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Carl Andre

1935

born in Quincy, Massachusetts

lives and works in New York

1935

born in Quincy, Massachusetts 

lives and works in New York

  

1951-53

Studies Art at the Phillips Academy, Andover, Massachusetts

  

AWARDS

2011 Roswitha Haftmann Foundation Prize

1984 Guggenheim Fellowship

2017

Sculpture as place 1958 - 2010, Musée d'art moderne de la Ville de Paris


2016

Konrad Fischer Galerie, Berlin

Sculpture as place 1958 - 2010, Musée d'art moderne de la Ville de Paris

Sculpture as Place, 1958 - 2010, Hamburger Bahnhof - Museum für Gegenwart, Berlin

 

2015

Carl Andre - Satellites: Museum Morsbroich, Leverkusen

Skulpturenpark Waldfrieden, Wuppertal

Josef Albers Museum, Bottrop

Langen Foundation & Stiftung Insel Hombroich, Neuss

Carl Andre: Sculpture as Place 1958-2010, Museo Nacional Centro de Arte Reina Sofía, Madrid

 

2014

A Friendship: Carl Andre’s Works on Paper from the LeWitt Collection, Dan Flavin Art Institute, Bridgehampton, New York

Carl Andre: Sculpture as Place 1958 - 2010, Dia:Beacon, Beacon, New York

Poems 1958 - 1969, Museum zu Allerheiligen Schaffhausen, Switzerland

Carl Andre - Correspondance, Galerie Arnaud Lefebvre, Paris


2013

Alfonsoartico, Naples

Carl Andre: Sculpture as Place 1958 - 2010, Paula Cooper Gallery, New York

Sadie Coles HQ, London

Turner Contemporary, Margate

 

2012

Galerie Tschudi, Zuoz

Satier, Lead on Copper, Meessen De Clercq, Brussels

RISE, ACE Gallery, Los Angeles

Carl Andre - Skulpturen, Skulpturenpark Waldfrieden, Wuppertal

 

2011

Y8

Timber Works, Konrad Fischer Galerie, Berlin

MUSEION, Museum für moderne und zeitgenössische Kunst, Bolzano

Galería Cayón Madrid

Museum Kurhaus Kleve

LINES, Konrad Fischer Galerie, Düsseldorf

TRAVERTINE / BASALT, Sadie Coles HQ, London

 

2010

Alfonso Artiaco, Naples

The Chinati Foundation, Marfa, Texas

 

2009

TIN, Sadie Coles HQ, London

Paula Cooper Gallery, New York

Stone, Konrad Fischer Galerie, Düsseldorf

Tin Works, Galerie Tschudi, Zuoz

 

2008

WESTERN RED CEDAR, Paula Cooper Gallery, New York

Al C Cu Fe Pb Sn, Galerie Tschudi, Zuoz

Cu Al Konrad Fischer Galerie, Düsseldorf

IRON, Yvon Lambert, Paris

Galerie Greta Meert, Brussels

 

2007

Early Works on Paper 1958-1966, Andrea Rosen, New York

Hommage à Chillida, Kunst Station Sankt Peter, Cologne

Poetry, Galerie Tschudi, Glarus

40 Jahre bei Konrad Fischer, Konrad Fischer Galerie, Berlin

Zinc, ACE Gallery, Beverly Hills

Timber Works/Copper Works, Paula Cooper Gallery, New York

 

2006

passport & poetry, Konrad Fischer Galerie, Düsseldorf

Sculpture, Sadie Coles HQ, London

The sum of a number is half the sum of the square of the number plus the number itself, Paula Cooper Gallery, New York

Georg Kargl Box, Wien

Pythagorean Sculptures, Carl Andre, Tschudi Gallery, Glarus

Poems, Galerie Arnaud Lefebvre, Paris

 

2005

Works in and for The Hague, 1969 Stroom, Den Haag

New works and new publication 1993-2004, Galerie Tschudi Glarus

Carl Andre - Black Wholes, 44 Carbon Copper Triads, Kunsthalle Basel

 

2004

BLACK WHITE CARBON TIN, Sadie Coles HQ, London

photography, Galerie Arnaud Lefebvre, Paris

Works from Glarus, Galerie Tschudi, Zuoz

Graphite, Konrad Fischer Galerie, Düsseldorf

Lament for the Children, Paula Cooper Gallery, New York

Sadie Coles HQ, London

 

2003

Carl Andre - America Drill, Galerie Arnaud Lefebvre, Paris

Carl Andre - New Work and presentation of the poem America Drill, Geukens & De Vil Contemporary Art, Knokke-Zoute

Large Scale Sculpture (Andre, Grosvenor, LeWitt), Paula Cooper Gallery, New York

Carl Andre / Copper Timber, Galerie Tschudi, Glarus

Thank You Glarus - Carl Andre, Kunsthaus Glarus

Aluminum Squares, Konrad Fischer Galerie, Düsseldorf

Carl Andre: Poems, Yucatan 1972, Gallery Yamaguchi, Osaka

 

2002

ACE Gallery, Los Angeles

Konrad Fischer Galerie, Düsseldorf

Copper Cubes, Galerie Tschudi, Glarus Ingots - Wood/Words/Aluminum, Paula Cooper Gallery, New York

Carl Andre, poems, Gallery Side 2, Tokyo

 

2001

Words and small fields, Sadie Coles HQ, London

Middelheimmuseum, Antwerpen

Poems, Paula Cooper Gallery, New York

Open Air Museum Middelheim, Antwerpen

words & small fields; Sadie Coles, London

 

2000

Whitechapel Art Gallery, London

Poetry / TryPoe, Galerie Tschudi, Glarus

Small Sculptures, Paula Cooper Gallery, New York

 

1999

Konrad Fischer Galerie, Düsseldorf

Lament for the Children, Yvon Lambert, Paris

STILLANOVEL TRIALS, STILLANOVEL SYNOPSIS, STILLANOVEL EDITION, Konrad Fischer Galerie, Düsseldorf

 

1998

Galerie Tschudi, Glarus

Alfonso Artiaco, Pozzuoli

Western Red Cedar, Konrad Fischer Galerie, Düsseldorf

New Work, Royal Botanic Garden Edinburgh, Inverleith House

New Work, Paula Cooper, New York

Galerie Tschudi, Glarus

 

1997

Carl Andre at Konrad Fischer, Düsseldorf

Paula Cooper Gallery, New York

ACE Gallery, New York & ACE Gallery, Los Angeles

The Void Enclosed by the Squares of Three, Four, and Five, Stommeln Synagogue, Pulheim/Stommeln

Galerie Tschudi, Glarus

sculptor 1997, M.A.C. Musée d'Art Contemporain at Musée Cantini, Marseille

Oeuvre Poétique, Centre de la Vieille Charité, Marseille

Typewriter Drawings 1963 and Blue Cut Trails 1963, Paula Cooper Gallery, New York

 

1996

Hexatins 1996, Busche Galerie, Berlin

SCULPTOR 1996, Haus Lange/Haus Esters, Krefeld / Kunstmuseum Wolfsburg / Museum of Modern Art Oxford Second Floor Exhibition Space

Reykjavík Bonnefantenmuseum, Maastricht

PROSPECTIVE RETROSPECTIVE, Inaugural Exhibition at 534 W 21 Street, Paula Cooper Gallery, New York

 

1995

New Wood Work, Anthony d'Offay Gallery, London

Sand Lime Instar, Gagosian Gallery, New York

Paula Cooper Gallery, New York

Pb Cu, Galerie Tschudi, Glarus

 

1994

WORDS, 1958-1972, Kölnischer Kunstverein, Cologne

The Complete Poems, Stedelijk Museum Amsterdam

Konrad Fischer Galerie, Düsseldorf

 

1993

Maze & Snares of Minimalism, Julian Pretto Gallery, New York

Galerie Tschudi, Glarus

WORDS, 1960 - 1980, Paula Cooper Gallery, New York

 

1992

travels to Cologne & Amsterdam 1992 Manet Isobars, Paula Cooper Gallery, New York

10 Sculptures in the Shape of a Pair, Galerie Plus-Kern, Brussels

Yvon Lambert, Paris

Konrad Fischer, Düsseldorf

Recent Sculpture, Julian Pretto Gallery, New York

 

1991

American Abstraction at the Addison, The Addison Gallery of American Art, Phillips Academy, Andover

Extraneous Roots, Museum of Modern Art at the Cloister of the Carmelites, Frankfurt a.M.

Homage to Hollis Frampton, Center for Contemporary Art, Cleveland

Sculptur & Poesi, Vestsjaellands Kunstmuseum Sorø

Cold-rolled Primecouples, Konrad Fischer, Düsseldorf

Bismuth Cadmium Indium, Anthony d'Offay, London

 

1990

1979-1989, 5 works, Kamakura Gallery, Kanagawa

Konrad Fischer Galerie, Düsseldorf

Galerie Plus Kern, Brussels; Paula Cooper Gallery, New York

 

1989

Galerie Daniel Templon, Paris

Six Sculptures, Anthony d'Offay, London

Words as Poems, Matter as Sculpture, Paula Cooper, New York

Brownian Stillness, Galería Edurne, Madrid

 

1988

Roaring Forties, Palacio de Cristal, Madrid

Espacio Parque Pignatelli, Museo Pablo Gargallo, Zaragoza

Julian Pretto Gallery, New York

Konrad Fischer, Düsseldorf

Hearth, Yvon Lambert, Paris

Galerie Plus Kern, Brussels

Jean Bernier, Athens

 

1987

Stedelijk Van Abbemuseum, Eindhoven

Haags Gemeentemuseum, Den Haag

Sculture, Museo d'Arte Contemporanea, Castello di Rivoli

Revel (for KF), Konrad Fischer Galerie, Düsseldorf

 

1986

Belgian Blue Limestone, Galerie Plus Kern, Brüssel / Konrad Fischer Galerie, Düsseldorf

 

1985

Skulpturen, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster Paula Cooper Gallery, New York

Travertino, Galerie Daniel Templon, Paris

Milchstraße (La Voie Lactée/The Milky Way), Kunstraum München

Konrad Fischer, Düsseldorf

Gian Enzo Sperone, Rome

 

1984

Fine Arts Gallery, Broward Community College, Fort Lauderdale, Florida Westfälischer Kunstverein, Münster

Konrad Fischer, Düsseldorf

Galerie im Körnerpark, Berlin

Galerie Plus-Kern, Brussels

Galleria Primo Piano, Rome

Galerie Andre, Anselm Dreher, Berlin Art Gallery

Fine Arts Center, State University of New York at Stony Brook

 

1983

Heath Gallery, Atlanta Flow Ace Gallery, Los Angeles

Paula Cooper Gallery, New York

Galerie Daniel Templon, Paris

Galerie Plus Kern, Brussels

Le Nouveau Musée, Villeurbanne/Lyon

Le Coin du Miroir, Dijon

The Clocktower, The Institute for Art and Urban Resources, New York

 

1982

Konrad Fischer, Düsseldorf

Susan Caldwell Gallery, New York

Alberta College of Art Gallery, Calgary

Galerie Hans Mayer, Basel

University of New Mexico

Albuquerque Lowe Art Museum

University of Miami

Coral Gables, Florida

Colorado State University

Fort Collins University of Wyoming

David Bellman, Toronto

 

1981

Museum Haus Lange, Krefeld

Anthony d'Offay, London

Konrad Fischer, Zürich

Württembergischer Kunstverein, Stuttgart

Graeme Murray Gallery, Edinburgh

Paula Cooper Gallery, New York

Susan Caldwell Gallery, New York

Seagram Plaza, New York

 

1980

Institute of Contemporary Art, Boston

Paula Cooper Gallery, New York

Lopoukhine Nayduch Gallery, Boston

David Bellman Gallery, Toronto

National Gallery of Canada, Ottawa

Portland State University, Oregon

Konrad Fischer, Düsseldorf

Cornish Institute of Arts, Seattle

 

1979

The Art Institute of Chicago Wood, Palais des Beaux-Arts, Brüssel

Sculptures en bois, ARC, Musée d'Art Moderne de la Ville de Paris

University Art Museum, University of California, Berkeley

Glenbow Institute, Calgary

Alberta Dag Hammarskjöld Plaza Sculpture Garden, New York

Dallas Museum of Fine Arts

Musée d'Art Contemporain, Montreal

Reese Bullen Gallery, Humboldt State University, Arcata, California

ACA Gallery, SAIT, Calgary, Alberta

 

1978

Whitechapel Art Gallery, London

Wood, Van Abbemuseum, Eindhoven

Laguna Gloria Art Museum, Austin

The Contemporary Arts Center, Cincinnati

Albright Knox Art Gallery, Buffalo

Sperone Westwater Fischer Gallery, New York

Art Agency, Tokyo

Pinacotheca, Richmond, Victoria, Melbourne

Konrad Fischer, Düsseldorf

Ace Gallery, Los Angeles

Ace Gallery, Vancouver

 

1977

Otis Art Institute, Los Angeles

Joseloff Gallery, Hartford Art School, Connecticut

Sperone Westwater Fischer Gallery, New York

 

1976

Davison Art Center, Wesleyan University, Middletown, Connecticut

The Clocktower, New York

Installation of Prime Terrane, Detroit Institute of the Arts, Detroit

Kabinett für Aktuelle Kunst, Bremerhaven

Minneapolis College of Art and Design John Weber Gallery, New York

Barbara Cusack Gallery, Houston

Ace Gallery, Los Angeles

Konrad Fischer, Düsseldorf

Galerie Yvon Lambert, Paris

 

1975

Kunsthalle Bern

The Museum of Modern Art, Oxford

John Weber Gallery, New York

Barbara Cusack Gallery, Houston

Lisson Gallery, London

Sperone Westwater Fischer Gallery, New York

Daniel Weinberg Gallery, San Francisco

Galleria Gian Enzo Sperone, Palazzo del Drago, Roma

Ace Gallery, Vancouver, British Columbia, Canada

 

1974

Wide White Space at Le Bailli, Brussels

Wide White Space, Antwerpen

Konrad Fischer, Düsseldorf

Ace Gallery, Vancouver

 

1973

144 Blocks and Stones. For Robert Smithson (1938-1973), Portland Center for the Visual Arts, Oregon

Institute of Contemporary Art, Boston

Six Alloy Plains, Addison Gallery of American Art, Andover

Thayer Academy, Braintree, Massachusetts

Waterbodies, Projects Series, The Museum of Modern Art, New York

Max Protetch Gallery, Washington D.C.

Dipoles Al-Cu-Fe, Konrad Fischer, Düsseldorf

John Weber Gallery, New York

Galleria Gian Enzo Sperone, Torino

Forum für Aktuelle Kunst, Galerie Krinzinger, Innsbruck

 

1972

Friends of Contemporary Art, Denver

John Weber Gallery, New York

Plains Cu Pb Mg Zn, Janie C. Lee Gallery, Dallas

Lisson Gallery, London

Small Floor Pieces, Konrad Fischer, Düsseldorf

 

1971

Lisson Gallery, London

The St. Louis Art Museum, Missouri

Dwan Gallery, New York

Locksley-Shea Gallery, Minneapolis

Four Meditations on the Year 1960, Konrad Fischer, Düsseldorf

Galerie Yvon Lambert, Paris

Weathering Piece, Wide White Space, Antwerpen

Galerie Heiner Friedrich, München

 

1970

The Solomon R. Guggenheim Museum, New York

Ace Gallery, Los Angeles

 

1969

Haags Gemeentemuseum, Den Haag

Alloy Squares, Konrad Fischer, Düsseldorf

Dwan Gallery, New York

Al Cu, Wide White Space, Antwerpen

Galleria Gian Enzo Sperone, Torino

 

1968

Städtisches Museum Abteiberg, Mönchengladbach

Galerie Heiner Friedrich, München

Clastic, Wide White Space, Antwerpen

Irving Blum Gallery, Los Angeles

 

1967

Dwan Gallery, Los Angeles

Ontologische Plastik, Konrad Fischer, Düsseldorf

Dwan Gallery, New York

 

1966

Tibor de Nagy, New York

 

1965

Tibor de Nagy, New York 

SELECTED GROUP EXHIBITIONS

2016

Wolke und Kristall - Die Sammlung Dorothee und Konrad Fischer, Kunstsammlung Nordrhein-Westfalen, Düsseldorf

WITH A TOUCH OF PINK - WITH A BIT OF VIOLET - WITH A HINT OF GREEN - Dorothee Fischer in memoriam, Konrad Fischer Galerie, Düsseldorf

SCULPTURE ON THE MOVIE 1946 - 2016, Kunstmuseum Basel

 

2015

ICASTICA 2015 - Cultivating Culture, Arezzo

Biographical Forms, Carré d’Art-Musée d’art contemporain, Nimes

Proportio, Organised by the Axel & May Vervoordt Foundation and the Fondazione Musei Civici di Venezia, Palazzo Fortuny, Venice

Icônes Américaines, Grand Palais, Galeries nationales, Paris

America Is Hard To See, The Whitney Museum of American Art, New York

Accelerazione, 9 works by 8 artists of the Herbert Foundation, Herbert Foundation, Ghent

White Fire -The Kunstmuseum Basel Modern Collection, Museo Nacional Centro de Arte Reina Sofía, Madrid

We’ve Got Mail II, Mostyn, Wales

Carl Andre, Dan Flavin, Sol LeWitt, 521 W 21st Street Paula Cooper Gallery, New York

Adventures of the Black Square - Abstract Art and Society 1915–2015, Whitechapel Gallery, London

 

2014

Colección IX. Colección Fundación ARCO, CA2M Centro de Arte Dos de Mayo, Madrid

Secret Passions, Private Flemish Collections, Tripostal, Lille

#4/9 JKL, A-Z. Die Sammlung Marzona, Hamburger Bahnhof - Museum für Gegenwart, Berlin

 

2013

Gironcoli - Context, Belvedere, Vienna

Postscript - Writing After Conceptual Art, The Power Plant, Toronto

The Encyclopaedic Palace 55. Biennale di Venezia, Venice

When Attitudes Become Form: Bern 1969 / Venice 2013 Fondazione Prada, Venice

TEXTILES: OPEN LETTER. Abstraktionen, Textilien, Kunst, Museum Abteiberg, Mönchengladbach

SIGNS/WORDS, Sperone Westwater, Lugano

POESIA. Werke aus der Sammlung Reinking, Städtische Galerie Delmenhorst

RUND UM 47° N, 9° 0, ÜBER 800 M.Ü.M., Kunsthaus Glarus

Ends of the Earth. Land Art bis 1974 Haus der Kunst, Munich

 

2012

Ju­we­len im Rhein­gold. 10 Jah­re Samm­lung Rhein­gold, Kunsthalle Düsseldorf

Beyond Imagination, Stedelijk Museum, Amsterdam

Poesie der Reduktion, MUMOK, Vienna

Nationalgalerie Berlin zu Gast, Kleinplastiken aus der Sammlung Kunsthaus Kaufbeuren

Ends of the Earth - Land Art bis 1974, Haus der Kunst, Munich

Der Raum der Linie, Amerikanische Zeichnung und Skulptur, Museum Wiesbaden

Proteus, Contemporary Art Center Vilnius

Galerie Jürgen Becker, Hamburg

Sculpted Matter, Paul Kasmin Gallery, New York

The Floor Show: Gravity and Materials, Gagosian Gallery, Beverly Hills

Glaze, Galerie Chez Valentin, Paris

Minimal Myth, Museum Boljmans van Beuningen, Rotterdam

Serial Forms, Mitchell-Innes & Nash - West street, New York

Sammlung Kunstmuseum Wolfsburg, Kunstmuseum Wolfsburg, Wolfsburg

Graphology, The Drawing Room, London

Ecstatic Alphabets / Heaps of Language, Museum of Modern Art, New York

Rasterfahndung, Das Raster in der Kunst, Kunstmuseum Stuttgart

Micro Mania, Gagosian Gallery, Paris

The Artists´Postcard Show, Spike Island, Bristol

Martin Visser: collector, designer, free spirit, Bonnefantenmuseum, Maasricht

Monochrome, SALTS, Birsfelden

Spirits Of Internationalism, MuHKA Museum voor Hedendaagse Kunst, Antwerpen

When Attitudes Became Form, Richard Saltoun, London

  

2011

Holiday Editions, Paula Cooper Gallery, New York

Accomplices, The photographer and the artist around 1970, Museum of Modern Art, Warsaw

Arte Povera International, Museo d´arte contemporanea Castello di Rivoli, Turin

The Language of Less (Then and Now), Museum of Contemporary Art Chicago

Architektonika, Hamburger Bahnhof, Museum für Gegenwart, Berlin

Erre, variations labyrinthiques, Centre Pompidou, Metz

There are two sides to every coin, and two sides to your face, Galerie Xippas, Paris

Der Raum der Linie. Amerikanische Zeichnungen und Skulpturen ab 1960 aus einer Privatsammlung, Pinakothek der Moderne, Munich

Sistemas, Acciones y Procesos. 1965-1975, Fundación PROA, Buenos Aires

Distant Star, kurimanzutto, Mexico City

Group Show, Barbara Mathes Gallery, New York

Arbeiten aus dem Bleistiftgebiet, VAN HORN, Düsseldorf

MMK 1991-2011, 20 Jahre Gegenwart, Museum für Moderne Kunst, Frankfurt/Main

ARTIST+ARTIST, Rohde Contemporary, Copenhagen

Personal Structures - 54. Biennale di Venezia, Palazzo Bembo, Venice

John Kaldor Family Collection, Art Gallery of New South Wales, Sydney

Off the Wall/Fora da Parede, Museu Serralves, Museu de Arte Contemporânea, Porto

Just Minimalist, Vivian Horan Fine Art, New York

Works on Paper, Cream Contemporary, Berlin

A Sense of Perspective, Tate Liverpool, Liverpool

Elemental, Paula Cooper Gallery, New York

Compass, Drawings from the Museum of Modern Art New York, Martin Gropius Bau, Berlin

Powders, a Phial, and a Paper Book, Marlborough Chelsea, New York

Observadores, Revelações, Berardo Museum, Collection of Modern and Contemporary Art, Lisbon

Legacy, The Emily Fisher Landau Collection, Whitney Museum of American Art, New York

Untitled, Margo Leavin Gallery, Los Angeles

Anti/Form, Skulpturen aus der Sammlung des MUMOK, Kunsthaus Graz

Sur un Piedestal, Galerie 1900-2000, Paris

Drawn/Taped/Burned, Abstraction on Paper, Katonah Museum of Art, Katonah

Sculpture In So Many Words, Text Pieces 1960-75, ZieherSmith, New York

 

2010

Von Carl Andre bis Gregor Schneider, Dorothee und Konrad Fischer Archiv einer Haltung, Museum Kurhaus Kleve

Aber Schwarz ist doch gar keine Farbe, Konrad Fischer Galerie, Düsseldorf

Vertically Integrated Manufacturing, Murray Guy, New York

Anti Icon, Eaton Fine Arts, West Palm Beach

Personal Structures: Time, Space, Existence, Künstlerhaus Thurn & Taxi, Bregenz

Museu d'art contemporani de Barcelona

DOUBLE ROTATION, Werke aus der Sammlung Lafrenz, Neues Museum Weserburg, Bremen

Weniger ist mehr, Sammlung Herman und Nicole Daled, Haus der Kunst, Munich

Funktionen der Zeichnung, MMK, Frankfurt/Main

just what is it ... ZKM, Karlsruhe

1969 P.S.1 MoMA, New York

Portrait de l’artiste en motocycliste / Portrait of the artist as biker, Le Magasin, Grenoble

Sculptural Collection, SMAK, Gent

Verortungen, Die Frage nach dem Raum in der zeitgenössischen Kunst, Kunstmuseum Wolfsburg

New York Without You I'm Nothing, Art and Its Audience, Museum of Contemporary Art Chicago

BigMinis, Fetishes of Crisis, Musée d'art contemporain, Bordeaux

Cosa fa la mia anima mentre sto lavorando?, Civica Galleria d'Arte Moderna di Gallarate

Just love me, Musée d’Art Moderne Grand, Duc Jean, Luxembourg

Sculpture, Waddington Custot Galleries, London

The Good, The Bad & the Ugly, Cultuurcentrum Mechelen

Artists at Max’s Kansas City, 1965-1974, Loretta Howard Gallery, New York

10,000 Lives, 8th Gwangju Biennale, Gwangju

Sell and Repent, Barbara Mathes Gallery, New York

Andre Calder Judd, Van de Weghe Fine Art, New York

25 Jahre Galerie Tschudi, Galerie Tschudi, Zuoz

Off the Wall Part 1, Thirty Performative Actions, Whitney Museum of American Art, New York

XIV Biennale Internazionale di Scultura di Carrara

Calder to Warhol, Introducing the Fisher Collection, San Francisco Museum of Modern Art, San Francisco

Wall to Wall, Daniel Weinberg Gallery, Los Angeles

Espacio Otro, Galería Cayón, Madrid

Beyond Geometry, Cueto Project, New York

Free Sol Lewitt, Stedelijk Van Abbemuseum, Eindhoven

In-between Minimalisms, Play Van Abbe, Part 2, Time Machines, Stedelijk Van Abbemuseum, Eindhoven

Minimalism, Logic Structure in the Graphic Arts, Worcester Art Museum

If My Soul Had A Shape..., Paula Cooper Gallery, New York

Minimal, Conceptual, Art, Jason Rulnick, New York

My Funny Valentine, Broadway Gallery, New York

Floor Corner Wall, Selected Work from The Rachofsky Collection, Fort Worth Contemporary Arts

with words like smoke, Chelsea space, Chelsea College of Art and Design, London

Asymmetry, Perry Rubenstein Gallery, 527 West 23 Street, New York

Wall & Floor, Galerie Almine Rech, Paris

 

2009

Time, Konrad Fischer Galerie, Düsseldorf

Carl Andre / Melissa Kretschmer, Konrad Fischer Galerie, Düsseldorf

Poor. Old. Tired. Horse., ICA London

One Copenhagen, Stalke Up North, Copenhagen

MINIMAL SHIFT, Galeria Jana Koniarka, Trnava

ONE MORE Thomas Rehbein Galerie, Cologne

TYPED, Sadie Coles HQ, London

Genau und Anders. Mathematik in der Kunst von Dürer bis Sol LeWitt, MUMOK, Wien

Carl Andre / Tim Hawkinson, Arizona State University Art Museum, Tempe, Phoenix

Carl Andre, Balthasar Burkhard, Alan Charlton, Richard Long, Galerie Tschudi, Zuoz

Group Installation, Margo Leavin Gallery, Los Angeles

Collect With Us, Armand Bartos Fine Art, New York

1969, MoMA PS1, New York

Schatten & Räume: Drawings, prints, photographs and sculptures from 1909 to 2009, Emmanuel von Baeyer, London

Zig Zag, Sperone Westwater Gallery, New York

Spätsommer in der Clarissenstraße, Galerie Hans Mayer, Düsseldorf

Carl Andre, Dan Flavin, Donald Judd, Sol Lewitt, Robert Mangold, Robert Ryman, Andrea Rosen Gallery, New York

heart in heart, National Museum of Contemporary Art, Athen

arte povera bis minimal, Einblicke in die Sammlung Lafrenz, Museum Wiesbaden

Visiones de Confin, Institut Valencià d'Art Modern, Valencia

Gegen den Strich, 15 Jahre Sammlung Kunstmuseum Wolfsburg, Kunstmuseum Wolfsburg

Palais des Mirages, Mönchehaus Museum Goslar

Konzeptuelle Kunst auf Papier, Städtisches Museum Abteiberg, Mönchengladbach

The Minimalist Site, Barbara Mathes Gallery, New York

Compass in Hand, Selections from The Judith Rothschild Foundation

Contemporary Drawings Collection, Museum of Modern Art, New York

Don't Think. Feel!, Gallery Yamaguchi Kunst Bau, Osaka

The Actuality of the Idea, Stuart Shave, Modern Art, London

La Vie Mode D'Emploi, Sutton Lane, Paris

Primary Forms: Featuring Annenberg Foundation Acquisitions, Museum of Contemporary Art San Diego

A mancha humana , the human stein, Centro Galego de Arte Contemporánea, Santiago de Compostela

Notation. Form und Kalkül in den Künsten, Zentrum für Kunst und Medientechnologie ZKM, Karlsruhe

The Third Mind, American Artists Contemplate Asia, Solomon R. Guggenheim Museum, New York

Nueva York, El Papel de las Ultimas Vanguardias, Museo de Arte Contemporáneo Esteban Vicente, Segovia

Just What Are They Saying..., Jonathan Ferrara Gallery, New Orleans

OFF THE WALL, Van de Weghe Fine Art, New York

 

2008

Carl Andre, Bernd & Hilla Becher, Sol Lewitt, Bridget Riley, Karsten Schubert, London

Winter Salon, Works on Paper, Björn Ressle Gallery, New York

The Return of Religion...The Art of Iconoclasm, Basis voor Actuele Kunst, Utrecht

Minimal is More, Gemeentemuseum Den Haag

LINES, GRIDS, STAINS, WORDS, Museum Wiesbaden

Origins, Hudson Valley Center for Contemporary Art, Peekskill

TEXT. Drawings, Leo Castelli Gallery, New York

An unruly history of the readymade, Galeria de Fundaciíon /Coleccion Jumex, Mexico City

MORE THAN WORDS, Von Lintel Gallery, New York

Sittenbilder, Galerie Hubert Winter, Vienna

regarde de toutes tes yeux regarde, Musée des Beaux, Arts de Nantes

POINT OF NO RETURN, Rubicon Gallery, Dublin

Sammlung / Collection, Migros Museum für Gegenwartskunst, Zürich

ONE More, In Memoriam, Sol LeWitt, Esbjerg Kunstmuseum

Sol LeWitt x2, Austin Museum of Art, Austin

Elemental Nature, Nevada Museum of Art, Reno

3D, oeuvres de la collection du FRAC Limousin, Espace culturel François Mitterrand, Perigueux

Genau + anders, Mathematik in der Kunst von Dürer bis Sol LeWitt, Museum Moderner Kunst Stiftung Ludwig, Vienna

Wood, Paula Cooper Gallery, New York

Carl Andre / Tim Hawkinson, Art Museum, Arizona State University Art Museum, Tempe

Image and After, Kiasma, Museum of Contemporary Art, Helsinki

 

2007

In memoriam Sol Lewitt, Björn Ressle Gallery, New York

SOLO24ORE24STUNDEN, Nuovo Museion, Bozen

Personal Structures - Tentoonstelling, Maatschappij arte et amicitiae, Amsterdam

Commitment Cultureel Centrum Strombeek, Mechelen

21 Years, Arnaud Lefebvre, Paris

Oeuvres de la collection Billarant, Dominique Perrault Architecture, Paris

A Theater without Theater, Berardo Museum, Collection of Modern and Contemporary Art, Lisbon

Die aufregende Kunst des 20. Jahrhunderts, Neue Nationalgalerie, Berlin

Deconstructed Geometry, Vivian Horan Fine Art, New York

True Romance, Allegorien der Liebe von der Renaissance bis heute, Kunsthalle Wien, Vienna

Japan und der Westen, Die erfüllte Leere, Kunstmuseum Wolfsburg

The context was the issue, not the stretcher, André Simoens Gallery, Knokke-Heist

Gallery Artists Summer Show, Sadie Coles HQ, London

Klio, Eine kurze Geschichte der Kunst in Euramerika nach 1945, ZKM, Karlsruhe

SCALE…scale, Anthony Meier Fine Arts, San Francisco

Le cinque anime della scultura, Centro Sperimentale per le Arti Contemporanee, Caraglio

A theatre without theatre, Museu d´Art Contemporani de Barcelona

Paper, Featuring traditional and innovative uses of the medium, Fisher Landau Center For Art, New York

The Shapes of Space, Solomon R. Guggenheim Museum, New York

Das Schwarze Quadrat. Hommage an Malewitsch, Gründungsbau, Hamburger Kunsthalle, Hamburg

Carl Andre, Mark Grotjahn, John McCracken, James Turrell, Galerie Almine Rech, Paris

John McLaughlin, Carl Andre: Paintings and Sculptures, Michael Kohn Gallery, Los Angeles

 

2006

Galerie mit Bleistift Fischer, Papierarbeiten aus den 60er und 70er Jahren, Konrad Fischer Galerie, Düsseldorf

Inventur Werke aus der Sammlung Herbert, Kunsthaus Graz

Melissa Kretschmer, Mary Obering, Doug Ohlson,Alfonso Artiaco Galleria, Napoli

Von Carl Andre bis Bruce Nauman Rieckhallen, Hamburger Bahnhof, Berlin

Fast nichts: Minimalistische Werke aus der Friedrich Christian Flick , Collection im Hamburger Bahnhof, Berlin

Archisculpture, Kunstmuseum Wolfsburg

Elemental Form, L&M Arts, New York

Plane/Figure, Amerikanische Kunst aus Schweize Privatsammlungen und aus dem Kunstmuseum Winterthur

Minimalism: On and Off Paper, Vivian Horan, New York

DEDICA, Palazzo delle arti, Napoli

Word Sculpture, Tate Modern, London

Gegen Kandinsky, Museum Villa Stuck, Munich

regard 02 : minimalismes, Espace de l’art concret, Mouans Sartoux

Where are we going, The Francois Pinault Collection, Palazzo Grassi, Venice

busy going crazy. the Sylvio Perlstein collection, La Maison Rouge, Paris

Modulated Abstraction, Brooke Alexander Editions, New York

DEFINING THE CONTEMPORARY, Whitechapel Art Gallery, London

Ideal City, Invisible Cities, Brandenburgischer Kunstverein, Potsdam

Selections from the Collection of Edward R. Broida, The National Gallery of Art, Washington

The Guggenheim Collection, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn

What happened to Art, Stedelijk Van Abbemuseum, Eindhoven

Strange I’ve Seen That Face Before, Städtisches Museum Abteiberg, Mönchengladbach

The other side, Tony Shafrazi Gallery, New York

Message personnel, Yvon Lambert, Paris

Minimal Illusions, Arbeiten mit der Sammlung Rik Reinking, Villa Merkel & Bahnwärterhaus, Esslingen

Espai Públic / Dues Audiències, Museu d´Art Contemporani de Barcelona

 

2005

Skulpturen und Installationen, Galerie Tanit, Munich

Logical Conclusions, 40 Years of Rule Based Ar, PaceWildenstein, New York

In homage to the memory of Reno Odlin, Galerie Arnaud Lefebvre, Paris

Carl Andre, Melissa Kretschmer, 1000 Eventi, Milano

Künstlerische Konzepte als Drucksache, Galerie M + R Fricke, Berlin

Artists of the gallery, Galerie Tschudi, Glarus

Elemental, Walker Art Center, Minneapolis

Landscape, Whitney Museum of American Art, New York

Leporello, Stedelijk Museum, Amsterdam

EXIT, Ausstieg aus dem Bild, Museum für Neue Kunst, Karlsruhe

1967, Selected works from the MCA Collection, Museum of Contemporary Art, Sidney

Winter 2005/2006, Galerie Tschudi, Zuoz

Carl Andre to Vik Muniz, Gaain Gallery, Seoul

Zoo Story, An exhibition of animals in art, for the young and the young at heart, Fisher Landau Center For Art, New York

Outdoor Sculpture, Zwirner & Wirth, New York

Ad Infinitum: The Aesthetics of Repetition II, Haines Gallery, San Francisco

Private View 1980-2000, Collection Pierre Huber, Musée cantonal des Beaux-Arts, Lausanne

Minimalism and Beyond, The Pulitzer Foundation for the Arts, Saint Louis

Evergreen, Inverleith House, Edinburgh

Spring Sculpture, Woodward Gallery, New York

Five Minimalist Artists, Björn Ressle Gallery, New York

Counting the Ways: Word As Image, Fisher Landau Center For Art, New York

Installationen und Skulpturen, Galerie Tanit, Munich

3 x 3, Flavin, Andre, Judd, Leonard & Bina Ellen Art Gallery, Montreal

 

2004

temoral values von minimal zu video, Städtische Galerie Karlsruhe, ZKM Gebäude, Karlsruhe

Opening Die Neue Kunsthalle III, material immaterial, Kunsthalle Mannheim

Archiskulptur, Foundation Beyeler, Riehen

Specific Objects, The Minimalist Influence, Museum of Contemporary Art San Diego

Stedelijk Museum Amsterdam at Usce, Museum of Contemporary Art Belgrad

Beyond Geometry Experiments in Form 1940s-70s, Los Angeles County Museum of Art, Los Angeles

Arte y utopía, La acción restringida, Museu d´Art Contemporani de Barcelona, Barcelona

Love / Hate. From Magritte to Cattelan, Villa Manin, Centro d'arte contemporanea, Passariano

Is One Thing Better Than Another?, Galerie Aurel Scheibler, Cologne

Modern Means: Continuity and Change in Art from 1880 to the Present, Mori Art Museum, Tokyo

Sculptures, Galerie Almine Rech, Paris

Singular Forms, Art from 1951 to the Present, Solomon R. Guggenheim Museum, New York

Das MoMA in Berlin. Meisterwerke aus dem Museum of Modern Art, New York, Neue Nationalgalerie, Berlin

Shanghai Art Museum, Encounters with Modernism, Stedelijk Museum Amsterdam

Carl Andre, Wolfgang Laib, Sol Lewitt, Robert Mangold, Richard Serra, Hiroshi Sugimoto, André Simoens Gallery, Knokke-Heist

Archiskulptur, Fondation Beyeler, Riehe

Another space, Kröller Müller Museum, Otterlo

Minimal & Concept Art, Museum Moderner Kunst, Stiftung Wörlen, Passau

The Fine Line, Leslie Tonkonow Artworks + Projects, New York

No title, Sprüth Magers, London

Group Show, Simon Lee Gallery, London

Monocromos, de Malevich al presente, Museo Nacional Centro de Arte Reina Sofía, Madrid

County Museum of Art, Los Angeles

Carl Andre, Balthasar Burkhard, Alan Charlton, Callum Innes, Richard Long, Ulrich Rückriem, Galerie Tschudi, Zuoz

Marfa, Dunn and Brown Contemporary, Dallas

Deurle 11/7/73, Museum Dhondt-Dhaenens, Deurle

Works, Galerie Baronian Francey, Brussels

 

2003

Carl Andre, Balthasar Burkhard, Hamish Fulton, Martina Klein, Richard Long, Not Vital, Galerie Tschudi, Zuoz

Temporal Values, von Minimal zu Video, Zentrum für Kunst und Medientechnologie ZKM, Karlsruhe

Da Modigliani al contemporaneo, Fondazione Cassa di Risparmio di Modena

Adorno, Die Möglichkeit des Unmöglichen, Frankfurter Kunstverein, Frankfurt/Main

Presantation, Margarete Roeder Gallery, New York

3X3, Flavin, Andre, Judd, The Morris and Helen Belkin Art Gallery, Vancouver

New Gouaches / Large-Scale Sculpture, Paula Cooper Gallery, New York

A Simple Plan, James Cohan Gallery, New York

In full view, Andrea Rosen Gallery, New York

Minimal, Kröller Müller Museum, Otterlo

Gelijk het leven is, Stedelijk Museum voor Actuele Kunst, Gent

The Stage of Drawing: Gesture & Act, Selected from the Tate Collection, Museum of Contemporary Art Sydney

Corso Terracciano 56, Alfonso Artiaco, Naples

Guest Art. Das Kunsthaus mit Leihgaben zu Gast, Haus Konstruktiv, Stiftung für konstruktive und konkrete Kunst, Zurich

Kurpark Bad Homburg, Blickachsen 4, Kurpark Bad Homburg

Sculpture, Carré d´art, Musée d´art contemporain de Nîmes

International Abstraction, Making Painting Real, Seattle Art Museum

Drawings of Choice from a New York Collection, Bowdoin College Museum of Art, Brunswick

Raid the Icebox, Margo Leavin Gallery, Los Angeles

Elemental, Selections from the permanent collection, Walker Art Center, Minneapolis

Rendez-vous #4, Collection Lambert, Avignon

From Modernism to the Contemporary, 1958-1999, The Allen Memorial Art Museum, Oberlin

From Broodthaers to Horn, Stedelijk Van Abbemuseum, Eindhoven

Andre, Becher, Buren, Flavin, Lewitt, Schoonhoven, Serra, Zorio Galerie Baronian Francey, Brussels

Himmelsschwer, Transformationen der Schwerkraft, Landesmuseum Joanneum, Graz

 

2002

Das Museum, die Sammlung, der Direktor und seine Liebschaften, Museum für Moderne Kunst, Frankfurt/Main

Nouvelle Simplicité, Espace de l’art concret, Mouans Sartoux

Carl Andre und Melissa Kretschmer, Galerie Tschudi, Glarus

RETROSPECTACLE: 25 Years of Collecting Modern and, Denver Art Museum, Denver

Von ZERO bis 2002, Zentrum für Kunst und Medientechnologie ZKM, Karlsruhe

Aspects of Color, Anthony Meier Fine Arts, San Francisco

American Beauty, Annely Juda Fine Art, London

COPY, Andrew Roth Gallery, New York

Neue Arbeiten aus Holz/LAWRENCE WEINER, PREPARATIONS FOR THE OPERA, Konrad Fischer Galerie, Düsseldorf

Minimal art and Mondriaan, Gemeentemuseum, Den Haag

Reflections, Monika Sprüth Philomene Magers, Munich

Passenger, The Viewer as Participant, Astrup Fearnley Museet for Moderne Kunst, Oslo

Minimal Maximal, National Museum of Contemporary Art Korea, Gwacheon

 

2001

ART WORKS - Sammlung Marzona - Kunst um 1968, Kunsthalle Bielefeld

Ornament und ABSTRAKTION, Fondation Beyeler, Basel

Monet’s Legacy. Series Order and Obsession, Hamburger Kunsthalle, Hamburg

Probation Area, Sammlung Marzona, Nationalgalerie Berlin im Hamburger Bahnhof, Berlin

Carl Andre, Alan Charlton, Niele Toroni, Centre d'Art Neuchâtel

New Collection, Galerie Achim Kubinski, Berlin

A defining generation. Then and Now. 1961 and 2001, The Rose Art Museum, Waltham

Carl Andre, Sol LeWitt & Joel Shapiro, Paula Cooper Gallery, New York

Artcité, Quand Montréal devient musée, Musée d´art contemporain de Montréal

Minimalismos. Un signo de los tiempos, Museo Nacional Centro de Arte Reina Sofía, Madrid

La Percezione dello spazio, Palazzo Forti, Galleria d'Arte Moderna e Contemporanea, Verona

Works on Paper, Victoria Miro Gallery, London

Minimal Maximal, National Museum of Modern Art, Kyoto

Mimal, Zwirner & Wirth, New York

Ornament und Abstraktion, Fondation Beyeler, Riehen

Drawing is Another Kind of Language, The Contemporary Museum Honolulu

Selections from the Extended Collection, Solomon R. Guggenheim Museum, New York

Carl Andre and Alan Saret, James Cohan Gallery, New York

Weiss, Museum für Gegenwartskunst, Emanuel Hoffmann-Stiftung, Basel

 

2000

Hanne Darboven, 9 x 11 = 99, contextual, Carl Andre & Sol Lewitt, Konrad Fischer Galerie, Düsseldorf

Changing Perceptions, The Panza Collection at the Guggenheim Museum, Bilbao

Many Colored Objects Placed Side By Side To Form A Row Of Many Colored Objects, Casino Luxembourg

Luci in galleria, Da Warhol al 2000, Gian Enzo Sperone. 35 anni di mostre, Palazzo Cavour, Turin

Art at Work, Forty Years of the Chase Manhattan Collection, Queens Museum of Art, New York

Carl Andre / Ingo Meller, Galerie nächst St. Stephan, Rosemarie Schwarzwälder, Wien

Group Exhibition, Four Sculptures, D'Amelio Terras, New York

Carl Andre and Joseph Hughes, Takada Gallery, San Francisco

 

1999

Auffrischender Wind aus wechselnden Richtungen / Internationale Avantgarde seit 1960, Die Sammlung Paul Maenz, Neues Museum, Kunstsammlungen zu Weimar

White Fire, Amerikanische Kunst 1959-1999 in Basel, Museum für Gegenwartskunst, Basel

Gesammelte Werke 1, Zeitgenössische Kunst seit 1968, Kunstmuseum Wolfsburg

The American Century, Part II, Whitney Museum of American Art, New York

Sculpture and Sculptors' Drawings, Paula Cooper Gallery, New York

Carl Andre, Cerith Wyn Evans, Isa Genzken, Manfred Pernice, Andreas Slominski, Galerie NEU, Berlin

Alchemies of the Sixties. From the Rose Art Museum Permanent Collection, The Rose Art Museum, Waltham

U.S. Classics, Galerie Tanit, Munich

Minimalia, Sean Kelly Gallery, New York

Test Site, Massachusetts Museum of Contemporary Art, North Adams

Minimal Maximal, Centro Galego de Arte Contemporánea, Santiago de Compostela

Art at Work, Forty Years of the Chase Manhattan Collection, Contemporary Arts Museum Houston

Minimal Maximal, Staatliche Kunsthalle, Baden Baden

A Meditation on the Year 1960, D'Amelio Terras, New York

 

1998

le trésor, le consortium, Dijon

horizontal, vertikal, Das Museum für Moderne Kunst, Frankfurt/M

The Guggenheim Museums and the Art of this Century, Inaugural exhibition at the Guggenheim Museum Bilbao

MINIMAL MAXIMAL, Neues Museum Weserburg, Bremen

Sydney Biennial, Sydney

Centre de la Vieille Charité and MAC, galeries contemporaines des musées de Marseille

Rendezvous, Masterpieces from the Centre Georges Pompidou and The Guggenheim Museums, TheSolomon R. Guggenheim Foundation, New York

Amnesty International Benefit Drawing Show, Paula Cooper Gallery, New York

Großvater, Vater, Sohn, Museum Junge Kunst, Frankfurt/Oder

Gesammelte Werke 1, Zeitgenössische Kunst seit 1968, Kunstmuseum Wolfsburg

11th Biennale of Sydney 1998, Biennale of Sydney

A Choice from the Collection, Stedelijk Van Abbemuseum, Eindhoven

Travel and Leisure, Paula Cooper Gallery, New York

Sculpture, Rhona Hoffman Gallery, Chicago

Galerie Tschudi, Glarus

 

1997

Winter Group Exhibition, The Pace Gallery, 32 East 57th Street, New York

Le bel aujourd, Institut d'art contemporain Villeurbanne/Rhône-Alpes, Villeurbanne

Maxwell's Demon, Margo Leavin Gallery, Los Angeles

On The Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection, Museum of Modern Art, New York

A Lasting Legacy: Selections From The Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles

One Line Drawing, Ubu Gallery, New York

Summer Show '97, The Pace Gallery, New York

Skulptur. Projekte in Münster 1997, Skulptur Projekte Münster

Notfalls leben wir auch ohne Herz, Kunsthalle wien project space karlsplatz, Vinna

Inaugural Exhibition of Hamburger Kunsthalle, Galerie der Gegenwart, Hamburg

L’Art de Collectionner, Palais des Beaux Arts, Brussels

Die Epoche der Moderne, Kunst im 20. Jahrhundert, Martin-Gropius-Bau, Berlin - traveled to the Royal Academy of Arts, London

The View from Denver, Museum of Modern Art, Vienna

Laying Low, Kunstnernes Hus, Oslo

Serial Attitude, Addison Gallery, Andover

Sleeping Beauty, Van Abbemuseum Eindhoven

Auguste Rodin, Die Bürger von Calais, Werk und Wirkung. Skulpturenmuseum Glaskasten Marl - traveled to Musée Royal de Mariemont, Belgium

 

1996

Stiftung Fröhlich, Sammlungsblöcke, Württembergischer Kunstverein, Stuttgart

Summershow, Konrad Fischer Galerie, Düsseldorf

Œuvres phares , peintures et sculptures majeures, Musée d´art contemporain de Montréal

Gray Matter, Mark Moore Gallery, Santa Monica

Op Losse Schroeven, Situaties en Cryptostructuren, Stedelijk Museum, Amsterdam

Colección Permanente. Novas Incorporacions, Colección Fundación ARCO,

CGAC, Santiago de Compostela

Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline, Solomon R. Guggenheim Museum, New York

The Froehlich Collection, Tate Gallery, London - traveled to Staatsgalerie and Württemberg Kunstverein Stuttgart/Kunsthalle Tübingen, to Hamburg and Wien

Chimériques polymères, Le Plastique dans l'Art du XXème Siècle, Musée d'Art Moderne et d'Art Contemporain, Nice

Blurring the Boundaries, Installation Art 1969-1996, Museum of Contemporary Art, San Diego

 

1995

Main Stations, Nouveaux Départs Dans L'art Depuis 1950, Casino Luxembourg, Forum d'art contemporain, Luxembourg

Au rendez vous des amis, coll. A. L'H., musée d´art moderne et contemporain, Geneva

25 Years, An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles

Abstand und Nähe, Prospect ‘68–‘69–’71 In Düsseldorf, Galerie Bugdahn und Kaimer, Düsseldorf

Wide White Space, Internationale Kunst 1966-1976, Kunstmuseum Bonn

Ix, ALDEBARAN, Espace Vigneron, Baillargues

Revolution: Art of the Sixties from Warhol to Beuys, Museum of Contemporary Art, Tokyo

A Passion for the New Art in Tel Aviv Collections, Museum of Art Entr'Acte 4, Van Abbemuseum, Eindhoven

Passions Privées, Musée d'Art Moderne de la Ville de Paris

 

1994

DRAWINGROOM, Zeichnungen und Skulpturen aus der Sammlung Speck, Neue Galerie am Landesmuseum, Joanneum, Graz

Contemporary Art from the Collection of the Federation of Migros

Cooperatives, Museo Cantonale d'Arte, Lugano

Till Brancusi, Malmö Konsthall, Malmö

Minimal Art?, Hallen für neue Kunst, Schaffhausen

Wide White Space 1966-1976", Palais des Beaux-Arts, Brussels - travelled to Kunstmuseum Bonn, Germany, and MAC Marseille, France

30 Years, The Aldrich Museum of Contemporary Art, Ridgefield

Tuning Up, Kunstmuseum Wolfsburg

From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington

Zimmer, in denen die Zeit nicht zählt: Die Sammlung Udo und Anette Brandhorst, Museum für Gegenwartskunst, Basel

Art Américain: Les Années 60-70, Musée d'Art Moderne Saint-Etienne

Kunst in Frankfurt, Das Museum für Moderne Kunst und die Sammlung Ströher, Museum für Moderne Kunst, Frankfurt/M

Die Erste Sammlung, Von 1988 Bis 1994, Positionen Aktueller Kunst, xhibit, Ausstellungsräume der Akademie der bildenden Künste Wien, Vienna

After and Before, The Renaissance Society at The University of Chicago

 

1993

On the Road: Selections from the Permanent Collecton of the Museum of Contemporary Art, San Diego

Shapes and Positions, Museum Fridericianum, Kassel

Carl Andre, Rosemarie Castoro, Galerie Arnaud Lefebvre, Paris

Oeuvres du Patrimoine Contemporain Régional, Le Consortium, Dijon

zum Buch, Konrad Fischer, Düsseldorf

Amerikanische Kunst im 20. Jahrhundert, Martin-Gropius-Bau, Berlin - travelled to Royal Academy of Arts, London

Carl Andre, Sol LeWitt, Yvon Lambert, Paris

The Collection, Stedelijk Van Abbemuseum, Eindhoven

Early Minimal Art Masterworks, John Weber Gallery, New York

25 Years (Part I), Paula Cooper Gallery, New York

 

1992

1968, Le Consortium, Dijon

Minima(a)l, Museum van Hedendaagse Kunst, Citadelpark, Gent

The Living Object, The Art Collection of Ellen H. Johnson, Allen Memorial Art Museum, Oberlin College, Oberlin

Material Matters, Fisher Landau Center, New York

Schwerpunkt Skulptur, Kaiser-Wilhelm-Museum, Krefeld

Manifeste, Musée d'art moderne, Centre Georges Pompidou, Paris

From Brancusi to Bourgeois. Aspects of the Guggenheim Collection, Opening of the SoHo Branch of the Guggenheim Museum, New York

Sechs Künstler Sechs Räume, Das Museum für Moderne Kunst, Frankfurt am Main at Jahrhunderthalle Hoechst

 

1991

Bronze, Steel, Stone, Wood: Three Installations of Sculpture, Anthony d'Offay Gallery, London

Immaterial Objects, Works from the Permanent Collection of the Whitney Museum of American Art, Henry Art Gallery, Seattle

Andre, Judd, LeWitt, Margo Leavin Gallery, Los Angeles

Postwar Sculpture from the Collection, Albright-Knox Art Gallery, Buffalo

Betekende Ruimte/Designated Space, Museum Dhondt-Dhaenens, Belgium

8 Young Artists Then and Now (1964 - 1991), The Bertha & Karl Leubsdorf Art Gallery, New York

American Abstraction at the Addison, The Addison Gallery of American Art, Andover

Denk-Bilder / Kunst der Gegenwart 1960 - 1990, Kunsthalle der Hypo-Kulturstiftung München and at Von der Heydt-Museum Wuppertal

Height x Length x Width: Contemporary Sculpture from the Weatherspoon Collection, Weatherspoon Art Gallery, Greensboro

Sammlung Lafrenz, Neues Museum Weserburg, Bremen

 

1990

Zeichnungen und Skulpturen, Galerie Hubert Winter, Vienna

American Masters of the 60's, Tony Shafrazi Gallery, New York

Fragments, Parts, Wholes: The Body and Culture, White Columns, New York

Che fare? Concept Art, Minimal, Arte Povera, Land Art, Collection Marzona, Kunsthalle Bielefeld

Grounded: Sculpture on the Floor, University of Michigan Museum of Art, Ann Arbor

Um 1968, Konkrete Utopien in Kunst und Gesellschaft, Kunsthalle Düsseldorf and at Museum für Gestaltung, Zurich

Affinities and Intuitions, The Gerald S. Elliot Collection of Contemporary Art, The Art Institute of Chicago

Two Decades of American Art, The 60's & 70's, Nassau County Museum of Art, Roslyn Harbor, New York

Un Choix d'Art Minimal dans la Collection Panza, Musée d'Art Moderne de la Ville de Paris

The Transparent Thread: Asian Philosophy in Recent American Art, Emily Lowe Gallery, Hempstead

Minimal Art, The National Museum of Art, Osaka

 

1989

Carl Andre, Alan Charlton, On Kawara, Galerie nächst St. Stephan, Rosemarie Schwarzwälder, Wien

Pédagogie!, Institut d'art contemporain Villeurbanne/Rhône-Alpes

Capita Selecta, Van Abbemuseum, Eindhoven

Minimalism, Tate Gallery, Liverpool

Modern Masters '89, Helsingin Taidehalli, Helsinki

Three American Sculptors: Andre, Judd, LeWitt, Northern Center for Contemporary Art, Sunderland

Bilderstreit, Rheinhallen der Kölner Messe, Cologne

Carl Andre, Sigmar Polke/Eine Gegenüberstellung, Städtische Galerie im Lenbachhaus, Kunstforum, Munich

Immaterial Objects, organized by the Whitney Museum of American Art - travelled to North Carolina Museum of Art, Raleigh, Albany Museum of Art, Georgia, and San José Museum of Art, San José

Einleuchten, Will, Vorstel und Simul in HH, Deichtorhallen Hamburg

The Experience of Landscape, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York

 

1988

Porkkana, kokoelma, nykytaiteen museon puolesta, Kiasma, Museum of Contemporary Art, Helsinki

Skulpturen und Bildhauerzeichnungen, Galerie nächst St. Stephan, Rosemarie Schwarzwälder, Vienna

Sculpture Exhibition, Paula Cooper Gallery, New York

Permanent Collection I, La Jolla Museum of Contemporary Art

Andre, Beuys, Flavin, Judd, Kounellis, LeWitt, Long, Mangold, Merz, Nauman, Polke, Ryman, Weiner, Hallen für neue Kunst, Schaffhausen

Arte Minimal, Colección Panza, Centro de Arte Reina Sofía, Madrid

Opening of the Sculpture Park, Rijksmuseum, Amsterdam

Zeitlos, Hamburger Bahnhof, Berlin

20th Anniversary Group Exhibition, Paula Cooper Gallery, New York

25th Anniversary Exhibition for the Benefit of the Foundation for

Contemporary Performance Arts, Inc., Leo Castelli, New York and Brooke Alexander, New York

Three Decades: The Oliver-Hoffmann Collection, Museum of Contemporary Art, Chicago

Balkon mit Fächer, DAAD Berlin - travelled to DuMont Kunsthalle, Cologne

Now/Then/Again, Dallas Museum of Arts, Dallas

 

1987

Sculpture of the Sixties, Margo Leavin Gallery, Los Angeles

Skulptur. Projekte in Münster 1987, Skulptur Projekte Münster, Münster

Art Against Aids, A Benefit Exhibition, Paula Cooper Gallery, New York

Andre, Flavin, Judd, LeWitt, Nauman, Serra, Galerie Daniel Templon, Paris

About Sculpture, Anthony d'Offay Gallery, London

Selection from the Roger and Myra Davidson Collection, Art Gallery of Ontario, Toronto

1967, At the Crossroads, Institute of Contemporary Art, University of Pennsylvania

A Century of Modern Sculpture, The Patsy and Raymond Nasher Collection, Dallas Museum of Art - travelled to the National Gallery of Art, Washington

Art Against Aids: A Benefit Exhibition, Paula Cooper Gallery, New York

Skulptur Projekte in Münster 1987, Münster

Fifty Years of Collecting, An Anniversary Selection, The Solomon R. Guggenheim Museum, New York

Standing Sculpture, Museo d'Arte Contemporanea del Castello di Rivoli, Torino

 

1986

Group Exhibition, Paula Cooper Gallery, New York

Point, ligne, plan, Musée d´art contemporain de Montréal

An American Renaissance, Painting and Sculpture Since 1940, Fort Lauderdale Museum of Art, California

Definitive Statements, American Art, 1964-66, David Winton Bell Gallery, List Art Center, Brown University, Providence, Rhode Island - travelled

to The Parrish Art Museum, Southampton, New York

New York '85, ARCA, Marseille

De Sculptura, Wiener Festwochen im Messepalast

The Barry Lowen Collection, The Museum of Contemporary Art, Los Angeles

qu'est-ce que la sculpture moderne?, Musée National d'Art Moderne, Centre Georges Pompidou, Paris

Europa-Amerika, Museum Wallraf-Richartz/Museum Ludwig, Cologne

Contemporary Installation, Museum of Modern Art, New York

Art Minimal II, Musée d'Art Contemporain, Bordeaux

Pop Art, Minimal Art, etc.: Artists in Residence in Aspen 1965-1970, The Aspen Art Museum, Colorado

 

1985

Estructuras Repetitivas, Fundación Juan March, Madrid

Group Show, Galerie Max Hetzler, Cologne

Les vingt ans du Musée à travers sa collection, Musée d´art contemporain de Montréal

The Saatchi Collection, London

Repetitions, A Postmodern Dynamic, Hunter College Art Gallery, New York

Herodotou 2, Dracos Art Center, Athen

The Maximal Implications of the Minimal Line, Edith C. Blum Art Institute, Milton and Sally Avery Center forthe Arts, The Bard College Center, Annandale-on-Hudson, New York

Minimal Art, A Survey of Early & Recent Works, John Weber Gallery, New York

Selection from the William J. Hokin Collection, Museum of Contemporary Art, Chicago

Sur/Exposition, Musée des Beaux Arts de Rennes

Dreissig Jahre durch die Kunst, Museum Haus Lange and Haus Esters, Krefeld

Contrasts of Form: Geometric Abstract Art, 1910-1980, Museum of Modern Art, New York

Ressemblances/Dissemblances, Musée d'Art Moderne de la Ville de Liège, Belgium

Transformation in Sculpture, The Solomon R. Guggenheim Museum, New York

 

1984

American Sculpture, Margo Leavin Gallery, Los Angeles

Carl Andre, Donald Judd, Tony Smith, Paula Cooper Gallery, New York

El Arte de Siglo XX en un museo Holandes, Fundación Juan March, Madrid

Artists Call Against U.S. Invervention in Central America, Paula Cooper Gallery, New York and Leo Castelli Gallery, New York

Collectie Becht, Stedelijk Museum, Amsterdam

Skulptur im 20. Jahrhundert, Merian-Park, Brüglingen/Basel

American Art: Minimal Expression, Tate Gallery, London

ROSC/The Poetry of Vision, Dublin

Development of Western Sculpture in the Modern Period, Museum of Modern Art, Shiga

Metals, Modules and Paint, Galerie Maeght LeLong, New York

The Pivotal Years, Albright Knox Art Gallery, Buffalo

Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Waddington Galleries, London

Little Arena, Drawings and sculptures from the collection Adri, Martin and Geert-Jan Visser, Rijksmuseum, Amsterdam

Accrochage 1, Le Nouveau Musée, Villeurbanne

Eight Artists from Paula Cooper Gallery, Seibu, The Contemporary Art Gallery, Tokyo

American Sculpture, Three Decades, Seattle Art Museum

New International Art from the FMC Collection, Acquisitions 1977-1984, Kunsthaus Zürich

L'architecte est absent, works from the collection of Annick and Anton Herbert, Stedelijk Van Abbemuseum, Eindhoven

Une Collection Imaginaire, Kunstmuseum Winterthur

 

1983

Artists Choose Artists II, CDS Gallery, New York

Minimalism to Expressionism: Painting and Sculpture from the Permanent Collection, Whitney Museum of American Art, New York

17de Biennale voor Beeldhouwkunst, Middelheim

Das, was durch Darstellung einen Stillstand andeutet. Sammlung Reiner Speck, Museum Haus Lange and Museum Haus Esters, Krefeld

The First Show, Painting and Sculpture from Eight Collections 1940-1980, Museum of Contemporary Art, Los Angeles

Artist/Critic, White Columns, New York

Floored, Hillwood Art Gallery, C.W. Post Center of Long Island University, Greenvale - travelled to Tyler School of Art, Temple University, Philadelphia

Ars 83 Helsinki, The Art Museum of The Atheneum, Helsinki

Objects, Structure, Artifice, College of Fine Arts, University of South Florida, Tampa

Festival of the Arts, Center for the Arts, Muhlenberg College, Allentown, Pennsylvania

Chinese Chance, An American Collection, The Butler Institute of American Art, Youngstown

Concepts in Construction 1910-1980, Independent Curators, Incorporated, New York

Work by Newly Elected Members and Recipients of Honors and Awards, American Academy and Institute of Arts and Letters, New York

 

1982

Works in Wood, Margo Leavin Gallery, Los Angeles

documenta 7, Kassel

Surveying the Seventies, Whitney Museum of American Art, Fairfield County, Connecticut

'60 '80 Attitudes/Concepts/Images, Stedelijk Museum, Amsterdam

Halle 6, Kampnagel-Fabrik, Hamburg

Wave Hill 1982, New Perspectives, Wave Hill, The Bronx, New York

Contemporary Outdoor Sculpture at the Guild, Guildwood Hall, Toronto

postMINIMALISM, The Aldrich Museum of Contemporary Art, Ridgefield

Women Choose Men, AIR Gallery, New York

Kunst wird Material, Nationalgalerie, Berlin

Minimalism x 4, Whitney Museum of American Art/Downtown Branch, New York

The New York School: Four Decades, The Solomon R. Guggenheim Museum, New York

 

1981

Westkunst, Rheinhallen Messegelände, Cologne

Tracking the Marvelous, Grey Art Gallery, New York

Minimal Art, Fundación Juan March, Madrid

Sculptural Density, School of the Visual Arts Museum, New York

Carl Andre, Donald Judd, Sol LeWitt, Paula Cooper Gallery, New York

Artists for Nuclear Disarmament at the Acme Gallery, London

 

1980

Andre, Flavin, Judd, Galerie Daniel Templon, Paris

Relationships Between Minimal Art and Corporate Design, The Renaissance Society at The University of Chicago

Andre, Dibbets, Long and Ryman, Louisiana Museum of Modern Art, Humlebaek

Skulptur im 20. Jahrhundert, Wenkenpark, Riehen/Basel

Reliefs, Formprobleme zwischen Malerei und Skulptur im 20. Jahrhundert, Westfälisches Landesmuseum, Kunsthaus Zürich

Pier + Ocean, Hayward Gallery, London

Explorations in the 70's: Pittsburgh Plan for Art, Pittsburgh

Biennale van de Kritiek, International Cultural Center, Antwerpen

Invitational, Bell Gallery, Brown University, Providence

Sculptural Forms, The Aldrich Museum of Contemporary Art, Ridgefield

Carl Andre, Donald Judd, Robert Morris, Sculture Minimal, Galleria Nazionale d'Arte Moderna, Rome

Sculpture, Proctor Art Center, Bard College, Annandale-on-Hudson, New York

Minimal + Conceptual Art aus der Sammlung Panza, Kunstmuseum Düsseldorf

 

1979

Skulptur, Kunsthalle Bern

Group Exhibition, Leo Castelli Gallery, New York

Sculpture on Shoreline Sites, A.R.E.A. Project, Ward\'s Island, New York

Outdoor Sculpture Exhibition, Creedmore Psychiatric Center, Queensvillage, New York

On Walks and Travels, Bonnefantenmuseum, Maastricht

The Reductive Object, Institute of Contemporary Art, Boston

The Minimal Tradition, The Aldrich Museum of Contemporary Art, Ridgefield

Contemporary Sculpture: Selections from the Collection of the Museum of Modern Art, Museum of Modern Art, New York

Skulptur: Matisse, Giacometti / Judd, Flavin, Andre, Long, Kunsthalle Bern

 

1978

Carl Andre, Robert Hunter, Institute of Modern Art, Brisbane

From Nature to Art, from Art to Nature, La Biennale di Venezia, Venice

Aspekte der 60er Jahre, Nationalgalerie Berlin

Numerals 1924-1977, Leo Castelli Gallery, New York

Hurlbutt Gallery, Greenwich Library, Connecticut

Aspects of Minimal Art, Julian Pretto Gallery, New York

Door beeldhouwers gemaakt. Made by Sculptors, Stedelijk Museum, Amsterdam

Grids, Pace Gallery, New York

American Art 1950 to the Present, Whitney Museum of American Art, New York

Selections, Historical and Contemporary Objects, Hartnell College Gallery, Salinas

 

1977

Wood, Nassau County Museum of Art, Roslyn, New York

Paris - New York, Musée National d'Art Moderne, Centre Georges Pompidou, Paris

Skulptur. Ausstellung in Münster, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster

View of a Decade, Museum of Contemporary Art, Chicago

New York: The State of Art, New York State Museum, Albany

Miniature, Fine Arts Gallery, California State University, Los Angeles

Works from the Collection of Dorothy and Herbert Vogel, University of Michigan Art Museum, Ann Arbor

Ideas in Sculpture 1969-77, Renaissance Society, The University of Chicago

Contemporary Masters, Rose Art Museum, Brandeis University

American Art in Belgium, Palais des Beaux Arts, Brussels

American Drawn and Matched, Museum of Modern Art, New York

Skulptur Projekte Münster 77, Skulptur Projekte Münster

documenta 6, Documenta, Kassel

Sculpture Paintings Drawings, Rhona Hoffman Gallery, Chicago

 

1976

New York in Europa, Neue Nationalgalerie, Berlin

Räume Beleg II, Städtisches Museum Abteiberg, Mönchengladbach

Drawing Now: 1955-1975, Museum of Modern Art, New York

Rooms PS 1, Institute for Art and Urban Resources, PS 1, Long Island City

Carl Andre, Richard Long and Barry LeVa, Corcoran Gallery of Art, Washington

Seventy-second American Exhibition, The Art Institute of Chicago

200 Years of American Sculpture, Whitney Museum of American Art, New York

New York-Downtown Manhattan: SoHo, Akademie der Künste, Berlin

Räume, Städtisches Museum, Mönchengladbach

Action and Reaction, Guggenheim Museum New York

Andre/Flavin/Judd/LeWitt, The Museum of Modern Art, Oxford

ProspectRetrospect / Europa 1946-1976, Städtische Kunsthalle Düsseldorf

 

1975

The Condition of Sculpture. A Selection of Recent Sculpture by Younger

British and Foreign Artists, Hayward Gallery, London

One Hundred, Smith College Museum of Art, Northampton

Language and Structure in North America, Kensington Art Association, Toronto

The New Image, The High Museum of Art, Atlanta, Georgia Masterworks in

Wood: The Twentieth Century, Portland Art Museum

Sculpture: American Directions 1974-75, National Collection of Fine

Arts, Washington

Je/Nous, Musée d\'Ixelles, Brüssel

Locate/Order/Measure, University of Colorado Art Galleries, Boulder

 

1974

Andre/Broodthaers/Buren/Burgin/Gilbert and George/On

Kawara/Long/Richter, Palais des Beaux Arts, Brüssel

Art Now \'74, John F. Kennedy Center for the Performing Arts, Washington

Painting and Sculpture Today 1974, Indianapolis Museum of Art, and the

Taft Museum Cincinnati, Ohio

Sculpture Now: Dissolution or Redefinition, Royal College of Art, London

Painting, Drawing and Sculpture in the 60\'s and 70\'s from the Herbert

and Dorothy Vogel Collection, Institute of Contemporary Art,

Philadelphia; travelled to Cincinnati

Tenth Anniversary Exhibition, The Aldrich Museum of Contemporary Art,

Ridgefield

Sandra and Breck Caldwell Collection, University Art Museum, University

of California

Der Konstruktivismus und seine Nachfolge, Beispiele aus dem Bestand der

Staatsgalerie Stuttgart und ihrer Graphischen Sammlung, Staatsgalerie

Stuttgart

Chile Emergency Exhibition, 383 West Broadway New York, organized by the

U.S. Committee for Justice to Latin American Political Prisoners

Choice Dealers/Dealer\'s Choice, The New York Cultural Center, New York

Interventions in Landscape, Massachusetts Institute of Technology, Cambridge

Kunst über Kunst, Kölnischer Kunstverein, Köln

 

1973

Diagrams & drawings, Kunstmuseum Basel

Whitney Biennial 1973, Whitney Biennial, New York

Contemporanea. Incontri Internationali d'Arte, Parcheggio di Villa Borghese, Rome

Some Recent American Art, The National Gallery of Victoria, Melbourne - travelled to Perth, Sydney, Adelaide

Bilder, Objekte, Filme, Konzepte: Sammlung Herbig, Städtische Galerie im Lenbachhaus, Munich

American Art, Third Quarter Century, Seattle Art Museum, Washington

Works from the Early 60's, Paula Cooper Gallery, New York

American-Type Sculpture Part II, Visual Arts Gallery, New York

 

1972

Windham College, Putney, Vermont

Grids, Institute of Contemporary Art, University of Pennsylvania

Actualité d'un Bilan, Galerie Yvon Lambert, Paris

Painting and Sculpture 1972, Storm King Art Center, Mountainville, New York

Recent American Painting and Sculpture in the Albright-Knox Art Gallery, Buffalo

 

1971

Sonsbeek '71, Buiten de Perken, Park Sonsbeek, Arnhem

Second Indian Triennial, New Delhi, India

Sixth Guggenheim International Exhibition, Solomon R. Guggenheim Museum, New York

 

1970

955,000, Vancouver Art Gallery, and Student Union Building Gallery, Vancouver

L'Art Vivant aux Etats-Unis, Foundation Maeght, St. Paul-de-Vence

Between Man and Matter, Tenth Biennale Tokyo, Tokyo Metropolitan Art Gallery - travelled to Kyoto and Nagoya

Eisen- und Stahlplastik 1930-70, Württembergischer Kunstverein, Stuttgart

American Artists of the Nineteen Sixties, Boston University

Art in Process IV, Finch College Museum of Art, New York

Sixty-ninth American Exhibition, The Art Institute of Chicago

Language IV, Dwan Gallery, New York

Information, The Museum of Modern Art, New York - travelled to Kyoto and Nagoya, Japan

1970 Annual Exhibition, Contemporary American Sculpture, Whitney Museum of American Art, New York

Unitary Forms, Minimal Sculpture by Carl Andre, Don Judd, John

McCracken, Tony Smith, San Francisco Museum of Modern Art

Fünf Künstler in fünf Räumen, Kunst- und Museumsverein Wuppertal

Bildnerische Ausdrucksformen 1960-1970, Sammlung Karl Ströher, Hessisches Landesmuseum, Darmstadt

American Art in 1970, The Art Museum, Princeton

American Painting and Sculpture 69th Annual, The Art Institute of Chicago

 

1969

When Attitudes Become Form, Kunsthalle, Bern - travelled to Museum Haus Lange Krefeld, Germany and Institute of Contemporary Arts, London

Number 7, Paula Cooper Gallery, New York

Sammlung 1968 Karl Ströher, Kunsthalle Düsseldorf

Op Losse Schroeven. Square Pegs in Round Holes, Stedelijk Museum, Amsterdam

Andre, Flavin, Judd, LeWitt and Morris, Hetzel Union Building Gallery, Pennsylvania State University, Pennsilvenia

Anti-Illusion: Procedures/Materials, Whitney Museum of American Art, New York

Five Sculptors: Andre, Flavin, Judd, Morris, Serra, Art Gallery/University of California

Language III, Dwan Gallery, New York

 

1968

Art Of The Real, Museum of Modern Art, New York

Minimal Art, Haags Gemeentemuseum, Den Haag - travelled to Kunsthalle Düsseldorf and Akademie der Künste Berlin

Exterior Situations, Windham College, Putney, Vermont

Sammlung 1968 Karl Ströher, Neue Pinakothek, Munich - travelled to Kunstverein Hamburg, Nationalgalerie Berlin, Städtische Kunsthalle Düsseldorf and Kunsthalle Bern

documenta 4, Kassel

Private Visiting Artists Program, Aspen, Colorado

Prospect 68, Städtische Kunsthalle, Düsseldorf

Cool Art 1967, Aldrich Museum of Contemporary Art, Ridgefield

Carl Andre/Robert Barry/Lawrence Weiner, Bradford Junior College, Massachusetts

3 Blind Mice/de Collecties: Visser, Peeters, Becht, Stedelijk Van Abbemuseum, Eindhoven

Benefit for the Student Mobilization Committee to End the War in Vietnam, Paula Cooper Gallery, New York

Language II, Dwan Gallery, New York

Directions 1: Options, Milwaukee Art Center, Wisconsin

The Art of the Real: USA 1948-1968, The Museum of Modern Art, New York - travelled to The Tate Gallery, London, Centre National d'Art Contemporain Paris, and Kunsthaus Zürich

Earthworks, Dwan Gallery, New York

 

1967

Monuments, Tombstones and Trophies, Museum of Contemporary Crafts, New York

American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art, Philadelphia

Language to be Looked at and/or Things to be Read, Dwan Gallery, New York

A Romantic Minimalism, Institute of Contemporary Art, Philadelphia

10, Dwan Gallery, Los Angeles

Normal Art, Lannis Museum of Normal Art, New York

Art in Series, Finch College Museum of Art, New York

 

1966

Primary Structures: Younger American and British Sculptors, The Jewish Museum, New York

Multiplicity, Institute of Contemporary Art, Boston

10, Dwan Gallery, New York

 

1965

Shape and Structure, Tibor de Nagy Gallery, New York

 

1964

Eight Young Artists, The Hudson River Museum, Yonkers, New York and Bennington College, Vermont

CATALOGUES

2007
COMMITMENT, edited by bkSM, Koen Leemans & Luk Lambrecht

2006
about carl andre, critical texts since 1965 – edited by Paula Feldman, Alistair Rider and Karsten Schubert – Ridinghouse, London, ISBN 978-1-905464-00-5

2005
CUTS : Texts 1959-2004 / Carl Andre, Massachusetts Institute Of Technology, edited with an introduction by James Meyer – The MIT Press writing art series
ISBN 0-262-01215-4

DUE – Carl Andre & Melissa Kretschmer – 1000eventi, Milan

DIALOGUES - Carl Andre & Melissa Kretschmer – 500 copies – co production 1000eventi, Milano & Libri Scheiwiller

Carl Andre Glarus 1993-2004, co production: Galerie Tschudi, Glarus & Verlag Buchhandlung Walther König, Köln – ISBN 3-88375-983-X

CARL ANDRE BLACKWHOLES, Kunsthalle Basel, Schwabe AG Verlag-Basel –ISBN 3-7965-2188-6

2004
15 years (1977-1992): Scenes & Variations, artist book, 54 pgs. ill. info

2003
AMERICA DRILL – poem by Carl Andre, 1963, facsimile publication, co production: Les Maîtres de Formes Contemporains / Michèle Didier, Bruxelles & Paula Cooper Gallery, New York. Ed. Of 600 copies

2001
Carl Andre Works on Land, Middelheim Museum Antwerpen

2000
SHOOTING A SCRIPT– poem by Carl Andre, 96 pgs., including 1 pg. preface and 1 pg. afterward

1997
Carlandrecarlandre, Stommeln Synagogue

Carl Andre Sculptor 1997, Musées de Marseille

1996
Carl Andre Sculptor 1996 – Krefeld at Home, Wolfsburg at Large – Ed. Oktagon

Carl Andre and the Sculptural Imagination – Museum of Modern Art Papers Volume II – edited by Ian Cole – Museum of Modern Art Oxford – ISBN 1-901352-00-5

1993
Carl Andre works in Belgium, Imschoot Uitgevers

1992
STILLANOVEL-1972, 100 copies, Paula Cooper Gallery New York

1991
Rolf Lauter - Carl Andre - Extraneous Roots, Museum für Moderne Kunst, Frankfurt am Main

Carl Andre – Skulptur & Poesi, Vestjaellands Kunstmuseum, Sorø

1988
Carl Andre, Palacio de Cristal, Madrid

1987
Carl Andre, Haags Gemeentemuseum Den Haag & Stedelijk Van Abbemuseum Eindhoven

1985
Carl Andre, Sculpture, The Fine Arts Center Art Gallery, State University of New York at Stony Brook

1984
Carl Andre – Die Milchstrasse, Der Frieden von Münster und andere Skulpturen, Westfälischer Kunstverein Münster, Berliner Künsterprogramm der DAAD ( Galerie im Körnerpark), Kunstraum München (1985)

1983
Carl Andre, sculpture 1983, Heath Gallery, Atlanta

Carl Andre, Nouveau Musée, Villeurbanne / Lyon, Le coin du miroir, Dijon

1981
Carl Andre, Museum Haus Lange, Krefeld

1980
CARL ANDRE HOLLIS FRAMPTON 12 DIALOGUES 1962-1963, edited and annotated by Benjamin H. D. Buchloh – The Press of the Nova Scotia College of Art and Design and New York University Press

1978
CARL ANDRE SCULPTURE 1959-78, Whitechapel Art Gallery, London

Carl Andre WOOD, Van Abbe Museum Eindhoven

1977
Carl Andre Sculpture 1959-1977 Text by David Bourdon – Jaap Rietman Inc., New York

1975
Carl Andre Sculpture 1958-74, Kunsthalle Bern

1973
Quincy Book by Carl Andre, Addison Gallery, Andover, Massachusetts

144 Blocks & Stones – Portland ore PCVA, Portland, Oregon

1970
Carl Andre by Diane Waldman, The Solomon R. Guggenheim Museum, New York

1969
Carl Andre, Haags Gemeentemuseum – republished by Daled Brussels in 1975 with approval of Carl Andre

Dia Art Foundation to Present Carl Andre: Sculpture as Place, 1958–2010.

Opens May 5, 2014, at Dia:Beacon and then tours internationally

Andre’s signature floor-bound sculptures will be presented with his “typewriter drawings” and rarely exhibited objects known as Dada Forgeries

May 01, 2014

 

New York, NY–Tracing the full evolution over five decades of the thinking of Carl Andre, a crucial figure in the redefinition of contemporary sculpture, Dia Art Foundation will present Carl Andre: Sculpture as Place, 1958–2010 from May 5, 2014, through March 2, 2015, at Dia:Beacon. The retrospective will include 45 sculptures; over 160 poems and works on paper presented in wooden vitrines designed by the artist; a selection of rarely exhibited assemblages known as Dada Forgeries; and an unprecedented selection of photographs and ephemera. This will be the first museum survey of Andre’s entire oeuvre, and the first retrospective in North America since 1978–-80.

 

After premiering at Dia:Beacon, the retrospective’s only venue in the United States, it will travel to museums in Europe, including Museo Nacional Centro de Arte Reina Sofía, Madrid (May 7–October 12, 2015); Hamburger Bahnhof, Museum für Gegenwart, Berlin (May 7–September 25, 2016); and Musée d\'Art moderne de la Ville de Paris (October 20, 2016–February 12, 2017).

 

The retrospective will represent all major historical and aesthetic shifts in Andre’s considerable oeuvre, including the artist’s signature works made out of unaltered building and industrial materials such as brick stacks, metal squares, slabs, and timber blocks. One of Andre’s landmark ephemeral works will be refabricated and installed on the grounds of Dia:Beacon for the duration of the retrospective, and an unparalleled display of Andre’s poems and typewriter works will examine the pivotal role of language in his practice. Highlighting the richness of the artist’s work—from his early exercises to his latest productions—the presentation at Dia:Beacon will also offer an opportunity to examine concerns shared by Andre and artists in Dia’s collection, such as Dan Flavin, Donald Judd, Sol LeWitt, Robert Smithson, and Richard Serra.

 

“The simplicity of Carl Andre’s work conveys a striking complexity; it naturally reveals the multiple ‘conditions’ that determine not only the artwork as such, but also the material itself in relation to historical and economic conditions. Andre’s long-lasting impact on contemporary art is often reduced to the realm of sculpture, when in fact his process and methodology are palpable across various disciplines and generations of artists. Working with Carl over the past three years, we’ve had the privilege of experiencing his unique precision, his intense understanding of his vocation, and his courageous attempt to rewrite the status of a work of art,” said Yasmil Raymond, Curator, Dia Art Foundation.

 

Co-curated by Dia curator Yasmil Raymond and Museum of Contemporary Art Los Angeles director Philippe Vergne, in close collaboration with the artist, the retrospective will bring together works from renowned collections, including the Museum of Modern Art, Solomon R. Guggenheim Museum, Whitney Museum of American Art, National Gallery of Canada, Dallas Museum of Art, Seattle Art Museum, Kunstmuseum Wolfsburg, Tate, Addison Gallery of American Art, and Wexner Center for the Arts.

 

Exhibition Highlights

Dia will present both historical and recent sculptures by the artist. The earliest stages of his production will be emphasized by the presence of seminal series and exercises, while the main stages of Andre’s mature oeuvre will be represented by a large selection of metal, wood, and brick works. In addition, Andre’s crucial contribution to the inception of earthworks will be highlighted by Joint (1968), an ephemeral hay sculpture that will be refabricated for this important occasion and presented on the back lawn at Dia:Beacon.

 

Andre’s poems, presented in neighboring galleries, will provide a strikingly intimate perspective on his visionary approach to concrete poetry. These typewritten sheets, which include early notes and studies, progressively cohere into a highly systematic style, comprising found language and historical references, patterned combinations of everyday speech and lexicon, obscure epigrams, and abstract, geometric typewriter drawings. This vast survey of Andre’s poems, the largest to date, will be presented in two consecutive cycles during the retrospective at Dia:Beacon.

 

To supplement the presentation of sculptures and poems, Dia will offer a rare opportunity to view, for the first time in a museum context, a selection of Andre’s Dada Forgeries—a legendary series of assemblages and readymade-like pieces produced sporadically, but consistently, between the late 1950s and the early 2000s. Reinforcing Dia’s mission of pioneering art scholarship, this will be the first time that this series will be examined as a cohesive collection, whose quasi-confidential status and humorous absurdity have challenged Andre experts. Andre’s Dada Forgeries will be installed in a special gallery that will also include ephemera and photographic documentation. This room will present a selection from Hollis Frampton’s documentation of Andre’s early works (1958–61), along with other collaborations between Andre and the photographers Gianfranco Gorgoni (1970) and Gordon “Diz” Bensley (1971). In addition, this room will also gather an assortment of postcard sets, demonstrating Andre’s sustained interest in postal correspondence as a poetic and artistic medium.

 

Publication

A clothbound, 400-page, full-color book will accompany the retrospective, offering original essays by co-curators Yasmil Raymond and Philippe Vergne and contributions by internationally respected authors and scholars such as art historians Arnauld Pierre, Alistair Rider, Anne Rorimer, Phyllis Tuchman, and Mika Yoshitake; poetry scholar Marjorie Perloff; curators Christophe Cherix and Manuel Cirauqui; classicist Brooke Holmes; and poet Vincent Katz. Co-edited by Michelle Piranio and Jeremy Sigler and coordinated by Manuel Cirauqui, the publication also includes a comprehensive exhibition history, bibliography, and chronology. The book’s designer is the award-winning Purtill Family Business.

BERLIN

10. Sep 2016 - 05. Nov 2016

exhibition


DÜSSELDORF

16. May 2014 - 19. Jul 2014

exhibition


BERLIN

18. Nov 2011 - 21. Jan 2010

exhibition


DÜSSELDORF

11. Mar 2011 - 30. Apr 2011

exhibition


DÜSSELDORF

04. Sep 2009 - 17. Oct 2009

exhibition


DÜSSELDORF

20. Jun 2008 - 05. Sep 2008

exhibition


BERLIN

27. Sep 2007 - 10. Nov 2007

exhibition


DÜSSELDORF

28. Oct 2006 - 09. Dec 2006

exhibition


DÜSSELDORF

16. Oct 2004 - 13. Nov 2004

exhibition


DÜSSELDORF

28. Jun 2003 - 31. Jul 2003

exhibition


DÜSSELDORF

23. Mar 2002 - 27. Apr 2002

exhibition