

Rosenblum, Robert. "Gilbert & George: The Aids Pictures," Art in America , November, p.153-156.


1988

Scruton, Roger. "Deastly Bad Taste," Modern Painters , Spring.

Davvetas, Demosthenes. "Gilbert & George," Vogue Decoration , May.

Whitaker, Andrea. "Gilbert & George, Die Zwillinge Im Geiste," Pan Magazine , May.

"Gilbert & George," Six , by Comme des Garcons, August.

Vogel, Sabine, B. "Kunstler-filme," Wolkenkratzer Art Journal , July/August, p. 9.


1987

Russell, John. "Art: The Huge Images of Gilbert & George," The New York Times , 5 June, p. C24.

Levin, Kim. "Review of Sonnabend Show," The Village Voice , 9 June, p. 84.

Hughes-Hallett, Lucy. "Studies in still life," The London Evening Standard , 2 July, p. 26.

Feaver, William. "Art: Gilbert & George; Documenta 8," Vogue , July.

Dialogue with Gilbert & George, "The Odd Couple," Observer , 28 Jun, p. 33 - 37.

Roberts, John. "Gilbert & George: Beyound the Arches," Artscribe , November/December, p. 34 - 35.

Kent, Sarah. "Missionary Position," Time Out , 8-15 July, p. 4, 16 - 17.

Tyler, Betty. "Gilbert & George in Rigdefield," The Sunday Post , 8 November. p. Dl, D6.

Zimmer, William. "In Ridgefield, a Collection of the New and the Notorious," The New York Times , 15 November, p. 40.

Allthorpe-Guton, Marjorie. "Spotlight: Gilbert & George," Flash Art , November. p. 98.

Bevant, Roger. "The Literature of Gilbert & George," Apollo , November.

Thomas, Denis. "Double Top for Gilbert & George," EEC-Europe , November.


1986

Davvatas, Demosthenes (intro.). The Charcoal on Paper Sculptures 1970-1974, CAPC, Bordeaux 1986.

Jahn, Wolf (intro.). The Paintings 1971,The Fruitmarket Gallery, Edinburgh 1986.

Wallace & Donahue, "The Fear of Gilbert & George," Art & Text , February-April.

Wechsler, Max. Artforum , Kunsthalle, Basel, December, p. 127, 128.


1985

Salerno, Giovanni, Battista. "Gilbert, George, Samuel Beckett," Flash Art , March.

Breson, Michael. "Art: Gilbert and George, Duo who Work as Solo," The New York Times , 26 April.

McGill, Douglas, C. "Art View: Two Artists who Probe the Meaning of Life," The New York Times, 5 May.

Lamoree, Jhim. "Kunst: Het Seksuele Mysterie Als Heilige Mis," Haage Post , 11 May.

Larson, Kay. (Review - The Guggenheim Museum), New York Magazine , 20 May.

Indiana, Gary. "The Dark Side of Gilbert and George," Village Voice , 4 June.

Heartney, Eleanor. "Gilbert and George," Artnews , October, p. 127


1984

Scarupa, Henry. "Gilbert and George Merge Creativity to Produce Singular Art," The Baltimore Sun , 19 February.

Dorsey, John. "Gilbert and George: Two Artists of a Single Mind," Sun Magazine: The Baltimore Sun , 19 February, p. 8.

Russel, John. "Art View: London Viewed as a Landscape of Loss," The New York Times , 4 March.

Macritchie, Lynn. "The Believing World of Gilbert and George," Performance Magazine, April/May.

"English Art Team Drawn into All-American Scene," Houston Chronicle , 28 June, p. 4.

Wilson, Mike. "Exhibit Sure to Elicit Emotions of Love, Hate, Art Director Says," The Miami Herald , 2 September.

Schwan, Gary. "Norton to Host Major Art Exhibition," The Post , 9 September.

Wilson, Mike. "Gallery 'Gutted' for Photo Murals by British Artists," The Miami Herald , 19 September.

"Gilbert and George Photo Exhibition to Open at Norton," Entertainment Condo News , 26 September.

"Exhibition Features Gilbert and George," The Lake Worth Herald , 20 September.

"A Major Exhibition at Norton Gallery: Gilbert and George," The Palm Beacher , 26 September.

"Hauntingly Untraditional' Describes Norton Exhibit," Palm Beach Daily News , 26 September.

Calhoun, Charles. "An Artistic Obsession with Narrative Tradition," The Palm Beach Daily News ,

29 September.

Wright, Carol. "'Gilbert and George' Duo Wants Their Artwork to Change Society," The Palm Beach Daily News , 29 September.

White, Jackie. "Cookie Monster Visits Museum," News/Sun Sentinel , 29 September.

Schwan, Gary. "Gilbert and George," The Post , 30 September.

Donnelly, Shannon. "Art Leaves Impact Everyone's Talking about Gilbert and George," The Palm Beach Daily News , 1 October.

Csonka, Ariane. "Gilbert and George They'll Give You Something to Talk About." The Evening Times, 1 October.

"Gilbert and George at the Norton Gallery of Art," The Palm Beacher , 3 October.

Tuby, Heidi, S. "Contemporary Artists offer Stimulating Work," The News , 4 October.

Kohen, Helen, L. "Two People, One Artist," The Miami Herald , 7 October.

Kurtis, Arlene. "Gilbert and George: Their Art Provokes Reflection," Palm Beach Jewish World, 12-18 October.

"Norton Reception Previews Gilbert and George Exhibition," Palm Beach Chronicle , 12-18 October.

"A Major Exhibition at Norton Gallery: Gilbert and George," Travel Host , 21 October.

Schwan, Gary. "Curator Overwhelmed by Art Duo from England," The Post , 27 October.

Schwan, Gary. "Exhibit Mending Art Gap," The New York Post , 25 November.


1983

"Hunger & Thirst issue," Zien Magazine , Winter.

Cooper, Emanuel. "Gilbert and George, Authoritarian Fascists or Missionaries of Our Time?" Gay News , 17 February.

Frey, Patrick. "Gilbert & George in der Fremdheit ihrer Welt," Jahresbericht des Basler

Kunstvereins , February.

Smith, Roberta. "Gilbert & George's Modern Faith," Village Voice , 17 May.

Becker, Robert. "Art: London's living sculpture, Gilbert & George," August.

Cornand, Brigitte. "Portrait:Gilbert & Georges, Allegories en chrome," Beaux Arts, September.

Vespa. "Gilbert & George." Gai-Pied , 1 October.

1982 Moravia, Alberto. "Ma che belle statuine," L'Espresso , 1 January.

McEwen, John. "Facades." Spectator , 30 January.

Kent, Sarah. "Blood hard slaves of beauty," Time Out , 9-15 April.

Hyde, Phil. "The World of Gilbert & George," Performance Magazine , March.

McEwen, John. "Life and Times: Gilbert & George," Art in America , May, p. 128 - 135.

Tsuzuki, Kyoichi. "Introduction to the World of Gilbert and George," Brutus, Architectural

Stylebook , 1 June.

Van Pelt, Hilde. "Gilbert & George," Gewad , December.

“Gilbert & George in Gewad," De Standaard , 12 December.


1981

Walker, Stephen. "Living with Fear and Gilbert and George," Blitz .

Wilson, Simon. "Modern Fears," Burlington Magazine , February.

Blume, Mary. "Gilbert & George, From Living Sculpture to Modern Fears," International Herald Tribune , 31 January – 1 February.

Roberts, John. "Gilbert & George at Anthony D'Offay," Artscribe , February.

Martin Pouret, "Art and Purity," ZG .

Irmeline Lebeer,"Gilbert & George, art for all," Art Press , April.

Jean-Hubert Martin, "Gilbert & George," Centre Pompidou , April.

Francis, Mark. "Gilbert & George, An interview with Mark Francis," Whitechapel Art Gallery, London, 1 June.

van Mulders, Wim. "Gilbert & George: beeldhouwers," Streven , July.

Marcelis, Bernard. "Gilbert & George: An Itinerary," Domus , July.

Januszcak, Waldemar. "Making snap Judgments," The Guardian , 4 July.

Valzey, Marina. "Gilbert and George: dandies in despair," Sunday Times , 5 July.

Lucie-Smith, Edward. "Gilbert and George talk with Edward Lucie-Smith," BBC Radio 3, 12 July.

Cork, Richard. "Fear and sculpting," The Standard , 6 August.

McRitchie, Lynn. "The Living Sculptures Look at Life," Performance Magazine, September/October.

Burn, Gordon. "The Perfect Couple," The Sunday Times Magazine, 18 October.

Rona, Elisabeth. "Interview: Gilbert & George," Revue d'art contemporain, October.

Collins, Nick. "People like Objects," Creative Camera , November.

Kinmonth, Patrick. "The World of Gilbert & George," British Film Institute Montly Film Bulletin , December, p. 257.

Brett, Guy. "Beauty & The Beast," City Limits , 4-10 December.

Dadomo, Giovanni. "Art for All:The Gilbert and George Show," The Face, December.


1980

Ratcliff, Carter. "Gilbert & George and modern life," Van Abbemuseum, Eindhoven

Castel, Ted. "Gilbert & George arrive beyond alcohol and sex," Art Monthly, November.

Beks, Maartin. "Gilbert en George enorm beeldverhaal," Eindhovens Daglad, 6 December.

Zumbrink, Jan. "Het leven zelf als kunstvorm," Haarlems Daglad , 11 December.


1979

Heyting, Lien. "Wij poetsen elke ochtend onze schoenen," N.R.C. Handelsblad , 7 December.


1978

Lorber, Richard. "Gilbert & George," ArtForum , May, p. 59 – 60.

Kousbroek, Rudy. "De bedrogen verbeelding," N.R.C.Handelsblad , 3 March.

Ratcliff, Carter. "Down and Out with Gilbert & George," Art in America , May/June, p. 92 – 93.


1977

Lucie-Smith, Edward. "Ever so Nice," Art & Artists , March, p. 27 - 29.

Zumbrink, Jan. "Beeldhouwen met het eigen lichaam," De Ni-euwe Linie , 30 March.

Walker, Dorothy. "Marshmallow Aesthetes," Hibernia , 4 February.

van Garrel, Betty. "Last ons hopen dat kunst war is," Holland Diep , March, p. 46 - 47.

Fuchs, R.H. "Gilbert & George, Dark Shadow," Art Monthly , April.

Piller, Mickey. "Wij noemen alles wat we doen skuptuur,' Haage Post , 9 April.


1976

Ratcliff, Carter. "The Art and Artlessness of Gilbert & George," Arts Magazine , January, p. 54 -57.

Haden-Guest, Anthony. "The Red Sculpture," Paris Review , Winter.

Roberts, Michael. "The Art of Living," Sunday Times , 22 February.

Morris, Lynda. "Gilbert & George," The Listener , 22 May.

Feaver, William. "Mental 'images'," The Observer , 30 May.

Lowe, Shirley. "Gilbert & George & Us," Over 21 Magazine.

Bologna, Ferdinando. "Gilbert & George," Il Mattino , 13 May.


1974

Collins, James. Artforum , February.

Elwyn, Lynn. "Gilbert & George," Art International , 20 March.

Trini, Tomaso. "Gilbert & George the Human Sculptors," Data , Summer, p. 20 - 27.

Novak, Robert. "Singing Monuments," Farrago Literary Supplement , 7 September.

Gordons, Gay. Times Literary Supplement , 21 June.

Norris, Linda. "Gilbert & George," Studio International , July/August, p. 49 – 50.


1973

Hector, Chris. "They keep stiff for hours," Nation Review , 31 August.

Brook, Donald. "Blur between art & life," Nation Review , 31 August.

Baudson, Michael. "Gilbert & George," Cles pour les arts , October, p. 13.

Schuldt. "L'Angelus de Milo," Art Vivant , December, p. 9 - 11.

Blotkamp, Carel. "Gilbert & George: on Cooperation, on (cont.) Tradition," Album Amicorum

J.G. van Gelder, The Hague, Niihoff, p. 42 - 46

Lea, Vergine. "The Case of Gilbert & George," Contemporanea , June.

Thomas, Daniel. "Still Life on a Table," Sydney Morning Herald , 16 August.

Adams, Bruce. "Gilbert & George for High Tea," Sunday Telegraph , (Sidney), 26 August.

Nicklin, Leonore. "And here Come the Living Sculpture," Sidney Morning Herald , 14 August.

Davis, Douglas. "Living Statues," Newsweek , 3 December.


1972

Zec, Donald. "The Odd Couple," Daily Mirror , 5 September.

Cork, Richard. "It's G & G, always the life & Soul of the Party," Evening Standard , 22 July.

Buhlmann, Karl. "Selbtsdarstellung als Bildsprache," Luzerner Neueste Nachrichte , 25 May.

Tisdall, Caroline. "The greatest two-men vaudeville act in the art galleries," The Guardian, 30 November.

Cork, Richard. "Make mine a double sculpture," Evening Standard , 1 December.

Weiermair, Peter. "Gilbert stammt aus dem Grodental," Tiroler Tageszeitung , 15 January.

Celant, Germano. "Gilbert & George," Domus , March, p. 50 – 53.


1971

van Lier-Lottefier, Micheline. Cles pour les Arts , April, Bruxelles.

Wyndham, Francis. "Gilbert & George," Sunday Times , 10 January.

Forge, Andrew. "The Paintings of John Hoyland & the Sculpture of Gilbert & George," The

Listener , 22 July.

John Perreault, "Nothing Breathtaking will occur here but...." Village Voice , 7 October.

"Gilbert & George," The New Yorker , 9 October.

Reise, Barbara. "Presenting Gilbert & George," Art News , November, p. 62 – 65.

van Garrel, Betty. "Kunst als een vorm van leven," Haages Post , 10 November, p. 88 – 91.

Cork, Richard. "This is a Photograph of Gilbert and George, Artists. It is also Something

Else Again," Evening Standard , 9 December.


1970

Tisdall, Caroline. "Gilbert and George," The Guardian , 20 November.

"Singende Skulptur-Gluckliche Hauer," Der Spiegel, vol. 24.

Blotkamp, Carel. "Der werken van Gilbert & George, soms in levende lijve," Vrij Nederland , 13 June.


1969

van Elk, Ger. "We would honestly like to say how happy we are to be Sculptors,"

Museumjournaal , October, p. 248 – 249.